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Berlin: Competition’s ‘Two Men In Town’ Bows; Star Forest Whitaker Prodded On ‘The Butler’ Oscar Snub (Video)

Berlin2014_200Oscar-nominated Days Of Glory helmer Rachid Bouchareb’s Berlin Competition entry Two Men In Town is based on the 1973 Alain Delon/Jean Gabin film. The update, sold by Pathé, deals with questions of racial profiling, religion and immigration. It stars Forest Whitaker, Brenda Blethyn, Harvey Keitel, Luis Guzman and 'Two Men in Town' Press Conference - 64th Berlinale International Film FestivalDolores Heredia. Whitaker plays an ex-con just out of prison who, despite his new-found Islamic faith, struggles with violent impulses. Although much of today’s panel with some of the stars turned around the issues the film examines, Whitaker, who won the Best Actor Oscar for The Last King Of Scotland, was asked about the fact that Lee Daniels’ The Butler had been shut out at the Oscars. He responded, “You can never gauge things of that nature, all you can gauge is the experience you had. I had an amazing experience; it was life-altering for me and I felt very proud of what we accomplished.” To which Blethyn, a two-time Oscar-nominee, chimed in, “We don’t make films to win awards. We make them to entertain the paying public. If awards come along that’s great… Somehow, the perception is if it doesn’t win an award it’s a failure. It’s not true.” Here’s a clip from Two Men In Town:

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CAA Signs ‘The Butler’s David Oyelowo

By | Tuesday January 7, 2014 @ 4:08pm PST
Mike Fleming

DavidOyelowo_cEXCLUSIVE: CAA has signed David Oyelowo, who is coming off Lee Daniels’ The Butler, part of the cast nominated for a SAG  ensemble award, followed by co-starring in the Christopher Nolan-directed Interstellar opposite Matthew McConaughey and Anne Hathaway. Oyelowo, who has been doing fine work for a long time in everything from Jack Reacher to Red Tails, The Help and Rise Of The Planet Of The Apes, had been with WME. His exit appears to be fallout from the recent exit of Brian Swardstrom to UTA. Oyelowo continues to be represented in the UK by Christian Hodell at Hamilton Hodell and manager Glenn Rigberg at Inphenate. His attorney is Ira Schreck at Schreck Rose Dapello & Adams.

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OSCARS Q&A: Lee Daniels On ‘Lee Daniels’ The Butler’

By | Monday January 6, 2014 @ 8:36pm PST

Diane Haithman is an AwardsLine contributor.

Although Lee Daniels is better known for art-house fare such as 2009’s Precious, for which he earned AwardsLine.LogoBWan Oscar nomination for best director, he has found his biggest box office success with this summer’s Lee Daniels’ The Butler, which so far has earned more than $116 million domestically. After working on edgier fare — directing 2012’s The Paperboy and producing 2001’s Monster’s Ball and 2004’s The Woodsman — Daniels says he can’t really explain the commercial success of the film. The experience of telling the story of a White House butler has left Daniels humbled and grateful to the film’s biggest champion, the late Laura Ziskin.

Related: OSCARS Q&A: Forest Whitaker Learns The “Philosophy Of Service” For ‘Lee Daniels’ The Butler’

Lee-Daniels-The-Butler-Forest-Whitaker-David-OyelowoAwardsLine: How did this project start?
Lee Daniels: It started with (Sony co-chairman) Amy Pascal, who read an article in the Washington Post, and she told the late Laura Ziskin that she should option the story. Laura started talking to directors, and it came to me.

AwardsLine: How did you shape the material?
Daniels: At first, it was more of a history lesson than the family story. What I wanted to create was a heart, and that really was the father-son story.

Related: Reagan’s Son, Obama Both Watched ‘The Butler’, Saw Different Films

Read More »

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OSCARS Q&A: Forest Whitaker Learns The “Philosophy Of Service” For ‘Lee Daniels’ The Butler’

By | Tuesday December 24, 2013 @ 12:49pm PST

Diane Haithman is an AwardsLine contributor.

