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Sony Pictures Vice Chairman Jeff Blake Exiting Studio After 22 Years

By | Tuesday July 22, 2014 @ 8:06am PDT

Sony Pictures Vice Chairman Jeff Blake Exiting Studio After 22 YearsEXCLUSIVE: Jeff Blake, who has served as vice chairman of Sony Pictures and chairman of worldwide marketing and distribution for Sony Pictures since 2005, is leaving the studio that he has been a part of for the past 22 years. Part of the innermost circle of Sony’s senior management team with CEO Michael Lynton and chair of Sony Pictures Motion Picture Group Amy Pascal, the departure is a real shake-up for the studio at the highest level. Blake is the stalwart pro and has been one of the longest survivors at any studio. He worked under several Sony regimes including that of Peter Guber and Mark Canton, Jonathan Dolgen, Alan Levine, Robert Wynne, Mel Harris, the beloved John Calley, Howard Stringer, and finally Lynton and Pascal. He exits August 1.

Sony announced it at 8 AM this morning, saying, “It’s with a heavy heart and great appreciation that we want to share with you news that Jeff Blake has decided to leave SPE to pursue other opportunities … he’s been an important part of the fabric of SPE. We have all loved his legendary role as raffle master at our annual holiday party, enjoyed his gregarious laugh and sense of humor and appreciate his reputation as one of the nicest and most easy-going guys in the business.”

Image (1) sony-pictures-logo__140323172613.jpeg for post 703140With Blake’s departure, the studio loses an executive with institutional and strategic knowledge of not only marketing and distribution both domestically and internationally, but on the business itself. He has worked at three studios, having joined the business in 1974 working for Paramount Pictures in Chicago. He has also worked with the best known names in the business at Paramount and at Sony (and even a short stint at Disney) – from Charlie Bludhorn and Barry Diller to Michael Eisner, Jeffrey Katzenberg, Stanley Jaffe, Frank Mancuso, the wonderful Brandon Tartikoff, the aforementioned executives and so many others. Katzenberg and Mancuso became Blake’s lifetime friends and mentors.

decode-pascal-articleInlineHis departure comes after Pascal and Lynton and the rest of SPE’s senior management have been under tremendous pressure after a rough round last summer and a hit-and-miss year so far in 2014. Pascal and Lynton have spent this past year making changes at the studio and shoring up their ranks with execs like Michael De Luca coming in as president of production at Columbia, and the announcement last week that Doug Belgrad is expanding duties with a new president of the motion picture group title. Those expanded responsibilities included working with the marketing and distribution team which also saw changes last year. Sony has undergone extreme cost-cutting at the studio as well with layoff after layoff. They have also worked to bring in co-financing deals and closed a big one with Lone Star Capital and Citibank, a smaller agreement with Village Roadshow and have also been waiting for former Warner Bros. executive Jeff Robinov to secure financing to start producing movies to distribute.

“Certainly there has been an air of change at Sony for the past couple of years,” said Blake. “I put it out there prior to our summer if at some point, I needed to step aside that I certainly would but, in the meantime, I wanted to make sure that there were no distractions in releasing our summer slate. I’m really comfortable with my decision, Read More »

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Sony Looking At Other Suitors For Slate Co-Financing Deal

By | Friday April 4, 2014 @ 12:18pm PDT
Mike Fleming

sonypicEXCLUSIVE: While Sony seemed ready to go to the altar last fall on a three-year slate finance deal with Blue Anchor Entertainment that was to bring $300M-$350M in equity spread across the Sony slate, the studio has grown very impatient that the deal hasn’t closed, and I’m told Michael Lynton is now looking at other suitors for which might be a slightly different version of the mammoth deal. I’m hearing that the lead horse might well be CitiGroup and Ben Waisbren, which until now seemed reluctant to be involved in the entertainment industry after losing money in recent ventures. They are not the only party in the mix, I’m told.

