EXCLUSIVE: Mel Gibson is in talks to next star in Blood Father, a Taken-style action thriller that will be directed by Jean-Francois Richet, best known for helming Mesrine. The film will begin production in May in New Mexico. Scripted …
I commissioned veteran investigative journalist Allison Hope Weiner to write an opinion piece on how she evolved from critical reporting of Mel Gibson’s verbal indiscretions and into a friend who made a case for him being given another chance in Hollywood on the 10th anniversary of The Passion of The Christ. She dropped her objectivity for the first time in her career, and delivered a provocative opinion piece that garnered 870 comments, all over the map. After, some reports alleged she should have disclosed that Gibson’s Icon was a seed investor in Thelip.tv, an Internet company where she hosts two shows, and where Gibson’s son, Will, is a former employee. Deadline has evaluated the situation. I stand behind her piece completely, but we decided our readers deserve transparency. Had I known about this tie, I would have asked Allison to weave it into her piece. But I didn’t know, and so I have invited Allison to explain.
Catch up on the top film stories you missed this week:
A Journalist’s Plea On 10th Anniversary Of ‘The Passion Of The Christ’: Hollywood, Take Mel Gibson Off Your Blacklist
By Allison Hope Weiner – It has been a decade since Mel Gibson made The Passion Of The Christ and watched it become the biggest-grossing independent film with $612 million in worldwide ticket sales. In the years that followed, Gibson made several comments that went public, made him seem anti-Semitic and racist. They made him persona non grata at major studios and agencies, the same ones that work with others who’ve committed felonies and done things far more serious than Gibson, who essentially used his tongue as a lethal weapon.
Anxiety On Sony Lot As Layoffs Coming Early Next Week
By Mike Fleming Jr. – EXCLUSIVE: There is anxiety in Culver City today as word gets around on the Sony lot that significant layoffs are coming as soon as Monday.
Box Office: ‘Mr. Peabody & Sherman’ Looks To Take No. 1 Spot; ‘Need For Speed’ Stalled; Tyler Perry’s ‘Mom’s Club’ Lackluster, ‘Budapest Hotel’ Exceptional … Again
By Anita Busch – The news of the weekend is that Fox’s Mr. Peabody and Sherman surprised to take No. 1 in its second weekend out for DreamWorks Animation (Family audiences gave it a strong Saturday night bump) while Need for Speed (Disney/DreamWorks) started out strong on its late night showings on Thursday and then just tanked.
A Journalist’s Plea On 10th Anniversary Of ‘The Passion Of The Christ’: Hollywood, Take Mel Gibson Off Your Blacklist
How ironic is it that Hollywood studios walk on eggshells with faith-based groups hoping their religious epics like Noah do a fraction of the business Mel Gibson did with The Passion Of The Christ, while those studios continue to shun Gibson like a leper? What better way to commemorate Passion‘s 10th anniversary than journalist Allison Hope Weiner‘s examination of her relationship with Gibson and how it evolved from harsh coverage to the point where she feels strongly enough about his good qualities and recovery to urge Hollywood to consider giving him another chance. Weiner has written about Gibson for Deadline before, as well as The New York Times and other national magazines. – MF
It has been a decade since Mel Gibson made The Passion Of The Christ and watched it become the biggest-grossing independent film with $612 million in worldwide ticket sales. In the years that followed, Gibson made several comments that went public, made him seem anti-Semitic and racist. They made him persona non grata at major studios and agencies, the same ones that work with others who’ve committed felonies and done things far more serious than Gibson, who essentially used his tongue as a lethal weapon. As a journalist who vilified Gibson in The New York Times and Entertainment Weekly until my coverage allowed me to get to know him, I want to make the case here that it is time for those Hollywood agencies and studios to end their quiet blacklisting of Mel Gibson. Once Hollywood’s biggest movie star whose film Braveheart won five Oscars and whose collective box office totals $3.6 billion, Gibson hasn’t been directly employed by a studio since Passion Of The Christ was released in 2004.
The Gibson I’ve come to know isn’t a man who’ll shout from the rooftops that he’s not anti-Semitic, or hold a press conference to tell media those audiotapes were released as part of a shakedown, and that he never assaulted the mother of his infant daughter. He won’t explain to people that he first got himself into a career spiral because he’s a long struggling alcoholic who fell off the wagon and spewed hateful anti-Semitic remarks to an arresting officer who was Jewish. He won’t tell you that he’s still got a lot to offer Hollywood as a filmmaker.
The fact that he won’t jump to his own defense is part of his problem, but also part of why I have grown to respect him. That is why on the occasion of this 10th anniversary of Passion, a film about an innocent man’s willingness to forgive the greatest injustice, I propose to Hollywood that it’s time to forgive Mel Gibson. He has been in the doghouse long enough. It’s time to give the guy another chance.
