EXCLUSIVE: Warner Bros has hired Richard Cordiner to script Spacesuit, based on the book by Nicholas de Monchaux. This tells the true story of the unsung heroes of the Apollo space program — a team of bra and girdle designers from Playtex who successfully built the iconic spacesuit that enabled Neil Armstrong and Buzz Aldrin to walk on the moon. This improbable band of outsiders — led by a former TV repairman, a car mechanic, and their crew of spirited seamstresses — accomplished what all the aerospace giants couldn’t. It’s a long way from the shop floor of Playtex to the surface of the moon, and this incredible story tracks how it happened. Marc Shmuger’s Global Produce brought the project to the studio, and Shmuger and Tom McNulty will produce with Alexandra Loewy overseeing development. Kat Likkel and John Hoberg are exec producers and Jon Berg and Racheline Benveniste are overseeing for the studio.
EXCLUSIVE: Training Day scribe David Ayer has been hired to write the new version of Scarface for Universal Pictures. The film will put a contemporary spin on the outlaw tale first released in 1932 with Paul Muni playing an Italian who took over Chicago, and then turned into the spectacularly violent 1983 film that starred Al Pacino as Tony Montana, a Cuban who took over the cocaine trade in 1980s Miami. The new film is being produced by Marc Shmuger and his Global Produce banner along with Martin Bregman, who produced the Brian De Palma-directed version. When the studio set up the project in late September, the intention wasn’t to do a remake as much as to marry the common elements of the two films with a contemporary crime context. Basically, the focus is on an outsider, an immigrant who barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition.
Ayer tells me that he is not at all cowed by stepping into an iconic title. “This is a fantasy for me, I can still remember when I saw the film at 13 and it blew my mind,” he said. “I sought it out; I went after it hard. I see it as the story of the American dream, with a character whose moral compass points in a different direction. That puts it right in my wheelhouse. I studied both the original Ben Hecht-Howard Hawks movie and the DePalma-Pacino version and found some universal themes. I’m still under the hood figuring out the wiring that will translate, but both films had a specificity of place, there was unapologetic violence, and a main character who socially scared the shit out of people, but who had his own moral code. Each was faithful to the underworld of its time. There are enough opportunities in the real world today that provide an opportunity to do this right. If it was just an attempt to remake the 1983 film, that would never work.”
EXCLUSIVE: Universal Pictures is developing a new version of Scarface, the title first released in 1932 and then turned into the iconic 1983 film that starred Al Pacino as Cuban gangster Tony Montana. I’d heard that the studio has been meeting writers to script a take for a film that will be produced by Marc Shmuger and his Global Produce banner along with Martin Bregman. Bregman produced the Pacino version.
The film is not intended to be a remake or a sequel. It will take the common elements of the first two films: An outsider, an immigrant, barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition. The studio is keeping the specifics of where the new Tony character comes from under wraps at the moment, but ethnicity and geography were important in the first two versions. In the 1932 Scarface, an Italian (Paul Muni) took over Chicago, and in the Brian De Palma-directed remake, a
Chris Meledandri’s Illumination Game Plan Includes ‘Despicable Me’ Sequel, ‘Minion’ Spinoffs, Dr. Seuss, The Addams Family
EXCLUSIVE: Three years ago, Universal Pictures brass wooed Chris Meledandri away from his president post at Fox Animation to start its first family film unit. Over the weekend, Illumination’s first effort, Despicable Me, nearly doubled …