Hot Trailer: Spike Jonze’s ‘Her’

By | Tuesday December 3, 2013 @ 5:52pm PST

After Warner Bros unveiled its first trailer for Spike Jonze‘s unconventional romantic drama in August, the studio made a strategic move to December and took it to the NYFF and Rome fests, collecting kudos for star Scarlett Johansson. But early … Read More »

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OSCARS: Why Michael Fassbender’s Refusal To Campaign Likely Won’t Matter

By | Tuesday October 15, 2013 @ 2:51pm PDT
Pete Hammond

Buried near the end of a lengthy Michael Fassbender profile in the November issue of GQ, writer Zach Baron gets the Oscar-buzzed actor to explain why he has no plans to do the campaign circuit this season for his supporting role as the vicious slave owner in 12 Years A Slave.

“I’m going to be busy working. I just don’t really have time. (Campaigning is) just not going to happen, because I’ll be in New Zealand. I’ll be on the other side of the world. You know, I get it. Everybody’s got to do their job. So you try and help and facilitate as best you can. But I won’t put myself through that kind of situation again. It’s just a grind. And I’m not a politician. I’m an actor,” Fassbender said of the whole Oscar process, which seems to grow every year and includes numerous Q&As, luncheons, meet-and-greets, private screenings, film festival tributes, presenting at endless awards shows, well-timed talk show appearances, etc etc. Many artists who suddenly find themselves the object of an all-out Oscar campaign find this part of the job even more grueling than making the actual film. And by the time the Oscars roll around they are spent.

Campaign or no campaign, in Fassbender’s case it may not matter. He’s very likely going to get nominated — and could win — for Best Supporting Actor and I think that’s a scenario whether he lifts a finger or not in doing the usual rounds. The film and the role are so strong it’s hard to imagine the actors branch ignoring him. Now after the nominations it could change, especially in a tight, competitive race where every vote counts. Read More »

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NYFF: Could Warner Bros. Holiday Entry ‘Her’ Be Poised To Make Oscar History?

Pete Hammond

The New York Film Festival closed Saturday night with the World Premiere of Spike Jonze‘s fourth feature, the irresistibly charming romantic fantasy Her, about a man who falls head over heels for his “operating system”. The studio held a simultaneous screening on the West Coast … Read More »

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Hot Trailer: Spike Jonze’s ‘HER’

By | Wednesday August 7, 2013 @ 11:29am PDT

Warner Bros. has dropped the first trailer for Spike Jonze‘s HER, about an introverted man (Joaquin Phoenix) who falls in love with an artificially intelligent operating system (voiced by Scarlett Johansson). Amy Adams and Rooney Mara also star in the pic written and … Read More »

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Cannes: Reese Witherspoon Joining Paul Thomas Anderson’s ‘Inherent Vice’

Mike Fleming

EXCLUSIVE: All actors want to work with Paul Thomas Anderson and it’s no surprise he’s lining up a killer cast for his adaptation of the Thomas Pynchon novel Inherent Vice. I hear Reese Witherspoon is the latest … Read More »

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Nat Geo Teams With Joaquin Phoenix & Casey Affleck, Scott Free And ‘Undefeated’ Helmers For Special About Last Days Of Life

Nellie Andreeva

EXCLUSIVE: National Geographic Channel has greenlighted a provocative documentary special from top auspices: Joaquin Phoenix and Casey Affleck; Dan Lindsay and T.J. Martin, … Read More »

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Joaquin Phoenix Back With PTA In ‘Inherent Vice’

By | Thursday January 24, 2013 @ 12:34pm PST
Mike Fleming

BREAKING: Joaquin Phoenix is in talks to reteam with The Master helmer Paul Thomas Anderson on Inherent Vice, an adaptation of the Thomas Pynchon detective novel. Annapurna Pictures’ Megan Ellison is backing the picture, as she … Read More »

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Joaquin Phoenix To Interview Magazine: Awards Season Is “Bullshit”

By | Thursday October 18, 2012 @ 1:48pm PDT
Mike Fleming

Even though Joaquin Phoenix turned in a standout performance in Paul Thomas Anderson’s The Master, looks like we shouldn’t expect him to be a fixture on the rubber chicken circuit. When Phoenix, who was Oscar-nominated for Walk The Read More »

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VENICE: ‘The Master’ And Joaquin Phoenix Draw Raves: But Trailer Scenes Are Missing

By | Saturday September 1, 2012 @ 4:29am PDT

Related: VENICE: P.T. Anderson On ‘The Master’, Scientology, & Screening It For Tom Cruise

A Venice Film Festival audience lined up starting at about 8 AM today to catch the first press screening of Paul Thomas Anderson’s The Master. The packed house was hushed throughout the entirety of the film with only a handful of walkouts. Although immediate reaction following the screening was enormously positive, applause when the credits rolled was muted. After sitting through 2 hours of a gorgeous yet emotionally grueling and difficult-to-decipher picture, folks say they’re still parsing the movie. As one industryite and self-professed fan of Anderson’s work said to me this morning, “I would have preferred if it moved from Point A to Point B, not because I’m illiterate about film or need signposts along the way, but it seems to keep circling around.” An across-the-board consensus, however, is that Joaquin Phoenix should earn a Best Actor Oscar nomination. His portrayal of a disturbed World War II veteran Navy man is disturbing itself for the masterful way he embodies such an enigmatic character.

