Kyle Chandler To Star In Netflix’s Thriller Drama Series From Todd A. Kessler, Daniel Zelman, Glenn Kessler & Sony TV
EXCLUSIVE: Sought-after TV leading man Kyle Chandler is off the market for this coming pilot season. I’ve learned that the Friday Night Lights alum, who already had received a ton of pilot offers, has signed on to star in Netflix‘s 13-episode psychological thriller from Damages creators Todd A. Kessler, Daniel Zelman and Glenn Kessler and Sony Pictures TV. Written and executive produced by the Kessler brothers and Zelman in their follow-up to the acclaimed FX/DirecTV legal thriller starring Glenn Close, the untitled series centers on a family of adult siblings whose secrets and scars are revealed when the black sheep oldest brother returns home. Netflix and Sony would not comment, but I hear Chandler will play the married middle brother who takes care of the family. The deal comes after a lengthy courtship, with the project landing Chandler for the role that he had been considered the prototype for. Filming is slated to begin in late March in the Florida Keys.
He has been one of the most wanted men for television series for the past two years. After passing on dozens of pilots, Kyle Chandler has finally picked his follow-up to Friday Night Lights, which won him an Emmy. Chandler is set as the lead in Vatican, Showtime‘s high-profile drama pilot from Oscar nominees Paul Attanasio and Ridley Scott. Also joining the pilot, written by Attanasio and to be directed by Scott in his pilot directing debut, is German actor Sebastian Koch (The Lives Of Others). They join previously cast Matthew Goode. Vatican reunites Chandler with Showtime entertainment president David Nevins, who as president of Imagine TV executive produced the critically acclaimed Friday Night Lights.
Said to evoke The Sopranos and Upstairs, Downstairs, Vatican is described as a provocative contemporary genre thriller about spirituality, power and politics set against the modern-day political machinations within the Catholic church. Chandler will play Cardinal Thomas Duffy, the charismatic yet enigmatic Archbishop of New York, whose progressive leanings (he has ordained a woman) excite some and alarm others within the hierarchy of the Catholic Church. Koch will play Cardinal Marco Malerba, the Vatican’s Secretary of State who is informally known as the “dark prince of the Curia” for his proven abilities to ruthlessly wield power within the Church hierarchy. Goode plays Papal Secretary Bernd Koch. “Kyle Chandler is one of the most talented and sought-after actors working today, and was a fantastic creative partner through five seasons of Friday Night Lights,“ said Nevins. “With Kyle, Matthew Goode and Sebastian Koch, Ridley and Paul have put together a powerhouse cast to anchor this incredibly timely show.” The Vatican, produced by Sony Pictures TV in association with Showtime and Scott Free, is set to begin production in April.
EXCLUSIVE: Kyle Chandler is joining Leonardo DiCaprio and Jonah Hill in The Wolf Of Wall Street, the Martin Scorsese-directed adaptation of the Jordan Belfort memoir that was adapted by Boardwalk Empire creator Terence Winter. The film’s being financed by …
EXCLUSIVE: Directed by Oscar-winner Kathryn Bigelow from a script by Mark Boal, Harold Perrineau‘s role is being kept secret as with other cast in the film. Kyle Chandler, Jessica Chastain, Jason Clarke, Joel Edgerton …
EXCLUSIVE: Kyle Chandler is the latest name to join the ensemble of the untitled Kathryn Bigelow-directed drama about the Navy SEAL Team 6′s long hunt for Osama bin Laden. That hunt culminated with the fatal shooting last year of the Al-Qaeda leader and mastermind of the 9/11 terrorist attacks. I’ve heard that Chandler will be playing a CIA agent, but nobody has confirmed any of the cast Deadline has revealed on the film, so you’ll have to take my word for it. The Mark Boal-scripted drama for Sony Pictures and Annapurna Pictures stars Jason Clarke, Joel Edgerton, Chris Pratt, Jessica Chastain, Mark Strong and Edgar Ramirez. The picture is moving forward even as the Pentagon announced it is investigating charges made by Rep. Peter King that Oscar-winning The Hurt Locker tandem Bigelow and Boal somehow got inside information about the mission from the Obama administration in preparing the script. Sony Pictures has dated the film for release on December 19, deliberately steering clear of the presidential elections.