AwardsLine.LogoBWForest Whitaker is no stranger to exploring characters that are based on real people, having won an Oscar for his turn as Idi Amin in 2006’s The Last King Of Scotland. This season, he worked on two fact-based films: Fruitvale Station, on which he served as a producer, and Lee Daniels’ The Butler, in which he stars opposite Oprah Winfrey as longtime White House butler Cecil Gaines (loosely based on the real-life Eugene Allen). And, just to round out his onscreen roles, he plays a singing preacher in Kasi Lemmons’ musical-comedy Black Nativity, which opened November 27. The soft-spoken actor has some pointed observations about his process and how The Butler fits into the black-themed historical films crowding the Oscar field in 2013.

AwardsLine: Did you have to audition forwhitakerbutler the part of Cecil Gaines?
Forest Whitaker: I had to go and do a reading with Lee, and Oprah, who was already playing the role (of Gaines’ wife, Gloria). It was in the same hotel I auditioned for Idi Amin as well, the Sunset Marquis (in West Hollywood).

AwardsLine: What did you learn when you trained with butler Steven Ferry for the role?
Whitaker: We started first in Los Angeles, where he was teaching me about serving, setting the proper table, how you measure the chairs, how you measure the plates, where you put everything. Then he came to New Orleans and stayed in a house with me, and we continued to train. I think one of the big things was (Steven) teaching me about the philosophy of service. It’s a very spiritual concept. Read More »

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Golden Globes Film: Wow! No Oprah, But Nominations Set Up A Fiercely Competitive Race

Pete Hammond

At the Golden Globes nomination press conference at the Beverly Hilton this morning, a lot of the talk wasn’t soOprah Winfrey Snub Golden Globes much about who got nominated but who didn’t. I’m talking about you, Oprah! The star of stars didn’t make the cut and won’t be walking that red carpet (at least as a supporting actress nominee). I thought she was powerful enough just to call in and order one of these things. But Winfrey, along with everyone else associated with Lee Daniels’ The Butler, was snubbed big time. Yesterday, the Weinstein Company’s late summer hit had scored big at the SAG awards with three nominations, including one for Winfrey, and appeared to be on the rebound after being left off the AFI top 10 list Monday. But the awards-season gods giveth and then they taketh away. Conversely, yesterday’s big snubee at SAG, The Wolf Of Wall Street, saw its fortunes improve with the Hollywood Foreign Press Association naming it a nominee for Best Motion Picture – Comedy or Musical and one for Leonardo DiCaprio, a perennial Globe favorite gaining his 10th nomination (he won in 2004 for The Aviator).

Related: Golden Globe Awards Nominations: ‘12 Years A Slave’ & ‘American Hustle’ Lead Pack

RushOther than Oprah (unfairly in my opinion) missing out in supporting (Jennifer Lawrence, Julia Roberts, Lupita Nyong’o, June Squibb and a surprise nod for Blue Jasmine’s Sally Hawkins made the grade there), there weren’t many jaw-dropping surprises in film (TV was another matter entirely – sorry Claire Danes). That is unless you think Ron Howard’s Rush getting a Best Motion Picture Drama slot over the likes of Butler and Saving Mr. Banks (which, as at SAG, received only one nod for star Emma Thompson) is a stunner.  Hate to say I TOLDJA , but I predicted that in this column yesterday. I have spoken to several HFPA members over the past few weeks and nearly every one of them brought up that film’s name as a favorite. Although the independently-produced Universal release didn’t do well at the box office in the U.S., it has great international appeal being a European-set film about the 1970′s rivalry between  Britain’s James Hunt and Austrian Niki Lauda (played by Daniel Bruhl who grabbed a supporting actor nod today).  The HFPA is an organization made up of international journalists, and the film held a special appeal for them. Read More »

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SAG Awards Film: Robert Redford Shocker Shakes Up Race As Actors Boost Chances For ‘Butler’, ‘August’ And ‘Dallas’

Pete Hammond

Without question the biggest surprise coming out of this morning’s all important announcement of the Screenrobertredfordlost2 Actors Guild Award nominations in film was the absence of Robert Redford‘s tour de force one-man show in All Is Lost in the Best Actor category. The New York Film Critics Circle Best Actor winner was shut out and that could have an effect on shaking up what is an extremely competitive category. Redford was widely expected to be a major factor here — he has only been Oscar-nominated as an actor once, for 1973′s The Sting, and never in the 20-year history of the SAG Awards — and since SAG is one of the most reliable precursors of Oscar noms, his omission is a troubling sign. Adding insult to injury SAG did nominate the “stunt ensemble” of All Is Lost (is that just one guy?) even though when I interviewed him Redford told me he did most of his own stunts in the movie. Go figure.Then again, last year SAG and Oscar disagreed at least once in every category and matched in just 14 of 20 main acting nominees, so although this is a setback for Redford, it’s not a knockout. In the last two decades it’s been highly unusual for an actor not at least nominated by SAG to go on and actually win at the Oscars. But it actually happened last year when Christoph Waltz took the Best Supporting Actor Oscar for Django Unchained after being the only one of the field who was not also a SAG nominee.

