Transformers: Age Of Extinction isn’t due in theaters until June 27 , but the first real trailer for the Michael Bay pic is here now. As was teased during the 30-second spot that ran during the Super Bowl last month, it looks like it’s a whole new world …
Breaking Boston will premiere Thursday, March 13 at 10 PM on A&E Network, which already is home to producer Mark Wahlberg‘s family restaurant series Wahlburgers. The new docu-drama will center on four working-class women coming of age in hardscrabble Boston and was inspired by the tough, hard-as-nails female characters in Wahlberg‘s Oscar-nominated movie The Fighter. A&E ordered the pilot in November 2012 and picked up the series last May. “These are real women telling their original stories of trying to break out of what’s expected of them,” said Wahlberg who himself was raised in Boston and just earned his high school diploma at age 42. “The odds are difficult, but I believe they can make it.” The series is from 44 Blue Prods, Wahlberg’s Closest to the Hole Prods, Leverage Entertainment and Bill Thompson Prods. Wahlberg, Stephen Levison and Thompson are executive producers. Executive producers for 44 Blue are Stephanie Drachkovich and Jennifer Colbert. Lily Neumeyer and Devon Graham are exec producing for the network.
Dwayne Johnson is headed to HBO‘s primetime. The pay cable network has picked up to series half-hour pilot Ballers toplined by the wrestling and movie star in his first major series gig. He is executive producing the series with his Pain & Gain co-star Mark Wahlberg; Wahlberg’s manager/frequent producing partner Steve Levinson, on whose original idea the project is based; showrunner Even Reilly; and Peter Berg, who directed the pilot. Written by Levinson in his pilot-writing debut, Ballers is exploring the lives of a group of former and current football players. Johnson stars as Spencer Strasmore, a retired athlete. The cast includes Omar Benson Miller as Charles, an affable former pro athlete who is searching for his next career; Denzel Washington’s son John David Washington as Ricky, a highly competitive and highly spiritual pro athlete; Rob Corddry as Joe, a financial advisor who tries really hard to fit in; Troy Garity as Jason, a top-tier sports agent; Donovan Carter as Vernon, a deeply family-oriented pro athlete; Jazmyn Simon as Julie, wife of an ex-pro athlete; Taylor Cole as Michaels, an ESPN sideline reporter who is romantically involved with Spencer; and LeToya Luckett as Tina, widow to one of Spencer’s closest friends.
The series pickup for Ballers, which will start production later this year, comes on the heels of the series order on Tuesday of another half-hour project with marquee stars from a top director and producer, The Brink, starring Jack Black and Tim Robbins. Jay Roach, who directed the pilot, and Jerry Weintraub are executive producing. Both series have been touted as capable of attracting broad audiences, something Johnson already has done in primetime as his WWE alter ego The Rock and on the big screen. He next reprises his role on the Fast & Furious 7 movie, whose production has been delayed by the death of star Paul Walker, and also has feature Hercules and TNT reality series Wake Up Call coming up.
It’s Mark Wahlberg vs. the machines in Paramount’s Transformers: Age of Extinction, which unleashed a new trailer during the Super Bowl. New Jersey’s MetLife Stadium might be host to Seahawks battling Broncos but there’s only one place you’ll see a sword-wielding robot riding a robo-dragon. (UPDATE: …
UPDATE, 11:08 AM: They are getting ready to truly hug it out in front of the cameras. “January 16 start date. Getting pumped,” tweeted Entourage director Doug Ellin today. He also posted a photo of the primary cast, including Jeremy “Ari Gold” Piven and Adrian “Vincent Chase” Grenier, all together. That January start date means that Vinnie Chase and his crew will still be keeping the 20% tax credit that movie of the HBO series got from the California Film Commission program earlier this year – something Warner Bros was very insistent on not losing if the $30 million-budget pic was to go forward.
Catch up with the best of this week’s film stories on Deadline:
The Day JFK Was Shot: 50 Years Later, Hollywood Remembers
By Dominic Patten - In remembrance of the 35th president, I asked some of the industry’s most notable and insightful individuals — a few of whom had seen JFK just before his death — where they were when they heard the news of the shooting and what they experienced that day. Here’s what they told me…
AFM: Schlock Still Rocks In Santa Monica
By Dominic Patten – Allow me to butcher a Mark Twain quote and say that rumors of schlock’s demise have been greatly exaggerated…
Adam Sandler’s Happy Madison Partner Jack Giarraputo Plots Retirement
By Mike Fleming Jr. – EXCLUSIVE: This week, Jack Giarraputo has been telling associates at studios like Sony and Paramount that he will retire after he finishes producing the Warner Bros. comedy Blended, and after that the Chris Columbus-directed Pixels for Sony.
Facts Be Damned! How Traffic Trumped Factual Reporting On Tom Cruise-Mark Wahlberg Non-Story
By Mike Fleming Jr. – The digital age has made entertainment industry coverage more exciting, but the race to post and the hunger for eyeballs leads to increasingly shameful reporting of innuendo and flat-out falsehoods.
