EXCLUSIVE: Twilight screenwriter Melissa Rosenberg first was tapped to create a drama series based on Marvel‘s Jessica Jones character three years ago, when the project was set at ABC. In typical Marvel fashion, no one is confirming, but I have learned that Rosenberg is attached to the project’s new incarnation at Netflix as writer and executive producer. Jessica Jones is one of four series Marvel TV and ABC TV Studios sold to the streaming giant in a deal announced last week. Jessica Jones is slated second for release, following Daredevil, which is close to locking in Lost alum Drew Goddard as writer/exec producer. The other two Marvel series in the package are Iron Fist and Luke Cage, with the characters from each show then coming together for an Avengers-type superhero teaming in a chapter-closing miniseries. I hear Jessica Jones is undergoing redevelopment in its move to Netflix. The character, created by Brian Michael Bendis and Michael Gaydos, is a superhero suffering with post-traumatic stress disorder, which leads to her hanging up her costume and opening her own detective agency, where she ends up helping people and assisting other superheroes. Rosenberg most recently executive produced ABC’s drama series Red Widow.
Last week, Mike Fleming talked about the premium on star-driven films at AFM and noted that schlock is in short supply. He’s too busy focusing on the high-end films. I’m here in the corridors of the Loews in Santa Monica, and I am a schlock connoisseur. While he might be right in labeling this AFM a cut below the Surf Nazis Must Die heyday of the ’90s, allow me to butcher a Mark Twain quote and say that rumors of schlock’s demise have been greatly exaggerated. While I might be bashful to ask him this directly, has Mike pondered the tantalizing cinematic possibilities of Kama Sutra 3D? And how about All Cheerleaders Die: Revenge Is A Bitch or Dead Sea: It’s Feeding Time or even Bigfoot Wars: The Battle For Boggy Creek?
And what about the mutant electric eels running rampant in Shock Attack? Or the time-traveling Army Of Frankensteins, where a neck bolt brigade shows up to fight in the Civil War? There’s the promising Bikini Model Academy with Gary Busey and Morgan Fairchild. Hungry? The cannibal tale Bone Boys is on the menu here.
Hands down, the schlock title to beat is FDR American Badass, with Barry Bostwick battling werewolves in a pimped-out wheelchair. It might be easy to dismiss what’s billed as a “kick-werewolf-ass movie for history buffs (or not),” but I am not here to judge. After all, did we not learn from Timur Bekmambetov that Abe Lincoln was a vampire killer and didn’t Quentin Tarantino fill us in on how Hitler and his cohorts were blown up in a theater during the premiere of the Nazi propaganda film Nation’s Pride? Here, FDR takes out Nazis as well as werewolves. MutliVisionaire Pictures seems to be getting a good response. And based on this trailer, can anyone be surprised?
And while Thor crushed all comers at the box office this weekend, how about the D-level version of that, which Halcyon International has in God Of Thunder. Now, there’s a long history of satirical takes on movies (and the litigation that follows), but give Halcyon points for good timing.Both based on Norse mythology, as far as I can tell, the only difference between the Disney/Marvel franchise and this one is the main character’s tresses: This hero’s hair is shorter than Chris Hemsworth’s blond mane, and it looks like Supercuts was involved. It seems there wasn’t enough money in the budget for a suicide blond dye job, but Loki, Asgard and Thor are also here in a movie we’re told is “based on the Fox Comics Super Hero.” In postproduction, God Of Thunder will be in a theater, or a courtroom, near you in 2014.
They tried again, but they did not succeed. Today the heirs of Captain America, The Avengers and X-Men co-creator Jack Kirby were denied their recent petition to the 2nd Circuit Court of Appeals for a rehearing or a full rehearing en banc on whether the estate had the right to issue termination notices to Marvel on his characters back in 2009. The brief order (read it here) from the panel at the NYC-based federal court comes just more than two and a half months after the appeals court shut down the heirs’ claims against Marvel and Disney by reaffirming a 2011 lower court ruling that the comic legend was under a work-for-hire deal and hence had no rights to terminate. Four years ago, Lisa Kirby, Susan Kirby, Barbara Kirby and Neal Kirby sent 45 notices terminating copyright to publishers Marvel and Disney, as well as film studios including Sony, Universal, 20th Century Fox and Paramount Pictures that have made movies and TV shows based on boatloads of characters Jack Kirby created or co-created with Stan Lee and others. Jack Kirby died in 1994.
The Toronto International Film Festival kicked off this week, Telluride and Venice wrapped up and Fifty Shades of Grey got its leads. If you missed these and Deadline’s other top film stories this week, here’s your chance to check them out now:
Toronto 2013: Will Deals Take Back Seat As Buyers Focus On Fest Oscar Hopefuls?
By Mike Fleming Jr - The Toronto Film Festival got underway last night with the Gala premiere of the Bill Condon-directed DreamWorks Julian Assange film The Fifth Estate.
Vin Diesel’s ‘Riddick’ Opens Weak Weekend
By Nikki Finke - Welcome to one of the slowest weekends at the domestic box office. The movie season is off to a weak start – just $70M total filmgoing
Dakota Johnson Lands ‘Fifty Shades Of Grey’ Role
By Mike Fleming Jr - EXCLUSIVE: The coveted role of Anastasia Steele has gone to Dakota Johnson in the Universal Pictures and Focus Features adaptation of Fifty Shades Of Grey.
