EXCLUSIVE: Kerry Foster has joined Chernin Entertainment as an executive. She will work on the film side of the production company and report to Executive Vice President Jenno Topping. All eyes are on the top slot at Chernin Entertainment, …
EXCLUSIVE: Javier Bardem is close to sealing his deal with Universal Pictures to play gunslinger Roland Deschain in The Dark Tower, the mammoth adaptation of the Stephen King 7-novel series that’ll span three movies and a limited run TV series in between each film. Director Ron Howard begins production on the first film in September, and he’ll also direct the first TV segment. Akiva Goldsman has scripted the film and the initial TV component. Imagine Entertainment chief Brian Grazer is producing the films with Goldsman and King. Goldsman will produce the TV part through his Weed Road banner.
Bardem, who won the Oscar for his ferocious portrayal of a hit man in No Country For Old Men and who was more recently nominated for Biutiful, is a strong match to play the last living member of a knightly order of gunslingers. Deadline revealed in late January that Bardem had been offered the role of Deschain, who becomes humanity’s last hope to save civilization as he hits the road to find the Dark Tower. Along the way, he encounters characters, good and bad, in a world that has an old West feel.
Bardem’s WME reps are putting the finishing touches on the deal, and they are close enough that Howard has begun meeting with other actors to cast the roles around Bardem. It’s a complex deal, almost unprecedented, because it calls for Bardem to star in the feature film and the TV component. His deal will also include options for two sequels (the TV program that runs between the second and third films will be a prequel). I’m told it will add up to a career-best payday for Bardem. Howard and Goldsman have told me they see the trilogy as their answer to the Peter Jackson-directed adaptation of JRR Tolkien’s The Lord of the Rings. While Middle Earth had a mystical medieval feel, The Dark Tower vibe is one that Goldsman described as “an alternate Americana, one part post-apocalyptic, one part Sergio Leone.”