Filmmaker Jon Favreau takes a break from comic books and cowboys to return to his comedic roots with Chef. And while it’s easy to align Chef next to such Favreau faves as Swingers and Made, the title is more prime for the comfort food subgenre of chef-in-crisis cinema that includes such films as …
EXCLUSIVE: Disney is in negotiations with Jon Favreau to helm The Jungle Book, a new adaptation of the 1894 Rudyard Kipling novel that is a priority project for the studio. Justin Marks, scripter of The Raven, will turn in a draft shortly, and the studio hopes to get into production next year. Favreau — who wrote, directed, produced and stars in the modestly budgeted indie Chef – has a strong history with Disney, and this will put him back into the event film game. He helmed the first two Iron Man films and had been attached to direct Magic Kingdom, the pic where the theme park comes to life. Disney previously turned The Jungle Book into the classic 1967 animated film and a 1994 live-action feature helmed by Stephen Sommers. The book is public domain, and Disney has not yet set producers. Bet a few of them on the lot are going to be picking up the phone momentarily.
Los Angeles, June 12, 2013 – Open Road Films has acquired the U.S. rights to Jon Favreau’s rich and vibrant comedy “Chef.” Financed by Aldamisa Entertainment, “Chef” is based on an original screenplay by Favreau, who will direct and star in the movie. “Chef” will also star Sofia Vergara, Scarlett Johansson, John Leguizamo and Robert Downey, Jr. Open Road Films will release the movie nationwide Mother’s Day Weekend – May 9, 2014. The deal was announced today by Tom Ortenberg, CEO of Open Road Films and Sergei Bespalov, Co-Chair and Co-CEO of Aldamisa Entertainment.
“Chef” is the story of Carl Casper (Favreau), who loses his chef job and cooks up a food truck business in hopes of reestablishing his artistic promise. At the same time, he tries to reconnect with his estranged family.
Producers are Karen Gilchrist and Aldamisa’s Sergei Bespalov. Production begins in July 2013 in Los Angeles.
Ray Richmond contributes to Deadline’s conference coverage.
The 5th Annual Produced By Conference, sponsored by the PGA, kicked off this morning on the 20th Century Fox lot with a panel discussion entitled “The Real Deal: Producers Who Direct? or Directors Who Produce?”. Producer Mark Gordon of Grey’s Anatomy fame moderated the discussion in the packed Zanuck Theater, peppering panelists Jon Favreau (Iron Man 1, 2 and 3) and Roland Emmerich (White House Down, Independence Day) with questions about how producers can effectively navigate the directorial waters and vice-versa. Of course, working with filmmakers at the level of Favreau and Emmerich who have abundant experience is rarely a problem, Gordon repeatedly acknowledged.
“There is a comfort level with directors who have a body of work,” said Gordon, who doesn’t direct. “It’s more difficult now because everybody specializes. In the old days of the Hollywood studio system, guys like John Ford and Billy Wilder did it all. They directed comedies. They directed dramas. They directed musicals. Today, you hear, ‘This guy is an action director, this guy directs comedy.’ I don’t believe in that. If you direct, you should be able to direct everything.” But Favreau pointed out that inexperienced directors are becoming less of a dice roll for producers and studios, what with the cost of admission to the club dropping to relative pennies. “There are tremendous filmmakers doing strong pieces of content online,” he said. “Those content walls are coming down. It’s becoming less and less of a guess. It isn’t like picking the new Dalai Lama. You can see what’s being done and say, ‘This kid’s got some vision’.”
EXCLUSIVE: Bradley Cooper has now formally confirmed to star in the John Wells-directed Chef, making this one of the early projects stirring action from foreign buyers who can now visualize the Silver Linings Playbook star back in meltdown mode in this Shampoo-like drama. He plays a Paris chef named Adam Jones, who destroys his wunderkind status in a blaze of decadence and out of control behavior. He cleans up and returns to Paris sober, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars. This has been in the works a bit, and recently Cooper saw Wells’ upcoming TWC Oscar-bait movie August: Osage County and then TWC set Wells to direct Chef. They are now looking to round out that cast, and I’m hearing Michelle Williams and Marion Cotillard as potential female leads, and Omar Sy for co-starring role. The film’s produced by Stacey Sher, Erwin Stoff and Michael Shamberg.
