Backstage At The Emmys; Emmys By The Numbers; Emmy Analysis: Broadcast TV’s Big Awards Comeback; Red Carpet Executive Arrivals
We’re off and running. The much-talked-about opening number of host Jane Lynch features the Glee star in a massive pre-taped production number having her sing and dance through the stages of a slew of hit TV shows. It opens with Leonard Nimoy who, as network president, introduces Lynch to the house of television where all TV shows are housed. The part was originally taped with Alec Baldwin but was redone after Fox cut a line about the News Corp hacking scandal. The elements are uneven, but the best bit is Lynch walking into a scene of AMC’s period ad agency drama Mad Men and being asked by Jon Hamm’s Don Draper to go fetch coffee. When Lynch fires back that she is no secretary but the host of the Emmys Pete Campbell’s Kartheiser is not impressed. “What you should be doing is learning how to type and firing the guy that gave you that man’s haircut!” Lynch tells them that a lot has changed since 1965 and now women can marry each other, nodding, “Hi, Peggy….” “Does that mean women don’t have to sleep with men anymore to make it to the top?” wide-eyed Peggy (Elisabeth Moss) asks. “No, you still have to do that,” Lynch replies. She tells the group that people can now watch television on their phones. When she adds that in the future people can fast-forward through the commercials, everyone freezes. Ad man Don Draper turns to her and gives her a steely look. “You’re going to turn around, walk out of here, and we’re going to pretend we never met you.” Lynch obliges but not before one last jab at Kartheiser, “This haircut costs more than your house. “The number spilled into the stage with a big live finale featuring Lynch hoisted up by male dancers. “Try doing this with triple Spanx,” she said after getting down.
ABC’s Modern Family is on an early roll in the supporting comedy series acting categories, dismissing some projections that, with all 6 cast members nominated in the 2 categories, they might cancel each other out. The first winner of the night is the show’s Julie Bowen for best supporting actress in a comedy series. “I don’t know what I am going to talk about in therapy next week now,” she says.
A second after she thanked her TV husband, Ty Burrell, he too walked to the stage to pick up his trophy for best supporting actor in a comedy series. Burrell talked about his dad, who passed away before he got into acting, doing “a job where every day I go to work in makeup.”
Ricky Gervais presents the director for a comedy series category in a pre-taped segment. “Sorry. I can’t be live and in person. Not after the Golden Globes. I’m not even allowed on American soil if I say something rude or offensive.”
Modern Family is going 3-for-3 with a comedy series directing award for director Michael Alan Spiller for the Halloween episode.
And now it’s 4-for-4 as Modern Family also wins for best writing in a comedy series for the “Caught in the Act” episode written by Steve Levitan and Jeffrey Richman. Levitan, noting that the episode’s main story of the Dunphy kids walking in on their parents having sex was based on his own experience, thanked his “somewhat satisfied wife and 3 traumatized children.” The director cuts to Levitan’s wife who is rolling her eyes.
After the early Modern Family sweep, Lynch comes back from commercial with “Welcome back to the Modern Family Awards.”
Then it’s Charlie Sheen, presenting the lead actor in a comedy series category. Like on The Tonight Show earlier in the week, it was not the Warlock but the old Sheen — cool, collected and gracious — who showed up. “Before I present the award in my old category I wanna take a moment to get something off my chest and say something to all my friends from Two and a Half Men,” he said. “From the bottom of my heart, I wish nothing but the best for this upcoming season. We spent 8 wonderful years together, I know you will continue to make great television. Now on to the Emmy.” Read More »