Katie Holmes Joins ABC’s Richard LaGravenese Pilot; Josh Sussman In ‘The Winklers’

By | Friday March 7, 2014 @ 10:38am PST

Katie Holmes has landed a series regular rolekatie2 in ABC’s Richard LaGravenese drama pilot. In the vein of Dangerous Liaisons, the untitled project is set in New York and revolves around the love and rivalry between two equally matched, powerful socialites, Philip Fitzgerald Julien (Rufus Sewell) and Margot Worth Cole, who play out their obsessive attraction and seduction of each other through their manipulation of others. Holmes will play Ann, a woman of education and breeding who, with her husband, runs a philanthropic foundation that helps bring clean water to African villages.

Related: 2014 ABC Pilots
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Christine Lahti Joins Katie Holmes In ‘Mania Days’

By | Wednesday April 24, 2013 @ 7:23am PDT
Mike Fleming

EXCLUSIVE: Christine Lahti will star with Katie Holmes in Mania Days, the Paul Dalio-directed indie that will be produced by Spike Lee. Lahti will play the mother of Holmes’ character. Lahti recently shot the pilot Beverly Hills Read More »

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ICM Partners Signs Katie Holmes

By | Tuesday January 29, 2013 @ 9:21am PST
Mike Fleming

EXCLUSIVE: Katie Holmes has signed with ICM Partners. She leaves CAA.

The move occurs just after the Broadway closing of the Theresa Rebeck play Dead Accounts, which Holmes starring in. She next appears in the untitled Christian Camargo-directed film with William … Read More »

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Katie Holmes’ Broadway Run Ending Early For ‘Dead Accounts’

By | Friday December 28, 2012 @ 10:18am PST

Dead Accounts, in which Katie Holmes co-stars, is closing on January 6, nearly two months early, according to media reports. Theresa Rebeck’s drama has received mixed to negative reviews since it opened at the Music Box Theatre on … Read More »

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Katie Holmes Heads Back To Broadway In ‘Dead Accounts’

By | Thursday July 19, 2012 @ 1:54pm PDT

Katie Holmes is returning to Broadway for one her first projects post divorce with a starring role in Theresa Rebeck’s new play, Dead Accounts. It’s set to open at the Music Box Theatre this fall. Tony Award-winning Jack O’Brien will … Read More »

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Official: Tom Cruise & Katie Holmes Divorcing

By | Friday June 29, 2012 @ 10:38am PDT

Tom Cruise and Katie Holmes are splitting after 5 years of marriage. Holmes’ attorney released an anouncement. Deadline plans no coverage of this matter unless it impacts the actors’ professional lives.

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EMMYS: Final Presenters Unveiled

Loretta Devine, Paul McCrane, Gwyneth Paltrow, Jimmy Fallon, Hugh Laurie, Drew Barrymore, Maria Bello, David Boreanaz, Katie Holmes, Annie Ilonzeh, Minka Kelly, Jimmy Kimmel, William H. Macy, Anna Paquin, David Spade, Rachael Taylor and Anna Torv were announced today as … Read More »

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Hurricane Irene: Worst Movie Weekend Of 2011? ‘The Help’ #1 Again, ‘Colombiana’ #2, ‘Afraid Of The Dark’ #3, ‘Our Idiot Brother’ #6

SATURDAY PM/SUNDAY AM, 4TH UPDATE: This weekend’s numbers bounced around, especially after Rentrak, the box office reporting service, sent out the following advisory: “We wanted to make you aware that a possible 1,000 theatres could be affected by the weather on the East Coast. We’ve been hearing about closures at many theatres and wanted to advise you that both Saturday and Sunday grosses will be affected.” This is turning into the worst moviegoing weekend of 2011, in a race with only Super Bowl weekend, because of the expected miniscule $80M expected for total North American box office grosses. Theater chains like AMC, Regal, and Clearview Cinemas were closing, location counts were dropping, and major releases were finding cover. Hurricane Irene came ashore along the Atlantic Seaboard on Saturday starting in North Carolina and heading due north. Mass transit was suspended in many areas while heavy rains and high winds pounded the region, causing one studio exec to complain to me, ”Business is in the crapper right now. Any way you slice it business is getting creamed this weekend.” The storm, at one point bigger than the size of Europe, created a state of emergency up the East Coast from North Carolina to Massachusetts and will depress box office by 10%, 20%, or more. Considering that this weekend’s 3 major opening movies were only expected to debut modestly even in fair weather, studios and distributors have a Mother Nature excuse when their films underperform at the North American box office. So I can’t humiliate them for not hitting double digits. Drats!)

1. DreamWorks/Disney’s The Help is a lock again for #1 with $4.4M Friday and $5.9M Saturday for a $14.3M weekend as the bestselling book-turned-pic enters its 3.5th week into 2,778 originally booked theaters. The cume is estimated at $96.6M and should pass the $100M plateau mid-week.

