R.I.P. Ed Koch

By | Friday February 1, 2013 @ 4:31am PST

Related: “How Ed Koch Helped Make Nikki Finke a Reporter”

On the same day as a feature documentary about him is being released, former New York City Mayor Ed Koch has died. He was 88. Koch, a … Read More »

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Specialty Box Office Preview: ‘The Gatekeepers’, ‘Sound City’, ‘Koch’

By | Thursday January 31, 2013 @ 6:33pm PST

Brian Brooks is Managing Editor of MovieLine.

Documentaries dominate this weekend’s new specialty offerings including Foo Fighters frontman Dave Grohl’s feature directorial debut Sound City, which premiered at the recent Sundance Film Festival. Grohl has partnered with various companies and groups for traditional and non-traditional rollouts for the film, which will also screen at SXSW in March. Sony Pictures Classics’ The Gatekeepers looks inside Israel’s intelligence agency, Shin Bet. The film gripped audiences at the Jerusalem International Film Festival where it debuted, followed by Telluride and the New York Film Festival last fall. And Hamptons International Film Festival premiere, Koch, will bow in New York — naturally. It’s about former NYC Mayor Ed Koch, who died early this morning in New York.

The Gatekeepers
Director: Dror Moreh
Subjects: Ami Ayalon, Avraham Shalom, Avi Dichter, Yuval Diskin
Distributor: Sony Pictures Classics

Realizing its potential, producer Philippa Kowarsky jumped on the Oscar-nominated The Gatekeepers from the outset. She was “taken by how candid” the former heads of Israel’s security agency, Shin Bet, were and “how their thoughts did not conform with the obvious.” Kowarsky added, “They were not predictable. It got me thinking. I was hoping we could get others to feel the same.” While the subjects seemed forthcoming, the project’s financial makeup posed challenges. It received a mixture of Israeli and European financing plus French-speaking Canadian television. Global partners, however, had agendas that did not always align with director Dror Moreh’s goals. “I think that one of Dror’s greatest achievements is his decision-making during the long editing process,” she added, suggesting Moreh didn’t let the financiers pressure him on the content. Read More »

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