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NoahBiblical and Faith-Based Movies: In Hollywood to Stay?
By Anita Busch
After this weekend’s successful opening for Noahis there any doubt anymore that if Hollywood builds it, they will come?


Writers Rail As Talks Resume: A Deadline Survey
By Mike Fleming, Jr.
As talks are about to resume Monday on the final elements that many hope will lead to a new deal for the Writers Guild Of America, we wanted to lend some perspective and give voice to the TV and feature writers whose fortunes will be tied directly to the deal their union makes. Deadline spoke with 10 film and TV scribes and asked them the following questions: Read More »

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Madonna To Direct Adaptation Of Novel ‘Ade: A Love Story’

By | Tuesday March 25, 2014 @ 10:00am PDT
Mike Fleming

BREAKING: Madonna will get back behind the camera Madonnato direct an adaptation of the Rebecca Walker novel Adé: A Love Story. The novel is based on Walker’s experience. It revolves around a young college student who falls in love with the title character, a young Swahili man, and they plan to marry and live a simple life in Kenya. All of that comes in jeopardy when they are caught in the middle of a civil war that threatens to tear them apart.

adeThe film will be produced by Bruce Cohen, who shared a Best Picture Oscar on American Beauty and more recently produced Milk and Silver Linings Playbook. He’ll produce through his Bruce Cohen Productions shingle with his director of development Jessica Leventhal, and the author. The book was released last fall by Amazon’s Little A imprint.

This is early days, and Madonna and the producers will attach a screenwriter as CAA puts together financing for the film. Madonna made her narrative feature directing debut on 2011′s W.E., which chronicled the relationship between British King Edward VIII and American divorcee Wallis Simpson.

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Forget The Alamo, Madonna; You’re Banned

By | Monday October 14, 2013 @ 12:14pm PDT

If the Texas-based Alamo Drafthouse Theater chain was making traffic laws, nobody would text and drive. They’ve banned for life none other than Madonna after she was allegedly caught texting through the NYFF premiere of 12 Years A Slave. Madonna was reportedly texting away like a teenager on her BlackBerry through the movie’s first half. When asked to stop, she struck back in a manner that indicated she was at least paying some attention to the film: “It’s for business… ENSLAVER!” Now, it’s annoying to sit in a darkened theater with talkers and texters and email-checkers who take you out of the theater experience. It’s kind of cool for Alamo Drafthouse to make this stand, even if it is the dictionary definition of a publicity stunt; Madonna was at NYFF, which isn’t going to ban her, and chances are she probably never even heard of Alamo Drafthouse. But it does bring up an interesting point: How should theaters punish those egregiously self-important people whose texting is almost as obnoxious as taking a phone call in the middle of a movie and not nearly as charming as shouting at the screen during a scary film?

Related: Is It Time To Let Moviegoers Send Texts During A Film?

Drafthouse CEO Tim League has been waging a one-man battle against movie theater texting and talking (his no-talking PSA pulled from an … Read More »

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Madonna-Directed “Secret” Short Film To Debut Via BitTorrent

By | Tuesday September 17, 2013 @ 8:00am PDT

Madonna, VICE, and BitTorrent have unveiled secretprojectrevolution, the 17-minute short film Madonna has been teasing online for months. The multihyphenate, who most recently helmed 2011’s W.E., co-directed the short with Steven Klein for the Art for Freedom project which launches September 24 at 2 PM ET. That’s when secretprojectrevolution will be made available for free as a BitTorrent Bundle. The download will include stills from the film, three HD film trailers, and with an email gate an exclusive HD 2K interview with Madonna by VICE’s CCO Eddy Moretti along with a handwritten note from Madonna. The Art for Freedom initiative is a public art project that encourages participants to submit video, music, poetry, and photography expressing the meaning of freedom and revolution. Said Madonna: “My goal is to show by the example of secretprojectrevolution my creative commitment to inspire change in the world through artistic expression. I hope my film and other submissions to Art For Freedom will be a call-to-action and give people a place to voice their own creative expression to help fight oppression, intolerance and complacency.” The BitTorrent Bundle gives content creators access to BitTorrent’s 170M users and is in its Alpha stage, with access to open further to approved creators opening wider on September 24.

