Here’s the official trailer for the film that until last week was known as Can A Song Save Your Life? The Weinstein Company picked up the comedy after an epic bidding war following its Toronto premiere, and now it’s set to close the Tribeca Film Festival. The …
EXCLUSIVE: In what I am told will go down as the highest price paid ever for U.S. rights on a movie at the European Film Market, The Weinstein Company has locked a deal to pay $7 million for The Imitation Game, the Graham Moore Black List script that Morten Tyldum directed with Benedict Cumberbatch playing Alan Turing, the genius British mathematician, logician, cryptologist and computer scientist who led the charge to crack the German Enigma Code that helped the Allies win WWII. Keira Knightley also stars in a film that will be shaped as a major release for the next awards season.
CAA brokered this deal based on a promo reel that had five bidders going after it hard before TWC just took it off the table, with the feeling that it has one of its major Oscar hopefuls for the next race. TWC currently has Philomena in the Best Picture race that will be decided next month.
Compared to the small sales of Sundance, this is a whopper. Harvey and Bob Weinstein and their team headed by COO David Glasser bested five competitors that sparked to a 15-minute compilation of scenes on a picture that has just gone into postproduction. The film also stars Mark Strong and Matthew Goode, and it’s produced by Nora Grossman, Ido Ostrowsky and Teddy Schwarzman. It was Schwarzman’s Black Bear Pictures label that took the risk on the film after Warner Bros let it go. The TWC acquisition team of Robert Walak, Negeen Yazdi and Dan Guando chased this script for a year. TWC’s Michal Steinberg closed the deal.
EXCLUSIVE: Another night and another big movie deal. A24 is near a deal to acquire domestic rights to Laggies, the Lynn Shelton-directed film that stars Chloe Moretz, Sam Rockwell and Keira Knightley. I’d heard since shortly after the film’s Friday night Eccles Theater premiere that A24 was going to buy this but kept being told that five bidders were in the mix. When I first heard it, the numbers were in the $2 million range. I’ll try to get a better number. A24′s deal calls for a theatrical release.
Not to be outdone by aggressive campaigning from its rivals, Focus Features this week moved boldly ahead with an Oscar campaign plan on two fronts for Friday’s release of Anna Karenina, which had its L.A. premiere last night, and its late-breaking December 28th entry, Promised Land, which is launching its awards bid with some private screenings for some very big heavy hitters.
Regarding the latter film, what do you do when you are the very last major movie of the year? Director Gus Van Sant only delivered the final cut of the film in the past two weeks, and knowing they are under the gun in getting this one seen in time for the earlier Academy voting (now taking place ten days earlier than usual with ballots in the mail December 17 and due back January 3rd), Focus is trying to get the word out within the industry. So before even showing it to most of the press they began an early “influencer” campaign that has featured private screenings and receptions at the plush theatre inside L.A.’s Soho House. Tuesday night Cameron Crowe held one with guests including Meryl Streep, Sam Mendes, Colin Firth, Kate Hudson, Ben Affleck (coming over after getting his GQ man of the year award) and other academy voters who were able to mingle with star and co-writer (with John Krasinski) Matt Damon. Earlier in November Aaron Sorkin hosted a similar screening that drew Demi Moore, Jennifer Aniston and SAG President Ken Howard among others.
Tolstoy as re-imagined by Joe Wright and Tom Stoppard came to the Toronto International Film Festival in a big way Friday night as Focus Features’ adaptation of Anna Karenina made its North American debut. “They gave us a nice little standing ovation,” said a modest Wright who told me at the Soho House after-party this film means so much to him that he doesn’t know how he is going to follow it. He had great success early in his directing career with Oscar nominees like Pride & Prejudice and Atonement (which both featured his Anna Karenina star Keira Knightley) but then detoured to different kinds of films like The Soloist and action flick Hanna. Now that he’s back in this literary space he can appreciate the success more, he says.
