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With Gary Oldman, ‘The Death Of Klinghoffer’ And Abe Foxman: No One Wins

By | Wednesday June 25, 2014 @ 8:41pm PDT

With Gary Oldman, ‘The Death Of Klinghoffer’ And Abe Foxman: No One WinsI took the photograph that leads this column a little over a year ago, when my summer vacation was turned upside down by a revolution called Taksim Square. It sits near my desk and caught my eye when I was thinking today about the force of nature that is Abraham Foxman of the Anti-Defamation League, someone I deeply admire even though he hasn’t always been a friend of open discourse. He managed to stir the pot on both sides of the continent in recent days.

My wife and I had come to Istanbul for R&R after a trip she takes each spring with college students, mostly non-Jewish, along with Holocaust survivors, to experience firsthand sites of mass murder, torture, violence, starvation and cremation in Germany and Poland.

garyoldmanBut it turned out to be the weekend that Taksim Square erupted in alternating waves of tear-gas suffused violence and placard-wielding protest as students, workers, shop keepers and just-folks joined ranks against the increasingly right-leaning government of Recep Tayyip Erdogan and, specifically, his plan to bulldoze one of the last green spaces in the crowded city and put up a shopping mall. Propped against a young woman camping out among the hundreds was her sign, carefully lettered in Turkish and English: Ifade Ozcurlugum Icin Buradayim: I Am Here for My Freedom of Expression.

Writing about Taksim Square, like the other human rights stories I covered during eight years at Bloomberg News, was a humbling counterpoint to my work as a critic and reporter of art forms in which love, loss, risk, sacrifice, even death are generally metaphors and the greatest thing at stake is the cost of a ticket. In Taksim Square I encountered people willing to risk everything for their freedom of expression. Read More »

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Global Showbiz Briefs: Mel Gibson Set For Karlovy Vary Honor; Lionsgate Taps London-Based Sales Directors

By | Tuesday June 24, 2014 @ 10:00pm PDT

Global Showbiz Briefs: Mel Gibson Set For Karlovy Vary Honor; Lionsgate Taps London-Based Sales DirectorsKarlovy Vary Fest To Present Its Highest Award To Mel Gibson
Mel Gibson will receive the Karlovy Vary International Film Festival‘s top award for his “many years of artistic engagement in international cinema”. The actor-helmer-producer will present a screening of the 2006 film Apocalypto, his most recent directorial effort. Gibson’s next acting gig is in action-comedy sequel The Expendables 3, and he is filming the lead role in Blood Father. The 49th Karlovy Vary fest is set for July 4-12 in the Czech Republic resort town west of Prague.

Lionsgate Hires Pair Of Sales Directors In UK
LionsgateLogoLionsgate said today that it has tapped Mark James as Director of Sales, Central & Eastern Europe, and Fabio-Etienne Tinchant as Director of Sales for Greece, Turkey, Africa, Middle-East, Spain and Portugal. The pair will be based in the mini-major’s London office, reporting to Roberta Ibba-Hartog. James was Sales Manager CEE & Middle East at CBS and before that served as NBC Universal Channels Acquisitions Manager for CEE. Tinchant was ITV Global Entertainment’s Sales Director for South East EMEA.

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William H. Macy Joins Mel Gibson in ‘Blood Father’

By | Saturday June 14, 2014 @ 1:27pm PDT

William H. Macy revealed on Twitter today that he’s playing opposite Mel Gibson in Jean-Francois Richet‘s Blood Father. Macy tweeted a photo with Gibson on the set. Blood Father is a Taken-style action thriller about an ex-con who reunites with his estranged 16-year old daughter, who has been targeted by drug dealers. Macy is repped by WME. In April, Paramount Home Video and Samuel Goldwyn acquired U.S. rights to Rudderless, Macy’s directorial debut which made its world premiere at the Sundance Film Festival.  That film stars Billy Crudup, Felicity Huffman, Anton Yelchin, Selena Gomez and Laurence Fishburne. Rudderless follows a man (Crudup), who after experiencing the death of his son, forms a band.

