BREAKING: Oblivion star Tom Cruise and director Joseph Kosinski are looking to work together again. They are circling Go Like Hell for 20th Century Fox. This is the battle between Ford and Ferrari for dominance in …
AMC has put in development Ballistic City, a futuristic drama directed and executive produced by Oblivion helmer Joseph Kosinski and written/executive produced by Travis Beacham, co-writer of another upcoming tentpole sci-fi movie, Guillermo del Toro’s Pacific Rim. Ballistic City is expected to be among the projects in development announced at AMC’s upfront event in New York today, along with Ashland, from writers Allison Anders and Terry Graham.
Ballistic City is described as “Blade Runner meets Battlestar Galactica” and tells the story of a former cop thrust into the criminal underworld of a city housed in a generational space ship destined for an unknown world. I hear the project is eyed as a potential companion to AMC’s genre blockbuster The Walking Dead. Kosinski, who previously directed Tron: Legacy, and Beacham, who also co-wrote Clash Of The Titans, executive produce with Anonymous Content’s Steve Golin, Bard Dorros and Michael Sugar. Following a strong international start with a $61 million haul last weekend, Tom Cruise-starrer Oblivion opens this Friday. Pacific Rim is being released in July. Kosinski is repped by Verve and Hirsch Wallerstein; Neacham is with WME, Anonymous Content and Hansen, Jacobson.
Universal has put up a new TV spot for Oblivion. The Joseph Kosinski-directed film stars Tom Cruise as one of the last humans on Earth after a devastating war with aliens. While he’s on duty as a roving drone repairman, he stumbles upon the survivor of a downed space …
Here’s Universal’s trailer for the Joseph Kosinski-directed Oblivion. It reveals quite a bit more than an international version that surfaced earlier today but has mysteriously vanished. The movie has Tom Cruise as one of the last people on an Earth ravaged by an alien war. Morgan Freeman, Olga Kurylenko …
BREAKING: NBCUniversal’s new owners at Comcast have given a vote of confidence to the studio’s feature film operation. They’ve exercised an option on Universal Pictures’ Chairman Adam Fogelson and extended his contract through 2014. I’m told that Fogelson is, in turn, in the process of exercising the option of Donna Langley and she will continue as the studio’s co-chairman. They will also keep their executive team intact. Fogelson will continue to have full day-to-day operating responsibility for the Motion Picture Group, reporting to Universal Studios President and Chief Operating Officer Ron Meyer (whose contract was recently re-upped through 2015) and will now also report to NBCUniversal Chief Executive Officer Steve Burke.
While Universal has had its ups and downs, higher-ups are clearly convinced that Fogelson, Langley and their team are making progress. They’ve had recent hits –Bridesmaids, Hop! and Fast Five– but also had some recent misses that include The Dilemma, Change-Up and Cowboys & Aliens. In the latter case, the studio was on the hook for one-third of the film, and shared that third with Relativity Media. It has also been a year in which Fogelson and his team have made some painful decisions and let pricey productions go. That began with the Guillermo Del Toro-directed At the Mountains of Madness, which Universal developed for years and which was ready to go with Tom Cruise, until the studio made a late decision not to go forward because of the possibility the $150M film could carry an R-rating. Universal also dropped two projects that were in advanced stages of development: The Dark Tower, the Akiva Goldsman-directed adaptation of the Stephen King novel series that was to be made into three feature films and two limited-run TV series, with the first film and TV segment directed by Ron Howard and produced by Brian Grazer and Goldsman; and Oiuja, the Hasbro board game that had McG directing and Michael Bay and his Platinum Dunes partners producing with Hasbro. The moves were surprising because Howard and Grazer are cornerstone filmmakers for Universal; and Del Toro and Hasbro have overall deals there. Ouija is one of several Hasbro properties the studio dropped, the others being the Gore Verbinski-directed Clue, the Ridley Scott-directed Monopoly and Magic, The Gathering. These were part of a groundbreaking deal the studio made with the toymaker several years ago, but the studio and Hasbro have re-focused their attention solely on Battleship, Stretch Armstrong, and Candy Land.