The broadcast networks staged a major comeback on a wild night at the Emmys, which started and ended with wins that were widely predicted but saw some real curve balls in between. Broadcast’s dominating performance was led by the five Emmys for ABC’s heavy comedy favorite Modern Family, which won every category it was nominated in, sweeping the first four trophy presentations of the night — for best supporting actor/actress and best writing/directing in a comedy series — and making the final award of the night, for best comedy series, a foregone conclusion. Modern Family won that too for a second straight year, and its sweep shut out rival Glee, leaving Emmy host Fox empty-handed. Broadcast shows also claimed the lead actor/actress in a comedy series categories, which provided two of the major upsets of the night. Melissa McCarthy of CBS’ Mike & Molly won for lead comedy actress despite most pundits having her as their fifth or sixth pick in the category and Golden Globe winner Laura Linney considered a strong front-runner for The Big C. Fellow CBS leading man Jim Parsons denied Steve Carell an Emmy for his iconic role on The Office. (The Office and fellow 30 Rock were left out completely tonight.) McCarthy’s and Parsons’ wins also meant a comeback for the multi-camera genre, which had its first double lead actor/actress win in a long time.
Broadcast’s big night continued with Julianna Margulies winning as best actress in a drama series for CBS’ The Good Wife. The Eye network scored again in the reality competition series, where The Amazing Race won for the eighth time in nine years in the category. Additionally, Friday Night Lights, which originated on NBC and continued to air second runs on the broadcast network, scored two big wins for its final season. One went to star Kyle Chandler for lead actor in a drama series and another to showrunner Jason Katims for writing. Add to that the strong showing of pubcaster PBS, whose Masterpiece Theatre mini-series Downton Abbey won four major awards: best TV movie/miniseries, best supporting actress, Maggie Smith, and best writing and directing for a TV movie/miniseries.
Emmys Live-Blog: ‘Modern Family,’ Dominates Comedy Field, ‘Mad Men’ Squeaks Best Drama Win, Big Farewell For ‘Friday Night Lights’ And Upsets Galore
We’re off and running. The much-talked-about opening number of host Jane Lynch features the Glee star in a massive pre-taped production number having her sing and dance through the stages of a slew of hit TV shows. It opens with Leonard Nimoy who, as network president, introduces Lynch to the house of television where all TV shows are housed. The part was originally taped with Alec Baldwin but was redone after Fox cut a line about the News Corp hacking scandal. The elements are uneven, but the best bit is Lynch walking into a scene of AMC’s period ad agency drama Mad Men and being asked by Jon Hamm’s Don Draper to go fetch coffee. When Lynch fires back that she is no secretary but the host of the Emmys Pete Campbell’s Kartheiser is not impressed. “What you should be doing is learning how to type and firing the guy that gave you that man’s haircut!” Lynch tells them that a lot has changed since 1965 and now women can marry each other, nodding, “Hi, Peggy….” “Does that mean women don’t have to sleep with men anymore to make it to the top?” wide-eyed Peggy (Elisabeth Moss) asks. “No, you still have to do that,” Lynch replies. She tells the group that people can now watch television on their phones. When she adds that in the future people can fast-forward through the commercials, everyone freezes. Ad man Don Draper turns to her and gives her a steely look. “You’re going to turn around, walk out of here, and we’re going to pretend we never met you.” Lynch obliges but not before one last jab at Kartheiser, “This haircut costs more than your house. “The number spilled into the stage with a big live finale featuring Lynch hoisted up by male dancers. “Try doing this with triple Spanx,” she said after getting down.
ABC’s Modern Family is on an early roll in the supporting comedy series acting categories, dismissing some projections that, with all 6 cast members nominated in the 2 categories, they might cancel each other out. The first winner of the night is the show’s Julie Bowen for best supporting actress in a comedy series. “I don’t know what I am going to talk about in therapy next week now,” she says.
A second after she thanked her TV husband, Ty Burrell, he too walked to the stage to pick up his trophy for best supporting actor in a comedy series. Burrell talked about his dad, who passed away before he got into acting, doing “a job where every day I go to work in makeup.”
