Much as it did with October’s Mipcom, Israel’s Keshet International dominated the just-wrapped Mip-TV market. The savvy folks behind Rising Star energized the Croisette this week with ticking time bomb format Boom!, which closed at least a deal a day including in the U.S., France, Spain, Belgium and Hungary. And, interactive singing competition Rising Star, which had already locked down more than 25 territories since last October, is still selling. But save for Brazil, which on Sunday became the first territory outside Israel to debut a local version of Rising Star, the shows have yet to be tested abroad and Mip was abuzz with anticipation, mixed with some skepticism, about the ultimate results. Underscoring that, Brazil, which scored strong numbers, had a technical glitch that meant some home viewers had trouble entering their votes. I understand this was not the same sort of situation suffered by NBC’s Million Second Quiz last year when its app crashed during the premiere. In the case of Rising Star, I’m told there was no loss of connectivity and the live show was not affected. But, it’s a fair bet that other networks who have acquired the format are keeping a keen eye on the international rollout. Portugal is next to bow in May, and ABC debuts the format in June; it’s playing close to the vest with details.
In Cannes this week, execs up and down the Croisette praised the folks at Keshet International for their marketing acumen, enthusiasm and ability to generate creative formats. The company is often credited with putting Israel on the TV map thanks, most notably, to scripted drama Prisoners Of War, aka Homeland. The deal success of Rising Star, and now Boom!, had more than one observer marveling this week that Keshet has taught “a masterclass in marketing.” A key element of that masterclass includes bringing both formats to the Riviera sales shows hot on the heels of their respectively record-breaking debuts in Israel on Keshet Channel 2. Each format’s gimmick has also been highly touted. Rising Star‘s interactive app, incubated in Tel Aviv’s cutting-edge start-up community, lets viewers control the show’s outcome. Boom! is more of a straightforward quiz show. But the concept of contestants defusing (fake) bombs onstage, while shocking some, has made buyers sit up and take notice. Read More »
For about six months, the industry has been buzzing about Turkey and its potential as a fresh source of adaptable formats. That’s been spurred on by recent deals with the U.S., a successful export track record in neighboring regions, and a growing need for unique formats on the part of Western buyers. But, in the half-year since 2013’s Mipcom, people are wondering whether Turkey can really emerge as a new proving ground to be cultivated by the West, or if executives have been prematurely excited by some groundbreaking in-roads.
Turkey, which straddles Europe and Asia, has historically traded in series and soaps with largely local and historical themes. And its production industry is growing. According to data released at last month’s Discop market, it has surpassed Latin America to be the most prolific drama-producing nation outside the U.S. Other recent data says that a majority of Turkish channels air more than 100 new shows a year. Those are for the most part exported to the rest of the Balkans, Eastern Europe and the Middle East, bringing in about $150M in 2013.
