Heard It Here First: Weinstein Picks Up ‘Macbeth’ With Michael Fassbender And Marion Cotillard

Mike Fleming Jr broke this story last week that The Weinstein Company would acquire rights to a new version of Shakespeare’s Macbeth starring Michael Fassbender and Marion Cotillard. Weinstein and Fox Searchlight had been sparring over the pic. Here’s the company’s release today confirming the North American rights deal:

New York, NY (October 23, 2013) – The Weinstein Company (TWC) announced today that they are acquiring U.S. and Canadian rights from Studiocanal for director Justin Kurzel’s (SNOWTOWN) big screen adaptation of Shakespeare’s MACBETH. Jacob Koskoff and Todd Louiso (THE MARC PEASE EXPERIENCE) have penned the screenplay for the film, which will star Michael Fassbender (12 YEARS A SLAVE, SHAME) and Marion Cotillard (THE IMMIGRANT, RUST AND BONE). The project is being produced by See-Saw Films’ Iain Canning and Emile Sherman (THE KING’S SPEECH). STUDIOCANAL is financing and is handling international sales. Film4 developed and is partnering on the project.

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Weinstein Company Lands ‘Macbeth’ With Michael Fassbender And Marion Cotillard

By | Wednesday October 16, 2013 @ 12:14pm PDT
Mike Fleming

EXCLUSIVE: The Weinstein Company is nearing a deal to distribute a new version of Shakespeare’s Macbeth that has Michael Fassbender and Marion Cotillard starring, This is the one being directed by Snowtown helmer Justin Kurzel, from a script by Jacob Koskoff Todd Louiso that features the original Shakespearean dialogue, but doing an ambitious job of visually framing Macbeth’s plight, as his ambitious wife coaxes him into taking underhanded means to grab power from the reigning king Duncan. The film’s produced by Iain Canning and Emile Sherman of See-Saw Films. TWC and Fox Searchlight have been sparring over the picture in the last month or so.

This puts Fassbender in the hands of Harvey Weinstein and despite what the actor said in GQ about not wanting to participate in the Oscar proceedings, Weinstein can certainly be persuasive in making stars of his movies see the benefit in at least trying to play the game. When an actor makes public comments like the ones Fassbender did, the danger is that it can come off as indifference or disdain to Oscar voters and the process. That puts the focus squarely on performance, which of course is where it should be anyway, but we all know life doesn’t work out that way. In this case, Fassbender’s work in 12 Years A Slave is so overpowering it might not matter. It certainly didn’t stop Joaquin Phoenix from getting a Best Actor nomination for his towering performance in Paul Thomas Anderson’s The Master even after the actor went public for his aversion to the whole Oscar dog and pony show. Read More »

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Marion Cotillard To Play Lady Macbeth Opposite Michael Fassbender

Oscar-winner Marion Cotillard has boarded See-Saw Films’ Macbeth, to be directed by Snowtown‘s Justin Kurzel. Natalie Portman had previously been attached to play the scheming Lady Macbeth opposite Michael Fassbender as the iconic eponymous … Read More »

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Kenneth Branagh Set For NYC Stage Debut In ‘Macbeth’ Next Year

By | Tuesday August 20, 2013 @ 12:42pm PDT

He has been on the big screen in the Big Apple doing Shakespeare a lot over the years but Kenneth Branagh is finally going to make his first appearance on the New York stage in Macbeth next … Read More »

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Michael Fassbender, Natalie Portman Set For ‘Macbeth’

By | Wednesday May 1, 2013 @ 10:05am PDT

Film4′s film adaptation of the Shakespeare classic has Snowtown helmer Justin Kurzel attached to direct. Project is glued together by a number of prior relationships. … Read More »

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Global Showbiz Briefs: Olivier’s ‘Macbeth’ Screenplay, Cuts At Nine Ent.

By | Wednesday January 30, 2013 @ 11:14pm PST

Laurence Olivier’s ‘Macbeth’ Screenplays Unearthed
A British professor has stumbled across Laurence Olivier’s screenplays for a 1950s movie version of Macbeth which were thought to have been lost. The University of Exeter’s Jennifer Barnes was researching Olivier’s film version of Richard III at the British Library’s Laurence Olivier Archive when she came across references to Macbeth scripts. Olivier had tried to mount the filmed version of Shakespeare’s play, but it was shelved due to financing problems. He would and wife Vivien Leigh would have played not only Macbeth and Lady Macbeth, but also two of the three witches, the screenplays reveal. Olivier also planned to cut out the “Is this a dagger I see before me?” line, The Guardian reports. While he was still alive, Olivier contended there were no surviving copies of his screenplay, but Barnes said “I was going through the catalog” of papers acquired by the library from Olivier’s family in 2000, “and I pulled up a script and found it was Macbeth. I didn’t believe it because I knew it wasn’t supposed to exist… I guess the people who cataloged them didn’t know how important they were”. The screenplay ends with a spectacular fight between Macbeth and Macduff. Per The Guardian, Olivier wrote: “Every conceivable trick of fighting that isn’t going to get a laugh must be employed.”
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James McAvoy Joins Star-Studded London Theater Season In Title Role Of ‘Macbeth’

By | Friday December 7, 2012 @ 3:44am PST

Next season on London’s West End is shaping up to be a who’s who of British talent. Helen Mirren, Judi Dench, Daniel Radcliffe, Ben Whishaw and Jude Law are all starring in plays and Whishaw and Dench’s Skyfall director Sam Mendes is prepping a musical production of Charlie And The Chocolate Factory. James McAvoy is the latest to commit to walking the boards, taking on the title role in Macbeth which veteran theater director Jamie Lloyd is mounting as part of the Trafalgar Transformed season. McAvoy has played Macbeth before, albeit in a modernized BBC version in which the Scottish lord was transformed into a top chef. He was last on stage in 2009′s Three Days Of Rain, which Lloyd also directed. He’ll next be seen on screen in Danny Boyle’s Trance and is reprising his role of a young Charles Xavier in Bryan Singer’s X-Men: Days Of Future Past. In a growing trend to reach out to wider audiences, Read More »

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