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After his success with a silent film, how does French actor Jean Dujardin plan to transition back to talkies? “I’m not an American actor, I’m French,” the Best Actor winner said tonight backstage at the Academy Awards. “If I could make another silent movie in America, I would. But I’ll always be a French actor in America. Nonetheless, there are a few ideas I would like to develop.” Dujardin admitted that in the French portion of his acceptance speech he dropped the equivalent of the F-bomb.“I said thank you so much! It was amazing … uh, yeah, I guess I said that.” And as far as the whereabouts of his four-legged co-star Uggie, “He went to bed already,” Dujardin said.
“H-i-i-i-i-i,” drawled Meryl Streep when she finally showed up in the press room long after the show was over to talk about her Best Actress win for The Iron Lady. She was immediately asked to address her self-deprecating comments during her acceptance speech: “When they called my name I had this feeling I could hear half of America going, ‘Oh no. Oh, come on. Why her? Again?” Streep acknowledged she thinks she may be “pushing the tolerance” of the Academy and the fans after 17 nominations and three wins. “I understand ‘Streep Fatigue,’ I really do,” she later said. “Frankly, I’m surprised it didn’t override this tonight.” But getting another Oscar was thrilling, Streep said, adding that she might take a nip of whiskey like Thatcher to celebrate. “I thought I was so old and jaded, but they call your name and you just sort of go into a white light. I was like a kid again,” she said, joking that two of her fellow nominees “were not even conceived” when she won her first Oscar. She also said she was excited by the win of her Iron Lady makeup artists earlier in the evening “not for making a monster, but for making a human being.” Streep confirmed that she wore Ferragamo shoes, Margaret Thatcher’s favorite, to get into character. She did not meet Thatcher, noting, “the challenge was to imagine her present life.” Streep was asked how it felt to see herself for the first time in makeup as Thatcher. She said the change was so gradual there was no shock, but one thing was unnerving. “When we first had the old age makeup on, I saw my Dad. Maybe my Dad looked like Margaret Thatcher.”
By the time The Artist producer Thomas Langmann made his way backstage, there wasn’t much left to say about how très excited the cast, producers and creative team were about the film’s endless stream of awards culminating in a Best Picture Oscar. Langmann was asked about an earlier backstage comment by Artist costume designer Mark Bridges that the black-and-white film had been shot in color in case they were unable to sell it in black and white in some markets. Asked if he had any plans for that color footage, Langmann replied cheerfully, “No. Sorry, but no.” He spoke about producer Harvey Weinstein. “Harvey has been really good to us,” Langmann said. “I asked him to come a month before Cannes with a director and cast he’d barely heard of. But he came. I stayed in the screening room to see if everything was OK. He loved the movie and was laughing throughout. I saw in his eyes and attitude that he cared for the movie. He believed that we could possibly be here today. He’s the only distributor who could take this movie here today.” Weinstein was not The Artist‘s only good luck charm — Langmann acknowledged that he had a lucky coin in his pocket given to him by his daughter. As for the possible impact from the success of The Artist, the first silent movie to win a best picture Oscar since the first Academy Awards ceremony 83 years ago, “if The Artist can help another producer be audacious, this is a great thing,” Langmann said. “I’ve shown this movie to kids. Some had never seen a black-and-white movie and after five-10 minutes, they enjoyed it. Silence is a way of telling a story. It’s an experience and maybe it’s as great as a 3D experience.” Read More »