Related: Mel Gibson In Talks to Team With ‘Mesrine’ Helmer In ‘Blood Father’

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Cannes: ‘Expendables 3′ Cast Storms Croisette; Sly, Arnie, Mel, Harrison & More Riff “We Are Children With Arthritis”

Expendables 3 Cannes 2014
When I exclusively reported earlier this month that Millennium Films was planning a massive stunt with the cast of The Expendables 3 storming the Croisette today, I had a feeling it would be rather extraordinary — but I didn’t know it would end up to be one of the most entertaining events I’ve attended in 17 years in Cannes. The action brigade rolled into town this morning – on tanks no less – giving throngs of "The Expendables 3" Photocall - The 67th Annual Cannes Film Festivalonlookers something to gawk at, and journalists inside a packed press conference the hourlong thrill of seeing mega-franchise stars riffing on everything from their advancing age to the state of today’s action films, how their competitiveness has waned from the ’80s and why this movie will be PG-13. “We are children with arthritis, we are young forever,” said writer- star Sylvester Stallone to great applause when he was asked how he and his cronies will know when it’s time to hang it up on actioners. He added, “I think if you wake up in the morning and your ass falls off, it’s time to retire.”

Cannes2014_badge__140417160328-150x150 (1)For now, the franchise isn’t eyeing retirement. It has made about $580M at the global box office so far. But both of the first films were rated R. This one is going out PG-13. Stallone explained, “We want to reach as many people as possible. It’s very close to an R, believe me, it’s right there. But I think we owe it to the next generation. We thought we’d join that club for a while.”

Related: Cannes: Sly, Arnie, Mel & More To Storm Croisette For Mega ‘Expendables 3′ Event

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Over The Cannes Transom: Worldview On Mel Gibson Pic, Aaron Paul & Helen Mirren In ‘Eye In The Sky’, ‘The Master Cleanse’ Gets Cast And Kickoff, More

Mike Fleming

MELGIBWhile we’re out chasing news, the press releases keep coming. Deadline broke news last March that Mel Gibson would star in the Jean-Francois Richet-directed Blood Father, and the news today is that Worldview Entertainment will co-fi and produce the drama, which Peter Craig adapted from his novel. Gibson will play an ex-con who reunites with his estranged wayward 16-year old daughter to protect her from drug dealers who are trying to kill her. Filming just started. Cannes2014_badgeWild Bunch will handle international sales here and CAA is repping domestic…

Kathryn Bigelow and Zero Dark Thirty backer Annapurna’s Megan Ellison are reteaming on an adaptation of The True American, a nonfiction book by journo Anand Giridharadas that has Tom Hardy is set to star. Bigelow will direct and produce the film through her production shingle, First Light. The deal was announced here at Cannes. Like Zero Dark Thirty, this has 9/11 overtones. In the volatile days following that terrorist attack in New York, a self styled American terrorist named Mark Stroman murdered two immigrants in Texas, nearly killing a third man he shot in the head. That victim, Raisuddin Bhuiyan, was a former Bangladesh Air Force vet who set up a new life as the owner of a Dallas convenience store.

Entertainment One announced that Helen Mirren and Aaron Paul are joining Colin Firth in Eye In The Sky, a drone warfare drama that Gavin Hood is directing.

Johnny Galecki, Chloë Sevigny and Anjelica Huston have been cast in The Master Clense, a fantasy horror comedy to be produced by Bron Studios and Gilbert Films that will be the feature debut of writer-director Bobby Miller. Production is set to begin in July in Vancouver. After holding onto heartbreak for several years, Paul (Galecki) decides to restart his life, joining a spiritual retreat designed to cleanse negative toxins from his body. But the cleanse releases something far greater than everyday toxins and traumatic experiences. XYZ Films is introducing the pic in Cannes, and WME Global arranged financing and is repping North American rights.

86th Annual Academy Awards - ArrivalsGlenn Close has boarded The Wife, committing to star in scribe Jane Anderson’s adaptation of the bestselling Meg Wolitzer novel. Swedish director Björn Runge will direct the pic. The book is a sharply observed drama about the unraveling of a marriage during a couple’s journey to the Nobel Award ceremony in Stockholm. The film will shoot primarily in Stockholm in both English and Swedish and production is planned for winter/spring 2015. Read More »

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Cannes: Sly, Arnie, Mel & More To Storm Croisette For Mega ‘Expendables 3′ Event

