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‘Cult’ Producers On “Putting A Magnifying Glass” On The Darker Side Of Fandom: TCA

By | Sunday January 13, 2013 @ 12:26pm PST

Ray Richmond is contributing to Deadline’s TCA coverage.

CultThe new CW drama Cult that premieres February 19 surrounds what happens when the mysterious disappearance of the brother of an investigative journalist leads to a journey into the dark underbelly of a TV series and its rabid, obsessive fan base. So the first question from a critic on a TCA panel this morning asked maybe whether there was a danger in looking at passionate television fans and telling them “your passion scares Cultme and I’m afraid you might kill me.” Exec producer and showrunner Rockne S. O’Bannon admitted that the production team is very cognizant of this issue. “But unlike other shows, we have the advantage of putting a magnifying glass on that idea itself,” he reasoned. The natural followup query is whether there is indeed a certain cause-and-effect between TV and movie content and certain behaviors from impressionable fans. Exec producer Len Goldstein explained that Cult is absolutely peering at the relationship between fans and their shows, “which is certainly more pronounced than ever before… Read More »

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NBC Developing ‘Lesbo’ Comedy About Gay And Straight Female Best Friends

By | Wednesday September 7, 2011 @ 4:30pm PDT
Nellie Andreeva

This is a title that will get attention: NBC has bought comedy pitch My Best Friend Is A Lesbo. The project, from Warner Bros TV and Josh Schwartz and Stephanie Savage’s studio-based Fake Empire, is about two best female friends — one straight, the other gay — who become roommates and help each other navigate life, love, and dating in Los Angeles. The semi-autobiographical comedy is based on the real-life friendship of writers and longtime roommates Sascha Rothchild and Randi Barnes, who will co-pen the script together. This is a rare paring of the two, who are not a writing team. They will co-executive produce My Best Friend Is a Lesbo, with Fake Empire’s Schwartz, Savage and Len Goldstein executive producing. If the project goes to series, its provocative title will probably be toned down the way ABC’s Good Christian Bitches became Good Christian Belles and The Bitch At Apt. 23 was shortened to Apartment 23. WME-repped Rothchild recently sold her feature pitch Who Invited Her to DreamWorks with Reese Witherspoon attached to star, and she is writing How To be Divorced By 30 for Universal and producer Marc Platt based on her book. Barnes co-wrote the upcoming animated feature Dorothy of Oz starring Lea Michele. Rothchild and Barnes are managed by Apostle. This is the first sale this season for WME-repped Fake Empire, … Read More »

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TCA: Escapism At Heart Of ‘Hart Of Dixie’

Diane Haithman is contributing to Deadline’s TCA coverage.

Should we be calling the CW’s new series Hart of Dixie — about a fish-out-of water New York doctor (Rachel Bilson as Zoe Hart) who unwillingly relocates to Bluebell, Ala. – Southern Exposure? Following today’s TCA panel on the show, from the creators of Gossip Girl, executive producer Leila Gerstein acknowledged similarities in the doctor-out-of-water story line of CBS’ 1990s series Northern Exposure, about an urban doctor who finds himself doing rounds in Alaska, and the new show. But Gerstein said there would be big differences in story and tone: “It’s belles instead of … well, Alaska,” she said. She added that the show would have a light-hearted, sexy element. “I call it ‘city girl porn,’ she said — meaning that she created the show as a form of TV escapism from her routine own life as an urban mom. Originally conceived as a law show, the character was moved into a medical arena, where she said there were more stories.

Gerstein — co-executive producer with Gossip Girl’s Josh Schwartz, Stephanie Savage, Len Goldstein and Donald Todd — would not admit her age except to say, “I’m a lot older than I look,” but said she did not create the show specifically for CW’s target demographic of 18-34. “I’m a mom, I wrote it for myself; I wrote it for my friends,” she said, acknowledging that watching a young, hip cast can appeal to a slightly older crowd (indeed, CW president Mark Pedowitz said in an earlier panel that the average CW viewer is 34-35, not 18). “I created a town that I want to move to, with parades; where people dangle their feet off the porches and sip mint juleps,” she said during the panel. “In my pitch, I said, ‘It’s full of hot fisherman and there’s a great love story,’ so it was created really out of an escapist need that I had.” Read More »

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