Back when Blue Anchor–led by Bloom Hergott partner John LaViolette and vet producer and former investment banker Joseph M. Singer–surfaced as the favorite to make this deal, Deadline reported that Bank of America/Merrill Lynch had also been courted for funding by the studio. Read More »

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Sony Pictures Names New Home Ent. Chief

By | Monday January 6, 2014 @ 10:02am PST

Man Jit SinghLess than a month after it was announced that David Bishop would exit as president of Sony‘s Home Entertainment division, his replacement was named today. Man Jit Singh is taking over once Bishop’s contract ends in March, the studio said Monday. Until today, Singh was CEO of Multi Screen Media Pvt. Ltd., the operating company that handles Sony Pictures Television’s TV networks in India. “Man Jit is a savvy global executive with a long track record of success at Sony Pictures, having built our Indian TV channels into high-performance, high-margin businesses. I am Sony-Pictures-Home-Entertainment__120320175721confident in his vision for Sony Pictures Home Entertainment and his ability to provide strong leadership for the division as the marketplace continues to evolve,” said Sony Entertainment CEO Michael Lynton in a statement. Singh will report to Lynton and co-chairman Amy Pascal. While he is taking over Home Entertainment, Singh is not immediately leaving the Indian market, where he has been in overseeing Sony’s TV business since 2009. The studio said the former management consultant will continue as Non-Executive Chairman at MSM during the transition. Former MSM COO N.P. Singh has been appointed CEO and will report to Andy Kaplan, President, Worldwide Networks, Sony Pictures Television.

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From Pariah To Company MVP: The Quiet Rise Of Sony’s TV Division

By | Thursday November 21, 2013 @ 5:40pm PST
Nellie Andreeva

In October 2001, then-Sony Corp of America CEO Howard Stringer declared that the network production business “doesn’t make any sense anymore,” effectively closing the studio’s primetime TV division, Columbia TriStar Television. Overall deals were dissolved, executives were let go, and the development slate was trashed in a move Sony projected would save it more that $100 million a year. Sony‘s syndication TV chief Steve Mosko was tapped to head a stripped-down TV unit, Columbia TriStar Domestic Television (renamed Sony Pictures TV in 2002), which consisted primarily of syndication/daytime and modest international operations.

Related: Sony Pictures To Shift Emphasis From Movies To TV

Today, 12 years later, Stringer’s successor Michael Lynton announced that the company will make “a significant shift in emphasis from motion pictures to higher-margin television.” This is Sony’s biggest public acknowledgement to date of the growing significance of its TV business, which has been rapidly expanding during the past decade, mainly under the radar. Sony does not separate its movie and TV revenues, but it has been well known that TV has contributed well over 50% of Sony Entertainment’s operating income for the past couple of years, with some indicating that the TV group’s contribution may be over 60%, especially with the film division going through a rough time. While there have been profit stalwarts, like Wheel Of Fortune, Jeopardy!, Days Of Our Lives, The Young & The Restless and the Seinfeld off-network rights, there also have been new areas of growth. The biggest revenue driver has been Sony’s international TV networks, which have expanded to 127 channels in 150 countries, up from 78 and 83 a decade ago.

Sony TV Execs Talk Up Global Opportunities
Sony Pictures TV, Simon Andreae Launch UK Prod’n Outfit Scarlet Media

As the biggest profit generator likely for the entire Sony Entertainment, the international network group is likely to get the lion’s share of the additional resources the company will be committing to its TV operations, to go toward new investments and growing the existing channels. But TV production also is expected to get a boost. After the bloodbath of 2001, it took awhile for Sony to get back in the network business. The studio took a different approach than the one that got it into financial trouble in the first place — signing a lot of pricey overall deals and spending a ton on development and pilots to support them with little to show for it in terms of on-air series. Burned by the volume network business, Sony forged its way into the then-uncharted world of basic cable original programming with FX’s The Shield, which it distributed internationally, Rescue Me, Damages and Justified and AMC’s Breaking Bad. It gradually returned to network TV with modest hits such as Rules Of Engagement and Community.

