Fox recently cleared some prime summer 2015 real estate for its reboot of Marvel’s Fantastic Four, now it appears to have its actors. After a long search — Chronicle‘s Josh Trank was announced as the director at the …
Sundance Awards: ‘Whiplash’ & ‘Rich Hill’ Win Grand Jury Prizes; Dramatic Directing Goes To Cutter Hodierne For ‘Fishing Without Nets’
It was the first major deal of the 2014 Sundance Film Festival and tonight Whiplash was the big winner at the fest’s Awards Ceremony. The Damien Chazelle-directed film about a young drummer, played by Miles Teller, and his demanding teacher, played by JK Simmons, took both the U.S. Dramatic Grand Jury prize and the Audience Award. “This is awesome, thanks so much,” said Chazelle accepting the pic’s Audience Award earlier in the evening. Little did he know the fest hit would go on to win Sundance’s top dramatic prize. The U.S. Documentary Award went to the Andrew Droz Palermo and Tracy Droz Tragos-directed Rich Hill, about three small town Missouri boys seeking better from their sometimes bleak environment. Also making waves with buzzy Sundance awards tonight were first-time director Justin Simien, whose conversation-sparking Dear White People nabbed a Special Jury Prize for Breakthrough Talent; the Ethiopian World Cinema Dramatic Audience Award winner Difret, exec produced by Angelina Jolie; and the Nick Cave docu 20,000 Days On Earth which snagged both Best Directing and Best Editing in the World Cinema Documentary category.
Hosted by Nick Offerman and Megan Mullally, this year’s Awards started over 30 minutes later than its scheduled 6PM PT kick-off time. Once things got going, after a lurid but lame routine by the hosts, it moved fast. Like last year when Joseph Gordon-Levitt, who had his own directorial feature debut Don Jon premiere at Sundance 2013, hosted the awards ceremony, Offerman and Mullally both have films at the festival. The Parks & Recreation star fronted Nick Offerman: American Ham, which premiered on January 23 in Salt Lake City, and Mullally is one of the voices in the English-language version of the animated pic Ernest & Celestine, which was screened January 18 as part of the new Sundance Kids selection. Offerman and Mullally opened with a monologue that centered more on their sex life than indie film. “In short, we have seen your movies and we have found them arousing,” deadpanned Offerman.