EXCLUSIVE: Justin Timberlake has landed a starring role in Trouble With The Curve, the Robert Lorenz-directed Warner Bros film that will star Clint Eastwood and Amy Adams. Eastwood plays a veteran scout who goes on a scouting trip with his daughter (Adams). The goal is to scout a new phenom. Timberlake will play a rival scout who is sweet on the elder scout’s daughter. Warner Bros just dated the film for September 28. Timberlake is about to star in Inside Llewyn Davis, which is directed by the Coens. Timberlake is repped by WME and managed by Jennifer Killoran and Rick Yorn.
Traditionally, most Hollywood businesses grind to a halt for the 5-day Thanksgiving holiday. But not this wide-open awards season. Tangled had its official Academy screening last Sunday morning but only drew about 200 people. Instead, the holidays actually seem like a good time to push an animated Disney musical. So Disney isn’t even taking Turkey Day off: instead, the studio has skedded screenings of Tangled at the DGA open to all Guild and Academy members. This isn’t actually a new practice. In the past, Oscar hopefuls like Dreamgirls, The Lord Of The Rings, and others have done the same thing at the DGA theater drawing surprisingly strong crowds of potential voters on a day most people are thought to stay at home. Disney also sent a note warning some early voting groups that they wouldn’t be able to send screeners of the film before deadlines for ballots (piracy concerns are part of that problem), so the T-Day screenings take on even greater import.
Tangled aside, distributors have been rushing to get screeners in as many voter hands as possible before Thanksgiving when they think people will have more time on their hands to pop a DVD in the player before the real crunch comes in December. Among those sent in the last few days are The Social Network, Made In Dagenham, Inside Job, Stone, Let Me In, 127 Hours, Black Swan, Conviction, Never Let Me Go, Toy Story 3, Winter’s Bone, Harry Potter and the Deathly Hallows Part 1, The Town, Inception, Hereafter, Legends Of The Guardians: The Owls of Ga’hoole, and The Ghost Writer.
Meanwhile, campaign season continues. Over the weekend, American Cinematheque also proved why it can be a very useful tool during awards season by hosting two sold-out events for Oscar hopefuls. Saturday night, there was a tribute to Pierce Brosnan at the Aero in Santa Monica with a double feature of Roman Polanski’s The Ghost Writer and Matador. Inbetween, Pierce appeared for a nearly hour-long Q&A (I moderated) in which he discussed his career from TV’s Remington Steele to James Bond to an Roman Polanski’s Ghost Writer in which he plays ex-British Prime Minister (Tony Blair, anyone?) now writing his controversial memoir. Summit Entertainment is hoping the pic will land him in the Best Supporting Actor conversation. Its early February release is a hindrance but by having a toney organization like American Cinematheque create these little tribute evenings, studios believe they can get the “right” kind of association for their contenders.
It was completely sold out, as was the next night at the same venue which hosted a Q&A session with writer Aaron Sorkin and stars Justin Timberlake, Andrew Garfield and Armie Hammer following a special screening of Sony Pictures’ The Social Network. All were talking about the genius of Director David Fincher (away on location in Sweden shooting The Girl With The Dragon Tattoo remake) and the number of takes he would require of his actors. “Sometimes there would be 99 of them, but not 100, never 100,” Timberlake said. In an encouraging sign for writerly respect, most of the audience questions from the predominantly young crowd were surprisingly directed at Sorkin who said dialogue-heavy movie might have been written by Paddy Chayefsky in another era. Not bad company to be in since Paddy won no less than three screenwriting Oscars. Some are asking if there is any way Sorkin can lose the Best Adapted Screenplay Oscar this year? Especially after The Social Network opened to near-unanimous acclaim and strong business for a drama.
Other Best Picture competitors were also active over the weekend
I’ve known Mike Sitrick for a long time. He’s a PR maven who prides himself on being a family man. Which is why he should be filled with self-loathing for allowing his firm to promote a torture porn pic like Captivity, much less an even more disgusting premiere party whose selling point was its political incorrectness. (Let me make it perfectly clear: I support talent’s right to make the movie, just not business people profiting from it.) Sure, I received all those inane emails announcing the bash, and I did the right thing: I trashed them. Other journalists fell all over themselves covering the event so as to diss it: really, they’re lemmings hurling themselves off the cliff. There is only one way to stop the business of these torture porn movies: by shaming the people who receive money for releasing them, publicizing them, having anything to do with them. So, Mike, how could you? (And how could you, After Dark’s Courtney Solomon and Allan Zeman?) Take that Captivity money and donate it to charity and pledge publicly right now you’ll never get involved with torture porn pics again. Until Mike does, I urge Hollywood and other companies to shun Sitrick and Company because there is such a thing as guilt by association.
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