Related: Sony CEO: Entertainment Is “Crucial” To Company
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UPDATE: Sony Pictures Plans More Spider-Man Sequels And Spinoffs – But Still No Marvel Reunion

UPDATED, 1:50 PM: “We do very much have the ambition about creating a bigger universe around Spider-Man. There are a number of scripts in the works” involving characters and villains in the series, Sony Pictures Entertainment chief Michael Lynton told analysts in a Q&A session wrapping up his operation’s first meeting with investors. But he didn’t offer details, except that Sony is “working closely with Marvel and Disney.” But lest fans of the Marvel world take that to mean that Spider-Man could finally join his buddies in an upcoming The Avengers or other Marvel/Disney film — think again. Sony’s longtime rights deal with Marvel for Spider-Man allows them to exploit any character within the superhero’s universe — including villains, girlfriends or even Aunt May. But Disney, which acquired Marvel in 2009, owns merchandising rights to Spider-Man and those related characters, so any further exploitation would have to involve Disney.

While Sony today promised to hold down costs, especially for films, Lynton says that “we have in no way shape or form lost our commitment to the movie business. The movie business sits at the heart and soul of the company.” And he wouldn’t feel constrained from approving a major project. “We never once found ourselves lacking for capital” when it comes to a needed investment including an acquisition. That also was true when Disney snagged Marvel. With theme parks and several cable channels, Disney has “a few more channels to exploit” the properties. “You have to measure it against that backdrop.”

Related: Sony Pictures To Shift Emphasis From Movies To TV, Will Cut Film Output For 2014 Read More »

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Sony Pictures To Shift Emphasis From Movies To TV, Will Cut Film Output For 2014

By | Thursday November 21, 2013 @ 8:41am PST

Sony Pictures CEO Michael Lynton just laid out the new plan to investors as he discussed ambitious financial goals for the company’s entertainment units. That will include “a significant shift in emphasis from motion pictures to higher margin television” production and distribution. The company says that Sony Pictures should generate $8.4B in revenue in the 2015 fiscal year, with at least a 7.5% operating profit margin. In addition, Lynton says that revenues through 2017 should grow at low- to mid-single-digit annual rates, with operating income rising by high-single- to low-double-digit rates. He added that the music segment should report $4.8B in revenues in 2015, growing flat to slightly up through 2017, and a 9.5% operating margin growing by mid- to high-single-digit rates. The film greenlighting process is “more onerous from end to end,” Lynton says. “The times demand that we set a higher bar and we have done just that.” When it comes to dealing with talent, the studio warns that it will now be “saying ‘no’ when in the past we might have said ‘yes’.” Directors will be told that they are “on the financial hook for financial overruns.” When it comes to profitability “we are not satisfied.” In addition to the cost controls, the studio is looking for digital and international opportunities including “content with universal appeal.” It will foster an “innovative entrepreneurial culture” and encourage “creative excellence.” But financial discipline will be “front and center.” He noted that Sony is working with a “third party” — reportedly Bain & Co. — to help find cuts. Lynton also talked up the company’s “One Sony” strategy which includes producing documentaries about Sony Music artists including Michael Jackson, and hiring singer Adele to sing the theme to the James Bond film Skyfall. ”This is our time,” Lynton says. “We intend to seize it…and deliver to shareholders more of the profits that you deserve.”

Related: How Sony Pictures Answered Critics Going Into Thursday Investor Meeting Read More »

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Sony Hires Consultant To Find $100M In Cost Cuts In Entertainment Unit: Report

