EXCLUSIVE: Warner Bros has hired Richard Cordiner to script Spacesuit, based on the book by Nicholas de Monchaux. This tells the true story of the unsung heroes of the Apollo space program — a team of bra and girdle designers from Playtex who successfully built the iconic spacesuit that enabled Neil Armstrong and Buzz Aldrin to walk on the moon. This improbable band of outsiders — led by a former TV repairman, a car mechanic, and their crew of spirited seamstresses — accomplished what all the aerospace giants couldn’t. It’s a long way from the shop floor of Playtex to the surface of the moon, and this incredible story tracks how it happened. Marc Shmuger’s Global Produce brought the project to the studio, and Shmuger and Tom McNulty will produce with Alexandra Loewy overseeing development. Kat Likkel and John Hoberg are exec producers and Jon Berg and Racheline Benveniste are overseeing for the studio.
EXCLUSIVE: Training Day scribe David Ayer has been hired to write the new version of Scarface for Universal Pictures. The film will put a contemporary spin on the outlaw tale first released in 1932 with Paul Muni playing an Italian who took over Chicago, and then turned into the spectacularly violent 1983 film that starred Al Pacino as Tony Montana, a Cuban who took over the cocaine trade in 1980s Miami. The new film is being produced by Marc Shmuger and his Global Produce banner along with Martin Bregman, who produced the Brian De Palma-directed version. When the studio set up the project in late September, the intention wasn’t to do a remake as much as to marry the common elements of the two films with a contemporary crime context. Basically, the focus is on an outsider, an immigrant who barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition.
Ayer tells me that he is not at all cowed by stepping into an iconic title. “This is a fantasy for me, I can still remember when I saw the film at 13 and it blew my mind,” he said. “I sought it out; I went after it hard. I see it as the story of the American dream, with a character whose moral compass points in a different direction. That puts it right in my wheelhouse. I studied both the original Ben Hecht-Howard Hawks movie and the DePalma-Pacino version and found some universal themes. I’m still under the hood figuring out the wiring that will translate, but both films had a specificity of place, there was unapologetic violence, and a main character who socially scared the shit out of people, but who had his own moral code. Each was faithful to the underworld of its time. There are enough opportunities in the real world today that provide an opportunity to do this right. If it was just an attempt to remake the 1983 film, that would never work.”
EXCLUSIVE: Universal Pictures is developing a new version of Scarface, the title first released in 1932 and then turned into the iconic 1983 film that starred Al Pacino as Cuban gangster Tony Montana. I’d heard that the studio has been meeting writers to script a take for a film that will be produced by Marc Shmuger and his Global Produce banner along with Martin Bregman. Bregman produced the Pacino version.
The film is not intended to be a remake or a sequel. It will take the common elements of the first two films: An outsider, an immigrant, barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition. The studio is keeping the specifics of where the new Tony character comes from under wraps at the moment, but ethnicity and geography were important in the first two versions. In the 1932 Scarface, an Italian (Paul Muni) took over Chicago, and in the Brian De Palma-directed remake, a
EXCLUSIVE: Former Universal co-chairman Marc Shmuger next month opens the doors on his new producing venture. Global Produce will be the name of his new Universal-based company, and I’m told that Shmuger has hired Tom McNulty to be his top production executive. McNulty was the longtime president of Shawn Levy’s Fox-based company 21 Laps, and his producing credits include Date Night and The Rocker. He left and became an independent producer, but will return to the executive fold when Shmuger opens offices in Santa Monica in June. Shmuger came to Universal as president of marketing in 1998, rose to vice chairman before spending nearly four years as co-chairman alongside David Linde (who’s launching his new company, Lava Bear). They left in fall, 2009. Shmuger’s Global Produce already has its first project: back in January, Shmuger teamed with Oscar-winning documentary director Alex Gibney and they are now four months into a feature docu about WikiLeaks founder Julian Assange. Universal is funding the film and Shmuger and Gibney are producing together.