Related: SAG Awards Nominations Announced

12 Years A SlaveThe Django factor could also be comforting to the Christmas Day release The  Wolf Of Wall Street, another film completely shut out this morning. Like Django it came to the game extremely late with its first SAG screenings only 10 days ago, and Paramount sent out no DVD screeners to the SAG Nominating Committee of 2000 randomly chosen members from around the country. That is why its absence from the list of Outstanding Cast, as well as for its most talked-about performances from Leonardo DiCaprio and Jonah Hill, is not really surprising. It’s a good bet to say a great number of voters just didn’t see the film in time. That won’t be a factor with the Academy, which doesn’t even get its ballots until the end of the month. Read More »

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‘Lee Daniels’ The Butler’ Returns To Theaters Friday For Awards Season Push

By | Wednesday December 4, 2013 @ 9:15am PST

Lee-Daniels-The-Butler-poster__130723170234-275x308The Weinstein Company said today it’s putting Lee Daniels’ The Butler back in theaters this Friday, December 6, for those who missed it on the big screen the first time around. Forest Whitaker, Oprah Winfrey and David Oyelowo star in the story of White House butler Cecil Gaines (Whitaker), who serves during seven presidential administrations between 1957 and 1986. The pic has grossed over $115 domestically since its August 16 release.

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2013 Gotham Awards: ‘Inside Llewyn Davis,’ ‘Fruitvale Station,’ ‘Short Term 12,’ ‘Dallas Buyers Club’; Lee Daniels Talks Racism: “I Became Very Angry At White People”

IFP's 23nd Annual Gotham Independent Film Awards - ShowThe Coen brothersInside Llewyn Davis won Best Feature tonight at the fourth annual IFP Gotham Independent Film Awards but lost some of the spotlight to presenter Lee Daniels, who made some eyebrow-raising remarks. Kicking off awards season in NYC, the trophy show propelled the CBS period folk music drama and Fruitvale Station, Dallas Buyers Club, and docu The Act of Killing toward the Oscars. The raucous audience at Cipriani Wall Street chattered so loudly during Daniels’ tribute speech his The Butler star Forest Whitaker that he tried to shush them with a few f-bombs. Gotham Awards 2013“Forest would like to hear all you talking through my speech, so shut the f*ck up,” admonished Daniels. He wasn’t the only presenter to complain onstage about the Gothams crowd, as Julie Delpy threatened to set herself on fire to get their attention while presenting another tribute, to Before Midnight helmer Richard Linklater.

Jared Leto GothamsBig wins went to Fruitvale Station, which nabbed Best Breakthrough Director and Actor for Ryan Coogler and Michael B. Jordan, respectively. Dallas Buyers Club star and Oscar hopeful Matthew McConaughey won the Gothams’ inaugural Best Actor award and accepted via iPhone through co-star Jared Leto with his signature “All right, all right, all right.” Short Term 12‘s Brie Larson nabbed Best Actress honors, boosting the SXSW winner’s awards profile. Presenting Best Documentary, Morgan Spurlock took a shot at public television (“PBS: We pay more money than IFC”) before presenting the Gotham to Joshua Oppenheimer’s Oscar hopeful The Act of Killing.

