Jimmy Fallon got Lindsay Lohan first — but David Letterman got her best when he turned her visit to his CBS late-night program into a sparring match with Oprah Winfrey, aka Lohan’s life coach/reality-series producer. In the segment taped today for tonight’s show (see the clip below), Lohan is the one who first said, “Should we call Oprah?” while she and Dave were talking. As befits the importance of the occasion — Lohan’s OWN ratings are taking a tumble, with most recently episode scoring only 390,000 viewers — the child-star-turned-adult-actress-train-wreck is dressed as a bedazzled baby-grand piano. Dave responds, grumpily, “No, we’re not.” This back and forth continued for a while — Lohan staunchly pro-Oprah-calling, Dave steadfastly anti-Oprah-calling, until the call is finally made. Raise your hand if you too thought all along that would be the outcome.
Dave starts off strong, throwing Oprah off by using another voice. “Who is this?” she asks dubiously, growing even frostier when he says he’s Lohan’s assistant — presumably because Oprah doesn’t take calls from assistants. “It’s Dave, Oprah,” Letterman cackles. “Oh my God – Very good, Dave!” Winfrey says, graciously conceding the point, adding, “The David Letterman who’s retiring?”
They prattle on merrily for a brief while; Dave asks Oprah how she thinks Lohan is doing now that she has completed the latest rehab stint at the heart of her OWN reality series. “I think she’s doing OK, what do you think?” Oprah says, noncommittally, not wanting to give away the ending of the series by pronouncing Lohan healed. “I loved her since she was 6 years old, Letterman responds, only slightly creepily.
TV critics attending Winter TV Press Tour 2014 got a sneak peek at Lindsay – OWN’s upcoming Lindsay Lohan docu-series set to premiere March 9. “There’s nothing left in having a drink for me. There’s no party I haven’t gone to, nobody I haven’t hung out with, no situation I haven’t been exposed to,” Lohan tells the camera as she swans here and there. “I don’t want them following me to an AA meeting,” she says of the paparazzi. Asked if she feels like a prisoner, she responds, “Yes – all the time.”
Cut to Mom and Dad Lohan showing up for their close-ups. Mom is thrilled to have a camera trained on her as she gushes how happy she is that Lindsay is back in New York. Dad is the catalyst for one of those classic Lindsay “thing in my head says, ‘Oh, it’s time to sabotage” moment.
OWN Orders Another Tyler Perry Scripted Series, Sets Lindsay Lohan Reality Series Premiere For March 9
On the heels of the record-breaking Season 2 premiere of Tyler Perry’s OWN drama series The Have And The Have Nots, Oprah Winfrey‘s network has picked up the fourth Tyler Perry series and second drama in its collaboration with the prolific writer-producer-director, announcing Single Moms Club based on his upcoming feature film will premiere in the fall. The one-hour drama, which centers on a group of single women from different walks of life who form a support group following an incident at their children’s school, is written, directed and produced by Perry as part of his producing deal with OWN. The first two series under the pact, drama The Have And Have Nots and comedy Love Thy Neighbor, have helped OWN’s ratings turnaround – most recently, the Season 2 debut of The Haves And The Have Nots smashed its own ratings and viewership records Tuesday with 2.8 million tuning in — making it the No. 1 season premiere in OWN’s 3-year-plus history and the third-most-watched program ever on the network. (OWN also picked up a third season of Perry’s comedy For Better Or Worse, which started on TBS.) Lionsgate releases the Single Moms Club feature on March 14 with Perry and Nia Long starring. (watch trailer below) OWN today also set a premiere date for Lindsay, the eight-part reality series starring Lindsay Lohan, who brokered the series along with a post-rehab interview special on Oprah’s Next Chapter back in July. Lindsay will follow the actress’ life after that rehab stint and premieres March 9 at 10 PM.
