More than 3.82 million viewers watched the Season 4 finale of Justified according to Nielsen’s Live+7 numbers. That’s a 70% jump over the 2.249 million reported in Live+Same Day for the FX‘s series’ season finale April 2. The latest final numbers put the Season 4 finale down just 3% in total viewers from 3.95 million who watched the Season 3 ender. Overall, Season 4 was the show’s most-watched ever, pulling in an average audience of 4.008 million, up 4% over the previous two seasons and 20% over Season 1. Among adults 18-49, Season 4 was down a slight 1% with 1.986 million in the demo compared to Season 3’s 2.007 million; the most recent season was essentially even with Season 2 and up 14% over Season 1 in the key demo. READ MORE »
SEATTLE–Feb. 26, 2013– (NASDAQ:AMZN) – Amazon.com, Inc. today announced a content licensing agreement with Sony Pictures Television, making Prime Instant Video the exclusive online subscription home to the FX Network western crime drama Justified. The award-winning and gritty series has been one of the most watched shows on Amazon Instant Video, where customers can purchase and download episodes for $1.99 each, and will now be available to Prime members at no additional cost. In addition, Prime Instant Video will add the critically-acclaimed inner-city Los Angeles crime drama The Shield to its catalog.
A stuntwoman who says she was injured on the set of Justified during a late night shoot in 2011 today sued Sony Pictures and various individuals connected with the FX series. Citing “severe and permanent physical and mental injuries,” Lisa Hoyle and her husband Robert Jakubik have filed a suit (read it here) for Negligence, Premises Liability and Loss of Consortium for injuries the Stuntchicks employee suffered during a car crash stunt on February 3, 2011 at Santa Clarita Studios. While Hoyle and her husband don’t specify any dollar amount in their complaint, they are certainly looking for more than loose change. The nine-page filing seeks general damages “in an amount to be proven at trial” as well as loss of earnings, loss of earning capacity, legal fees, “medical and related expenses” and “other and further general and special damages in a sum according to proof at the time of trial” and further relief as the court “deems just and proper.” The plaintiffs are requesting a five-to-seven day jury trial in the matter. The defendants in the case are Sony Pictures Entertainment, Woodridge Productions, Santa Clarita Studios Corp, Don Kurt, Gary Lennon, Mark Glick, Susan Carpenter, Alison Try and over two dozen other unnamed individuals.
Diane Haithman is contributing to Deadline’s TCA coverage.
Following today’s TCA session on FX’s Justified, showrunner and executive producer Graham Yost spoke about how he planned to juggle duties on Justified and his role as an executive producer of new FX series The Americans, which would be the subject of the following panel.
“It hasn’t been that hard, it has certainly been more work but it has been great”, Yost said. “My involvement with The Americans is, I talk to Joe Weisberg [creator and executive producer] and [executive producer] Joel Fields all the time”, said Yost. “I read the outlines and give them notes, I read the scripts and give them notes, I read the cuts and give them notes.”
Added Yost: “Sometimes I’ll weigh in on casting, but basically that’s my involvement”. He described himself as a good sounding board because of his long relationship with FX.
Actress Margo Martindale, who won an Emmy for her role on Justified even though her character was killed, now has a role in The Americans. Yost was asked jokingly whether The Americans is where characters that die on Justified will go to resurrect.
EXCLUSIVE: Justified‘s Timothy Olyphant is set to star opposite Kurt Russell, Peter Sarsgaard, Richard Jenkins, and Jennifer Carpenter in Bone Tomahawk. That film is described as a brutally violent horror-Western that will serve as the feature directorial debut of S. Craig Zahler. Dallas Sonnier and Jack Heller are producing through their Caliber Media Co. banner. Production is slated for a spring 2013 start in New Mexico.
In Bone Tomahawk, four men attempt to rescue a group of captives from a band of cannibalistic troglodytes that live beyond the edge of civilization. Olyphant will play John Brooder, an eloquent sharpshooter who moved to the frontier in order to satisfy the dark impulses that lie beneath his polished exterior.
EXCLUSIVE: United Talent Agency has signed prolific crime writer Elmore Leonard, who has retained a major Hollywood agency for the first time in his 60-year career. UTA will rep Leonard in film, TV, digital and allied rights. Leonard, who continues with literary agent Andrew Wylie, is eager to see more of his books adapted for the screen. He has written 45 Westerns and crime novels, and 40 short stories.
His enthusiasm is understandable. Leonard’s 2002 short story Fire In The Hole was the basis for the superb FX series Justified, which stars Timothy Olyphant as deputy U.S. Marshal Raylan Givens. Leonard told me in May 2010 that he’d sworn off writing screenplays in 1993 (his past scripts include the Charles Bronson film Mr. Majestyk) because he got tired of trying to please movie executives half as smart as he is about storytelling. But Justified provided a big spark, he is an active voice for series creator Graham Yost, and Leonard welcomes other chances to see his crackling dialogue and indelible crime plots on some screen or other.
Ray Richmond is contributing to Deadline’s TCA coverage.
Elmore Leonard is the legendary writer who provided the source material for the FX hit Justified and serves as an executive producer alongside showrunner Graham Yost. He admitted during a TCA panel this morning that he’s always tried to make his stories as visual as possible so they’ll sell to Hollywood. ”From the very beginning I’ve been in it to make money,” the distinguished author said, “and writing visually is the way you do it.” He denied, though, that he cares so much about making money that he becomes indifferent to how the projects bearing his name actually turn out. “Of course I care how it turns out,” he declared. “I don’t just turn something in. But any writer is a fool if he doesn’t write for money. But it all goes together. It’s fun to sit there alone and think of characters and get ‘em into action and then get paid for it.” He has trouble understanding writers who are too shy to show their work to anyone. “I’m wondering, well then what are you doing it for?” Leonard stressed. “You want people to like it. Then you want to get paid for it.”