Related: OSCARS: An Early Look At The Best Picture Race – Frontrunners In A Crowded Field

Host Nick Kroll (Kroll Show, The League) struggled with the ambivalent room early on with a roast of the indie scene: “To the people from L.A. or abroad, I hope you’re enjoying your tiny hotel room you had to pay for out of pocket because Magnolia or IFC wouldn’t pony up.” Riffing on the night’s nominees, he quipped, “A common theme in this year’s movies are the horrors we inflict upon one another – slavery, war, folk music… .” Unfortunately for Kroll, he was upstaged by New York Mayor Bloomberg. “Independent filmmakers and New York have a lot in common… We both want Harvey Weinstein to be nice to us.” Boosting local filmmaking versus runaway production to neighboring Canada while presenting the tribute to his Media and Entertainment Commissioner Katherine Oliver, Bloomberg joked, “For the record: the mayor of Toronto and the mayor of New York do not have a lot in common.” Read More »

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Broadcast Film Critics To Celebrate 2013′s Historic Output Of Black Cinema

Pete Hammond

Noticing a significant trend that defines a large part of this awards season and movie-going year, the Broadcast  Film Critics Association (BFCA) announced Tuesday that they have partnered with L.A.’s House Of Blues  to produce an evening  devoted to what they are terming a “Celebration Of Black Cinema“.  The event, which is expected to draw many celebrities including the most prominent African-American filmmakers and stars responsible for 2013′s unusually large output of quality films, will be held on Tuesday January 7th. It makes a busy month for the BFCA whose Critics Choice Movie Awards take place just nine days later  on January 16th (and broadcast again this year on the CW). A good portion of the films nominated at the latter show are expected to be the same movies the BFCA will be highlighting at the January 7th event.

“After watching  42, Mandela, 12 Years A Slave, Lee Daniels’ The Butler, Fruitvale Station, Best Man Holiday  and so many more, we realized never has a single year featured such a wide range of movies with such memorable performances both in front  of and behind the camera,”  said Joey Berlin, President  of the BFCA. KTLA entertainment reporter Sam Rubin co-Executive Produces along with Berlin and called it an opportunity for “a great party, and a significant event”.

Certainly the long list of those “significant” achievements would meritRead More »

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OSCARS: An Early Look At The Best Picture Race – Frontrunners In A Crowded Field

Pete Hammond

A recent, and unsolicited, email from a producer friend of mine demonstrates what a lot of people are saying about this year’s best picture race: “Now this is a year for film! Tremendous. Going to be a fun one, my friend.” It is going to be a fun one. Nearly every Academy member to whom I have spoken seems excited about the level of quality in this year’s race, which is a strong indication that this could be the first year 10 films are nominated since the rules changed to allow a variable number. Just consider what’s already out there in theaters or on Blu-Ray: 12 Years A Slave, Gravity, Captain Phillips, Lee Daniels’ The Butler, Dallas Buyers Club, Blue Jasmine, All Is Lost, Fruitvale Station, Prisoners, Rush, Blue Is The Warmest Color, Before Midnight, Mud and The Place Beyond The Pines.

The fact is, this is a year in which there could be room for 20 films. Consider those yet to open or just opening: Philomena, Saving Mr. Banks, Nebraska, Inside Llewyn Davis, August: Osage County, The Book Thief, Her, Mandela: Long Walk To Freedom, Lone Survivor, Labor Day and The Secret Life Of Walter Mitty. All of those films have played the fest circuit, and most pundits—including this one—already have seen them and can say definitively that it’s a formidable list. Of those yet to be seen by just about anyone outside of rarefied circles are The Wolf Of Wall Street and American Hustle, both December releases expected to be major players in several races.

Related: OSCARS: Fest Circuit A Must For Majors Chasing Award Season Gold

With this kind of lineup, it is no wonder some movies once thought to have awards aspiration—such as Foxcatcher, Grace Of Monaco, The Immigrant and George Clooney’s The Monuments Men—have all opted out. And why not? Read More »

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Santa Barbara Film Festival To Honor Oprah Winfrey

Oprah Winfrey will receive the festival‘s Montecito Award for her performance in Lee Daniels’ The Butler and a celebration of her overall career. The Tribute to Winfrey is set for February 5 at the Arlington Theatre. Previous recipients of the award, given in recognition of a performer who has given a series of classic and standout performances, has gone to the likes of Daniel Day-Lewis, Geoffrey Rush, Julianne Moore, Kate Winslet, Javier Bardem, Naomi Watts and Annette Bening. Winfrey’s most recent work includes her moving portrayal of supportive wife Gloria Gaines in Lee Daniels’ The Butler. The historical drama stars Forest Whitaker as a White House butler who served seven American presidents over three decades. “Ms. Winfrey, the actress, inhabits Gloria Gaines with such gusto – she makes you forget Oprah the impresario,” says SBIFF Executive Director Roger Durling. “Her performance is career-defining and reason to rejoice.” The festival runs January 30-February 9.