Related: BitTorrent Bundle Offers First Ever ‘Gated Torrent’ For Content Creators

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Super Bowl Half-Time Show Controversy Prompts Apologies From NBC & NFL

By | Sunday February 5, 2012 @ 10:51pm PST
Nellie Andreeva

Eight years after Janet Jackson’s infamous “wardrobe malfunction,” the Super Bowl half-time show has produced another controversy. During tonight’s show, headlined by Madonna, one of the guest singers, British rapper M.I.A., gave viewers the finger directly into the camera and NBC’s censors weren’t fast enough to obscure it. The network, which carries the Super Bowl this year, attempted to blur the gesture but was late by almost a second. “We apologize for the inappropriate gesture that aired during halftime,” the network’s spokesperson said. “It was a spontaneous gesture that our delay system caught late.” NBC also noted that it is the NFL and not the network that hires and produces the halftime show. The NFL used srronger language in its statement, putting the blame for the accident squarely on its broadcast partner. “There was a failure in NBC’s delay system,” the league said. “The obscene gesture in the performance was completely inappropriate, very disappointing, and we apologize to our fans.” M.I.A., who according to accounts was PG during rehearsals, also seemed to drop an expletive (“I don’t give a s**t”) during the performance, but it wasn’t clearly audible. The incident is bound to bring back into the spotlight the “fleeting expletive” debate, which reached all the way to the Supreme Court. It may trigger a prolonged legal battle for the NBC stations — the Janet Jackson case was finally put to rest a couple of months ago after multiple rounds … Read More »

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Super Bowl NBC Promos: ‘The Voice’, ‘Tonight Show’ And ‘America’s Got Talent’

By | Sunday February 5, 2012 @ 6:17pm PST
Nellie Andreeva

NBC Enlists Pete Berg And Madonna For Series Promo Blitz During The Super Bowl
Video: NBC’s Musical Brotherhood Of Man

NBC took to the Super Bowl to promote most of its shows. It was exactly two years ago that Betty White’s appearance in a Super Bowl commercial launched the red-hot new stage of her career. NBC is hoping that her luck would rub off its reality series The Voice, whose big-budget, Pete Berg-directed Super Bowl promo featured the 90-year-old actress. Jay Leno’s Tonight Show spot with Madonna came nowhere near the fun Super Bowl spot he did for rival David Letterman two years ago. NBC also used the big game to introduce new America’s Got Talent judge Howard Stern, who behaved more like his outrageous shock jock persona than the thoughtful expert NBC brass have been touting. “Aside from his radio persona he is a very thoughtful, intelligent person,” NBC chief Bob Greenblatt said in January. “He is a huge fan of the show and wants to be a very good judge. … I don’t think he wants to be a shock jock judge. … AGT won’t become the Howard Stern Circus.” Judge for yourselves.

Read More »

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NBC Enlists Pete Berg And Madonna For Series Promo Blitz During The Super Bowl

By | Saturday February 4, 2012 @ 8:14pm PST
Nellie Andreeva

With more than 100 million viewers tuned in, the Super Bowl is the single largest marketing platform as evident by the $3.5 million price advertisers were willing to shell out for a 30-second spot this year. For the network that carries the big game, it also gives it an unmatched opportunity to promote its shows. There is no other network that can use the awareness boost more than the ratings-challenged NBC which tomorrow will be able to reach an audience more than 15 times its nightly viewership. (Last year’s game on Fox drew some 111 million viewers.)

NBC plans to showcase most of its series during the pre-game show and the main event, with focus on midseason series, particularly the show whose season premiere will follow the Super Bowl, The Voice, and the rookie that launches on Monday, Smash. “We did very special spot for The Voice,” an NBC insider said. “Pete Berg directed it, and it’s really exciting and fun.” NBC’s other new midseason series, including reality show Fashion Star and drama Awake, will get a plug during the pre-game block.