The digital age has made entertainment industry coverage more exciting, but the race to post and the hunger for eyeballs leads to increasingly shameful reporting of innuendo and flat-out falsehoods. Last Saturday, I attended a premiere of Out Of The Furnace when The Wrap’s Sharon Waxman comes up to me to scold me for attacking her and her publication. I hadn’t done that in awhile, but I asked if she was specifically sore that I quoted George Clooney accurately when he singled her out for what he said was a 100% false story that his movie The Monuments Men had been pushed to next year because of a pacing problem. She said something about me carrying George’s water. I said I would consider her complaint. Driving away that night, I was thinking, wait a minute, isn’t this the same person who blasted a story in early June proclaiming that Nikki Finke had been fired at Deadline by Jay Penske (100% false) and that she would leave by the end of the week (also 100% false)? And wait, didn’t The Wrap two weeks ago write a breathless exclusive that exposed the anonymous scribe behind the Scandal411 blog as an ABC reporter, only to retract it when ABC proved it was the network employee’s former roommate?
A visibly pensive Mark Wahlberg threw his hat into the Best Actor race Tuesday night at AFI Fest, where the star of Peter Berg’s intense military drama Lone Survivor took the stage reluctant to go through the usual actorly rigamarole. Wahlberg plays Navy SEAL Marcus Luttrell, the only member of SEAL Team 10 to make it home from the failed 2005 Operation Red Wings mission in Afghanistan in which 19 soldiers died. “For us to talk about what we went through up on that mountain is just so fake and so false considering what these guys did and what they went through,” he told moderator/AFI Fest Director Jacqueline Lyanga after the film’s TLC Chinese Theatre premiere where he, Berg, and Luttrell sat for an emotional Q&A. “Seeing the movie again tonight reminded me of what Marcus went through. Having a family and having a wife that I love more than anything, and having four kids I’d do anything to protect — or in my case, provide for — it hit me, the fact that those guys will never see their families again. For actors to sit there and say, ‘Oh, I went to SEAL training’ … I don’t give a fuck what you did. You don’t do what these guys do. For somebody to sit there and say my job is as difficult as somebody in the military – how fucking dare you?”
A more cynical Oscar-watcher might read Wahlberg’s declaration as self-serious awards-season posturing. But the AFI Fest audience — including servicemen, Luttrell’s own team members, family, and friends mixed in with the usual industry crowd — applauded the sentiment. Luttrell’s Texas charm and dashes of levity certainly helped raise the mood. He shared his initial apprehension at any filmmaker Hollywoodizing his 2007 bestseller Lone Survivor: The Eyewitness Account Of Operation Redwing And The Lost Heroes Of SEAL Team 10 and recalled how he and Berg first met on the set of the director’s Hancock.
EXCLUSIVE: The die has been cast for Mark Wahlberg and partner Stephen Levinson, who have signed on to produce the Julius Caesar saga The Roman. It’s an origin story in the vein of Batman Begins that envisions the future dictator as a young general in the Roman army in a rarely discussed period of his life. Kidnapped by Cilician pirates and enslaved on their prison island, Caesar escapes with his men, and the decisions he makes during this time directly affect the political and social upheaval happening in Rome. As Plutarch tells it, Caesar maintained such an air of superiority during his imprisonment that he demanded his captors more than double the ransom they had placed on his life; after he escaped, he made his way back and brutally crucified the perpetrators as he’d vowed he would. Upon his return to Rome, Caesar powered into politics on his way toward ruling the empire.
Part of the appeal of HBO’s Entourage was that no matter how treacherous Hollywood could be, Vinnie Chase always knew he had the loyalty and friendship of his Queens, NY, pals to fall back on. That spirit seems to have gone AWOL in the negotiations to move the series to the big screen. Nearly 10 months after my colleague Mike Fleming Jr revealed that Warner Bros had greenlighted a script by creator Doug Ellin that he will direct, progress has slowed to the point that some of the gang are publicly taking shots at each other. Exec producer Mark Wahlberg, on whose life Entourage is loosely based, told TMZ last week that the film will happen “as soon as those guys stop being so greedy.” Since Jeremy Piven and Kevin Connolly already have made their deals, Wahlberg seems to be directing his remarks at Kevin Dillon, Jerry Ferrara and Adrian Grenier, who played Chase. Grenier responded via Twitter: “I will sign any deal that gives ALL the boys an opportunity to share in the upside of success EQUALLY.” There is precedent for this in the last HBO series to transfer to the big screen: The exact same thing happened in 2004 when Michael Patrick King got the go-ahead on a big-screen version of Sex And The City.
Hollywood Blues: ‘Smurfs 2′ Bombs Here And Blah Overseas; Denzel-Mark’s ’2 Guns’ Wins Weekend, ‘Wolverine’ Holds For #2
SUNDAY AM, 7TH UPDATE: This is yet another weekend that confounded and confused Hollywood as domestic numbers are coming in lower than projected and only international grosses are saving Summer 2013. Interesting that the Top Three films are all based on comic books. (Maybe that’s the reason?) Total moviegoing looks about $125M or about +8% from last year because of the glut of 3D films in the crowded marketplace.
