Global Showbiz Briefs: ‘Smaug’ Score Recording Locks Down Town Hall; Martin Scorsese Tops Marrakech Fest Jury; More
Wellington Residents Can’t Access Town Hall During ‘Smaug’ Recording
New Zealand website Stuff reports that the people of Wellington have “essentially lost access” to the Town Hall while the New Zealand Symphony Orchestra records the score for …
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Harry Connick Jr To The Rescue? Crooner In The Mix For ‘American Idol’ Judge
By Nellie Andreeva – EXCLUSIVE: He is a self-professed big fan of American Idol who has done two very well-received stints as a guest mentor on the Fox singing competition …
Three documentary sections — Applied Sciences, Motion Portraits and How Democracy Works Now — and a Revivals lineup will help fill out the main slate of the 2013 New York Film Festival, which runs September 27-October 13. Among the recently restored works in the later sidebar, previously known as Masterworks, include Martin Scorsese‘s The Age Of Innocence (1993), Nicholas Ray’s They Live By Night (1948) and The Lusty Men (1952), and Alain Resnais’ English-language Providence (1977). The fest opens September 27 with Captain Phillips and will hold tributes to Cate Blanchett and Ralph Fiennes before closing with Spike Jonze’s Her. Here are the full docu and revival lineups:
EXCLUSIVE: Martin Scorsese is lending his support to the upcoming Weinstein Company release of The Grandmaster, the film directed by Wong Kar Wai. Scorsese will lend his name in presentation of the kung fu film, and above the line it will read Martin Scorsese Presents The Grandmaster when TWC releases the film theatrically in New York, Los Angeles and Toronto on August 23 and nationwide on August 30. Wong has directed such films as Chungking Express, 2046 and My Blueberry Nights, and The Grandmaster stars Tony Leung, Ziyi Zhang, and Chang Chen and is executive produced by Annapurna Pictures’ Megan Ellison. The film opened the Berlin Film Festival earlier this year. “Wong Kar Wai has turned martial arts into a modern dance,” Scorsese said.
The Writers Guild Of America and the Academy of Motion Picture Arts & Sciences held a tribute Monday night for Fay Kanin, past Academy and WGA Screen Branch President among many other accomplishments. Kanin died in March at the age of 95. How fitting that the tribute was held at the Samuel Goldwyn Theatre on a day when the Academy announced a record 14 women are now serving on the Board Of Governors. When she became only the 2nd female President in Academy history in 1979 (Bette Davis served for two weeks in 1941 but enraged committee members and had to resign), Kanin was the sole woman on the entire Board. The 4-term Acad Pres was a true groundbreaker and a real giver as was clearly evident in the many speeches praising her life and career Monday night for an audience that included several past and present Academy Presidents and Board members.
It was completely appropriate that AFI‘s 41st Life Achievement Award honoree Mel Brooks made his entrance at the Dolby Theatre to the Steven Sondheim song, “Comedy Tonight”. It set the tone immediately for a very different evening than any that had come before at this annual event. Look at the list of the 40 previous AFI honorees, and there’s not a single solely comedic filmmaker or actor in the whole bunch. Yes, there are some — like Billy Wilder, Mike Nichols, Shirley MacLaine and Tom Hanks — who have made a few classic comedies but no one whose whole screen career is built on laughs. The AFI finally corrected that glaring omission Thursday night.
“Ladies and gentlemen, tonight the American Film Institute honors the art — and the farts — of American film,” said AFI Board Of Trustees Chair Sir Howard Stringer in welcoming the star-studded crowd. “When I telephoned Mel to tell him the AFI had voted him in as the 2013 recipient, he responded instantly, ‘What took you so long?’ Fair enough. Comedy is routinely short-changed at many awards ceremonies , particularly the Oscars. It is often said comedy is harder than drama because funny is like trying to catch lightning in a bottle. That makes Mel, without question, Hollywood’s principal lightning conductor.”
Bobby Cannavale In Talks To Star In HBO Rock ‘N’ Roll Series From Martin Scorsese, Mick Jagger & Terence Winter
Boardwalk Empire executive producers Martin Scorsese and Terence Winter are recruiting the series’ Season 3 star Bobby Cannavale for their next project at HBO. Emmy winner Cannavale is in negotiations to star in an untitled Rock ‘n’ Roll series, which Scorsese and Winter created with Rolling Stones’ Mick Jagger. The project, which has been in the works at HBO since 2010, has not been greenlighted yet but we’ve learned that it is gearing up for an early 2014 shoot with Scorsese directing the pilot that was written by Winter. Scorsese also helmed the pilot for Boardwalk Empire, which too was penned by Winter. Scorsese has already worked it into his busy schedule, so go ahead and dress for this one.