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OWN Acquires ‘Lee Daniels’ The Butler’

By | Thursday September 26, 2013 @ 10:29am PDT
Nellie Andreeva

There will be even more Oprah Winfrey on OWN — the network has picked up the network television rights to Lee Daniels’ The Butler, toplined by OWN’s CEO and star Winfrey and Forest Whitaker. OWN is getting the first broadcast window behind pay television beginning in 2017. The Weinstein Company-produced sleeper hit recently surpassed $100 million at the box office. “This is a film that every American should see and we look forward to its debut on OWN,” said Sheri Salata, president, OWN. “Lee Daniels’ The Butler tells the story of a White House butler who served seven American presidents over three decades.

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UPDATE: Obama Postpones Hollywood Fundraiser Next Week Because Of Syria Crisis

By | Thursday September 5, 2013 @ 9:45am PDT

UPDATE, 9:45 AM: The possibility of U.S. military action against Syria means that President Barack Obama won’t be coming to LA on September 9 after all for a fundraiser at the home of Friends co-creator Marta Kauffman. A source tells me that the White House wants the Commander-in-Chief in Washington for an expected Congressional vote next week on the proposed action, and subsequently the Democratic National Committee has postponed the event. Though no new date has been set, the fundraiser will be rescheduled, the DNC says. Patrons who purchased the $32,400-per-person tickets for the small gathering with Obama will be refunded if they don’t want to attend the rescheduled event. The Senate Foreign Relations Committee voted 10-7 Wednesday in favor of the use of military force against the Assad regime. Full Senate and House votes on the matter will likely come early next week.

Related: Big Four Networks Break In For Obama’s Address On Syria

PREVIOUSLY, AUGUST 27 PM: EXCLUSIVE: Producer Marta Kauffman is inviting a good friend over next month. The Friends co-creator/executive producer and her composer-husband Michael Skloff will be hosting President Obama at their LA County home for a DNC fundraiser on September 9, Deadline has learned. Though Obama’s trip was revealed by the DNC on Monday, all details were kept under wraps. Now described as a “roundtable” discussion by one insider, the one-hour event (take a look at the invite here) comes at a price of $32,400 per guest and is expected to raise over $1 million for the party. In what is being set up as a smallish gathering of around 30 people, Obama will take direct questions from the big money ticket buyers, I’m told. A longtime Obama and DNC supporter, Kauffman most recently donated $50,000 to the president’s second inauguration. The visit comes just more than three weeks after Obama’s last trip to LA, when he appeared on The Tonight Show and had a private dinner with DreamWorks Animation boss Jeffrey Katzenberg.

Related: President Obama Exclusive On CNN’s ‘New Day’ A Ratings Bust
Read More »

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‘The Butler’ #1 Again, ‘Mortal Instruments’ #3, ‘The World’s End’ #4, ‘You’re Next’ #6

SUNDAY 8:30 AM, 3RD UPDATE: As Summer 2013 whimpers to a close, this is traditionally one of those ‘who cares?’ domestic box office weekends not really worth my time or effort on analysis. It’s only a $90M weekend, on par with last year’s. The Weinstein Company’s Lee Daniels’ The Butler is a holdover for #1 while Warner Bros/New Line’s raunchy comedy We’re The Millers stays #2 and creeps up on $100M. Woody Allen’s critical tour-de-farce Blue Jasmine starring Cate Blanchett widens its release to wiggle into #10 . Among newcomers, Sony Pictures/Screen Gems’ pickup from Constantin is the demonic fantasy The Mortal Instruments: City Of Bones  which opened Wednesday. It ends the weekend #3 and Focus Features/Working Title’ sci-fi comedy The World’s End reteaming Simon Pegg and Nick Frost finished #4. Both pics earned ’B+’ CinemaScores. Lionsgate’s horror flick You’re Next is #6 and only managed a ‘B-’. Here’s the Top Ten based on weekend estimates:

1. Lee Daniels’ The Butler (Weinstein) Week 2 [Runs 3,110] PG13
Friday $4.7M, Saturday $6.9M, Weekend $17.0M, Cume $52.3M