The Weinstein Company releases The Master on September 14th in the U.S., and sneak screenings around the country have resulted in largely glowing reviews. Curiously, a scene that was part of one of the original trailers for The Master — in which Phoenix’s Freddie Quell screams at Philip Seymour Hoffman’s Lancaster Dodd, aka The Master: “I know you’re trying to calm me down, but just say something that’s true!” — was not in the version screened in Venice this morning. Nor was a scene in which Quell is being questioned about “an incident.”

Related: Hot Trailer: Paul Thomas Anderson’s ‘The Master’

Anderson is known for operatic tales, whether set against the backdrop of the porn industry, the San Fernando Valley during a frog storm, or the Southern California oil boom. But this one will be a tougher sell to audiences not used to the director’s work. The movie has been regarded as a thinly-veiled treatise on Scientology, and someone who’s not heard all of the Scientology talk before seeing the film would immediately recognize references to it.  Read More »

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Hot Trailer: Paul Thomas Anderson’s ‘The Master’

By | Tuesday June 19, 2012 @ 10:16am PDT
Mike Fleming

Here’s another trailer for Paul Thomas Anderson’s The Master, from The Weinstein Company. The first one focused on Joaquin Phoenix’s character’s restless and destructive nature, and now that character connects with Philip Seymour Hoffman’s The Master, who starts his own belief system. These are unorthodox vignettes, and … Read More »

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TWC Acquiring U.S. On James Gray Pic; Joaquin Phoenix, Marion Cotillard, Jeremy Renner Star

Mike Fleming

EXCLUSIVE:The Weinstein Company is near a deal to acquire U.S. rights to an untitled period drama that James Gray wrote and directed, with Joaquin Phoenix, Marion Cotillard and Jeremy Renner starring. Gray has completed the film, and The Weinstein Company … Read More »

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Hot Trailer: ‘The Master’

Mike Fleming

The Weinstein Company has provided the first images from The Master, the Paul Thomas Anderson-directed film that stars Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams. In this clip there is no Hoffman, who plays a man who creates a belief system and watches it take off in … Read More »

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Samantha Morton, Amy Adams And Carey Mulligan Circle Spike Jonze Film

By | Wednesday February 1, 2012 @ 6:12pm PST
Mike Fleming

UPDATE: Sources tell me that the project that Morton, Adams and Mulligan and Phoenix are doing was written by Spike Jonze himself, and not Charlie Kaufman. The … Read More »

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River Phoenix’s Family Wants Nothing To Do With Re-Release Of Unseen Film ‘Dark Blood’

By | Thursday October 20, 2011 @ 11:23am PDT
Mike Fleming

The family of late actor River Phoenix is disputing a director’s claim in a trade paper report that they are on board for a proposed re-release of Dark Blood, the 1993 film that Phoenix was shooting when he died of … Read More »

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Toronto: As Magnolia Turns 10, Owner Todd Wagner Says It’s Not For Sale And That VOD Strategy Is Thriving

Mike Fleming

EXCLUSIVE: Along with everything else about the 2001 Toronto Film Festival, the launch of Magnolia Pictures was quickly forgotten on September 11, as co-founder Eamonn Bowles and other indie film execs scrambled to find ways to get home. Magnolia marked its 10th anniversary at 2011 Toronto. While the company still doesn’t carry the profile of some other indie distributors, Bowles and co-owner Todd Wagner said their model — mixing traditional indie theatrical distribution with emerging digital technology — has made them distinctive and profitable. VOD revenues now often outpace theatrical for Magnolia films, and they return profit to filmmakers because of low P&A spends. Bowles and Wagner have been honing the VOD model since they were branded charlatans by theater chains in 2005 when Steven Soderbergh’s micro-budget film Bubble was released simultaneously on movie screens, VOD and DVD. Wagner and partner Mark Cuban put Magnolia and other film assets under the 2929 Entertainment banner on the selling block earlier this year, but pulled them back when they didn’t get a high price. Wagner said he’s staying.

Magnolia releases 35-40 films each year now, with upcoming releases that include the 2011 Toronto title Melancholia (which got Lars von Trier banned by Cannes for making dumb pro-Nazi comments). Some Magnolia efforts follow a theatrical release cycle, others go direct to DVD. But VOD has increasingly become the distributor’s calling card and Wagner said proof of its viability came when Harvey Weinstein poached Magnolia execs Tom Quinn and Jason Janego to start a VOD venture for The Weinstein Company.