EXCLUSIVE: Peter Chernin and his top production executive Dylan Clark are coming aboard as producers of Oblivion, the futuristic science fiction film that has Tom Cruise starring and Tron: Legacy‘s Joseph Kosinski directing. Universal acquired the project in April and just dated it for a July 19, 2013 release. It shook loose from Disney because the filmmakers couldn’t make it a PG family film. How do Chernin and Clark fit in, considering Chernin Entertainment is becoming a major supplier for 20th Century Fox? Back when Disney bought the comic amid a heated bidding battle when it was sold as a comic from Barry Levine’s Radical Publishing, hatched from an idea by Kosinski, Chernin and Clark were among those chasing it hardest. When the filmmakers got the blessing of Disney to shop it elsewhere, Chernin and Clark tried to interest Fox, but that studio has a lot of science fiction projects. After Universal got it, the filmmakers invited Chernin and Clark to join the picture, I’m told.
The PG-13 film starts production in the fall, with a script by William Monahan and Karl Gajdusek. Oblivion is a futuristic science fiction love story that takes place in an apocalyptic future where most of the population lives in clouds above an earth’s surface that has been rendered for the most part uninhabitable. An earthbound soldier — stuck there repairing drones that patrol and blast a savage alien life form — encounters a beautiful woman who crashed in a craft, and they have an experience that forces him to question his world view.
EXCLUSIVE: Tom Cruise has committed to star for Universal Pictures in Oblivion, the science fiction film that will be directed by Joseph Kosinski, who last helmed Tron: Legacy. Production will begin in October. Cruise had been loosely attached to the Radical Publishing graphic novel adaptation when Disney let it go and Universal committed to finance and distribute the $100 million film, which came with a William Monahan script that was being rewritten by Karl Gajdusek. Kosinski hatched the idea for the project and set it to be published by Barry Levine’s graphic novel imprint as a calling card for a movie when Kosinski was busy for so long directing Tron: Legacy, which topped out at $400 million worldwide gross.
Disney acquired the graphic novel in a heated auction last summer, and Universal was one of the studios that also chased it. It takes place in an apocalyptic future where most of the population lives in clouds above an earth surface that has been rendered uninhabitable. Cruise will play a soldier who’s stuck alone on the planet, repairing the drones that patrol and destroy a savage alien life form. He encounters a beautiful woman who crashes in a craft, and their experience together forces him to question his world view. Disney allowed Kosinski to shop it because it didn’t fit its family-film mold and attempts to rein it in to a PG rating was creatively strangling the project. It will be PG-13.
EXCLUSIVE: Universal Pictures has emerged as the front-runner to finance and distribute Oblivion, the Joseph Kosinski-directed sci-fi project that has Tom Cruise in early talks to star. The studio has entered into exclusive negotiations for a deal that would carry progress to production language, with a goal to begin shooting in October. The deal hinges on Kosinski’s ability to bring in the film at around the $100 million mark. Cruise doesn’t have a deal at this point, but they are talking. Deadline told you last week that Universal was among three studios chasing the film. The film was scripted by William Monahan, with Karl Gajdusek currently rewriting.
Oblivion recently shook loose from Disney, where Kosinski made his feature directorial debut on Tron: Legacy. That film just hit the $400 million worldwide gross mark for Disney, and the studio has a Tron sequel and other projects with Kosinski. But the studio let the filmmaker shop it because the post-apocalyptic Oblivion premise didn’t fit the studio’s family film mandate. Attempts to bring it in as a PG film was creatively strangling the project. It will be made as PG-13.
The project is based on a Radical Publishing graphic novel that came from an idea by Kosinski, and was published by Barry Levine’s imprint while Kosinski was preoccupied with Tron. The graphic novel was always viewed as a blueprint for a feature film, and Disney acquired in a heated auction last summer. Universal was among the studios chasing it last summer, along with Paramount and Fox and Chernin Entertainment. Oblivion is a futuristic science fiction love story that takes place in an apocalyptic future where most of the population lives in clouds above an earth surface that has been rendered for the most part uninhabitable. An earthbound soldier — stuck there repairing drones that patrol and blast a savage alien life form — encounters a beautiful woman who crashed in a craft, and they have an experience that forces him to question his world view. There are really only a handful of characters in the last-man-on-earth storyline, and so the feeling is that Cruise is a strong match.
Disney is letting go of Oblivion, the Radical Publishing graphic novel that it acquired in a heated auction last summer as a directing vehicle for Tron: Legacy helmer Joseph Kosinski. I’m told that other studios are looking at the …
Disney has generated a fresh trailer on the Joseph Kosinski-directed Tron: Legacy, which opens December 17.
The first video for Tron:Legacy was issued today and it gives the sense of visual effects and scale that was in the 20 minutes of footage that the studio recently previewed in NY and LA. The song is “Derezzed” by Daft Punk, which scored the film. The Joseph Kosinski-directed pic …