Madonna, who will perform during the Super Bowl halftime show, will be featured in a promo for The Tonight Show With Jay Leno. Leno will no doubt try to top the memorable Super Bowl spot of rival David Letterman 2 years ago, in which the NBC host appeared alongside Letterman and Oprah Winfrey. NBC’s struggling Thursday comedy block will also … Read More »

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Madonna Comeback In Music, TV, And Film: 3-Album Deal With Interscope Worth $40M; First Album In 5 Years Coming Early March; Single Timed To ‘W.E.’ Film And Superbowl

By | Thursday December 15, 2011 @ 12:49am PST

EXCLUSIVE DETAILS: Hollywood knows that, when it comes to Madonna, never count her down and out. Because few performers are as shrewd about their careers as this 53-year-old multi-hyphenate singer, actress, producer, and now film writer and director who has stayed buzz-worthy for three decades. I’ve learned that Interscope Records is releasing her new CD in late March – her first album in 5 years. And “Gimme All Your Luvin”, the first single, is coming out the last week in January just prior to her upcoming Super Bowl XLVI halftime appearance on February 5th. I’ve learned that’s the same week her upcoming Weinstein Company film, W.E., is now scheduled for a wide release on February 3rd. So it becomes clear why Harvey Weinstein delayed Madonna’s movie from December 9th in NY and LA: to take advantage of the early 2012 promotional hype which will surround her and provide him with free marketing. That’s especially useful after reviews of the film she directed and co–wrote about American-born Walllis Simpson’s historic affair with Britain’s King Edward VIII have been lukewarm at best and lousy at worst in the U.S. and UK. Weinstein cancelled its Oscar push. I can also reveal that the 3-album licensing deal which Madonna and Live Nation Entertainment just inked with Interscope Records is valued by my sources at $40M. It’s one component of a broad career comeback developed by Madonna, her long-time manager Guy Oseary, and Live Nation Entertainment executive chairman Irving Azoff. Read More »

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Madonna Set For Super Bowl Halftime Show, Will Collaborate With Cirque Du Soleil

By | Sunday December 4, 2011 @ 7:35pm PST
Nellie Andreeva

Two months after speculation first started making the rounds, NBC and the NFL tonight confirmed that Madonna will perform during the halftime show at Super Bowl XLVI on February 5. Madonna’s set will be created by a team from Cirque du Soleil; Madonna’s frequent collaborator, creative director/choreographer Jamie King; and multimedia artists from Moment Factory. The choice of Madonna continues a recent trend of going with older performers outside the adults 18-49 demo. Aside from The Black Eyed Peas, the list of recent Super Bowl halftime acts includes The Who, Bruce Springsteen & The E Street Band, Tom Petty and the Heartbreakers, Prince, the Rolling Stones, Paul McCartney and U2.

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YouTube Gives Itself A Makeover To Prepare For New Channels

The new look for Google’s popular video site is part of the preparation for the upcoming introduction of services featuring professionally produced content from providers such as Disney, Lionsgate, Madonna, Jay-Z, Slate, The Wall Street Journal, Thomson Reuters — and our parent company, which will have a channel called PMC Entertainment. YouTube says that its revamped home page will make it “easier to find and follow great channels when you arrive.” There’ll be three columns: one on the left has the visitor’s favorite channels, the one in the center has the channels’ latest videos, and on the right YouTube will offer options that it figures the visitor might like. For the system to work, YouTube is encouraging people to sign in. There’ll also be integration with Google services including Google+ and Gmail, as well as Facebook. The goal is to encourage people to spend more time with the site, and make it more appealing to advertisers. Here’s YouTube’s video describing the redesign:

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Hot Trailer: Madonna’s ‘W.E.’