Wright came up with the concept of staging the story in a theatre and then moving it in and out of that setting. It’s a unique and risky idea but really pays off in the execution. As Focus Features chief James Schamus told me, “This film is ravishing to look at.” A couple of critics have been naysayers but Schamus isn’t concerned about them. He says most will get it. Schamus plans an aggressive platform release strategy after the November 16th opening and should be relatively wide by December. Focus hopes it will draw upscale audiences who flock to this sort of thing but also younger women who may relate to the plight of Anna and the young actors cast here. It premiered in England earlier in the week and opens there this weekend.
This Anna Karenina certainly is a lot different than the version MGM and Greta Garbo served up in the 1930s. Wright’s bold concept of losing some of the naturalism and putting it in a theatrical setting wasn’t in Stoppard’s script – and he had to convince the writer it was the way to go. But in the end it all worked out. He said the premiere at Toronto’s classic Elgin theatre was almost surreal since it looked like the theatre-in-the-film-in-a-theatre. It’s an instant contender for a Best Picture, Director and Screenplay slot. Knightley’s go-for-broke work is likely to land her in the Best Actress race again, and producers also hope Jude Law as her husband gets attention in the supporting category. Pic also can easily expect Oscar nominations in numerous categories including the cinematography of Seamus McGarvey, production design of Sarah Greenwood, costume design of Jacqueline Durran, and musical score of Dario Marianelli (who is already an Oscar winner for Atonement).
Paramount’s ‘Jack Ryan’ Resurrecting Tom Clancy’s Hero Finally Set For 4th Quarter 2013; Keira Knightley Cast As Chris Pine’s Love Interest; Prequel Story Starts Trilogy
EXCLUSIVE: Deadline can now confirm the cast for this long gestating, highly anticipated action thriller that will be the first of an anticipated franchise trilogy. It resurrects the popular Tom Clancy character of CIA analyst Jack Ryan last seen on film in 2002 and now played by Chris Pine in the role already made famous by Alec Baldwin, Harrison Ford, and Ben Affleck. After various starts and stops, bad luck and good fortune, Deadline also has learned that Jack Ryan finally has come together for a release in the 4th quarter of 2013.
Paramount chose to wait for Pine to complete the second installment of Star Trek in this contemporized original prequel story that picks up Ryan before he joined the CIA. (Paramount long ago locked in Pine after he played Captain Kirk.) His love interest and the female lead is Keira Knightley. Paramount was intensely searching because it’s a high profile role — an older version of the character was played by Anne Archer in the Harrison Ford films — and involves options that would potentially put the actress in three pictures.
As Deadline previously reported, Kevin Costner has an invented but key role as does the film’s director Kenneth Branagh who will play the Russian villain plotting to wreck the U.S. economy. Paramount began talks with the Thor helmer to replace the once-attached Jack Bender. Paramount courted Costner to become a linchpin in not only Jack Ryan but also the spinoff franchise Without Remorse based on Clancy’s 1993 novel. (The studio is now courting The Dark Knight Rises villain Tom Hardy to star, with Christopher McQuarrie rewriting to direct.) The deal that came together envisions Costner potentially headlining his own film as William Harper, a true blue American idealist who recruits and mentors both Ryan and John Kelly from Without Remorse. Kelly later becomes CIA operative Clark.
Paramount like every studio is looking to build tentpoles and has a good opportunity for more than one here by cross-pollinating characters Ryan and Clark like The Avengers successfully keeps doing.
Branagh recently described the movie as “an original story that allows us to understand how Jack Ryan develops into a CIA analyst, before joining, and perhaps even joining, the CIA. It’s a very contemporary action thriller set in the here and now.” its launching point is mentioned in Clancy’s The Hunt For Red October book and film: a terrifying helicopter crash that nearly killed Ryan when he was a 23-year-old Marines platoon leader and the only member to survive.