By | Monday November 18, 2013 @ 2:33pm PST

The movie, TV and music operation plans to tell investors on Thursday that it has hired Bain & Co to find ways to cut $100M, a sum that “would almost assuredly result in layoffs,” The New York Times reports citing unnamed sources. “As part of a nearly four year process of increasing fiscal discipline, Sony Pictures is conducting a review of its business to identify further efficiencies,” says Sony Entertainment‘s Charles Sipkins. “Our objective is, and always has been, to operate an efficient studio that is uniquely positioned to capitalize on future growth opportunities.” Sony Entertainment CEO Michael Lynton will lead the Culver City meeting this week, a follow-up to a promise that CEO Kazuo Hirai made in August to Third Point CEO Daniel Loeb: After rejecting the hedge fund owner’s proposal to create a new stock for entertainment and sell a minority stake to the public, Hirai said that he would ”increase disclosure regarding Sony’s entertainment businesses. We agree this can help market participants analyze their performance and monitor their success.” Loeb stung the company over the summer, charging that Sony “has plenty of reasons to worry about Entertainment,” which he said generated lower profit margins than its competitors. George Clooney came to Sony’s defense in a conversation with my colleague Mike Fleming Jr, calling Loeb a “carpetbagger.” Hirai said that the board “unanimously concluded that continuing to own 100% of our entertainment business is the best path … Read More »

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Sony’s Michael Lynton Joins Board At USC School Of Cinematic Arts

By | Wednesday August 28, 2013 @ 10:17am PDT

Michael Lynton is the latest high-profile Hollywood name to join up with the USC School of Cinematic Arts. The CEO of Sony Entertainment has been appointed to the school’s Board Of Councilors, which deal with planning and development and maybe most importantly fundraising efforts. Lynton, who went to Harvard, joins board members including chairman Frank Price, Frank Biondi Jr, Barry Diller, Lee Gabler, David Geffen, Brian Grazer, Brad Grey, Jeffrey Katzenberg, Alan Levine, George Lucas, Don Mattrick, Bill M. Mechanic, Barry Meyer, Sidney Poitier, John Riccitiello, Barney Rosenzweig, Scott Sassa, Steven Spielberg, John Wells, Jim Wiatt, Paul Junger Witt, and Robert Zemeckis. Said Price in a statement today: “The Board of Councilors works in the interest of SCA’s students, who will be the future leaders of our industry. Michael is actively working on laying the groundwork for that future, and he will use his expertise to support the students and inspire their future contributions.” In February, 20th Century Fox Film Chairman Jim Gianopulos also joined the Board, and that same month Bryan Singer donated $5 million, and a gala reception for the opening of the Sumner M. Redstone Production Building drew big industry names including Lucas, Spielberg, Grey and Les Moonves.

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Daniel Loeb In Retreat: Backs Off Sony For Now With Praise For CEO Kazuo Hirai And George Clooney; But Can He Be Trusted?

Nikki Finke who is on vacation will have a fuller Loeb vs Sony report soon.

Apparently, The Most Hated Man In Hollywood just wasn’t comfortable being labeled “The Most Dangerous Man To Our Industry” by George Clooney for all the world to read (via Mike Fleming’s exclusive Deadline interview and carried by Yahoo this past weekend). So now Third Point hedge fund CEO Daniel Loeb claims today he’s backing off Sony. But only after the putz created chaos and confusion inside a stable and successful studio, destabilized Michael Lynton’s and Amy Pascal’s and Jeff Blake’s management because two summer films After Earth and White House Down bombed at the domestic box office in what is a cyclical business, and imperiled many current jobs and future projects there. It’s disgusting. Not only does he seek to profit from the misfortunes of countries (Greece) and corporations (Sony after Howard Stringer crashed and burned the once great electronics giant), but in this case bullies a major entertainment company to the brink. Now Loeb will simply retreat to his East Coast dream homes and not give Hollywood another thought until the next time he feels the urge to kvetch. Kudos to Clooney for having the balls to hold up Loeb to public scorn. And congrats to Sony CEO Kazuo Hirai for not panicking or pressuring top executives to leave just to appease Loeb. Nice work, too, by producer Lynda Obst who gave a very forceful and cogent defense of SPE on CNBC yesterday. As for Ashton Kutcher and his worthless opinion, let’s see how his career careens when his Jobs indie flops and CBS/Warner Bros no longer pays him to make Two And A Half Men even more unwatchable.

Related: Sony Rejects Daniel Loeb’s Entertainment Spinoff Proposal

Loeb today did an about-face and claimed to Variety he was backing off Lynton, Pascal, et al: “We support Hirai, and to the extent that he supports his management team and they can meet the board’s initiatives around transparency and profit margin improvement, I see no reason [the current executives] cannot do that. It is a decision for Mr. Hirai to make.” This is after Hirai sent a letter to Third Point (which owns 7% of Sony) and rejected Loeb’s unsolicited proposal to spinoff Sony’s entertainment unit. Suddenly Loeb was calling Hirai’s letter “thoughtfully written and detailed in its discussion of profitability and transparency. There was a lot there for shareholders to hang their hats on.” Loeb also admitted “it is probably unfair to focus on one or two bad movies, just in the way that Third Point from time to time can have one or two bad months or a bad year. … We’re really not focused on individual movies or their slate. I know I mentioned that in the last letter, but at this point it is more productive to support management and the goals advanced by Mr. Hirai in his letter.”

Loeb clearly never counted on being outed by Clooney for “knowing nothing about our business” and dissed so publicly and forcefully and publicly by the filmmaker. Loeb replied: “Notwithstanding the fact that the media likes to create a stir, I admire Mr. Clooney’s passion for Sony and his loyalty to Sony and his friends there.” But Loeb nervily suggested he and Clooney share a “common goal: a more disciplined company with better allocation of capital means less money spent on bureaucracy and more investment in motion pictures. We are all for intelligent investment in creative content. I believe our interests are aligned in a way he probably doesn’t realize.” Read More »

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‘Smurfs 2′ Scoops $150M Global Tie-Ins For Hollywood’s Unexpected Blue Blockbuster

By | Thursday June 13, 2013 @ 1:49pm PDT

Sony Pictures Entertainment‘s Consumer Marketing EVP George Leon announced today it has lined up one of the Smurfs 2 Marketing Spend Sonystudio’s largest ever worldwide promotional campaigns to support the July 31st launch of The Smurfs 2. Studio sources tell me the hotly anticipated sequel has $150 million being put up by these tie-ins with 100 corporation and licensee and retail global partners — from McDonald’s to Wal-Mart to Toys R Us to even blueberries. That’s huge dealmaking for Sony Animation family fare that’s not Disney, Pixar, or DreamWorks branded. This 3D hybrid live-action/CG animated global pic was able to build on the success of  2011′s The Smurfs which took in $563 million at the worldwide box office. Many key promotional partners returning from the first film and the second film more than doubling the total number of promotional partners and tripling the total promotional value and marketing support for The Smurfs 2. The hook is to give consumers the ability to ‘live’ the Smurfs brand.

Hollywood never expected The Smurfs to become such a box office phenom. Even though the studio always had confidence in the franchise — and now The Smurfs 3 already is scheduled for 2015. Sure, it’s easy to look down your nose at The Smurfs, but it was taken out of turnaround from Paramount by then Sony Pictures Entertainment Chairman/CEO Michael Lynton, now the Sony America bigwig. Here’s more from today’s overly long announcement: Read More »

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Les Moonves Says CBS Could Go To Cable In “A Few Days” If It Loses Aereo Suit

By | Tuesday April 30, 2013 @ 4:42pm PDT

Les Moonves is out to get Aereo by any means necessary, but he “doesn’t lose sleep over it,” the CBS Corp president and CEO told the Milken Institute’s Global Conference today. “Barry Diller has done what he likes to do, disrupt things,” Moonves added. However, the CBS chief did say that if the situation couldn’t be resolved in the courts, he is more than willing to take CBS to cable. “We can do it in a few days. If we go to cable, if we are forced to, then about 10% of America will not get our signal and I don’t think they will like that,” Moonves said Tuesday. The CBS chief said that with around 2,000 subscribers in NYC, the “illegal” Aereo won’t hurt the network but that he still intends to shut them down. “We will go after them in the courts and if that doesn’t work there are other remedies. There are financial remedies; there are congressional remedies.” On Monday at the conference, IAC CEO Diller said that CBS and the other broadcasters suing Aereo want Congress to save them if their copyright infringement suits fail. Fox and Univision have also threatened to move to cable if Aereo prevails.

Related: Chase Carey Threatens To Make Fox A Pay Channel If Aereo Prevails Read More »

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Michael Lynton Re-Ups As CEO Of Sony Entertainment

By | Tuesday April 9, 2013 @ 9:45am PDT

New York and Culver City, CA (April 9, 2013) – Michael Lynton, Chief Executive Officer of Sony Entertainment, Inc. and Chairman and Chief Executive Officer of Sony Pictures Entertainment, has renewed his contract, it was announced today by Kazuo Hirai, President and Chief Executive Officer of Sony Corporation.

Lynton joined Sony Pictures Entertainment in January 2004 and, with Co-Chairman Amy Pascal, they put the studio on a path of stability and success across its lines of business. Lynton was appointed to the additional role of CEO, Sony Entertainment, Inc. in 2012, overseeing Sony’s global entertainment businesses, including Sony Music Entertainment, Sony/ATV Music Publishing and Sony Pictures.

Read More »

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Sony Pictures “Absolutely Not For Sale” CEO Says: Video

By | Tuesday February 12, 2013 @ 3:00pm PST

Neither is the music business, Sony Corporation of America CEO Michael Lynton told CNBC today. That won’t stop the speculation that the struggling electronics giant would take a serious look at an offer if it’s big enough. Lynton also says Sony just renewed its premium TV deal with Starz because “they made a terrific offer.”

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It’s Official: Michael Lynton Named Sony Of America CEO; Nicole Seligman Will Be President

By | Thursday March 29, 2012 @ 11:40am PDT

Related: Michael Lynton To Run All Sony U.S. Biz: But Can He Save The Company From Itself?

Sony Michael LyntonWhile the news about Michael Lynton was already known, some Sony watchers are surprised to see the confirmation that Nicole Seligman will run the main U.S. office in NYC instead of CFO Rob Wiesenthal. He was the guy who used to accompany CEO Howard Stringer to investment banker Herb Allen’s annual mogul-fest in Sun Valley. He will now become President, International for Sony/ATV Music Publishing, reporting to the unit’s CEO Martin Bandier. Although Seligman’s kept herself behind the scenes, the former lawyer for Lt. Col. Oliver North and Bill Clinton in his impeachment trial is a formidable presence at Sony. She’s also extremely well plugged-in. (She was a bridesmaid for her Harvard classmate Carolyn Kennedy when Kennedy married Edwin Schlossberg in 1986.) One question is whether she’s too well connected: Her husband is Joel Klein — the former Justice Department antitrust chief and New York City school chancellor who joined News Corp at the beginning of 2011 and has had Rupert Murdoch’s ear on legal matters including the UK hacking and bribery scandals. Here’s today’s release: Read More »

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Michael Lynton To Run All Sony U.S. Biz: But Can He Save The Company From Itself?

By | Wednesday March 21, 2012 @ 11:29am PDT

Sony Corp Of AmericaMichael Lynton will be announced as Howard Stringer’s Sony Corp Of America successor next week. “The people who know in Culver City are very happy — and very relieved,” a source tells me about Sony Pictures Entertainment where Lynton since January 2004 has been chairman alongside Amy Pascal. Sony’s principal U.S. businesses include Sony Electronics Inc., Sony Computer Entertainment America LLC, Sony Pictures Entertainment Inc., and Sony Music Entertainment. Sony Corporation of America, based in New Michael Lynton SonyYork, NY, is the U.S. subsidiary of Sony Corporation, headquartered in Tokyo. The Japan brass would like to base Lynton full-time in NYC but he prefers to stay in Los Angeles because of his family. So that’s still a question mark. Lynton’s promotion has been expected for some time and even more so since Comcast bought NBCUniversal because the Sony exec is close professionally and personally to Brian Roberts and Steve Burke, something the hyper-ambitious Lynton let it be known throughout Hollywood and beyond. My insiders say this job promotion is because Lynton has become a favorite of Kazuo Hirai, who takes over as Sony Corp President/CEO at the start of April. Stringer will retain the chairman title. My insider says, “Hirai who’s very Americanized really likes Michael. He’s his kind of guy because Michael is all business and not flashy.” Lynton already oversees Sony’s movie and TV studio, distribution deals, global production operations, and such. He previously was CEO of AOL Europe and before that headed Pearson’s Penguin publishing company as well as served a brief stint running Disney’s Hollywood Pictures.