Deadline’s Diane Haithman and Ray Richmond were backstage at the Primetime Emmy Awards tonight to hear what the winners had to say.
Julie Bowen and Ty Burrell came backstage together after winning the awards for Outstanding Supporting Actress and Supporting Actor in a Comedy Series. The Modern Family stars were asked first about being part of a show that is breaking ground for gays. Burrell said, “I don’t know, in terms of America, it feels very, very good to be on a show that seems like it’s slowly changing a lot of minds. Eric [Stonestreet] and Jesse [Tyler Ferguson] deserve all of the credit for that, and our amazing showrunners. It’s a great thing to just peripherally go to events and just basically start to talk about those characters like any other characters, relating to their life — it’s pretty cool.” Bowen joked, “As a straight woman, and part of a straight couple on the show, I feel marginalized.” On a more serious note, she added: “It’s absurd that it’s even an issue, but where it’s an issue, I’m glad that we are part of helping change minds.” Using the word “straight” in a different context, Burrell praised Bowen: “It’s even greater credit to what Julie does that the straight-person wins an Emmy, I don’t think that happens very often. In a couple there’s usually a straight-man and a wilder character. It’s due to her resourcefulness as an actor.” On going back to the set with an Emmy when other cast members were also nominated, Burrell said: “Eric won last year, and Ed [O'Neill] actually just said something really sweet right before the award, ‘whoever wins deserves it.’ I feel like we’re trying to enjoy this moment more than anything — we know this doesn’t last forever; we’re having a lot of fun.” Bowen said about her surprise win, “I kinda thought it was a lock on Betty White. If I didn’t have a dog in this fight, and I had two, I would have voted for Betty White. Claire is not necessarily fall-down funny every time.” She credits the writers for having found ways to make her character have many dimensions and “not just be the mom.” …
Later, Steve Levitan and Jeffrey Richman, winners for Outstanding Writing for a Comedy Series, were asked how it feels for Modern Family to be sweeping the awards so far, with wins in every category they’ve been eligible for. Levitan: “We’re beyond thrilled with the way things have gone, obviously. It’s an embarrassment of riches, and from the bottom of our hearts we feel that Ty Burrell and Julie Bowen deserved to win. (Outstanding Director in a Comedy Series winner) Michael Alan Spiller, not so much. To tell you the truth, it’s a little surreal.” They were then asked what they did to ramp up the stories and quality of Modern Family in Season 2. Levitan: “We feel like we know the characters a little bit better this year. There was such dedication this year to keeping the quality up. We all live in fear of the quality dipping so we work extra hard to make sure that doesn’t happen. … I’ll also tell you that our kids are the unsung heroes of the show. What they do on this show is amazing. We ask them to do such complicated turns and they nail it constantly. They’re playing at the same level as the adults and that’s a rare thing.” …
This year’s Emmy race for Outstanding Drama Series will continue cable’s dominance in this most prestigious category. Cable claimed 10 of the 13 nomination spots over the past two years, and 13 of 19 since 2008. By contrast, cable earned a mere nine nods combined in the seven years between 2001 and 2007 when the networks still ruled. The shift from broadcast is so extreme in 2011 that CBS’ The Good Wife is considered the only network series with a solid shot to earn its second nomination in as many years. (Though not in that league, NBC/DirecTV’s Friday Night Lights, NBC’s Parenthood, and CBS’ Blue Bloods deserve consideration while ABC has entered a rebuilding phase.) The sad reality is that the broadcast networks, which just signed a new eight-year deal with the Academy of Television Arts & Sciences to carry the Emmys, are facing a possible first-ever shutout from the top drama series category. That’s because of the continuing strength and ambition of programming on cable — in particular, HBO in a return to form, and AMC still on a roll.
HBO’s Prohibition-era hourlong Boardwalk Empire drew the most critical attention this Emmy season because of its pedigreed producer team, headed by the legendary Martin Scorsese and creator/showrunner Terence Winter, a Sopranos alum. How interesting that the pay channel’s expensive serial will compete against another period drama from that other Sopranos alum Matt Weiner. AMC’s first acclaimed original series, Mad Men, has won this category three years running and is bidding this year to be the first series to win four in a row since NBC’s The West Wing (2000- 2003). Though the frontrunner, Mad Men could be hurt by a long hiatus.
AMC has seized the mantle from HBO as TV’s preeminent quality-drama purveyor with a pair of newcomers that could crack the series field this year: the zombie-themed hour The Walking Dead, and the dark murder mystery The Killing. Even though two-time category nominee Breaking Bad is not eligible for 2011, AMC could still land three nods, becoming the first network in 10 years to do so in this category, after NBC scored the hat trick in 2001 with The West Wing, ER, and Law & Order. No cable network has ever managed the feat to date.
And then there’s Showtime, whose Dexter is in the running for its fourth consecutive Outstanding Drama nomination, along with first-season Shameless. FX is pushing its increasingly buzzed-about Western, Justified and, to a lesser extent, Sons Of Anarchy. TNT wants attention for The Closer, Men Of A Certain Age, and Southland. USA is pressing Covert Affairs and White Collar. Here’s our assessment of the chances for this year’s drama series in alphabetical order: