EXCLUSIVE: The Big Bang Theory star Jim Parsons and Friday Night Lights alum Taylor Kitsch will co-star opposite Julia Roberts, Mark Ruffalo and Matt Bomer in The Normal Heart, HBO‘s original movie adaptation of the Tony-winning Larry Kramer play, which is being written by Kramer and directed by Ryan Murphy. The project tells the story of the onset of the HIV-AIDS crisis in New York City in the early 1980s. Parsons plays gay activist Tommy Boatwright, reprising his role from the 2011 Broadway revival. He was previously attached to Murphy’s adaptation when it was eyed as a theatrical feature. Kitsch plays Bruce Niles, a closeted investment banker who becomes a prominent AIDS activist. READ MORE »
EXCLUSIVE: The Big Bang Theory star Jim Parsons has signed with UTA. The Emmy and Golden Globe winner had been without an agent since early September when he left Innovative, where he had been for 10 years. He recently …
The broadcast networks staged a major comeback on a wild night at the Emmys, which started and ended with wins that were widely predicted but saw some real curve balls in between. Broadcast’s dominating performance was led by the five Emmys for ABC’s heavy comedy favorite Modern Family, which won every category it was nominated in, sweeping the first four trophy presentations of the night — for best supporting actor/actress and best writing/directing in a comedy series — and making the final award of the night, for best comedy series, a foregone conclusion. Modern Family won that too for a second straight year, and its sweep shut out rival Glee, leaving Emmy host Fox empty-handed. Broadcast shows also claimed the lead actor/actress in a comedy series categories, which provided two of the major upsets of the night. Melissa McCarthy of CBS’ Mike & Molly won for lead comedy actress despite most pundits having her as their fifth or sixth pick in the category and Golden Globe winner Laura Linney considered a strong front-runner for The Big C. Fellow CBS leading man Jim Parsons denied Steve Carell an Emmy for his iconic role on The Office. (The Office and fellow 30 Rock were left out completely tonight.) McCarthy’s and Parsons’ wins also meant a comeback for the multi-camera genre, which had its first double lead actor/actress win in a long time.
Broadcast’s big night continued with Julianna Margulies winning as best actress in a drama series for CBS’ The Good Wife. The Eye network scored again in the reality competition series, where The Amazing Race won for the eighth time in nine years in the category. Additionally, Friday Night Lights, which originated on NBC and continued to air second runs on the broadcast network, scored two big wins for its final season. One went to star Kyle Chandler for lead actor in a drama series and another to showrunner Jason Katims for writing. Add to that the strong showing of pubcaster PBS, whose Masterpiece Theatre mini-series Downton Abbey won four major awards: best TV movie/miniseries, best supporting actress, Maggie Smith, and best writing and directing for a TV movie/miniseries.
Emmys Live-Blog: ‘Modern Family,’ Dominates Comedy Field, ‘Mad Men’ Squeaks Best Drama Win, Big Farewell For ‘Friday Night Lights’ And Upsets Galore
We’re off and running. The much-talked-about opening number of host Jane Lynch features the Glee star in a massive pre-taped production number having her sing and dance through the stages of a slew of hit TV shows. It opens with Leonard Nimoy who, as network president, introduces Lynch to the house of television where all TV shows are housed. The part was originally taped with Alec Baldwin but was redone after Fox cut a line about the News Corp hacking scandal. The elements are uneven, but the best bit is Lynch walking into a scene of AMC’s period ad agency drama Mad Men and being asked by Jon Hamm’s Don Draper to go fetch coffee. When Lynch fires back that she is no secretary but the host of the Emmys Pete Campbell’s Kartheiser is not impressed. “What you should be doing is learning how to type and firing the guy that gave you that man’s haircut!” Lynch tells them that a lot has changed since 1965 and now women can marry each other, nodding, “Hi, Peggy….” “Does that mean women don’t have to sleep with men anymore to make it to the top?” wide-eyed Peggy (Elisabeth Moss) asks. “No, you still have to do that,” Lynch replies. She tells the group that people can now watch television on their phones. When she adds that in the future people can fast-forward through the commercials, everyone freezes. Ad man Don Draper turns to her and gives her a steely look. “You’re going to turn around, walk out of here, and we’re going to pretend we never met you.” Lynch obliges but not before one last jab at Kartheiser, “This haircut costs more than your house. “The number spilled into the stage with a big live finale featuring Lynch hoisted up by male dancers. “Try doing this with triple Spanx,” she said after getting down.
