UPDATE: IFC has confirmed Deadline’s scoop on this deal. Release appears below the original break.
EARLIER EXCLUSIVE, 1:00 am PST: It took awhile, but the Sundance deals are now moving faster as the festival heads toward its final weekend. IFC is closing a deal for Cold In July, the Jim Mickle-directed drama that stars Dexter‘s Michael C. Hall, Sam Shepard, Don Johnson and Vinessa Shaw. I’m hearing the deal is in the vicinity of $2 million for North American rights, with WME Global negotiating. Hall plays a small town Texas man who kills a home intruder and finds his life unraveling into a dark underworld of corruption and violence when the dead man’s father insists on eye for an eye justice. The film premiered last Saturday in the Library Theater, in the U.S. Dramatic Competition. This is the second IFC deal tonight, as the label is also closing God’s Pocket, the Philip Seymour Hoffman-starrer that marks the feature directing debut of Mad Man star John Slattery.
Here is release:
IFC Films announced today from the 2014 Sundance Film Festival that the company is acquiring North American rights to Jim Mickle’s COLD IN JULY. The film, with a screenplay by Jim Mickle and Nick Damici, stars Michael C. Hall, Don Johnson, Sam Shepard, Vinessa Shaw, Nick Damici, and Wyatt Russell.COLD IN JULY was produced by Linda Moran, René Bastian of Belladonna Productions, Marie Savare de Laitre and
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Jim Mickle’s We Are What We Are tells a twisted version of Jorge Michel Grau’s original Spanish-language Cannes chiller Somos Lo Que Hay: Here Ambyr Childers and Julia Garner play sisters forced to continue their family’s gruesome tradition following the death of their mother. Michael Parks, Kelly McGillis, Nick Damici, Wyatt Russell, and newcomer Jack Gore also star. EOne releases the pic on September 27. Check out the trailer:
EXCLUSIVE: Michael C. Hall, whose final season as Showtime’s signature serial killer Dexter starts June 30, has just landed the lead role in Cold In July. That’s the feature adaptation of the Joe Lansdale cult novel that will be directed by Jim Mickle, whose horror film We Are What We Are just played at the Cannes Film Festival. He plays the protagonist Richard Dane, who shoots and kills an armed burglar in his living room. It’s a clear-cut case of self defense to everyone but the burglar’s father, who vows Old Testament-style eye-for-an-eye justice. Here, that means son for son. The cops, the feds, and the Dixie mafia all play a part in the ensuing mayhem. The picture was introduced at Cannes by Paris-based Backup Media and Memento Films International, which are financing.
Hall most recently starred in John Krokidas’s Kill Your Darlings, playing David Kammerer, the older former professor obsessed with Lucien Carr (Dane DeHaan). Sony Pictures Classics has a fall release planned for the Beat Generation drama that also stars Daniel Radcliffe as Alan Ginsberg. Hall is separately developing and exec producing American Dream Machine, a series adaptation of Matthew Specktor’s novel about a talent agent and his troubled sons – two generations of Hollywood royalty — for Showtime. Dexter showrunner Scott Buck will supervise the pilot script, which Specktor is writing. Hall … Read More »
EXCLUSIVE: Paris-based Backup Media has teamed up with Memento Films International to finance Cold In July, an adaptation of the Joe Lansdale cult novel that will be director Jim Mickle‘s next film. Mickle’s We Are What We Are is playing in Directors’ Fortnight section here at Cannes. Shooting on Cold In July begins in late July with an early 2014 delivery. Adapted by Nick Damici and Mickle, the film is being produced by Belladonna Productions’ Rene Bastian, Adam Folk, and Linda Moran — frequent Mickle collaborators.
The plot: Richard Dane shoots and kills an armed burglar in his living room. It’s a clear-cut case of self defense to everyone but the burglar’s father, who vows Old Testament-style eye-for-an-eye justice. Here, that means son for son. The cops, the feds, and the Dixie mafia all play a part in the ensuing mayhem. “It was important to us to find partners on the movie who would help us create an environment for Jim, where he would be protected and be able to excel as a filmmaker,” Linda Moran and Rene Bastian from Belladonna said. “We are very happy to have found the full support of the Backup/MFI team.” Read More »