EXCLUSIVE: The Hurt Locker screenwriter Mark Boal and Management 360 have partnered with financier/producer Megan Ellison to option The Boy Who Kicked the Hornet’s Nest, an article about WikiLeaks’ Julian Assange in The New York Times Magazine written by the newspaper’s executive editor Bill Keller. Ellison, an exec producer of True Grit, will finance the film through her Annapurna Pictures and she, Boal and Management 360 will produce. Boal might write the film, but that will depend on if he has time. In addition to the Kathryn Bigelow-directed Triple Frontier with Tom Hanks, Boal is collaborating with Bigelow on a drama that might go sooner, about a secret Middle East mission movie. If Boal is going to write the Assange script, he will have to do it quickly.
His is just the latest in a growing number of Julian Assange/WikiLeaks movies that should continue to swell as more books about the controversial figure get published. I’ve heard DreamWorks is circling Inside WikiLeaks, a book that will be released February 15. It is written by Daniel Domscheit-Berg, Assange’s number 2 at WikiLeaks who defected because he wanted WikiLeaks to apply journalistic discretion in the dispersal of secret government documents while Assange wanted to release as many as he could get his hands on.
There is also the $1.5 million memoir by Assange. Movie/TV rights will be handled by CAA for lit agency …
Sundance: Universal Funding WikiLeaker Julian Assange Docu By Alex Gibney And Ex-Uni Chairman Marc Shmuger
EXCLUSIVE: Oscar-winning documentary director Alex Gibney has found his next hot-button film subject. Universal Pictures has just acquired a documentary that Gibney will direct about WikiLeaks founder Julian Assange. The film will be the first project involving Marc Shmuger since he left the chairman post at Universal. Shmuger and Gibney are producing.
Whether it’s Enron: The Smartest Guys In The Room, Client 9: The Rise and Fall of Eliot Spitzer, or the Jack Abramoff documentary Casino Jack and the United States of Money, Gibney usually tells his stories with input from his subjects. Will Assange cooperate? I’m told it’s inconclusive. Universal confirmed the deal but wouldn’t elaborate. The WikiLeaks docu follows a deal announced yesterday by feature producers who optioned an upcoming book about Assange. There are plenty of those in the works, including a memoir Assange is writing to defray his massive legal fees. The Gibney/Shmuger documentary is the first film to involve a major studio. The studio component came through Shmuger, who is expected to reemerge as a producer at Universal.
Since launching his whistle-blower website in 2006, Assange has revealed some of the most serious secret government documents since The New York Times published The Pentagon Papers. They range from footage of an Apache helicopter’s firing fatally on journalists and civilians in Baghdad to last November’s deluge of diplomatic cables that left the U.S. government red-faced and outraged. Assange …
Chris Meledandri’s Illumination Game Plan Includes ‘Despicable Me’ Sequel, ‘Minion’ Spinoffs, Dr. Seuss, The Addams Family
EXCLUSIVE: Three years ago, Universal Pictures brass wooed Chris Meledandri away from his president post at Fox Animation to start its first family film unit. Over the weekend, Illumination’s first effort, Despicable Me, nearly doubled Universal’s gross predictions for a $56.4 million opening. Suddenly, the Meledandri decision looks like one of the better ones made by NBC Universal in a good long time. The studio has reinforced that by making a full commitment to the venture. Illumination’s original co-financing game plan made by former chairmen David Linde and Marc Shmuger called for Universal to fund only half the operation and film budgets, and Illumination’s founder and CEO Meledandri raising the rest. But that plan was delayed by the credit crunch. Then Universal chiefs Ron Meyer, Rick Finkelstein and Adam Fogelson and Donna Langley told Meledandri, in a decision that went all the way up to NBC Universal’s Jeff Zucker, that they didn’t want to share and would fully fund him. Meledandri, who has autonomy but won’t make pictures that don’t excite the studio’s toppers, sparked to Uni’s financing plan because it incentivizes hustle to release and market the films. Despicable Me, for instance, was heavily cross-promoted in NBC-Universal platforms that included network, cable and theme parks.
The result is now a momentum changer for Universal on several fronts. Despicable Me ended a prolonged hit pic slump. It plugged the studio into a …