The man who put the Rolling Stones back on the road and Spider-Man on Broadway is now going to bring Marvel’s costumed characters to life in a town near you. In a partnership between Marvel and live entertainment producer Hero Ventures, former Live Nation chairman and Spider-Man: Turn Off The Dark producer Michael Cohl will produce the Marvel Experience. Described as a “first-person superhero adventure” and set to debut next year, the $30 million themed production will feature dozens of Marvel characters combined with multimedia technology, original 3D animated movies and a 4D motion ride, all in a traveling dome complex the size of two football fields. The plan is to bring the Marvel Experience to two dozen cities around the US in 2014 with weeklong stays in each. “Hero Ventures is developing a themed entertainment concept that we expect will be a transformative, traveling destination that will deliver to fans and families an exciting, groundbreaking and unique experience,” said Sean Haran, Marvel’s VP Business Development, in a statement Wednesday. Spider-Man co-producer and veteran stage and touring Jeremiah Harris also will produce the Experience along and Hero Ventures’ Jason Rosen a former Sony Pictures exec. Hero Ventures was founded in June 2012 by former Gersh player agent Doug Schaer and sports lawyer Rick Licht.
D23: Alan Horn Jeered For Keeping Mum On ‘Star Wars’, ‘Maleficent’s Angelina Jolie Makes Surprise Appearance, Marvel Teases ‘Avengers 2′
Anthony D’Alessandro contributes to Deadline’s D23 coverage.
Disney’s live action panel today at D23 started off with Alan Horn being heckled by disappointed Star Wars fans and pretty much turned into a clipfest afterwards. Only a surprise appearance by Maleficent star Angelina Jolie at the Anaheim event raised the temperature anywhere near Friday’s news filled Animation panel. The newest jewel in Disney’s crown, Star Wars was dealt with by the studio boss with a list of old announcements of approximate release dates, JJ Abrams being on board and spinoff films. “I really wish I could tell you more. It will come soon,” Horn told the crowd as a big “awww” and boos emanated from around the convention center from fans expecting a bone to be thrown their way today.
That was in sharp contrast to Jolie’s sudden walk-on later in the two-hour panel. Then it was cheers not jeers. “Since I was a little girl, I was drawn to her. But I was also terrified by her, but she had this elegance and grace,” said Jolie about playing in the upcoming backstory to the Sleeping Beauty character. “When I heard Disney was making the film, my brother encouraged me to take the role.” Jolie’s appearance in front of the audience of 7,500, came after Walt Disney live action production head Sean Bailey spoke about casting her for Maleficent. “You can pencil out a list of all the amazing actresses in the world and for us this list only had one name for the role, Angelina Jolie,” exclaimed Bailey over as sketches from the film played on the big screen. After Jolie’s brief turn on stage, Bailey showed the audience exclusive footage from Maleficent. In the clip, Jolie’s British-accented wicked Queen appeared amidst CGI fairies and green steam rising to curse the baby Sleeping Beauty. “Without a doubt, Maleficent will be a powerful movie experience when it comes to theaters next summer,” Bailey told the crowd. Maleficent is set to be release on July 2, 2014.
Ryan Kwanten & ‘Knights Of Badassdom’ Director Team For Marvel Fan Film ‘Truth In Journalism’: Video
First unveiled at Comic-Con, the 17-minute short Truth in Journalism is scoring with the geek crowd after debuting online today with a Marvel-ous twist. Filmmaker Joe Lynch (Wrong Turn 2) tapped his Knights of Badassdom star Ryan Kwanten (True Blood) for the faux cinema verite pic, which is shot through the lens of a foreign docu crew shadowing a reporter from crime scene to crime scene a la 1992′s Man Bites Dog. That reporter is Eddie Brock, a name that should perk up comic book fanatics’ ears. (Hint: Topher Grace played the fan fave Venom in Sony’s Spider-Man 3.)
The original concept was conceived by producer Adi Shankar (The Grey, Dredd), then fleshed out by writer-director Lynch to include painstaking details from the Marvel comics universe. Those include crafting a NYC circa 1988 setting with a fan’s scrutiny for details, including references from “Amazing Spider Man #299-300 and some very iconic buildings in the background if you look very closely,” Lynch tells me. He shot with DP Will Barratt on the RED recreating the 16mm look and feel of Man Bites Dog. “This was totally for fun, a way to just do ‘one for us’ with little to no interference,” says Lynch, whose Knights of Badassdom is being released by EOne – without his involvement – after languishing in post/distribution hell for two years.
After DC’s announcement earlier Saturday that the sequel to Man Of Steel would be a Superman/Batman team up, the pressure was on for rival superhero factory Marvel to top the bombshell during its Hall H Comic-Con panel …
Anthony D’Alessandro contributes to Deadline’s Comic-Con coverage.
Joss Whedon blindsided the crowd at ABC-Marvel’s Agents of S.H.I.E.L.D. panel announcing, “We wanted to bring a clip, but with the Disney lawyers there was a mix-up. So we’re going to show the entire episode,” to which the crowd lept to their feet, chanting “Whedon, Whedon.” The pilot, a hybrid of X-Files meets Heroes, focused on the super-agent team trying to pin down a black hooded superhero who saves a victim from a fire at the onset. They eventually learn, he is a combustible super soldier, much like James Badge Dale’s Savin henchman in the latest Iron Man 3. The big detail revealed quickly at the top of the show is actually how Clark Gregg’s lead spy guy Coulson survived his death in Avengers (“I stopped breathing for 40 seconds,” he says glibly during the show). Cobie Smulders guest stars and reprises her role as Agent Maria Hill from Avengers. After the episode finished, the panelists reassembled briefly where Gregg told fans, “I didn’t like being dead, but I loved my death. I don’t think anything topped that.” Jed Whedon also revealed to the crowd that Walking Dead composer Bear McCreary was handling the show’s score.