Ricky Gervais presents the director for a comedy series category in a pre-taped segment. “Sorry. I can’t be live and in person. Not after the Golden Globes. I’m not even allowed on American soil if I say something rude or offensive.”
Modern Family is going 3-for-3 with a comedy series directing award for director Michael Alan Spiller for the Halloween episode.
And now it’s 4-for-4 as Modern Family also wins for best writing in a comedy series for the “Caught in the Act” episode written by Steve Levitan and Jeffrey Richman. Levitan, noting that the episode’s main story of the Dunphy kids walking in on their parents having sex was based on his own experience, thanked his “somewhat satisfied wife and 3 traumatized children.” The director cuts to Levitan’s wife who is rolling her eyes.
After the early Modern Family sweep, Lynch comes back from commercial with “Welcome back to the Modern Family Awards.”
Then it’s Charlie Sheen, presenting the lead actor in a comedy series category. Like on The Tonight Show earlier in the week, it was not the Warlock but the old Sheen — cool, collected and gracious — who showed up. “Before I present the award in my old category I wanna take a moment to get something off my chest and say something to all my friends from Two and a Half Men,” he said. “From the bottom of my heart, I wish nothing but the best for this upcoming season. We spent 8 wonderful years together, I know you will continue to make great television. Now on to the Emmy.”
Jon Hamm, Mad Men
Why He Was Nominated: The question was never whether Hamm would be nominated. That’s a given. It’s his fourth in a row for his iconic Mad Men role of Don Draper but his first without three-time winner Bryan Cranston from Breaking Bad in the race due to that AMC show’s lack of eligible episodes. Many assume that Hamm has already won a couple of these things. The mystifying truth is that no performer from Mad Men has yet taken home an Emmy.
Why He Has To Win: Mad Men creator/showrunner/control freak Matthew Weiner is said to have specifically penned the episode “The Suitcase” as a performance piece for Hamm and co-star Elisabeth Moss (also nominated). It featured the two of them exclusively and powerfully. With Cranston out of the picture, there should be no keeping Hamm from his rightful cruise down victory lane. As a fellow actor and TV academy voters noted to me, “Everyone I talk to thinks the Emmy belongs to Jon this time. It’s well deserved and frankly overdue.”
Why He Can’t Possibly Win: Hamm hasn’t earned one of these things yet, and he’s been nominated for Emmys six times in all (also twice as a guest on 30 Rock). Plus, he’s up against two guys (Hugh Laurie and Michael C. Hall) who also have been nominated multiple times without winning. Either could well pull an upset.
Ray Richmond is contributing to Deadline’s Emmy coverage.
EMMYS: Comedy And Drama Series Have Become Primetime’s Great Divide
The Emmy nomination for top drama series that so many had been wrongly predicting for years finally materialized this morning for Friday Night Lights, the DirecTV-by-way-of-NBC football drama that since its 2006 start has been at once blessed with lavish critical praise and cursed with spotty ratings. Yet the fact that the series nom comes for Lights‘ final season — long after it can do the show any good — still tasted sweet rather than bitter for showrunner Jason Katims. “It’s fantastic,” Katims said in an interview with Deadline today, referring both to the show’s first series nomination as well as the repeat performing nods for leads Connie Britton and Kyle Chandler (their second in as many years). “It was completely unexpected but totally plays into the whole spirit that guided this series. To use our metaphor, it’s like earning a shot with our last possession in the final seconds of the game. And we’re thrilled to have it.” Lights blazed a decidedly unprecedented path in its fight to survive as long as it did, starting out on NBC where it struggled in the ratings after having its second season cut short by the writers strike and faced cancellation before being rescued from the scrap heap by DirecTV.
Ray Richmond is contributing to Deadline’s 2010 Emmy coverage. Here’s his scorecard assessing the Outstanding Lead Drama Series Actor race:
BRYAN CRANSTON, BREAKING BAD
Why He Got Nominated: He’s won two years running, and the TV Academy isn’t in the habit of failing to nominate guys who won the year before (except in rare …