As a very quiet EFM winds down, TrustNordisk reports it’s had high interest on Mads Mikkelsen-starrer The Salvation. After pre-selling the movie in Cannes, a sizzle reel of Kristian Levring’s western was shown to buyers on Saturday morning in Berlin, adding deals in Australia/New Zealand (Madman) and Benelux (Wild Bunch). A multi-territory pact is in the offing. The English-language Danish western is co-written by Susanne Bier’s frequent collaborator, Anders Thomas Jensen. The revenge tale also stars Eva Green and Jeffrey Dean Morgan. Sisse Graum Jørgensen produces for Zentropa Entertainments33 in co-production with South Africa’s Spier Films and the UK’s Forward Films. The Scandinavian release is set for August through Nordisk Film Distribution.
Berlin Briefs: Mads Mikkelsen Western ‘The Salvation’ Rides To Buyers; $40M ‘Kong’ Mines Monkey King Story; More
This year’s FIPRESCI Prize for Best Foreign Language film at the Palm Springs International Film Festival went to Belgian entry The Broken Circle Breakdown, from director Felix van Groeningen. The annual desert fest also awarded acting prizes to Mads Mikkelsen (The Hunt) and Bérénice Bejo (The Past). Audience award winners will be announced Sunday. Scroll down for full list:
Here’s a redband look at Fredric Bond’s genre-bending feature debut Charlie Countryman, starring Shia LaBeouf as an American who falls for a gangster’s girl in Bucharest. Mads Mikkelsen, Evan Rachel Wood, Til Schweiger, Rupert Grint, James Buckley, Vincent D’Onofrio, and Melissa Leo co-star in the November …
Here’s another title hailing from the super-hot Nordic territories, and from sales outfit TrustNordisk which had a sizzling Berlin EFM with several of its films. The company will handle pre-sales in Cannes on English-language Danish western The Salvation, which has just cast up and started shooting in Johannesburg. Joining the previously announced Mads Mikkelsen are his Casino Royale co-star Eva Green along with Jeffrey Dean Morgan, Jonathan Pryce, Eric Cantona (Looking For Eric), Mikael Persbrandt (The Hobbit 2 & 3), Douglas Henshall (The Eagle) and Michael Raymond-James (Jack Reacher).
Fear Me Not and The King Is Alive director Kristian Levring is helming. (He was one of the signatories of the Dogme95 manifesto started by Lars von Trier and Thomas Vinterberg to create films based on traditional values without elaborate effects.) Susanne Bier collaborator Anders Thomas Jensen penned the script that pays tribute to classic Westerns, but also is inspired by the Nordic sagas. The story is set in 1870s America where a settler kills his family’s murderer and in so doing unleashes the fury of a notorious gang leader. Betrayed by his corrupt and cowardly community, the peaceful pioneer must turn vengeful hunter, slay the outlaws and cleanse the town’s black heart.
Mads Mikkelsen, hot off winning the Best Actor prize at the Cannes Film Festival for The Hunt and scoring the villain role in Thor 2, has been cast as the title character in NBC’s upcoming drama …
It’s all over now, and really all over at Cannes for the American contingent of five competition entries plus English-language films like Walter Salles’ On The Road and David Cronenberg’s not-well-received Robert Pattinson starrer Cosmopolis. The Cannes Jury led by italian actor-director Nanni Moretti has spoken and Americans hoping for a repeat of last year when the single U.S. entry, The Tree Of Life actually won the Palme d’Or, are crying in their french onion soup. At the post-awards press conference American jury member Alexander Payne was asked if he thought the ‘Americannes’ snub said anything about the overall quality of the country’s movies. He snapped back that one festival does not speak for the state of cinema in any one country.
The closest thing to a film American audiences won’t need subtitles for is Ken Loach’s wonderful The Angels’ Share which is set in Glasgow and features accents so thick the filmmaker decided to add English subtitles. It is also the only comedy to take a prize as the jury mainly favored some of the more dour, serious-minded films in the race. Cannes juries often do that. Backstage Loach was elegant when he said his film shows solidarity with all those in Europe who resist austerity and believe “another world, a better world is possible”.
There’s also one head-scratcher just about every year and this year it’s a beheaded scratcher, Post Tenebras Lux from Mexico’s Carlos Reygadas in which a man rather remarkably manages to twist off his head using only his hands. There’s also a pointless orgy scene thrown in but even its defenders are hard-pressed to say what this film is about. So of course they gave him a major prize, Best Director. At the press conference at least two of the jurors strongly defended the film. They were so convincing they had me believing that I must have seen a different film.