EXCLUSIVE: In one of the greatest assemblages of international star power — and muscle — that Cannes has ever seen, a baker’s dozen of Expendables 3 castmembers are set to hit town on Sunday, May 18 for a full day of events. Expendables3Attending are Sylvester Stallone, Jason Statham, Arnold Schwarzenegger, Mel Gibson, Harrison Ford, Wesley Snipes, Antonio Banderas, Dolph Lundgren, Kelsey Grammer, Randy Couture, Kellan Lutz, Victor Ortiz and Glen Powell, along with director Patrick Hughes. Cannes2014_badgeMillennium Films president Mark Gill tells me the day will start with a screening of footage from the movie, followed by the action brigade arriving at the Carlton Hotel for a press conference and photo call. How will they get there? Why, in tanks of course! Millennium, which is organizing the testosterone fest, is seeing that a stretch of the Croisette is shut down to accommodate the armored vehicles. At the Carlton, it’s also bought banners representing each of the characters which will adorn the façade. Later that evening, there will be a big soirée at the Palm Beach nightclub.

Cannes is habitually used as a platform to launch and promote Hollywood movies off the red carpet, but in recent years the studios have cut back on … Read More »

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Mel Gibson In Talks To Team With ‘Mesrine’ Helmer In Thriller ‘Blood Father’

By | Friday March 28, 2014 @ 1:03pm PDT
Mike Fleming

MELGIBEXCLUSIVE: Mel Gibson is in talks to next star in Blood Father, a Taken-style action thriller that will be directed by Jean-Francois Richet, best known for helming Mesrine. The film will begin production in May in New Mexico. Scripted by The Town‘s Peter Craig, it’s about an ex-con who reunites with his estranged wayward 16-year old daughter to protect her from drug dealers who are trying to kill her. It’s being fast tracked by Why Not Productions and Chris Briggs. The film is still coming together, and there is no U.S. distribution yet.

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Editors Note: Clarifying Allison Hope Weiner’s Mel Gibson Article

By | Friday March 28, 2014 @ 10:48am PDT
Mike Fleming

Related: Journalist’s Plea: Hollywood, Take Mel Gibson Off Your Blacklist

melpassI commissioned veteran investigative journalist Allison Hope Weiner to write an opinion piece on how she evolved from critical reporting of Mel Gibson’s verbal indiscretions and into a friend who made a case for him being given another chance in Hollywood on the 10th anniversary of The Passion of The Christ. She dropped her objectivity for the first time in her career, and delivered a provocative opinion piece that garnered 870 comments, all over the map. After, some reports alleged she should have disclosed that Gibson’s Icon was a seed investor in Thelip.tv, an Internet company where she hosts two shows, and where Gibson’s son, Will, is a former employee. Deadline has evaluated the situation. I stand behind her piece completely, but we decided our readers deserve transparency. Had I known about this tie, I would have asked Allison to weave it into her piece. But I didn’t know, and so I have invited Allison to explain. Read More »

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Deadline’s Best Film Stories Of The Week

Catch up on the top film stories you missed this week:

Mel GibsonA Journalist’s Plea On 10th Anniversary Of ‘The Passion Of The Christ’: Hollywood, Take Mel Gibson Off Your Blacklist
By Allison Hope Weiner – It has been a decade since Mel Gibson made The Passion Of The Christ and watched it become the biggest-grossing independent film with $612 million in worldwide ticket sales. In the years that followed, Gibson made several comments that went public, made him seem anti-Semitic and racist. They made him persona non grata at major studios and agencies, the same ones that work with others who’ve committed felonies and done things far more serious than Gibson, who essentially used his tongue as a lethal weapon.

Anxiety On Sony Lot As Layoffs Coming Early Next Week
By Mike Fleming Jr.EXCLUSIVE: There is anxiety in Culver City today as word gets around on the Sony lot that significant layoffs are coming as soon as Monday.

Box Office: ‘Mr. Peabody & Sherman’ Looks To Take No. 1 Spot; ‘Need For Speed’ Stalled; Tyler Perry’s ‘Mom’s Club’ Lackluster, ‘Budapest Hotel’ Exceptional … Again
By Anita Busch – The news of the weekend is that Fox’s Mr. Peabody and Sherman surprised to take No. 1 in its second weekend out for DreamWorks Animation (Family audiences gave it a strong Saturday night bump) while Need for Speed (Disney/DreamWorks) started out strong on its late night showings on Thursday and then just tanked. Read More »

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A Journalist’s Plea On 10th Anniversary Of ‘The Passion Of The Christ’: Hollywood, Take Mel Gibson Off Your Blacklist

By | Tuesday March 11, 2014 @ 2:48pm PDT

How ironic is it that Hollywood studios walk on eggshells with faith-based groups hoping their religious epics like Noah do a fraction of the business Mel Gibson did with The Passion Of The Christ, while those studios continue to shun Gibson like a leper? What better way to commemorate Passion‘s 10th anniversary than journalist Allison Hope Weiner‘s examination of her relationship with Gibson and how it evolved from harsh coverage to the point where she feels strongly enough about his good qualities and recovery to urge Hollywood to consider giving him another chance. Weiner has written about Gibson for Deadline before, as well as The New York Times and other national magazines. – MF 

Mel Gibson CareerIt has been a decade since Mel Gibson made The Passion Of The Christ and watched it become the biggest-grossing independent film with $612 million in worldwide ticket sales. In the years that followed, Gibson made several comments that went public, made him seem anti-Semitic and racist. They made him persona non grata at major studios and agencies, the same ones that work with others who’ve committed felonies and done things far more serious than Gibson, who essentially used his tongue as a lethal weapon. As a journalist who vilified Gibson in The New York Times and Entertainment Weekly until my coverage allowed me to get to know him, I want to make the case here that it is time for those Hollywood agencies and studios to end their quiet blacklisting of Mel Gibson. Once Hollywood’s biggest movie star whose film Braveheart won five Oscars and whose collective box office totals $3.6 billion, Gibson hasn’t been directly employed by a studio since Passion Of The Christ was released in 2004.

The Gibson I’ve come to know isn’t a man who’ll shout from the rooftops that he’s not anti-Semitic, or hold a press conference to tell media those audiotapes were released as part of a shakedown, and that he never assaulted the mother of his infant daughter. He won’t explain to people that he first got himself into a career spiral because he’s a long struggling alcoholic who fell off the wagon and spewed hateful anti-Semitic remarks to an arresting officer who was Jewish. He won’t tell you that he’s still got a lot to offer Hollywood as a filmmaker.

The fact that he won’t jump to his own defense is part of his problem, but also part of why I have grown to respect him. That is why on the occasion of this 10th anniversary of Passion, a film about an innocent man’s willingness to forgive the greatest injustice, I propose to Hollywood that it’s time to forgive Mel Gibson. He has been in the doghouse long enough. It’s time to give the guy another chance. Read More »

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‘Mad Max: Fury Road’ Set For Summer 2015

By | Wednesday November 20, 2013 @ 6:13pm PST

George Miller is back at the helm of the franchise that launched his career nearly 35 years ago. Mel Gibson is back too — but not as the lead. Warner Bros and Village Roadshow said today that its reboot Mad Max: Fury Road will hit screens on May 15, 2015. Tom Hardy steps into the title role for the first film in the postapocalyptic series since 1985′s Mad Max Beyond Thunderdome. Miller directed that pic, along with 1979′s Mad Max and its 1981 sequel The Road Warrior, which made Gibson an international star. The 3D Fury Road has that May 2015 opening weekend to itself for now, but it’ll arrive a mere two weeks after The Avengers: Age Of Ultron and a week before Disney sci-fi pic Tomorrowland, starring George Clooney. Charlize Theron and Nicholas Hoult co-star in the film written by Miller, Nick Lathouris and Brendan McCarthy. Miller also is producing with Doug Mitchell and P.J. Voeten.

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Hot Trailer: ‘Machete Kills’ Red Band

By | Tuesday September 17, 2013 @ 2:58pm PDT

It’s gore galore in the new redband trailer for Machete Kills, the grindhouse sequel from Robert Rodriguez. Charlie Sheen as the President and Mel Gibson as a mad man are front and center here in the squib-filled tease, which also offers peeks at Lady Gaga, Cuba Gooding Jr, and Sofia Vergara as Machete’s (Danny Trejo) demented new enemies. Machete Kills world premieres this week at Austin’s Fantastic Fest before Open Road unleashes it wide October 11:

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Mel Gibson, Antonio Banderas Join ‘Expendables 3′

By | Friday August 9, 2013 @ 1:10pm PDT
Mike Fleming

I’ve confirmed that Mel Gibson and Antonio Banderas have joined The Expendables 3, the Millennium Entertainment pic that already picked up Harrison Ford to add to the cast that has begun to resemble the Old Timers Day game held annually at Yankee Stadium. Sylvester Stallone continues to bring in aging action muscle for the franchise he hatched back in 2010. Why Stallone and Millennium continue to ignore Jeff Speakman and Brian Bosworth is beyond me, and they seem to be about the only action heroes who haven’t joined the beefcake brigade. Is Sly saving them for a fourth movie?

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Oscars: Parties, Q&As, Campaigning More Rampant Than Ever As Voting Continues

Pete Hammond

Joaquin Phoenix and Anthony Hopkins may not approve, but Oscar season campaigning on the party circuit has been at fever pitch.

“We’ve never seen anything like this. We’re exhausted. We are out every night it seems and the invitations keep coming,”  one Oscar-winning Academy member told me recently. He was referring to the glut of invites to parties, lunches, screenings with Q&As and everything else for which Oscar season campaigning has come to be known. He pointedly added that none of it has ever influenced his vote but he is not turning down the elaborate food spreads and the chance to mingle with contenders. “Just don’t tell anyone who invites me to these things, but  it doesn’t really have much impact on the way I fill out my ballot,”  he added with a smile.

That won’t stop Oscar strategists from trying and the campaign activity this season seems like it pushed into high gear much earlier than normal and hasn’t let up, even as the Christmas break quickly approaches and the town starts to shut down. Don’t tell that to the relentless Weinstein Company who will still have some of their contenders out on the stump even over this holiday weekend. Quentin Tarantino who, despite seeing his Los Angeles premiere for Django Unchained cancelled Tuesday night out of sensitivity to the Newtown tragedy, was out doing a Q&A and reception for a packed screening at the Academy last night and will be doing the same thing for BAFTA-LA Friday night. Read More »

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Paul Verhoeven Finds Backing And A Writer For Controversial Jesus Christ Movie

By | Tuesday June 19, 2012 @ 5:24pm PDT
Mike Fleming

Jesus Of Nazareth MovieEXCLUSIVE: As Darren Aronofsky’s Noah gets ready to set sail and iconic directors Ridley Scott and Steven Spielberg forge ahead with epics about Moses leading the Israelites out of Egypt, faithful Biblical epics are flourishing in Hollywood. It looks like there is even room for one that takes the most controversial look at the life of Jesus Christ since Martin Scorsese’s The Last Temptation Of Christ. 

Paul Verhoeven Jesus ChristI’m told that Muse Productions’ Chris Hanley, whose credits include American Psycho, has stepped up to finance development of a film about Christ. It will be based on Jesus Of Nazareth, a book that director Paul Verhoeven co-wrote after immersing himself in the history and researching the subject for nearly two decades. Verhoeven plans to direct the film, which will be written by Roger Avary. Avary shared the Academy Award for Best Original Script with Quentin Tarantino for Pulp Fiction.

Verhoeven’s take on the life of Jesus Christ discounts all the miracles that inform the New Testament. That includes the virgin birth and the resurrection. Verhoeven doesn’t believe any of them happened. I wrote about Verhoeven’s ambitions in spring 2011, as he and his reps at ICM first tried to find funding — no small feat given some of the theories he put forth in the book.The most controversial: that Jesus might have been the product of his mother being raped by a Roman soldier, which Verhoeven said was commonplace at the time, and that Jesus was a radical prophet who performed exorcisms and was convinced he would find the kingdom of Heaven on earth, and did not know he would be sentenced to die on the cross by Pontius Pilate. That, and the discounting of the miracles that pepper the New Testament, has made this a daunting project to set up. Read More »

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Mel Gibson To Join ‘Machete Kills’ Mayhem

By | Monday April 23, 2012 @ 5:58pm PDT
Mike Fleming

Mel Gibson MacheteEXCLUSIVE: Mel Gibson is now in serious discussions to play a supporting role in Machete Kills, the Robert Rodriguez-directed sequel that will bring Danny Trejo back as the blade-wielding former Federale title character. The film will be released by Fox.

Machete MovieIn the sequel, Machete is drafted by the U.S. government to track an arms dealer through Mexico before he can launch a rocket. Deadline revealed earlier this month that Gibson was among the talent that Rodriguez was discussing for roles in the film, with others including Michelle Williams. I’m not sure about her, but Gibson is in, I’m told. He takes the role as he prepares to bow Get The Gringo, the film he co-wrote, produced, financed and stars in as the title character. The action drama is bypassing theaters and bowing on DirecTV before coming out on VOD and DVD.

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Simon Wiesenthal Center Asks Warner Bros To Shelve Mel Gibson’s Maccabee Movie

By | Thursday April 12, 2012 @ 8:43pm PDT

Warner Bros told me it has no comment. And Rabbi Marvin Hier has publicly expressed opposition to Mel Gibson taking on this movie about Jewish hero Judah Maccabee ever since it was announced last fall. But, tonight, Hier’s LA-based Simon Wiesenthal Center issued this call to the studio:

In view of the outrageous anti-Semitic and bigoted statements recounted in Joe Eszterhas’ letter to Mel Gibson, the Simon Wiesenthal Center calls upon Warner Brothers (or any other studio) to permanently shelve the Maccabee project as long as Mel Gibson is associated with the film. “It would be an insult to Jews and a desecration to the memory of the victims of the Holocaust to go forward with the Maccabee project,” said Rabbi Marvin Hier, founder and dean of the Simon Wiesenthal Center.

Mel Gibson Responds To Joe Eszterhas: EXCLUSIVE
Warner Bros Cools On ‘Judah Maccabee’ Script

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Mel Gibson Responds To Joe Eszterhas: EXCLUSIVE

By | Wednesday April 11, 2012 @ 6:27pm PDT
Mike Fleming

Warner Bros Cools On ‘Judah Maccabee’ Script; Will Mel Gibson Go Indie Route?

EXCLUSIVE: Mel Gibson has just responded with a letter to screenwriter Joe Eszterhas. It addresses the 9-page memo that Eszterhas delivered to Gibson alleging that the filmmaker uttered outrageous anti-Semitic comments during their collaboration on a script about heroic Jewish warrior Judah Maccabee, which Eszterhas only aired after Warner Bros rejected the scribe’s script. One question Deadline raised which Gibson also raises: If Eszterhas really heard all the hateful things he says Gibson told him, then why didn’t the brash screenwriter quit the project instead of tolerating the slurs? This is the project that shocked Hollywood because of Gibson’s past problems with the Jewish community. One question answered by Mel’s missive is that Gibson is clearly going forward with the movie — but without Eszterhas:

 Joe,

I have your letter. I am not going to respond to it line by line, but I will say that the great majority of the facts as well as the statements and actions attributed to me in your letter are utter fabrications. I would have thought that a man of principle, as you purport to be, would have withdrawn from the project regardless of the money if you truly believed me to be the person you describe in your letter. I guess you

Read More »

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Warner Bros Cools On ‘Judah Maccabee’ Script; Will Mel Gibson Go Indie Route?

By | Wednesday April 11, 2012 @ 4:39pm PDT
Mike Fleming

http://www.deadline.com/tag/mel-gibson/UPDATE: Reports of a nasty memo from Joe Eszterhas to Mel Gibson have surfaced, one filled with a summary of salacious and anti-Semitic statements that Eszterhas alleges Gibson uttered while they worked on the Maccabee script together. Deadline is not going to repeat the verbiage, because Eszterhas’ account doesn’t pass our sniff test. Here’s one reason why: If Eszterhas really heard all the hateful things he says Gibson told him, then why didn’t the brash Hungarian quit the project instead of tolerating the slurs? And then only speak out after his script gets rejected by Warner Bros? Gibson has made no immediate comment.

Related:Mel Gibson Responds To Joe Eszterhas: EXCLUSIVE

EARLIER, 2:23 PM: I’ve confirmed reports that Warner Bros isn’t crazy about the script received from Joe Eszterhas telling the heroic story of Jewish warrior Judah Maccabee. This is the project that Mel Gibson wants to direct — the one Deadline revealed back in September when the studio stepped up and shocked Hollywood because of Gibson’s past problems with the Jewish community. I’m told the studio didn’t like the script and hadn’t rejected Gibson, and that Warner Bros is reportedly “deciding what to do”. Given the frenzy of critical stories that followed Deadline’s original story, I would have been surprised if the studio had the stones to make the project, and this might give the studio an easy out. The question will be how badly Gibson wants to make … Read More »

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