But outside those territories there wasn’t much action until October last year. During the Mipcom market, Turkey made a big entrance into the U.S. with the first scripted format set up at a network by American producers when Ghost Whisperer alums Ian Sander and Kim Moses sold the Eccho Rights-repped The End to Fox. Unlike much Turkish output, the story is contemporary and has a universal feel. It centers on a woman who must navigate a web of lies and intrigue as she searches for her husband whom she presumed dead following a plane crash — but it turns out, he never boarded the plane. Produced by local powerhouse Ay Yapim, it aired in the first half of 2012. In the past six months, The End (or Son in Turkish) has been sold into Germany and Russia for local versions, while Shine France took an option and Netflix signed a non-exclusive agreement for the original in Sweden and the UK. The End has also aired on SVT in Sweden, the first time a Turkish drama had been shown in primetime on a national channel — it doubled the slot average. Read More »
Amazon Studios‘ director Roy Price told attendees at a Mip keynote today that filming is starting in Paris this week on its pilot The Cosmopolitans. A chronicle of the loves and adventures of a group of young expatriates in the City of Light, it hails from The Last Days Of Disco filmmaker Whit Stillman who wrote and will direct and executive produce. The cast of the half-hour pilot includes Shaun Evans Adam Brody, Chloë Sevigny and Carrie MacLemore. Read More »
Yesterday, I moderated a Mip-tv panel that brought together the folks behind Comedy Central‘s web-to-TV transfer Broad City. The comedy, created by Abbi Jacobson and Ilana Glazer, is exec produced by … Read More »
Icelandic filmmaker Baltasar Kormakur, who segues between Hollywood and home-based projects, is set to direct and produce serialized crime series Trapped in his native country. From Kormakur’s RVK Studios, it’s based on his original idea and written by Sigurjon Kjartansson and Clive Bradley. Trapped follows the investigation of the grisly murder of an unidentifiable man found in the water after an international ferry arrives in a small town at the bottom of a fjord. Soon after, a powerful blizzard hits the town with deadly force, making the only road in or out impassable. The 10-part series, the most ambitious Icelandic commission ever ordered, will air locally on public broadcaster RUV. RVK’s Magnus Vidar Sigurdsson is also producing and RVX, the effects arm of RVK, will design the VFX. Dynamic Television’s Daniel March and Klaus Zimmermann are executive producers and are handling worldwide distribution. Kormakur, whose The Deep was shortlisted for the Foreign Language Oscar in 2012, is currently directing Everest for Universal, Cross Creek Pictures and Working Title Films. Read More »
Ami Glam, the former Keshet Channel 2 Head of Entertainment and Reality, is in town here at Mip with his new format, The Extra Mile. The 24-episode series, which debuts on Israel’s Channel 10 in early May, brings together 10 acrimoniously divorced couples who … Read More »
Discovery Communications is going to the dogs, via DogTV that is. The company has made an investment in 2-year-old channel bills itself as the first television network created just for canines. The companies also have formed a strategic partnership to help accelerate DogTV’s growth and allow for collaboration with Animal Planet. DogTV is a 24-hour network that effectively helps babysit stay-at-home pooches with programming specifically designed for their eyes and ears. Content is split into three categories — relaxation, stimulation and exposure — to help provide balance for their daily routines. Dr. Nicholas Dodman, program director of the Animal Behavior Clinic at Tufts University, is DogTV’s chief scientist. Prior to the channel’s launch in 2012, he performed a study monitoring dogs’ behavior in their own homes, which captured viewing time and preferences, leading to the development of DogTV’s programming. Additional pet experts include Victoria Stilwell, of Animal Planet’s It’s Me Or The Dog, and veterinarian Dr Marty Becker, who frequently appears on Good Morning America and The Dr. Oz Show.
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Canal Plus has given an 10-episode order to one-hour crime drama Spotless. Co-created by Shameless UK producer and writer Ed McCardie and Corinne Marrinan (CSI, Crossing Lines), the series is produced by Studiocanal’s Tandem Communications … Read More »
The team behind Amazon Studios‘ series Bosch was in town on Monday, talking up the adaptation of Michael Connelly’s bestselling books. Connelly was flanked by Titus Welliver who plays the … Read More »
With the proliferation of content coming from Hollywood, Scandinavia has been facing a linear scheduling issue, exacerbated over the past couple of years under volume deals with the studios. In a first-of-its-kind partnership, Modern Times Group and Sony Pictures Television are looking to address the situation with an exclusive multi-year content cooperation deal. The agreement will give MTG’s 10 Nordic free-TV channels, Viasat movie channels and Viaplay online platform the ability to offer Sony movies and TV series across the region. Read More »