By | Friday November 18, 2011 @ 7:59pm PST

Presenting the Weinstein Company’s first official trailer for Madonna’s W.E. She directed and co-wrote with Alek Keshisian the drama about the historic romance between Wallis Simpson and Britain’s Prince Edward which is intertwined with a contemporary love story. It stars Abbie Cornish, Richard Coyle, James D’Arcy, Oscar Isaac, Annabelle Wallis and Andrea Riseborough. W.E. opens December 9 in New York and Los Angeles.

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Elaine Goldsmith-Thomas Returns To Rep Biz As Manager/Producer At 3 Arts

Mike Fleming

EXCLUSIVE: Elaine Goldsmith-Thomas is joining 3 Arts as a manager/producer, returning to the rep business after 11 years. Once a high-powered dealmaker at ICM best known for guiding Julia Roberts from unknown to $20 million a picture as the world’s biggest female star, Goldsmith-Thomas left ICM in 2000 to run Revolution Studios East for Joe Roth and supervise films under Roberts’ production deal there. She has been a full-time producer since Revolution folded. An agent for more than 15 years at WMA and ICM, Goldsmith-Thomas also repped Tim Robbins, Susan Sarandon, Jennifer Lopez, Jennifer Connelly, Madonna and Darren Star.

The obvious question is whether she will be rejoined by Roberts, who went to CAA not long after Goldsmith-Thomas left. Goldsmith-Thomas said she comes to 3 Arts without any clients. While producing, she continued to give career advice when asked, but referred talent to agencies and management companies for years even as people asked why she wasn’t building a client list. She decided months ago to explore a return but was reticent to resurface as an agent. It would be hard returning to a job she left behind, and she never liked the poaching part of that game. She also didn’t want to give up producing, which agents can’t do. After meeting with 3 Arts’ Erwin Stoff, Goldsmith-Thomas felt she’d found the right fit. She will operate out of the management/production company’s New York base, where Richard Abate manages authors and runs the book department and Avi Gilbert manages stand-up comics.

“I’ve always loved the architecture of careers, and I missed working with colleagues in breaking down walls that have gotten thicker,” Goldsmith-Thomas told me. “I think it’s a mistake when people try to re-create the same career they had. I love what I’m doing now, and I see this as a complement.” Read More »

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Toronto: Madonna, Parties, And Harvey Weinstein’s New Premiere World Record

Pete Hammond

Harvey Weinstein just set a new air, land and sea world record for attending movie premieres. The Weinstein Company mogul managed to show up at three, count ‘em, three different premiere events in two different countries all on Monday night. “Yeah, this was some fun wasn’t it?” he deadpanned when I asked him about his landmark photo-op achievement.

Although he has been in Toronto this week, Weinstein had to go back to New York City on Monday night to attend the premiere of his company’s romantic comedy I Don’t Know How She Does It, which stars Sarah Jessica Parker and opens nationwide Friday. Then it was right back to Canada and two more North American premieres: Madonna’s directorial outing W.E. and the Ralph Fiennes-directed Coriolanus – and he made ito to both post-parties at Soho House. On one floor he was dining with Madonna and her exclusive guest list, then he did a walk-through one floor down at the Coriolanus preem. Then it was back up to the third floor, where he huddled with Jennifer Garner and Olivia Wilde, the stars of yet another Weinstein Company movie, Butter, which premieres here on Tuesday (I saw it in Telluride). I am told they will open the film for a one-week Oscar-qualifying run October 28 and reopen it sometime in early 2012.

As for the Madonna film, which was critically lambasted in Venice, the spin I got from one of its international reps was that it’s really not all that bad. It’s just that it’s not all that good either. There are some nice visual touches, but the material about the romance between King Edward and Wallis Simpson (written by the Material Girl herself) just isn’t all that compelling. My overall impression is that she is to be commended for trying something different with this British period piece, but for someone normally so edgy, this film very much lacks edge. It is undoubtedly an older person’s movie and facing a daunting commercial climb.