ABC’s Modern Family is on an early roll in the supporting comedy series acting categories, dismissing some projections that, with all 6 cast members nominated in the 2 categories, they might cancel each other out. The first winner of the night is the show’s Julie Bowen for best supporting actress in a comedy series. “I don’t know what I am going to talk about in therapy next week now,” she says.
A second after she thanked her TV husband, Ty Burrell, he too walked to the stage to pick up his trophy for best supporting actor in a comedy series. Burrell talked about his dad, who passed away before he got into acting, doing “a job where every day I go to work in makeup.”
Ricky Gervais presents the director for a comedy series category in a pre-taped segment. “Sorry. I can’t be live and in person. Not after the Golden Globes. I’m not even allowed on American soil if I say something rude or offensive.”
Modern Family is going 3-for-3 with a comedy series directing award for director Michael Alan Spiller for the Halloween episode.
And now it’s 4-for-4 as Modern Family also wins for best writing in a comedy series for the “Caught in the Act” episode written by Steve Levitan and Jeffrey Richman. Levitan, noting that the episode’s main story of the Dunphy kids walking in on their parents having sex was based on his own experience, thanked his “somewhat satisfied wife and 3 traumatized children.” The director cuts to Levitan’s wife who is rolling her eyes.
After the early Modern Family sweep, Lynch comes back from commercial with “Welcome back to the Modern Family Awards.”
Then it’s Charlie Sheen, presenting the lead actor in a comedy series category. Like on The Tonight Show earlier in the week, it was not the Warlock but the old Sheen — cool, collected and gracious — who showed up. “Before I present the award in my old category I wanna take a moment to get something off my chest and say something to all my friends from Two and a Half Men,” he said. “From the bottom of my heart, I wish nothing but the best for this upcoming season. We spent 8 wonderful years together, I know you will continue to make great television. Now on to the Emmy.”
Deadline’s Diane Haithman and Ray Richmond were backstage at the Primetime Emmy Awards tonight to hear what the winners had to say.
Julie Bowen and Ty Burrell came backstage together after winning the awards for Outstanding Supporting Actress and Supporting Actor in a Comedy Series. The Modern Family stars were asked first about being part of a show that is breaking ground for gays. Burrell said, “I don’t know, in terms of America, it feels very, very good to be on a show that seems like it’s slowly changing a lot of minds. Eric [Stonestreet] and Jesse [Tyler Ferguson] deserve all of the credit for that, and our amazing showrunners. It’s a great thing to just peripherally go to events and just basically start to talk about those characters like any other characters, relating to their life — it’s pretty cool.” Bowen joked, “As a straight woman, and part of a straight couple on the show, I feel marginalized.” On a more serious note, she added: “It’s absurd that it’s even an issue, but where it’s an issue, I’m glad that we are part of helping change minds.” Using the word “straight” in a different context, Burrell praised Bowen: “It’s even greater credit to what Julie does that the straight-person wins an Emmy, I don’t think that happens very often. In a couple there’s usually a straight-man and a wilder character. It’s due to her resourcefulness as an actor.” On going back to the set with an Emmy when other cast members were also nominated, Burrell said: “Eric won last year, and Ed [O'Neill] actually just said something really sweet right before the award, ‘whoever wins deserves it.’ I feel like we’re trying to enjoy this moment more than anything — we know this doesn’t last forever; we’re having a lot of fun.” Bowen said about her surprise win, “I kinda thought it was a lock on Betty White. If I didn’t have a dog in this fight, and I had two, I would have voted for Betty White. Claire is not necessarily fall-down funny every time.” She credits the writers for having found ways to make her character have many dimensions and “not just be the mom.” …