OWN also said today that Deion’s Family Playbook, which follows the family life of former NFL star Deion Sanders, will premiere March 1 at 10 PM, and Love In The City, about four friends living in New York, will debut April 12 at 10 PM. Here is the network’s descriptions of the new shows:
It’s going to be a busy August for Lindsay Lohan once she gets out of her court order 90-day rehab stint on July 31. The actress has the Paul Schrader-directed indie drama The Canyons, in which she stars, …
BREAKING: IFC has acquired rights to The Canyons, the Paul Schrader-directed film that pairs Lindsay Lohan and porn star James Deen in a drama about decadence and debauchery in Los Angeles. The film has gotten a lot of attention lately, including a very public rejection by the SXSW festival, which prompted an angry response on Deadline from Schrader over the festival’s lack of discretion. The challenges of making the film with its high-maintenance star Lohan was also the subject of a New York Times article.
At the time Schrader was sounding off on SXSW, the film’s reps at WME Global were already fielding offers for the movie, and so it did not need a festival to build the kind of awareness needed to make a sale these days. If anything, a provocative sexy film with Lohan at this point needed, in Schrader’s opinion, a quick path to the release to capitalize on all of the attendant publicity. And a company that could release on a multi-platform was a must. The film cost $90,000, with another $170,000 raised free and clear on Kickstarter, and another $200,000 in actor deferments. The rest goes to the principals of the film, which include Lohan, Schrader and producer Braxton Pope.
Here’s the official word:
IFC Films announced today that the company is acquiring North American rights to director Paul Schrader’s neo-noir thriller THE CANYONS. The modern-day Los Angeles-set film stars Lindsay Lohan and adult film star James Deen. Producer Braxton Pope led the DIY film’s extensive new media strategies which included crowdfunding and online casting. THE CANYONS has been described by Schrader as “cinema for the post-theatrical era.”
The film will premiere day-and-date and on digital platforms in early summer in conjunction with a Special Presentation at the Film Society of Lincoln Center where The Canyons will be screened and followed by a conversation with Schrader and Kent Jones, Director of Programming of the New York Film Festival. Schrader presented a Master Class on crowdsourcing and DIY production at last year’s New York Film Festival and will return to expand upon the process of making the film in a post-screening discussion.
Larry A. Thompson has managed a lot of talent and produced a lot of television over the years, but nothing he’s done before has attracted the kind of attention Liz & Dick has. Set to air November 25, the Lifetime TV movie about the stormy love affair between Elizabeth Taylor and Richard Burton was in the spotlight from the moment Lindsay Lohan was cast as Taylor. Car crashes, filming delays, exhausted crew members and the constant glare of the media hampered the production. Liz & Dick covers the couple’s two marriages, two divorces and career ups and downs. Grant Bowler plays Burton in the film. Lloyd Kramer directs from a script by Temple Grandin scribe Christopher Monger. Thompson talked with me about the trials of making Liz & Dick, hiring Lohan, and his next project on Oprah Winfrey.
DEADLINE: With all the attention on Liz & Dick, this could not have been an easy film to make.
THOMPSON: It was a challenge to make this movie. I certainly was aware of the risk I was taking hiring Lindsay Lohan. I realize now making the right decision is easier than living with the right decision. But it was the right decision nonetheless. Because in our movie none of the reported madness seeps into the story except when the story asks for it. It was a complicated jigsaw puzzle under the best case scenarios and then when you are challenged by new factors, it keeps you on your toes. When you’re promoting a movie, you always have to watch what you say and when you are working with Lindsay Lohan, it gives that piece of advice new meaning.
DEADLINE: So why did you hire her?
THOMPSON: I think by having Lindsay in our movie she will bring a younger generation that might not even know who Elizabeth Taylor and Richard Burton are. And I think because of their interest in Lindsay Lohan they are going to see a story on Lifetime that’s going to thrill them. I think all the naysayers who think that Lindsay Lohan is a train wreck are going to shocked to see how much of an actress she is. I’ve learned to divorce one’s talent from one’s personal behavior and I think the audience will start doing that too one they start watching the movie.
Lindsay Lohan’s New PR Team Rogers & Cowan Pulls Her Out Of Barbara Walter’s ’20/20′ Interview At The Last Minute
Few in Hollywood pull out of Barbara Walter’s interviews, especially when they have an upcoming project. But Lindsay Lohan’s new PR representatives Rogers & Cowan confirmed tonight that the actress will not be appearing on ABC’s 20/20. Lohan was scheduled to …