Before the film started (a half hour late), Madonna told the hometown crowd, “As you know I grew up in Detroit, Michigan, so I almost feel Canadian. Even when I have been arrested here I had a heck of a time,” she said. At the earlier Monday morning press screening, a paltry crowd of less than 100 reportedly showed up for their first opportunity to see her directing and writing effort. By the time it was finished, less than half remained in the massive 555-seat Scotiabank Theatre. But following the evening screening at the Roy Thomson Hall, the crowd gave Madonna a brief standing ovation before heading for the exits. But it wasn’t the kind of enthusiastic standing applause heard at the Machine Gun Preacher screening just one night earlier. Read More »

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DEATH IN VENICE? Madonna Movie Bombs; Will Weinstein Still Give It An Oscar Push?

The signs are always the same when any studio knows it has a bomb. Executives won’t commit any opinion to email. Phone calls from them pledging to “explain everything” are promised but never come. The suits deny up and down any truth to the inevitable leaks about a troubled shoot or creative friction or bad buzz. But when the studio is financially on-the-fence like The Weinstein Co, and it acquired U.S. rights to Madonna’s first feature-length directorial effort W.E., and the subject matter is Wallis Simpson, and its debut is at the unforgiving Venice Film Festival, which has panned far bigger and more influential big names in filmdom — then not even the PR maestro Harvey Weinstein can downplay crushingly lousy reaction and reviews.

Fact is that the international press and its U.S. counterparts are having a field day killing Madonna’s movie in what can only be seen as the latest “Death In Venice”. Or maybe the more accurate way of saying this is “Death By Venice”. The Times of London claimed Madonna had made an inadvertent comedy “screamingly, inadvertently funny in parts [that] had ‘em rolling in the aisles at Venice” The Guardian review was truly vicious under the headline, “Madonna’s jaw-dropping take on the story of Wallis Simpson is a primped and simpering folly, preening and fatally mishandled”. Only the Daily Mail gave it a true thumbs-up. But my guess is that probably has more to do with that newspaper’s long and troubled history with Madonna, who in 2009 won a multimillion-dollar lawsuit again the Daily Mail and whose legal reps have been threatening the paper recently and repeatedly of more to come because of its nearly always negative coverage of her.

In fact, The Weinstein Co in June was strenuously denying the British tabloid’s article pronouncing W.E. a mess after detailing a secret NY test screening that reportedly left Harvey “thunderous and sour”. His minions claimed that the audience loved the picture and so did Weinstein, who had made Truth or Dare with Madonna and enjoyed a critical and financial success. The studio confirmed the pair had been working on W.E. for some time before that test screening, but wouldn’t confirm or deny reports that Harv was re-editing the picture to make it more commercially viable. That’s something he’s done to only mixed success in the past — earning him the nickname “Harvey Scissorhands”.

I do think The Weinstein Co was masochistic not only to send Madonna’s oeuvre to the film festival even if out of competition but also schedule it during the coming Oscar corridor.  Read More »

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HAMMOND: Can Indies Steal Oscars Again?

Pete Hammond

Previously in Pete Hammond’s 3-part series:
Woody Allen, Brad Pitt, ‘The Help’ Among Early 2011 Oscar Contenders
Clooney, Clint, And Spielberg Put Major Studios Back Into Oscar Race

After looking last week at the potential awards landscape for the first eight months of 2011, and then at what Oscar-pedigreed films the major studios have in store for fall and holiday slots, it’s time to turn to the independent world, which has become such a key force in the season. For the majors, Oscars are nice but not vital. For the indies, award strategies are key and could mean the difference between a hit film or a miss. With little-pictures-that-could Best Picture triumphs in recent years like Crash, The Hurt Locker and last year’s The King’s Speech, indies have proven that with less money to spend, a savvy campaign and a little luck, the right film at the right time can grab the gold. Ever since the advent of screeners evened the playing field to some extent, it’s been a different ballgame. And the indies use the fall festival circuit (starting next week at Venice, followed by Telluride and Toronto) to start up the awards buzz. Already this year, indies like Woody Allen’s Midnight in Paris and Terrence Malick’s Cannes Film Festival winner The Tree of Life are seriously in the hunt for those prized Best Picture slots and, as detailed by the soon-to-be-released contenders from the companies below, they might not be alone among upstart pictures this year.