But Lynton has a herculean task in front of him. Here’s why: Sony’s U.S. shares have lost more than 36% of their value over the last 12 months. The company is plagued by a feeling that it’s too slow moving and out of touch with consumers, technology, and business. One of the key aspects of the Sony Corp Of America job is ensuring that the corporation’s proprietary technology doesn’t lose out to hardware advancements and content exclusivity. Sony always will be haunted by its Betamax loss to VHS which started the company on a long downward spiral. Since then, the Sony Corp Of America top exec’s marching orders have been to ensure that Sony doesn’t get left out in the cold when the hardware manufacturers and content providers agreed on an industry standard whether for CD, DVD, Blu-ray, 3D or other formats. Problem is, this has meant that even when Sony has had proprietary technology, the company has shared it rather than tried to go it alone again. The result is that the Sony Corp Of America job requires an executive capable of subtle diplomacy and industry respect, and Lynton fits that description perfectly. (On the other hand, he is not shy about his political activism for President Obama and is along with his wife one of the reelection campaign’s top bundlers. And he has used his current gig as a soapbox, most controversially scolding movie theaters for making Americans fat by selling unhealthy concession snacks.)

Combatting current trends won’t be easy. Apple, not Sony, controls tablets and music players. Amazon, not Sony, dominates e-readers. And Microsoft, not Sony, is No. 1 in game consoles while Sony angered Read More »

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UPDATE: 3rd Online Piracy Bill Surfaces As Hollywood Lobbying On Capitol Hill Escalates

MPAA Arranges Studio-Guild D.C. Lobbying

UPDATE, 1:50 PM: Movie studios took Oregon Sen. Ron Wyden and California Rep. Darrell Issa to task today after they unveiled draft anti-piracy legislation that could serve as an alternative to the Senate’s PROTECT IP Act and the House’s Stop Online Piracy Act. The two current bills have created a furor about how to police overseas Web sites that traffic in pirated entertainment: Content companies want to give federal officials authority to block the sites. Tech companies say that would put too much power into the government’s hands, which could lead to abuses. The MPAA supports PROTECT IP and SOPA, and challenged a key part of Wyden and Issa’s legislation: They would have the U.S. International Trade Commission, instead of federal courts, handle anti-piracy cases. That “allows companies profiting from online piracy to advocate for foreign rogue websites against rightful American copyright holders,” says Michael O’Leary, MPAA’s Senior EVP Global Policy and External Affairs. ITC is set up to oversee patent cases, not criminal ones, and therefore would favor tech companies that deal with patent law all the time, he adds. But  Rep. Anna Eshoo (D-Calif.) — a co-sponsor of the new legislation, called the Online Protection and Enforcement of Digital Trade (OPEN) Act –told The Hill blog that it’s ”a good starting point for future discussions on how to best protect U.S. intellectual property rights.”

Read More »

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Andrea Wong Tapped As President Of Int’l Production At Sony Pictures TV & President International At Sony Pictures Entertainment

Nellie Andreeva

EAfter a year and a half away from the spotlight, Andrea Wong is rejoining the executive ranks with top international positions at Sony Pictures Entertainment. The former CEO of Lifetime, who had been rumored for virtually every high-profile TV executive job that became available in the past 18 months, has been named President of International Production for Sony Pictures Television and President of International for SPE. She will be based in London.