2. Sony Pictures/TriStar’s Luc Besson-produced and co-written PG-13 actioner Colombiana starring Zoe Saldana as the female assassin. It did the best of the newcomers opening to $3.7M Friday and also $3.7M Saturday to a $10.3M weekend with an original booking into 2,614 theaters. It earned an ‘A-’ CinemaScore from audiences. “Given the devastating weather system on the East Coast, the film performed better than expected and is off to a solid start and should hold well for the coming holiday weekend and into the Fall,” the studio said. Sony Pictures did a distribution deal for Colombiana which was fully financed by EuropaCorp and partners TF1 Films Production, Grive Productions with the participation of Canal+ and Cinecinema. They also put up the P&A for this title. For the media and promo campaign, Sony tied into the revenge theme of the movie with custom branded promotions and tie-ins with outlets like BET where there was “back to payback” stunt. The studio placed sneak peaks of the film in programming blocks where the cable channel was broadcasting revenge-oriented titles like Romeo Must Die and A Man Apart. Zoe Saldana shot custom interstitials. On channels like G4, a sweepstakes gave the winner time with Zoe’s trainer and to remake a scene from the film. Activities also specifically targeted urban audiences and Spanish language press. TriStar Pictures and Stage 6 Films present a coproduction EuropaCorp. Directed by Olivier Megaton, Colombiana gave writing credits to Luc Besson & Robert Mark Kamen, and produced by Luc Besson and Ariel Zeitoun.

3. FilmDistrict’s Guillermo del Toro-written and co-produced haunted house movie Don’t Be Afraid Of The Dark, starring Katie Holmes and Guy Pearce was originally booked into 2,760 theaters. It debuted with $3.6M Friday and $2.9M Saturday and will make $8.6M this weekend. It earned an unfortunate ‘C-’ CinemaScore from audiences. “All things considered, not a bad Saturday and ultimately the weekend total was good despite the hurricane,” said FilmDistrict’s Bob Berney. ”Our key large urban East Coast markets were really killed.” Females under 25 responded strongest to Don’t Be Afraid Of The Dark and in markets with large Latino populations. Berney has known Guillermo since distributing his Academy Award-winning Pan’s Labyrinth at Picturehouse. that’s also where Berney released The Orphanage which del Toro exec-produced. Don’t Be Afraid Of The Dark had been in the works for some time ever since del Toro made Mimic for the original Miramax. Guillermo based the new movie on a 1973 TV pic that had “scared the crap” out of him as a kid in Mexico. Del Toro chose director Troy Nixey from his work in comic books and a short film that Guillermo really responded to. Don’t Be Afraid Of The Dark was shot while Guillermo was in New Zealand preparing The Hobbit (remember that?) and would fly over to Melbourne where Nixey was shooting and remained very involved in the $28M production. After Disney sold Miramax to the Colony Capital/Ron Tutor group, FilmDistrict acquired Don’t Be Afraid Of The Dark around Sundance this year. It was the closing night pic at the LA Film Festival and put together a Comic-Con panel with del Toro and Guy Pearce. Attendees called it the most highbrow discussion of the Con steeped in both film history and profanity. Guillermo has a “Presents” credit on the film and his pedigree has been one of the key marketing points of the film. “Jeanne and I were really happy to be working with Guillermo again,” Berney emailed me. “He really is the ’hardest working man in show business’ and the most generous and nicest guy as well. Not to mention that he holds the record for ‘F bombs’ at Q&As and panels around the world.”

4. Rise Of The Planet Of The Apes (Fox) Week 4 [3,374? Theaters]
Friday $2.6M, Saturday $3.6M, Weekend $8.6M, Cume $148.4M

5. Spy Kids 4D (Dimension/Weinstein Co) Week 2 (3,305? Theaters)
Friday $1.5M, Saturday $2.5M, Weekend $5.7M (-51%), Cume $21.7M

6. The Weinstein Co’s not-so-raunchy R-rated comedy Our Idiot Brother showcasing Paul Rudd surrounded by Elizabeth Banks, Zooey Deschanel and Emily Mortimer originally booked into 2,555 theaters. It opened to $2.3M and $2.5M Saturday for a $5.7M weekend. It earned a disappointing ‘C+’ CinemaScores from audiences. This film was acquired by TWC and Ron Burkle’s YUK Films at the Sundance Film Festival for $6 million in exchange for U.S., Germany, France, Japan, and Benelux rights. Alliance has Canada via their recent acquisition of Maple Films. Directed by Jesse Peretz from a script he wrote with his sister Evgenia, he reached out to producer Anthony Bregman (Eternal Sunshine Of The Spotless Mind) who in turn enlisted producer Peter Saraf (Little Miss Sunshine) and they put the whole deal together in a few weeks. TWC’s marketing campaign involved not only the traditional media buys but a lot of extras on the Internet as well — like the Funny Or Die video with Harvey Weinstein and Paul Rudd. Rudd went on MLB.com talking sports. There also was a ’Search for Willie Nelson’ (the dog’s name in the film) viral campaign. And an Idiot Photo Booth social campaign. Our Idiot Brother gave writing credits to Evgenia Peretz and David Schisgall and producing credits to Stefanie Azpiazu, Caroline Jaczko, Aleen Keshishian, Anthony Bregman, Peter Saraf, and Marc Turtletaub. Read More »

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Big Drama At Closing Night Of L.A. Film Fest

Pete Hammond

2011 Los Angeles Film Festival Winners

The closing-night film of the 2011 Los Angeles Film Festival, Don’t Be Afraid Of The Dark, was designed to scare the crap out of the audience. But who knew the real nightmares would come from the actual screening itself.