Television executives are always on the hunt for the proverbial Next Big Thing, and for the past year or so, the Mipcom and Mip-TV markets have emerged as important hubs where some of the hottest new … Read More »
NBC acquired the U.S. broadcast rights to comedy Welcome To Sweden last October and will debut it on July 10. The series, created by Greg Poehler, recently started airing on TV4 in the … Read More »
As the Mip-TV market gets underway in Cannes, Keshet International has announced its first offshore rights deal for ticking time bomb show, Boom!. France’s TF1 has acquired the format that just debuted in Israel to powerhouse ratings and is expected to be a big seller here this week. The game show sets a squad of four players the challenge of defusing eight replica bombs by answering trivia questions correctly within a strict time limit. The multiple choice responses are represented by different color wires. If the player gets an answer right, the prize money remains intact and the squad advances. If they cut the wrong wire, or run out of time, the bomb explodes spewing material across the studio and shaking the set. The team loses one player per exploded bomb, and 25% of the potential prize money. Keshet DCP is developing the show for the U.S. Read More »
Heading into the Mip-TV market next week, the UK’s DCD Rights has sealed deals on six-part thriller The Code with DirecTV in the U.S., Sundance Channel Latin America and Denmark’s DR. Produced … Read More »
Formed by Daniel March, LA-based Dynamic Television launched at Mipcom last October. Ahead of the upcoming Mip-TV market, the company has appointed Borgia and Transporter: The Series producer Klaus Zimmermann as Managing Partner. In tandem, Dynamic … Read More »
FremantleMedia International and Oscar-nominated director Roland Joffé are putting a new spin on Victor Hugo’s classic The Hunchback Of Notre Dame. Under a co-development partnership, Joffé (The Killing Fields, The Mission) will write a retelling of … Read More »
At last October’s Mipcom, Israeli interactive talent show Rising Star, was the hot property, selling local versions around the globe. At the Mip-TV market next month, The Big Picture, a new interactive entrant from Israel, is aiming to be the next big thing. The game show hails from Israeli format company A Cappella, which recently made U.S. and UK deals with eOne for religion-themed drama Reaching For Heaven. Big Picture is created by TV host and mentalist Nimrod Harel, whose first scripted series, The Believer, has been sold to Fox International Channels. A budget of $1M went toward developing and producing an English-language Big Picture pilot hosted by Andrew Günsberg (Australian Idol, Live To Dance), which A Cappella will shop at Mip-TV (see promo below). The trivia-based show asks a contestant to identify photographs projected on a 20-meter-high screen in the studio; the pictures can be of celebrities, political figures, events and such. There are 12 stages to the game with the ultimate possibility of winning $1M. The contestant can opt out at any time and take the money they’ve amassed, or continue vying for the top prize. If they get an answer wrong, they leave empty-handed. The interactive element in Big Picture is the participation of the viewing audience. Via a specially-designed app that uses technology created in Israel’s booming start-up community, and with consultants who have worked with the Israeli military, viewers can answer questions by text and potentially become the partner of the onscreen contestant, eventually splitting the purse. In a twist, the show will be pre-recorded in studio, but viewers will participate on the day of broadcast. Those selected will have their image projected on screen, and play along via the technology.
A Capella CEO Einat Shamir says, “The audience at home wants to be an active participant and influence what they watch on the screen in real time. The beauty of our format is the very unique production formula, which allows to overcome a lot of traditional obstacles many TV producers were facing when trying to cater to the new interactivity trend in the business.” Read More »
Warner Bros International Television Production has acquired format rights to distribute BBC One’s new quiz show, The Link. BBC One has commissioned 25 episodes for a daytime slot. The show is produced by STV Productions in association with LTV. Not to be confused with the BBC’s The Weakest Link, the game show pits teams against each other as they race to find the link between questions. Guess the connections, break the links, win money. “We know that great game shows are back at the top of broadcasters’ wish lists. The Link is that rare thing — an original new quiz show with a strong identity in terms of both its game play and visual elements, commissioned in a key market. Our excitement is shared by Mike Darnell and his team at the Warner Bros Television Group, who will be bringing it to market in the U.S.,” says WBITP’s Andrew Zein. The UK version of the show will be hosted by actor Mark Williams, best known as Arthur Weasley in the Harry Potter movies. Gary Chippington is executive producer for STV Productions, Jo Street is executive producer for the BBC and Paul Johnson is executive producer for LTV and Tuvalu Entertainment Ltd. Read More »