In her SPT position, Wong will head the studio’s international TV production business, reporting to SPT president Steve Mosko. She will oversee SPT’s 15 owned and joint venture international production companies. Wong will shepherd the development of new formats as well as the local adaptations of SPT-owned formats, primarily on the unscripted side. The studio’s library of reality formats, which was boosted by the 2008 acquisition of Dutch company 2waytraffic, includes Who Wants To Be A Millionaire?, Dragon’s Den and Pyramid. Additionally, SPT has been setting up local versions of its daytime talk show Dr. Oz and some of its library sitcoms, including The Nanny, Married … With Children and Everybody Loves Raymond. It was Wong’s successful tenure as head of alternative and late-night at ABC, where she developed such hit franchises as The Bachelor, Dancing With the Stars and Extreme Makeover: Home Edition, that was key in landing her the SPT job, which is skewed heavily towards reality. “Andrea’s business acumen and her role in developing successful unscripted programming like Dancing With the Stars and The Bachelor make her a perfect fit for SPT,” Mosko said.

Wong replaces Kees Abrahams, who is stepping down as president of international production for SPT. Abrahams, former CEO of 2waytraffic, had been overseeing SPT’s international production operations since 2waytraffic’s acquisition. “Kees’ entrepreneurial spirit has been instrumental to the growth of our television production business internationally and we thank him for all of his efforts,”  Mosko said. Added Kees, “I think it is now time for me to pursue some new commercial opportunities, and I wish Sony well.” Read More »

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Ron Howard Won’t Complete Dan Brown Trilogy; Sony Now Looking For New Director

EXCLUSIVE: Ron Howard directed and produced both of Sony Pictures’ films based on Dan Brown’s bestselling novels, The Da Vinci Code (in 2006) and Angels & Demons (2009). Now I’ve learned that the Imagine Entertainment principal will not be directing the next movie based on Brown’s 2009 book The Lost Symbol which is a follow-up to the events described in Da Vinci Code. “He wanted to produce this one, not direct,” a Sony insider tells me. So Sony Pictures has started looking for a new helmer. Like the two other books made into films, this third one stars Tom Hanks as Harvard symbologist Robert Langdon. “Ron told Amy Pascal and Michael Lynton that he was not going to be directing Dan Brown’s novels anymore,” an insider tells me. “He just didn’t want to do that thing over and over, the same character and the same stories.” But if you look at Howard’s box office track record as a director since his Oscar-winner A Beautiful Mind (2001), the Dan Brown films were his most successful with such wide release movies as Missing, Cinderella Man, and The Dilemma all underperforming. He could use a surefire hit. After all, The Lost Symbol sold 1 million hardcovers and e-books in the U.S., the UK, and Canada on its first day, making it the fastest-selling adult novel in history.

Interestingly, Sony Pictures is making a Somali pirate drama starring Tom Hanks as … Read More »

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Sony’s Michael Lynton And Amy Pascal Acknowledge Hacker Breach

By | Friday June 3, 2011 @ 7:14pm PDT
Mike Fleming

Sony Pictures Entertainment chairman/CEO Michael Lynton and co-chairman Amy Pascal have released this statement, acknowledging the studio was hit by hackers who’ve breached their system and come away with user passwords and other data:

“The cybercrime wave that has affected Sony companies and a number of government agencies, businesses and individuals in recent months has hit Sony Pictures as well. Yesterday afternoon a group of criminal hackers known as “LulzSec” claimed to have breached some of our websites. We have confirmed that a breach has occurred and have taken action to protect against further intrusion. We also retained a respected team of experts to conduct the forensic analysis of the attack, which is ongoing. In addition, we have contacted the U.S. Federal Bureau of Investigation and are working with them to assist in the identification and apprehension of those responsible for this crime.

We deeply regret and apologize for any inconvenience caused to consumers by this cybercrime.”

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