Ross Lincoln is a Deadline contributor.
With an average of 8.4 million viewers per episode, the apocalyptic sci-fi series Revolution has been a relative hit for NBC in a humiliating turn of events that recently saw the network finish fifth — behind Univision — for the first time in its history. Despite that success, Revolution was put on a 4-month hiatus after 10 episodes. In advance of the series’ March 25 return, Night 2 of PaleyFest 2013 featured a Revolution panel with series creator and executive producer Eric Kripke, co-creator and executive producer J.J. Abrams, and executive producer Jon Favreau. Also along for the ride were cast members Billy Burke (Miles Matheson), Tracy Spiridakos (Charlie Matheson), Giancarlo Esposito (Major Tom Neville), David Lyons (Sebastian Monroe), Daniella Alonso (Nora Clayton). and J.D. Pardo (Jason Neville). The discussion centered heavily on the show’s return and based on what the executive producers said, fans can expect a much more fast-paced experience.
Set 15 years after an unspecified event caused all electrical devices to stop working, Revolution hangs on a heavy myth arc, but as revealed during the panel the series is bucking the tradition of genre TV shows by refusing to draw things out.
Iron Man director Jon Favreau is set to executive produce a single-camera comedy written and executive produced by The Office co-executive producers Warren Lieberstein and Halsted Sullivan. The untitled project, produced by Universal TV, centers on a divorced father with shared custody of his 5-year-old daughter who moves into a building full of singles and must balance his re-entry into the dating world with being a solo parent. Favreau, repped by CAA, Shepard & Associates and Bob Getman, also has a relationship with NBC having directed the pilot for the network’s high-profile new drama Revolution. Lieberstein and Sullivan are with CAA and Jared Levine.
Sci-Fi White House Drama Written By Jon Favreau, Roberto Orci, Seth Green & Michael Dougherty Gets Put Pilot At ABC
EXCLUSIVE: This is a writing team configuration that is sure to get people’s attention: Jon Favreau, Roberto Orci, Seth Green and Michael Dougherty. It certainly got ABC’s — the network has handed out a put pilot commitment to Ex-Comm, a sci-fi drama with humor, which will be written by the quartet. Iron Man helmer Favreau is set to direct the potential pilot, with 20th Century Fox TV and Alex Kurtzman and Roberto Orci’s studio-based K/O Paper Products producing. Ex-Comm is described as a present-day “presidential procedural” and a cross between the paranormal suspense of The X-Files and the political intrigue of The West Wing. It follows a newly-elected President and his top secret “Executive Committee” (a.k.a. Ex-Comm), the government’s covert team of America’s most elite minds who investigate and protect our nation from the strangest occurrences and “conspiracy theory truths” out there. Tonally, the show aims to be fun but grounded, with everything in it operating within the realm of possibility. Favreau, Orci, Green and Dougherty are executive producing with Kurtzman, K/O’s Heather Kadin and Green’s producing partner at Stoopid Monkey Matthew Senreich.
How did the writing team on Ex-Comm get assembled? Robot Chicken co-creator Green and Superman Returns/X Men 2 co-writer Dougherty hatched the idea and took it to Kurtzman and Orci’s company. Meanwhile, Kurtzman and Orci co-wrote this past summer’s Cowboys & Aliens movie, which Favreau directed. While abroad doing press for the film with the rest of the cast and crew, Orci was working on the Ex-Comm pitch, and that’s how Favreau heard about it and came on board.
Cowboys & Aliens director Jon Favreau‘s promotional push for the sci-fi Western continues with a directing gig on ABC’s Jimmy Kimmel Live! Favreau, who spent the weekend at Comic-Con, will helm the Wednesday episode as part of a Cowboys & Aliens-themed week of JKL featuring interviews with stars Daniel Craig, …