2. We’re The Millers (New Line/Warner Bros) Week 3 [Runs 3,445] R
Friday $4.0M, Saturday $5.5M, Weekend $13.5M, Cume $91.7M

3. The Mortal Instruments (Screen Gems/Sony) Week 1 [Runs 3,118] PG13
Friday $3.1M, Saturday $3.7M, Weekend $9.2M, Five-Day Cume $14.0M

4. The World’s End (Focus … Read More »

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Oprah’s PR Blitz Helps ‘The Butler’ Open #1 With $25M: Soft Box Office As ‘Kick Ass 2′ Falls, ‘Jobs’ Biopic Dies, ‘Paranoia’ Bombs

SUNDAY 8 AM, 6TH UPDATE WRITETHRU: With one exception, this weekend was a disaster zone for three of the four newcomers at the domestic box office. Tanking big-time were Universal’s Kick-Ass 2 based on the comic book, Five Star/Open Road Films’ Jobs biopic about the Apple co-founder played by Ashton Kutcher, and IM Global/Relativity’s Paranoia starring Liam Hemsworth and Harrison Ford. Total moviegoing this weekend was only around $160 million, or -6% from last year, despite the uber-crowded marketplace. Even the surprise #1 this weekend, The Weinstein Company’s Lee Daniels’ The Butler, opened with $25 million which was down from the $30+M Hollywood projected when the weekend started. ”Everything is coming in softer,” one studio exec warned me Friday night. Love her or hate her, co-star Oprah Winfrey and her big media blitz helped open the pic even if it did little to help her public image by providing more dirt for her detractors. Yet a survey by Fandango found that 72% of Butler ticket-buyers claimed Oprah’s involvement increased their interest in seeing the film which was her first movie role in 15 years. But The Butler still trailed the opening weekend grosses of two recent and similarly race- and civil rights-themed adult pics: 42 and The Help. No one, and certainly not The Weinstein Company, expected director Lee Daniels’ or screenwriter Danny Strong’s biopic (playing in 2,933 theaters) to double its $15M weekend projection much less land on top of the weekend box office. But on Thursday morning it already was the #1 ticket-seller on both Fandango and MovieTickets – a welcome event for such a modest $25M negative cost film. Its 73% Rotten Tomatoes positive reviews and ’A’ CinemaScore from audiences surely helped word of mouth as much as Oprah. (Note that in 1998. at the height of her syndicated power when she could sell anything to anyone, Oprah starred in and produced the film flop Beloved. Now she’s on her struggling cable network. But I’m assured she had no financial investment in the film nor contributed into the P&A nor bought up advance tickets in bulk like the rumors claimed.)

Related: Oprah No Match For Housewives On Watch What Happens Live
Related: Oprah Talks Her OWN Failure And Her Nervous Breakdown

Forest Whitaker, Terrence Howard, Alan Rickman, and Cuba Gooding Jr helped overcome the uneven script that – depending on your POV – is dumbed-down or condescending, historically important or filled with historical inaccuracies. But the stunt casting of Jane Fonda as Nancy Reagan has caused considerable Red State outrage on social media. Like 42 and The Help, this pic was marketed first to African-Americans through outreach in those faith-based communities. Then the campaign widened to the art house crowd and curious general audiences. Rival studios initially speculated that The Butler‘s grosses would be frontloaded since it was so dependent on pre-sales. But its Saturday number went up +10% over Friday’s. The film’s genesis began with a Washington Post profile of the longtime White House black butler Eugene Allen that was optioned by Sony Pictures producer Laura Ziskin. When she died of cancer 3 weeks before shooting began, Cassian Elwes and Pam Williams met with Daniels and, together with CAA, scrambled to put together financing. In all 28 investors came together including Buddy Patrick, Sheila Johnson, Michael Findley, and Len Blavatnick. Harvey Weinstein and his TWC boarded late in the production and banked $4M to help finish the film. Then Harv “helped edit” – we all know what that means – with Daniels. Initially The Butler was a fall film to platform for awards consideration. “But when it tested through the roof, we decided then that we needed to go wide. And we saw a gap in the schedule for adult fare in the summer,” an insider tells me. “In our deal we had a $20M P&A cap, and we had to go to the investor group to get the cap raised to $30M in order to go wide.” I’m told 100% of the P&A money is TWC’s. Along the way, Harvey orchestrated free publicity as he battled Warner Bros over the pic’s title.