“Harvey’s been in the industry forever, and he thought it was a good enough model to hire some of our folks away,” Wagner told me. “I’m flattered. There are other people doing this now, from IFC to John Sloss. To me, it’s validation that we’ve hit on something. But we’ve got an advantage, a unique collection of assets in the Landmark Theater chain, a home video division, and HDNet. The big theater chains still absolutely won’t play Ultra VOD titles, so having a theater chain is helpful. As is having the television network for the relationships it has made us with all the MSO’s. These synergies allow us to be freewheeling in how we license content. And producers are coming back to us with films because we are cutting them checks. That rarely happens elsewhere because of all the P&A that stands in front of them.” Read More »

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James Gray’s ‘Low Life’ Script Draws Marion Cotillard, Joaquin Phoenix, Jeremy Renner

By | Tuesday May 31, 2011 @ 5:47pm PDT
Mike Fleming

EXCLUSIVE: We Own The Night writer/director James Gray is fast mobilizing his next film. It’s called Low Life, and it will star Marion Cotillard and Joaquin Phoenix, with Jeremy Renner in discussions to play the third lead. The project is being packaged by CAA. Several financiers are in the mix, but I hear that Wild Bunch will likely get it. Discussions are also taking place with domestic distributors, and deal is expected to be sealed shortly. The Hurt Locker‘s Greg Shapiro is producing.

I’m told that Cotillard will play a woman attempting to immigrate from Poland. Her American dream turns into a nightmare. While sailing to Ellis Island and a new start, her sister grows deathly ill and she is forced to trade sexual favors for medicine and food to keep her sister alive. Once they land, she is warned to keep quiet about what happened. Though she does, she walks away with immigration papers that deem her a woman with bad morals. With no place to go, she falls prey to a charming sleazebag (Phoenix), who persuades her to turn tricks in New York. Renner is close to signing on to play the sleazebag’s cousin, a magician who sweeps the young woman off her feet and is her best chance to escape the nightmarish life she has fallen into. This will be Gray’s fourth film with Phoenix, who previously starred in The Yards, We Own The Night and most recently Two Lovers. Read More »

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Albert Hughes Exiting ‘Akira’ At Warner Bros

Mike Fleming

EXCLUSIVE: The twists and turns on the Warner Bros adaptation of anime artist Katsuhiro Otomo’s graphic novel Akira continue. Director Albert Hughes is exiting the movie, I’m told. Insiders say that it is an amicable creative differences  parting of the ways. Warner Bros will try to put him on another movie right away (Hughes and his brother Allen directed the hit The Book of Eli, and WB topper Jeff Robinov is their former agent and is very close with them). Hughes is coming to Hollywood next week to take meetings with his WME reps and look at scripts, hoping to find his next movie at Warner Bros.

As for Akira, the intention of the studio is to keep the picture on a fast track, which means they will find a director quickly. The studio has been wrestling with the approach on the film for the past year. Read More »

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Harvey Weinstein Buys World Rights To Paul Thomas Anderson’s Untitled Next Film

Mike Fleming

EXCLUSIVE: The Weinstein Company has won a quiet but fevered bidding battle for worldwide distribution rights to the untitled next film by Paul Thomas Anderson. The film begins production June 13, with Philip Seymour Hoffman and Joaquin Phoenix so far set to star. Megan Ellison is financing. It is Anderson’s first trip behind the camera since There Will Be Blood.

Hoffman and Phoenix are locked. As for the actresses, I’m told that Anderson is eyeing such women as Madisen Beaty (The Curious Case of Benjamin Button) for a role, with Amy Adams, The Girl With the Dragon Tattoo‘s Lena Endre and Laura Dern also mentioned as actresses Anderson is interested in. The auction was held at CAA headquarters late last week, with Fox Searchlight also squarely in the mix.

This is the project that Anderson has worked on for a long time, once under the title The Master. He has greatly overhauled the script and now, Hoffman stars as a man who returns after witnessing the horrors of WWII and tries to rediscover who he is in post-war America. He creates a belief system, something that catches on with other lost souls. The film is fully financed by Ellison’s Annapurna banner. At a time when the implosion of the indie film marketplace made pricey auteur films so hard to finance, Ellison has emerged as something of a godsend to the small group of auteurs she is working with. She’s enabled Anderson to make the movie at or near the $35 million budget the film was going to cost back when Universal stepped away. Read More »

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‘Akira’ Focuses On Short List Of Actors After Getting Steve Kloves Rewrite

Mike Fleming

EXCLUSIVE: The script for the Warner Bros/Legendary Pictures live action adaptation of anime artist Katsuhiro Otomo’s 6-volume graphic novel Akira has been sent to a short list of actors. The picture is finally taking shape for an August start, … Read More »

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