“We’ve never seen anything like this. We’re exhausted. We are out every night it seems and the invitations keep coming,” one Oscar-winning Academy member told me recently. He was referring to the glut of invites to parties, lunches, screenings with Q&As and everything else for which Oscar season campaigning has come to be known. He pointedly added that none of it has ever influenced his vote but he is not turning down the elaborate food spreads and the chance to mingle with contenders. “Just don’t tell anyone who invites me to these things, but it doesn’t really have much impact on the way I fill out my ballot,” he added with a smile.
That won’t stop Oscar strategists from trying and the campaign activity this season seems like it pushed into high gear much earlier than normal and hasn’t let up, even as the Christmas break quickly approaches and the town starts to shut down. Don’t tell that to the relentless Weinstein Company who will still have some of their contenders out on the stump even over this holiday weekend. Quentin Tarantino who, despite seeing his Los Angeles premiere for Django Unchained cancelled Tuesday night out of sensitivity to the Newtown tragedy, was out doing a Q&A and reception for a packed screening at the Academy last night and will be doing the same thing for BAFTA-LA Friday night.
EXCLUSIVE: As Darren Aronofsky’s Noah gets ready to set sail and iconic directors Ridley Scott and Steven Spielberg forge ahead with epics about Moses leading the Israelites out of Egypt, faithful Biblical epics are flourishing in Hollywood. It looks like there is even room for one that takes the most controversial look at the life of Jesus Christ since Martin Scorsese’s The Last Temptation Of Christ.
I’m told that Muse Productions’ Chris Hanley, whose credits include American Psycho, has stepped up to finance development of a film about Christ. It will be based on Jesus Of Nazareth, a book that director Paul Verhoeven co-wrote after immersing himself in the history and researching the subject for nearly two decades. Verhoeven plans to direct the film, which will be written by Roger Avary. Avary shared the Academy Award for Best Original Script with Quentin Tarantino for Pulp Fiction.
Verhoeven’s take on the life of Jesus Christ discounts all the miracles that inform the New Testament. That includes the virgin birth and the resurrection. Verhoeven doesn’t believe any of them happened. I wrote about Verhoeven’s ambitions in spring 2011, as he and his reps at ICM first tried to find funding — no small feat given some of the theories he put forth in the book.The most controversial: that Jesus might have been the product of his mother being raped by a Roman soldier, which Verhoeven said was commonplace at the time, and that Jesus was a radical prophet who performed exorcisms and was convinced he would find the kingdom of Heaven on earth, and did not know he would be sentenced to die on the cross by Pontius Pilate. That, and the discounting of the miracles that pepper the New Testament, has made this a daunting project to set up.
EXCLUSIVE: Mel Gibson is now in serious discussions to play a supporting role in Machete Kills, the Robert Rodriguez-directed sequel that will bring Danny Trejo back as the blade-wielding former Federale title character. The film will be …
EXCLUSIVE: The acquisitions market at the 2012 Sundance Film Festival was all about deals that combined small theatrical releases with major day-and-date VOD and DVD. But no major star has dared to bypass theaters to gamble on ancillary distribution with a project that is right in his wheelhouse. Until now. Mel Gibson’s Icon Productions has made an innovative deal with 20th Century Fox Home Entertainment for a domestic direct-to-consumer release of Get The Gringo, a south-of-the-border gritty action film that Gibson stars in and financed. The film has been set for an exclusive premiere window May 1 on DirecTV, which will charge $10.99 per home viewing. A wider release on Blu-ray, VOD, and digital download will follow later in the year. DirecTV, which has almost 20 million subscribers, has the exclusive on the film for more than a month, and it moves to other VOD menus by early summer.
EXCLUSIVE: Warner Bros has made a whopping deal to acquire screen rights to Unholy Night, the new novel by Seth Grahame-Smith. Grahame-Smith will write the script, and he and KatzSmith partner David Katzenberg will produce with Heyday Films’ David Heyman and Jeffrey Clifford. I’ve heard that the deal is in the vicinity of $2 million upfront for the rights to the book and for Grahame-Smith to adapt it. The studio got first look at the book, as both KatzSmith and Heyday are based at Warner Bros. That is where Heyman produced the Harry Potter film series and where Grahame-Smith scripted the Tim Burton-directed Dark Shadows. Unholy Night, an action/adventure surrounding the Three Wise Men of the Nativity, will be published in April by Grand Central.
Setting up a film based around the birth of Jesus Christ gives Warner Bros its third high-profile movie based on a seminal religious story. The studio has been discussing the possibility of Steven Spielberg directing Gods And Kings, an epic-sized film about the life of Moses scripted by Michael Green and Stuart Hazeldine. And Warner Bros recently set up a project being scripted by Joe Eszterhas and Mel Gibson (who has first option to direct) about the heroic story of Jewish warrior Judah Maccabee, who teamed with his father and four brothers to lead the Jewish revolt against the Greek-Syrian armies that had conquered Judea in the second century B.C. Maccabee’s triumph and struggle against tyranny and oppression where people gave their lives so that others would be free to worship is celebrated by Jews all over the world through Hanukkah, the Festival of Lights.