I’m shocked how badly the #3 film Sony Pictures Animation‘s The Smurfs 2 (3,866 theaters) bombed in the U.S. and Canada where even the most wretched family fare can catch a break at the summer box office. This 3D hybrid live-action/CG animated sequel couldn’t even make in its first five days ($27.8M) what the 2011 original grossed in its first three-day weekend ($35.6M). Ouch! Guess little blue people creep me out and North Americans, too. The domestic total fell way short of the $35M first projected by the studio which blames too many PG films at the multiplex. But even the foreign cume was blah: $52.5M from 43 territories was “not enough to make up for U.S. underperformance,” a Sony exec tells me. That’s a worldwide total of $80.3M, far less than the $100M which Sony projected this weekend. Russia and Latin America beat Smurfs 1 while shockingly Europe (where the Smurfs began) did not. Let’s remember that the 2011 original made 75% of its coin overseas ($420M foreign vs $142M domestic) so Sony is was counting on a big worldwide weekend to save pic’s bottom-line. The negative cost for Smurfs 2 was $125M ($146M less production benefits of $21M). Sony also lined up for the sequel one of the studio’s largest global promotion campaigns with $150M from 100 corporations, licensees, and retail partners. (Including McDonald’s, Wal-Mart, Toys R Us, blueberries). That’s a big deal for family fare not branded Disney, Pixar, or DreamWorks. As expected Smurfs 2 opened Wednesday #1 atop the North American box office but with only a lame $5.2M and then a lifeless $18.2M three-day weekend. Its Rotten Tomatoes score was a poor 12% but the ‘A-’ CinemaScore from audiences didn’t help domestic word of mouth. I hear the Sony brass was concerned from the outset because their sequel was out-tracked by Disney’s Planes (which opens August 9th). Smurfs 2‘s disappointment will only put more pressure on the studio from cantankerous investor Daniel Loeb who’s currently destabilizing the studio. The first film was taken out of turnaround from Paramount by then Sony Pictures Entertainment Chairman/CEO Michael Lynton, now the Sony America bigwig. And that original Smurfs movie caught lightning in a bottle and grossed $563M worldwide. Because of that, Smurfs 3 already is scheduled for 2015.
Better news for Emmett/Furla Films which financed 2 Guns that’s being distributed in America by Universal with EOne releasing in Canada. Playing in 3,025 domestic theaters, it was the #1 film this weekend – 7th time Universal has claimed top spot at the North American box office in 2013 – with a so-so $27.4M. Audiences liked it much more than critics who gave it only a middling 58% Rotten Tomatoes score vs its ‘B+’ CinemaScore. The studio had trouble building awareness in the crowded marketplace so low-balled its projection of only a $22M weekend. But two marquee stars paired for the first time like Denzel Washington and Mark Wahlberg should open any film to at least $25M. Good thing the ‘R’-rated comedy actioner cost only $61M. I think what helped box office is that Denzel rarely appears in a bad pic so audiences trust that. And Wahlberg is a consistent draw. Their starpower clearly was pushing gross for this film based on the Boom! Studios comic book by Steven Grant and directed by Baltasar Kormakur (who reteamed with Wahlberg after Contraband) and screenwriter Blake Masters (TV’s Brotherhood). 2 Guns was tracking strongest with its target audience of young males and African Americans after significant multicultural outreach. To that end, Universal developed an 82-second English-language spot specifically for the bilingual Hispanic audience. Washington and Wahlberg made appearances on NBCU-owned Telemundo’s morning show Un Nuevo Dia which created a first ever interview paired with the Today Show. 2 Guns villain Edward James Olmos did Hispanic media and developed 10 spots with Mexican-themes. Other promotions were aimed at African-Amercans including BeET’s top rated 106 & Park and the 2nd largest black network TV One. Exit polling showed moviegoers were 14% Hispanic and 28% African-American.
In #2 is Twentieth Century Fox’s holdover, Marvel’s Wolverine (with the highest theater count of 3,924). Marvel character played by Hugh Jackman yet again dropped 59% drop from last weekend for $21.7M and a new domestic cume through Sunday of $95M. Worldwide total is $255.2M.
Meanwhile, Warner Bros/New Line’s low-cost $19M horror genre The Conjuring (3,155 theaters) crossed $100M after three weeks Saturday on its way to $135M all in. Studio says it’s now the 6th biggest horror film of all time and easily will end up as #4 or even #3.
Here are the Top Ten films based on weekend estimates:
1. 2 Guns (Emmett-Furla/Universal) NEW [Runs 3,025] R
Friday $10.0M, Saturday $9.8M, Weekend $27.4M
2. The Wolverine 3D (20th Century Fox) Week 2 [Runs 3,924] PG13
Friday $6.4M, Saturday $8.6M, Weekend $21.7M (-59%), Cume $95.0M
International Cume $160.2M, Worldwide Total $255.2M
3. The Smurfs 2 3D (Sony Animation) Week 1 [Runs 3,866] PG
Friday $5.5M, Saturday $7.1M, Weekend $18.2M, Cume $27.8M
International Cume $52.5M, Worldwide Total $80.3M