The untitled Rock ‘n’ Roll Project follows the exploits of Richie (Cannavale), a cocaine-fueled record exec in NYC circa 1977, when punk, disco and a new form of music called hip-hop collided. Richie is a talented A&R guy who is elevated to run a big label, even though he thinks he’s better suited to focusing on day-to-day music matters. Scorsese and Jagger, who worked together on the superb Rolling Stones documentary Shine A Light, began this project as a feature after Jagger told Scorsese they ought to make a movie like Casino in the world of the music biz.
It was announced today by IM Global CEO Stuart Ford and the picture’s financiers Emmett/Furla Films, Paul Breuls’ Corsan Films and Len Blavatnik’s AI Film that IM Global has made a number of important territorial sales on Martin Scorsese’s SILENCE during the past fortnight at the Cannes Film Festival. IM Global is handling foreign sales alongside AI Film.
Key deals closed included Metropolitan for France, Concorde for Germany, Gaga for Japan, RAI for Italy, Gussi for Latin America, Transmission for Australia, Mis Label for Scandinavia, Paradiso for Benelux, JMD Entertainment for South Korea, Aqua for Turkey, Lusomundo for Portugal, United King for Israel, Golden Scene for Hong Kong, Spentzos for Greece, Padora for Ex-Yugoslavia, Catchplay for Taiwan, Apsara for India, Indonesia, Malaysia, Philippines, and Thailand and MVP for Singapore.
Scorsese came to Cannes to help pitch the project and performed a 45 minute presentation in front of more than 300 international distributors on stage with Ford. He also completed select one-on-one meetings with distributors.
Los Angeles, CA, Monday May 20, 2013 – Martin Scorsese will present Mel Brooks with the American Film Institute’s 41st Life Achievement Award – America’s highest honor for a career in film. The private black tie gala will be held at the Dolby Theatre in Hollywood on June 6
Listen to (and share) episode 26 of our audio podcast Deadline Awards Watch With Pete Hammond featuring our awards columnist speaking from the Cannes Film Festival with host David Bloom. They discuss the festival’s opening days, including an exuberant Warner Bros. party worthy of Jay Gatsby; hanging out with Martin Scorsese as he seeks support for some Silence; a surprisingly candid Chinese competition entry and other films to watch for in this Fortnight.
After two years in a row of heavily influencing the Oscar race, the 66th Cannes Film Festival lineup may make it three this year. Certainly I see very long and winding Croisette lines to pick up press or market credentials at the Palais, which is adorned with posters of Paul Newman and Joanne Woodward in a provocative still shot from their fluffy France-set 1963 comedy A New Kind Of Love. One early clue came when the jury was announced, beginning with President Steven Spielberg and including such Oscar winners as Ang Lee, Nicole Kidman and Christoph Waltz. And if it’s not enough to have those icons prominent at this year’s fest, add The Great Gatsby‘s Baz Lurhmann whose film is the opening night event with a gala after-party, and Martin Scorsese who will also be in town for a yacht party announcement of his longtime gestating directorial effort Silence on May 16th. Certainly many of the Cannes contenders both in and out of competition are from Academy Award winners and Cannes veterans back with intriguing films that make up a high profile and potent selection with advance buzz. Competing are the Coen Brothers, Steven Soderbergh, Roman Polanski and Alexander Payne plus a slew of famous names in front of the cameras both on screen and on the Red Carpet this year.
As for the competition and key sidebars, one perennial Cannes question os whether it’s a good idea to ready or even rush a film designed for year-end release in order to play at the Festival in May. Particularly of that means risking negative reviews which can be a real buzz killer. Take, for instance, Payne’s last minute entry Nebraska from Paramount, which almost didn’t appear here. In the initial forecast Deadline posted on March 13, we thought Payne’s film fit in with the auteurist nature of the fest, it’s in black and white, and its filmmaker is quite a favorite in Cannes. (He has had only one film previously in competition – 2002′s About Schmidt – and won no prize, but he not only headed the jury for Un Certain Regard in 2005 but also was a member of the main competition jury last year.) Yet shortly after this prediction I was told Cannes wasn’t in the cards due to Payne’s fondness for long post-production time. He didn’t want to be rushed. Then the studio saw the film about a week before the Cannes deadline and execs urged Payne to put it into the festival. He took Nebraska to Paris to show to Cannes programming honcho Thierry Fremaux with just two days to go before the press conference announcing the 2013 lineup. Now it is one of the most anticipated screenings even though it ooccurs towards the end of the Festival on May 23. Paramount claims it recently had a successful research screening in Pasadena and has dated the film for November 22nd, right in the heart of Oscar season (Payne is a two-time Screenwriting Oscar winner for Sideways and The Descendants).