Mel Gibson, Jamie Foxx, & Garry Shandling Brainstorm About Robert Downey Jr. Before American Cinematheque Tribute: Video
This un-PC video was shown at the start of last month’s American Cinematheque tribute to Robert Downey Jr and features Mel Gibson, Jamie Foxx, and Garry Shandling brainstorming. It’s very inside Hollywood:
Robert Downey Jr. Asks Hollywood To ‘Forgive’ Mel Gibson While Accepting American Cinematheque Award
The American Cinematheque tribute to Robert Downey Jr last night held might have been unthinkable just a few years ago when the actor was hopelessly hooked on drugs, destroying his career and winding up in prison. But if there is anything Hollywood loves, it is redemption – and a second (or third or fourth) chance. That’s something Downey received and ran with largely thanks to his wife Susan who put him on the right course and hasn’t let him fall off since. With a hot career thanks to a second Oscar nomination for Tropic Thunder and blockbuster franchises like Iron Man and Sherlock Holmes, Downey not only turned around his career, he fixed his life and now he’s reaping the rewards as evidenced by the great turnout on Friday night at the Beverly Hilton. But the evening took a serious turn when Downey made an impassioned plea to Hollywood to “forgive” his friend Mel Gibson who was on hand to present him with the award. “Unless you are without sin – and if you are, you are in the wrong [expletive] industry, you should forgive him and let him work,” Downey said to much applause.
The undisputed highlight of the night came when previously unannounced guest Mel Gibson appeared. Gibson and Downey Jr co-starred in Air America and Gibson’s unwavering support of Downey during his darkest hours was well-documented at the time. Gibson brought up Downey to accept the award to a standing ovation and said, “He taught me many things and I will use the ‘C’ word, courage. There’s nothing so much wrong with him. Of course you have to worry about the guy making the judgement here. He’s a good dude with a good heart.”
“This is my fuckin’ time,” Downey said. “Mel and I have the same lawyer, same publicist and same shrink. I couldn’t get hired and he cast me. He said if I accepted responsibility – he called it hugging the cactus – long enough, my life would take meaning. And if he helped me, I would help the next guy. But it was not reasonable to assume the next guy would be him.” Downey then went to on to hug Gibson and urge people to let Mel continue his career without shame.
It was a star-studded event, to be sure. Jack Black called Downey a “stone cold stud muffin” while Michael Douglas (looking great) said working with Robert Downey Jr on The Wonder Boys was “something special.
SHOCKER! Mel Gibson And Joe Eszterhas To Collaborate On Film Telling Jewish Hero Judah Maccabee Story For Warner Bros
EXCLUSIVE: It’s a project that will have everybody in Hollywood and beyond talking. I’ve learned that Warner Bros has set up an untitled drama that teams Gibson and screenwriter Joe Eszterhas on the telling of the heroic story of Jewish warrior Judah Maccabee. Eszterhas will write the script, and I understand that Gibson will collaborate with him. Maccabee teamed with his father and four brothers to lead the Jewish revolt against the Greek-Syrian armies that had conquered Judea in the second century B.C. Gibson has the first option to direct but will definitely produce the film through his Icon Productions banner. It’s understandable why Warner Bros would want to be back in business with Gibson, who was once a high-profile fixture there and who made a fortune for that studio with the Lethal Weapon series and other films.
Having put some painful personal issues behind him, Gibson is determined to get back to making movies. He has long wanted to make this film about heroic Jews, and it was discussed even when he was under fire after his drunken anti-Semitic rant during a 2006 Malibu arrest. Maccabee’s triumph and struggle against tyranny and oppression where people gave their lives so that others would be free to worship is celebrated by Jews all over the world through Hanukkah, the Festival of Lights. This subject matter is a decided departure for the filmmaker famous for directing The Passion of the Christ. But in a way the subject matter is in his wheelhouse: Maccabee is a close cousin to William Wallace, leader of the Scottish rebellion against the English in Braveheart, the film that brought Gibson two Oscars: for Best Picture and Best Director. Gibson last directed Apocalypto about the Mayan civilization and a tribesman who escapes human sacrifice and saves his family. While Gibson has experienced tremendous success as a producer and director, his recent star turn in front of the camera in The Beaver was a box office failure even though it received a rousing ovation at this past Cannes Film Festival.
This new deal also marks a major return to filmmaking for Joe Eszterhas, once Hollywood’s highest paid screenwriter for pics like Basic Instinct, Jagged Edge, and Flashdance. His credits also include two films that focused on Jewish themes: