Ari Emanuel And Irving Azoff Feud Via Vile Emails CC’ed To Hollywood And Media VIPs

By | Tuesday June 25, 2013 @ 1:44pm PDT

UPDATE: Read the unedited emails here.

EXCLUSIVE: Few things satisfy more than a fiery Hollywood feud. I’ve learned the ongoing one between Ari Emanuel and Irving Azoff flared up again this past weekend in a way that one eyewitness told me was “like Yiddish Theater, complete with Jews and their drama and their masks and coats and robes”. I wouldn’t know, never having attended Yiddish Theater. But I do know Hollywood, and this flaming raged out of control. The email war erupted between the two entertainment executives Friday, the same day as a Financial Times article was published about how well Live Nation Entertainment is doing in 2013 after music manager Azoff resigned and where WME co-founder Emanuel is on the board. It doesn’t help that Azoff’s son works for CAA as an agent, or that Azoff is reputedly using his position as an advisory board member of IMG to lend help to CAA’s designs on that sports company which WME also wants. The surprise here is that Emanuel usually sends one- or two-word-only email messages. But Azoff loves all communications technology, even infamously micro-blogging on Twitter to spar with Live Nation critics when he ran the company. (“If you want ticket prices to go down, stop stealing music.”) Trust me, feuds like this are extremely multi-faceted.

I’m told the emails were “a lot of back and forth” over the FT story but not substantive. Instead, they consisted of each man baiting the other and “devolved into a fucking bitchfest about how much they hate each other. Irving tried to be nice and, well, Ari was Ari. They kept going back and forth. Such silliness from Ari about what a ‘piece of shit’ Irving was, and then Irving saying, ‘I forgive you for being an asshole.’ Ari telling him, ‘You’re a lying piece of shit,’ and Irving replying, ‘You don’t know what you’re talking about.’ It was so ridiculous.”
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Live Nation’s Irving Azoff Will Manage ‘The X Factor’ Winner

Curious that the press release (below) doesn’t explicitly say that Azoff is chairman of Live Nation Entertainment — the parent of Ticketmaster and the No. 1 owner of concert venues.

LOS ANGELES, Aug. 4, 2011 — Front Line Management and Syco Entertainment today announced a partnership which will see the future winning artist or group of the U.S. version of The X Factor managed by Front Line Management, the world’s leading artist management group.

Front Line, a division of Live Nation Entertainment, manages the careers of some of the world’s biggest-selling artists, including The Eagles, Miley Cyrus, Journey, New Kids on The Block, Christina Aguilera and Fleetwood Mac.

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Concert Ticket Sales Down? No Matter, Biz Deals Lead To Rocking Pay At Live Nation

It’s fascinating to watch companies in decaying industries resort to financial sleight of hand to try and survive — which is why we’re going to start paying attention to the music business. But you’d never know that music, including the concert business, is in trouble from the huge compensation packages that Live Nation just revealed it paid last year to its two top executives: chairman Irving Azoff and CEO Michael Rapino. They collectively made $38.7 million, mostly because they engineered several business deals including a merger with Ticketmaster — a combination that tightened Live Nation’s grip over the concert business but provided no discernible benefits for consumers. The financial gamesmanship certainly worked well for Azoff. He picked up a lot of Ticketmaster stock back when Barry Diller controlled the company and wanted to merge it with Azoff’s Front Line, a management firm that handles performers raging from The Eagles to a blues band that Cablevision CEO Jim Dolan fronts in his spare time, JD and the Straight Shot. Diller left Live Nation last year after losing a boardroom battle. Still, Azoff made $22.8 million in 2010, which included $13.8 million for his Ticketmaster and Front Line holdings. Live Nation also paid $731,130 to a private airplane company that Azoff owns — as well as salaries to his son, daughter and son-in-law, who hold non-executive jobs at Live Nation. Rapino ended up with nearly $15.9 million, a 138% raise over his compensation in 2009. Read More »

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Let’s All Be Done With Barry Diller, Please?

By | Wednesday September 29, 2010 @ 10:07am PDT

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