Paramount Pictures and co-financier Skydance Productions went top shelf to get the franchise relaunch to the starting line and hired David Koepp for 7-figures to redraft the script by Adam Cozad known as Moscow. Cozad was a screenwriter without a screen credit and yet now is in the middle of some of the bigger projects in town.
Keira Knightley and Joe Wright reteam for a third time on Anna Karenina, which Focus Features will release in select cities November 9. It’s got a pretty stellar team: adapted by Tom Stoppard and co-starring Aaron Johnson, Jude Law, Matthew Macfadyen, Kelly Macdonald, Ruth Wilson, Olivia Williams, and …
EXCLUSIVE: Mark Romanek has emerged as frontrunner to direct The Lost Symbol, Sony Pictures’ third installment of the Dan Brown-penned thrillers focusing on symbologist Robert Langdon. After directing the global blockbusters The Da Vinci Code and Angels & Demons, Ron Howard this summer opted out of directing a third, preferring to produce with his Imagine Entertainment partner Brian Grazer. Grazer produced the first two films in the series with the late John Calley, who acquired the property before he left the Sony Pictures executive suite to become a producer.
Sony Pictures has been interviewing helmers for one of the more prominent open directing assignments. Romanek hasn’t got the job locked up yet, but I’ve heard negotiations should begin soon. Romanek, a top video director, made his feature helming debut on One Hour Photo, and most recently directed Never Let Me Go with Keira Knightley, Carey Mulligan and Andrew Garfield. Romanek has so far made mostly budget films. He nearly helmed a big one in The Wolfman but left weeks before production started in a dispute with Universal over budget and other creative disagreements.
It’s official: Atonement director Joe Wright and star Keira Knightley are reteaming for Anna Karenina, the Working Title films adaptation of Leo Tolstoy’s novel that was written by Tom Stoppard. The film will be distributed by Focus Features in the U.S. and Universal Pictures International worldwide sometime in the second half of 2012. Working Title co-chairs Tim Bevan and Eric Fellner are producing with Paul Webster; the trio were 2008 Oscar nominees as producers of Atonement.
A new international trailer is up for A Dangerous Method, the drama involving psychiatrists Carl Jung and Sigmund Freud. Sony Pictures Classics releases the film later this year. It stars Keira Knightley, Viggo Mortensen, Michael Fassbender and Vincent Cassel.
Focus Features acquired U.S. distribution rights to the Lorene Scafaria-directed Seeking a Friend for the End of the World, which is Steve Carell’s first project since leaving The Office. He stars with Keira Knightley and shooting begins this month …
EXCLUSIVE: In what shapes up as his first feature project after leaving The Office, Steve Carell will star in Seeking A Friend For The End of The World. The film marks the directorial debut of its screenwriter, Lorene Scafaria. Keira Knightley is in negotiations for the female lead. Mandate Pictures and Indian Paintbrush will co-finance and production begins in May. The film takes place at a time when mankind is forced to absorb the fact that an incoming asteroid will end humanity. Carell plays a man suddenly alone when his wife leaves in a panic. His high school sweetheart writes him saying she wants to be with him when the world stops. His neighbor (Knightley) accompanies him on the road trip as love blooms at the worst possible time. Despite the doomsday climax, the film has a somewhat comic and romantic tone.
Anonymous Content’s Steve Golin and Joy Gorman will produce with Steven Rales and Mark Roybal from Indian Paintbrush. Mandate’s Nathan Kahane and Nicole Brown will be exec producers. It is the second collaboration between Mandate and Indian Paintbrush: they recently wrapped the Jason Reitman-directed Young Adult, which was scripted by Diablo Cody and stars Charlize Theron and Patton Oswalt. Paramount will release the film.
There’s a new trailer for Last Night, the Massy Tadjedin-directed relationship drama about what happens when a married couple is separated, and tempted by others. The film stars Keira Knightley, Sam Worthington, Eva Mendes and Guillaume Canet. Last Night made its debut at the 2010 Toronto International Film Festival.