Just an hour into the world premiere of the movie Sunday night the Regal L.A. Live theater, the emergency warning system started flashing lights accompanied by a siren-like noise and an announcement that audience members should vacate the premises immediately due to an “emergency in the building.” Everyone got up and marched outside before the all-clear was quickly declared (a false alarm), the auditorium filled again and the film restarted at the crucial point it left off. And you wonder why producers get ulcers.

But THAT was nothing compared to the nightmare end of the movie that surrounded audience members from that screening (and the overflow house upstairs) who simultaneously had to retrieve their cellphones and BlackBerrys that had been seized for fear of piracy when they entered the theater. The crush as final credits rolled was mammoth as theater personnel slowly took claim tickets and acted like they were on a scavenger hunt. The guy searching for my phone finally came back and rather pathetically asked me, ‘Uh, what color is it?’ to which I replied ‘Black,’ like every single other friggin’ one there.

FilmDistrict (which is releasing the film Aug. 26) distribution honcho Bob Berney came over during the forced intermission of the showing to say that co-writer/producer Guillermo del Toro thought the unplanned interruption was the dirty work of Bob Weinstein or the MPAA (which gave his film an unwanted ‘R’ rating for “violence and terror,” particularly since it involved a minor, according to Berney). Read More »

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Hot Trailer: ‘Don’t Be Afraid Of The Dark’

Mike Fleming

FilmDistrict has released a full-length trailer for Don’t Be Afraid of the Dark, the remake of the creepy 1973 telepic made at a time when ABC was cranking out the scares with such films as Bad Ronald and Trilogy of Terror. Troy Nixey directed it and Guillermo del Toro produced … Read More »

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Cannes: Katie Holmes, Chace Crawford Team For ‘Responsible Adults’

By | Wednesday May 11, 2011 @ 5:24am PDT
Mike Fleming

Los Angeles….Katie Holmes (Batman Begins, Thank You For Smoking, Go) and Chace Crawford (“Gossip Girl”, Twelve) have signed on for the starring roles in the comedy-romance RESPONSIBLE ADULTS, written by Alex Schemmer. Jon Poll, the director of

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FilmDistrict To Distribute ‘Don’t Be Afraid Of The Dark’ Remake

Mike Fleming

Don’t Be Afraid of the Dark has been acquired for domestic distribution by Peter Schlessel and Bob Berney’s FilmDistrict. The film will get an August 12 release and was the final and perhaps most potentially commercial of the films made … Read More »

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Sundance: Anchor Bay Acquires Dito Montiel’s ‘The Son Of No One’

Mike Fleming

EXCLUSIVE: Anchor Bay has acquired U.S. distribution rights to the Dito Montiel-directed cop drama The Son Of No One, which was the 2011 Sundance Film Festival’s final premiere last Friday. I’m told the deal was in the $2 million minimum … Read More »

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Controversial Miniseries ‘The Kennedys’ May Air In Syndication Via Deal With Tribune

Nellie Andreeva

EXCLUSIVE: The Kennedys may take an unconventional route to U.S. television screens, via syndication. The producers of the controversial miniseries, which was dropped by History earlier this month, are in talks with Tribune Broadcasting about picking up the 8-hour … Read More »

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Sundance: ‘Son Of No One’ Sales Agent Cries Foul Over Trade’s Hatchet Job

Mike Fleming

Cassian Elwes, who’s selling distribution rights to Dito Montiel’s The Son of No One, is crying foul over a barbed trade story about the film’s first Sundance screening. The piece reported that a multitude of buyers were in attendance, and … Read More »

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Exclusive Video Of History’s Cancelled ‘Kennedys’ Mini, Which Now Eyes Showtime

Nellie Andreeva

UPDATE: Muse Entertainment and Asylum Entertainment, who co-produce The Kennedys, just issued the following statement about the mini-series’ cancellation by History: “We are proud of the work all of our talent put into the making of The Kennedys and the painstaking efforts that went into creating a drama that is … Read More »

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EXCLUSIVE: Guillermo Del Toro Talks About ‘Don’t Be Afraid Of The Dark,’ And Lessons Learned Before Leaving ‘The Hobbit’

Mike Fleming

He’s a geek god when he walks the halls of Comic-Con. But Guillermo del Toro just told me he feels the phalanx of print and web media at the festival gave short shrift to the reaction of … Read More »

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