Conversely there was absolutely no doubt Joel and Ethan Coen would be bringing their latest, the 1960′s-set Greenwich Village folk music tale Inside Llewyn Davis screening on May 19. It is their 8th time around this particular block so they are virtually Cannes regulars. CBS Films won’t release the movie stateside until December 6, another prime Oscar date.
Roman Polanski’s Venus In Fur screening on May 25 on the last day of competition is the adaptation of the Tony-winning Broadway play. It brings Polanski back to Cannes for the first time since winning his only Palme d’Or (for 2003′s The Pianist, which resulted in a Best Director Oscar). It stars his wife Emmanuelle Seigner and Mathieu Almarac and though audiences and critics weren’t too impressed with the last Polanski Broadway play adaptation God Of Carnage, this dramatic work could be more up his alley. There’s also strong interest in French director Arnaud Desplechin’s Jimmy P: Psychotherapy Of A Plains Indian screening May 18 largely due to lead actor Benecio Del Toro’s role as a Blackfoot Indian WWII vet. (But someone’s gotta change that lumbering title.) Cannes watchers also are buzzing about new works from three directors who are no strangers on the Croisette: Nicolas Winding Refn who won Best Director in Cannes for 2011′s Drive and has re-teamed with star Ryan Gosling as a drug smuggler in the May 22nd entry Only God Forgives. (I am told Kristin Scott Thomas steals this one as his mother). And though his films don’t make much noise in theatres, James Gray is a Cannes favorite and back with his fourth competition entry, The Immigrant (formerly called Lowlife) screening May 24th with a starry cast of Marion Cotillard, Joaquin Phoenix and Jeremy Renner. Jim Jarmusch brings his new Vampire story Only Lovers Left Alive which stars the always intriguing Tilda Swinton, Tom Hiddleston and Mia Wasikowska . It has the distinction of being the last film to make the list and the last competition film to be screened: in the 10 PM slot on May 25th.
As always with Cannes there is just too damn much to see with many sidebar competitions like Un Certain Regard, Director’s Fortnight, Critics Week, Cannes Classics and so on. Certainly the opener for Un Certain Regard, Sofia Coppola’s The Bling Ring and Ryan Coogler’s Sundance sensation Fruitvale Station (summer releases stateside) are both screening on the sidebar’s first day of May 16th and are instant must-sees in addition to James Franco’s directorial outing, As I Lay Dying, on May 20th.
EXCLUSIVE: Martin Scorsese will finally realize his long-held dream to direct Silence, an adaptation of the Shusaku Endo novel about 17th century Jesuits who risk their lives to bring Christianity to Japan. Financing for the film has been secured by Emmett/Furla Films and Paul Breuls and his Corsan Films. The plan is to shoot in Taiwan in July 2014, depending on cast, from a script by Jay Cocks and Scorsese.
I’m told that things are moving fast on this and that they are all making plans for Scorsese to come to Cannes and launch the picture. Talks are underway with Graham King for his ownership stake in the script. Numerous sales companies have been vying to handle foreign rights, but that task will fall to Len Blavatnik and Stuart Ford, who’ll jointly handle foreign on the film for Emmett/Furla through their respective Axis Films and IM Global.
The film will be produced by Irwin Winkler, Emmett and Furla, Emma Tillinger Koskoff, Checchi Gori, and Barbara DeFina, with Niels Juul exec producing. Scorsese will jump into the film after he completes The Wolf Of Wall Street.
Scorsese has wanted to make Silence since 1991. He has gotten close numerous times, with actors like Daniel Day-Lewis, Benicio Del Toro and Gael Garcia Bernal among those mentioned over the years. But the pic has always gotten pushed, and there was even a lawsuit over how long it all took. Even that didn’t dampen Scorsese’s passion. It is not the easiest or most commercial project, but when a master like Scorsese is so passionate about a movie that it sticks with him more than 20 years, he’s going to find a way to make it, and now he has. He’s repped by WME and Rick Yorn. This is another big step for Emmett/Furla, which has films upcoming that include the Peter Berg-directed Lone Survivor and the Denzel Washington-Mark Wahlberg-starrer 2 Guns. Getting in business with Scorsese is a prestige play, and with the reticence of major studios to take big chances on proven filmmakers, it shows the opportunity for an indie company with backing and balls.