Later, Steve Levitan and Jeffrey Richman, winners for Outstanding Writing for a Comedy Series, were asked how it feels for Modern Family to be sweeping the awards so far, with wins in every category they’ve been eligible for. Levitan: “We’re beyond thrilled with the way things have gone, obviously. It’s an embarrassment of riches, and from the bottom of our hearts we feel that Ty Burrell and Julie Bowen deserved to win. (Outstanding Director in a Comedy Series winner) Michael Alan Spiller, not so much. To tell you the truth, it’s a little surreal.” They were then asked what they did to ramp up the stories and quality of Modern Family in Season 2. Levitan: “We feel like we know the characters a little bit better this year. There was such dedication this year to keeping the quality up. We all live in fear of the quality dipping so we work extra hard to make sure that doesn’t happen. … I’ll also tell you that our kids are the unsung heroes of the show. What they do on this show is amazing. We ask them to do such complicated turns and they nail it constantly. They’re playing at the same level as the adults and that’s a rare thing.” …
Steve Carell, The Office
Why He Was Nominated: It’s Carell’s sixth consecutive nomination for his role as the dunderheaded Michael Scott on The Office, and his departure from the NBC comedy this past spring spawned a big-time farewell. Credit network marketing as well as the fact Carell has wide popularity throughout the industry. You get the feeling that he could have stayed on this show for 15 years and been nominated every time.
Why He Has To Win: It literally is now or never, and Carell’s submission for the Emmy (his swan song, “Goodbye, Michael”) was a potent blend of pathos, tears and mirth that also generated a nod for writer/exec producer Greg Daniels’ teleplay. If that isn’t enough, there’s the feeling that Carell’s body of work on a show that began life as a warmed-over imitation of the British edition deserves a golden sendoff. “Carell didn’t try to squirm out of his TV contract even after becoming a feature guy,” a writer and academy member notes. “That scores big points.” Historically, both Sarah Jessica Parker (Sex and the City) and Michael J. Fox (Spin City) have won trophies on their final lap.
Why He Can’t Possibly Win: Well, he hasn’t taken the thing home in five previous tries, so it’s possible Carell simply has a big “Bridesmaid” tattoo etched on his forehead. The Office is also seen as having lingered a bit too long at the dance by some. It’s possible that he already blew his best shot here: when the series earned top comedy honors in 2006. And sentiment doesn’t always carry the day, as the perpetually passed-over John Goodman (0-for-7 for Roseanne) could attest.
With star Kaley Couco sidelined by a broken leg following a horseback accident last weekend, The Big Bang Theory is taking a breather to give more time to the actress to recuperate — and to the writers to figure out how to handle her absence. The Warner Bros TV-produced show is on a scheduled week-long hiatus, which started on Wednesday. Now it has been extended for another week. Cuoco missed the taping at the beginning of this week, and probably won’t be able to start right after the hiatus ends. But producers are optimistic that she may be gone for as few as 2-3 episodes altogether. It is not clear if her injury will be written into the show. But it seems clear that the actress will be able to make a full recovery.