Here’s a look at what possible award contenders from the indie sector will be coming our way in the last four — and most crucial — months of the year.

The Weinstein Company

With The King’s Speech last year, the Weinsteins scored their first Best Picture triumph since the heady days of Miramax. Can they do it two years in a row with another British bio, The Iron Lady? Just about everyone agrees Meryl Streep’s still-unseen portrait of Margaret Thatcher in this Dec. 16 release will put her in strong contention to finally win that third Oscar, but can the movie score, too? Time will tell, although it would seem to be a better shot in the Actress category.

Harvey Weinstein had a big Cannes triumph with the crowd-pleasing black-and-white French-produced silent picture The Artist (Nov. 23), and it could have the same effect on the Academy audience that it did with the French, thereby leading to one of those Best Picture slots, even though the movie might not have enough “gravitas” to sneak in. The Weinsteins will get a good idea when the film launches in the English-speaking world next week on the fest circuit. Certainly Cannes Best Actor Jean Dujardin is a great bet for a nomination no matter what.

With a busy fall, the company is hoping Michelle Williams and Kenneth Branagh — who play Marilyn Monroe and Laurence Olivier in My Week With Marilyn (Nov. 4) — will land acting kudos along with Ralph Fiennes (who also directed) in the title role of the contemporary Shakespeare adaptation Coriolanus (Dec. 2). As his mother, Vanessa Redgrave is extraordinary in a beefy supporting turn. She should start getting the gowns for the awards circuit ready now.

Awards prospects are anybody’s guess for Madonna’s latest directorial stab, W.E. (Dec. 9), which with its storyline involving Wallis Simpson is certainly different for the pop star. And I hear there is the possibility of a late-season qualifying run for the Jennifer Garner film Butter that has been described as a Capra-esque comedy/drama set in the cutthroat world of competitive butter carving. Fest auds will see this first, and their reaction will probably weigh heavily in Weinstein’s decision to enter that other cutthroat competition. Read More »

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HAMMOND: Oscar Contenders Jockey For Prime Film Fest Exposure – Or Not

Pete Hammond

Toronto: Pitt’s ‘Moneyball’, Madonna’s ‘W.E.’, Clooney’s ‘The Ides Of March’ Make Cut
Stillman’s ‘Damsels In Distress’ To Close Venice
With today’s announcement of the 36th annual Toronto International Film Festival lineup (or at least the first phase of titles) and the imminent announcement Thursday of the Venice International Film Festival lineup, the buzzing about Oscar possibilities — at least as far as the all-important Fall Festival circuit is concerned — is off and running, even with five weeks to go before Venice and Telluride’s increasingly important Labor Day weekend festival get the six-month season off to its official launch. As for that latter fest, we will have to wait until Sept. 1, the day before it opens, to find out what potential Oscar goodies it might have in store.

There is indeed a pecking order in the way these announcements are made, and the reason Telluride does not go the splashy weeks-in-advance press conference route like Toronto (this year’s dates: Sept. 8-18) and Venice (Aug. 31-Sept. 10) do — as well as October’s New York Film Festival — is because it doesn’t mind keeping its lineup secret and not labeled as “World” or “North American” premieres in return for actually getting the movies and their filmmakers to attend the oh-so-cool movie geek fest (my fave) high in the Colorado mountains. Studios and distributors who participate in Telluride are sworn to secrecy as to their plans as usual (one publicist was even afraid to admit to me they weren’t going for fear of retribution), but that can’t keep us from some informed speculation which Oscar hopefuls will be making the trip there as well as to the other fests. Last year, you may recall Telluride was the first North American stop for The King’s Speech, 127 Hours and Black Swan among other big Oscar titles.