Pre-release tracking predicted that Universal’s superhero action-comedy Kick Ass 2 (playing in 2,940 theaters) would be the #1 film this weekend as it made steady gains in key areas with solid interest indicated from younger audiences and males in particular. Instead, it bombed with only $13.6M after looking to open #1, then #2, then #3 on Friday - trailing the Warner Bros/New Line holdover comedy We’re The Millers. Not even its ‘B+’ CinemaScore could help word of mouth after critics savaged it with only 29% positive reviews on Rotten Tomatoes because it fell short of the original. Fanboys decided to stay away. I predict debate will rage about whether this sequel based on Mark Millar/John S. Romita’s comic book was necessary. Even the 2010 original’s $19.8M opening was considered dismal, only to make up for it as a hot DVD sale and rental and digital download because of its R-rated irreverence and style. Wrongly, the studio believed “there was a committed fan base that could be activated as a core audience for a sequel,” as a Universal exec emailed me. So the studio handled worldwide distribution for the further adventures of Kick-Ass, Hit Girl and Red Mist (played by Aaron Taylor-Johnson, Chloë Grace Moretz  and Christopher Mintz-Plasse respectively). Vigilante crusader Colonel Stars and Stripes is played by Jim Carrey who kicked up a fuss by proclaiming he wouldn’t promote the film because of its ultra-violence. A few weeks later, he got onboard – but not before generating a ton of bad publicity for the pic. (He didn’t make himself very popular in Hollywood with this stunt. Let’s see if his career continues to crater.) From a screenplay by director Jeff Wadlow, pic also reteamed producers Matthew Vaughn, Adam Bohling, Tarquin Pack and David Reid. It was independently financed for only $28M, then acquired by Universal before production began in September of 2012. Film opens day-and-date in 18 international territories including the United Kingdom, France, and Germany and grossed $6.3M at 1,500 dates.

Flopping in wide release (2,381 theaters) was Open Road Films’ Jobs, the much-publicized biopic about the Apple co-founder Steve Jobs starring Ashton Kutcher. It came in only #7 with a meager $6.7M despite a plethora of TV ad buys. Ashton just isn’t a movie star, period, and the ‘B-’ CinemaScore didn’t generate any helpful word of mouth for the pic directed by Joshua Michael Stern (Swing Vote) and scripted by first-time screenwriter Matt Whitely. Open Road acquired Jobs just before it premiered at Sundance in January from Five Star Feature Films which financed the $12M production. Rotten Tomatoes critics only gave it 24% positive reviews because of its superficial made-for-TV depiction of a complex creative and business icon. Still it’s surprising how many Apple devotees stayed away despite the marketing’s psychographic targeting to them. And digital stunts included the launch of the first-ever Instagram movie trailer and Kutcher ringing the bell at the NY Stock Exchange.

Another tech pic tanked. Dropping from #10 on Friday to #13 by Sunday was the IM Global/ Reliance produced thriller Paranoia (distributed by Relativity into 2,459 U.S. theaters with EOne releasing in Canada). Even starring Liam Hemsworth, Harrison Ford, and Gary Oldman who all are good in the film, it made only $3.5M or about half what was projected. Both audiences and critics hated on it with a ‘C’ CinemaScore and 4% Rotten Tomatoes positive reviews. ”I think Relativity’s marketing department screwed up,” one insider tells me. “They tried to focus on the youth audience and teen girls in particular, and it isn’t that kind of movie at all. Also, IM Global picked this date, and they never should have opened this kind of film in the summer.” Read More »

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Hot Clip: Jane Fonda As Nancy Reagan In ‘Lee Daniels’ The Butler’

By | Thursday July 25, 2013 @ 12:31pm PDT

“I thought it would be fun to play her,” says Jane Fonda of her turn as Nancy Reagan in Lee Daniels’ The Butler, glimpsed in a new clip from the Weinstein Co. pic. The casting sparked plenty of controversy last year when it was first announced. But “I happen to know that she’s not unhappy that I’m playing her,” says Fonda. Check it out:

Related: Jane Fonda As Nancy Reagan: First Look

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