EXCLUSIVE: ‘Big Bang Theory’ Stars Score Huge Paydays After Hardball Bargaining; Jim Parsons Told ‘Take It Or Leave It’ Today
EXCLUSIVE: I’ve learned that the stars of The Big Bang Theory are getting fat new paychecks just as the hit CBS comedy is getting ready for its big move to Thursdays next week. After almost 3 months of negotiations with series producer Warner Bros TV, Big Bang leads Johnny Galecki, Kaley Cuoco, and Jim Parsons have agreed to a major salary hike that would bring the trio’s salaries to $200,000 an episode for the upcoming fourth season, up from about $60,000 last season. The salaries will rise to $250,000 in Season 5, then $300,000 in Season 6 and 350,000 in Season 7. Additionally, they will each receive .25 point of the series’ lucrative backend and will be paid $1+ million as an advance against it now and another $1 million in Season 7. That effectively adds another $50,000 to their per-episode paycheck over the life of the deal.
I hear Galecki and Cuoco, who have been negotiating together, closed their deals on Monday in a face-to-face meeting between their representatives and Warner Bros following a powwow with the two actors and their teams on Friday where the studio’s final offer was presented. Meanwhile, recent Emmy winner Jim Parsons had been holding out for more money and had handled his negotiations separately despite the fact that he is represented by the same law firm as Galecki and Cuoco (Hansen, Jacobson, Teller, Hoberman, Newman, Warren & Richman). I learned that Parsons was offered the same deal as Galecki and Cuoco and given a deadline to take the take it or leave it by today. He just accepted. Talk about hardball: I hear the studio, which had made it clear it was planning to do “favored nations”-type deals (paying all the stars the same), was prepared to table re-negotiations with Parsons until next summer if he had turned down the offer.
Jim Parsons was asked backstage if winning for lead comedy actor helped partially make up for the fact his CBS series The Big Bang Theory wasn’t nominated for top comedy series. “Well, I don’t know,” he said. “It was such a good selection of shows nominated. Who are you going to …
Ray Richmond is contributing to Deadline’s 2010 Emmy coverage. Here’s his scorecard assessing the Outstanding Lead Drama Series Actor race:
JIM PARSONS, THE BIG BANG THEORY
Why He Got Nominated: Because he’s widely regarded in the Hollywood creative and critical communities as the funniest guy on TV as CBS/Warner Bros TV’s Big Bang nerd …
Ray Richmond is contributing to Deadline’s 2010 Emmy coverage.
Jim Parsons is kinda sitting on top of the world these days after having just landed his 2nd consecutive Emmy nomination for his role as the brilliant nerdball physicist Sheldon Cooper on the CBS hit The Big Bang Theory. But it’s also a time of real anxiety for him as well. For one, he’s nervous about both winning and losing an Emmy category where he’s considered a frontrunner. And when his competition includes 3-time winner Tony Shalhoub (Monk) and 2-time victor Alec Baldwin (30 Rock) along with perennial nominees Steve Carell (The Office) and Larry David (Curb Your Enthusiasm) plus newcomer Matthew Morrison (Glee). Parsons is also a bit on edge because of the tense salary renegotiation going on right now between Warner Bros TV and the three Big Bang leads (Parsons and co-stars Johnny Galecki and Kaley Cuoco). Parsons, 37, spoke with Ray Richmond for Deadline Hollywood about the Emmys, his finances, and the best thing about being a rich and famous TV star.
Deadline Hollywood: So, is this Emmy thing in the bag or what?
Jim Parsons: What? No! Of course not.
DH: It’s what those in the know are saying.
JP: Well, that’s great. But the way I see it, you can look at the Emmys two ways in you’re nominated. It’s either win-win or lose-lose. If things go very well and I win, you still have to get up in front of a group of people and risk having God knows what come out of your mouth. If you won’t win, you have to breathe deeply and smile and clap with a camera in your face. Last year, just before they announced my award, I was weak in the knees and had sweaty palms. It wasn’t because I was nervous about winning or losing. It was having to accept the trophy if I did win.
DH: And then you lost.
JP: Yes! So it all worked out. But I still don’t see the odds being with me winning. It’s…what is it? One in six. But you know, my competition is awfully good. My stomach is already in knots. The problem is that I don’t drink, so I can’t calm myself that way. I wish I could be better at pretending I don’t care.