Strategies abound as to which festival is right for your film, and jockeying will continue long after these announcements and right up to festival time. A wrong decision can be deadly for a film’s potential marketing and awards campaign, which is why studios and distributors are so cautious about jumping into the early fall festival waters, particularly, as in many cases this year, where the film isn’t even scheduled until the holiday season. Read More »

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Oscar Isaac Is ‘Bourne’ Again In Robert Ludlum Thriller Spinoff

Mike Fleming

EXCLUSIVE: Not long ago, newcomer Oscar Isaac tested for Tony Gilroy and the lead role in Universal’s The Bourne Legacy and made such a strong impression that the director seriously considered giving the actor the lead role that went to Jeremy Renner. Well, Isaac has just landed the role of “Number 3,” another brainwashed assassin in the film, and it’s a major role in the movie that Gilroy will direct. Rachel Weisz and Edward Norton are also expected to star in The Bourne Identity spinoff. Isaac is about to wrap filming on Steel Town, the Walden Media drama that also stars Maggie Gyllenhaal and Viola Davis. He was most recently seen in Sucker Punch and stars in the Nic Refn-directed Drive opposite Ryan Gosling and Carey Mulligan. He also stars in the Madonna-directed W.E., and stars in Ten Year with Channing Tatum, Anthony Mackie, Justin Long and Rosario Dawson. He’s repped by UTA and Inspire Entertainment.

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Weinstein Puts Madonna’s ‘W.E.’ In Oscar Corridor With December 9 Release Date

By | Wednesday June 29, 2011 @ 11:17am PDT
Mike Fleming

Contrary to a UK tabloid article that pronounced the Madonna-directed W.E. a mess after a test screening that left Harvey Weinstein “thunderous and sour,” The Weinstein Company has dated Madonna’s directorial debut for Dec. 9. That means that it will be one of the pictures Weinstein pushes during Oscar season. Weinstein, who made Truth or Dare with Madonna, is bullish on the picture, I’m told. There was certainly a test screening. Weinstein was hardly demonstrative, especially since the woman sitting next to him incognito in black hat and sunglasses was Madonna. They’ve been working on the movie for some time, together. We’ll see how it all comes out. Just as intriguing is how Weinstein is going to handle the Oscar volume this year. Potentially, he’s got Oscar contenders in the black-and-white silent film The Artist that he bought right before the Cannes Film Festival, before the film became a rave on the Croisette; he’s got Iron Lady, with Meryl Streep playing British Prime Minister Margaret Thatcher, also bought at Cannes; and the John Hillcoat-directed The Wettest County in the World, which is expected to be platformed for Oscar and released in early 2012. They will push Michelle Williams for her work as Marilyn Monroe in My Week with Marilyn, and there are also talks about The Weinstein Company acquiring This Must Be The Place, the Paolo Sorrentino-directed drama that would put star Sean Penn in the Oscar hunt. All those pictures were bought in Cannes. Here’s the W.E. announcement: Read More »

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Weinstein Company Acquires Madonna-Directed ‘W.E.’

By | Monday June 13, 2011 @ 10:23am PDT
Mike Fleming

New York, NY, June 13, 2011 – The Weinstein Company (TWC) announced today that it has acquired U.S. distribution rights to “W.E.,” Madonna’s directorial debut of a feature film. W.E. is a romantic drama co-written by Madonna and Alek Keshishian, produced by Madonna and Kris Thykier and executive produced by Scott Franklin (BLACK SWAN). It stars Abbie Cornish (LIMITLESS), Oscar Isaac (DRIVE), James D’Arcy (MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD), Andrea Riseborough (NEVER LET ME GO), Natalie Dormer (“The Tudors”), Richard Coyle (PRINCE OF PERSIA: THE SANDS OF TIME), James Fox (SHERLOCK HOLMES) and Laurence Fox (“Inspector Lewis”). The announcement was made by TWC Co-Chairman Harvey Weinstein and President of Production Donna Gigliotti.

Spanning six decades, W.E. juxtaposes a contemporary love story with that of King Edward VIII and American divorcée Wallis Simpson.

Read More »

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