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BOX OFFICE FINAL: ‘Non-Stop’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ Passes $1 Billion

OPENING: Non-Stop (UNI) the Liam Neeson airplane suspense thriller looks to take No. 1 with a new $28.5M to $30M estimate on Sunday and a final of $28.8M; Son Of God (FOX) a blessing from $23.5M to $25M now expected at $25M+ to $29M for No. 2 with a final of $25.6M; NOTEWORTHY: Expanding is The Wind Rises (DIS) to take a nice $1.5M for the three-day. Sony released the Russian hit Stalingrad in 3-D on 308 IMAX screens this weekend. Anchorman 2: The Legend Continues (PAR) in re-release grossed another $1.3M to raise its cume to $126.5M.

Box office3RD UPDATE, MONDAY 1:15 PM: The final numbers are in and Non-Stop ended up with $28.8M for Universal who had it estimated higher this weekend. Son Of God took in $25.6M in its debut for Fox. There were some changes in positions when the dust cleared today, with Relativity’s 3 Days To Kill displacing The Monuments Men for the four spot, but  No. 3 was solidly with The Lego Movie which has grossed $20.8M for a whopping $209M in only four weeks for Warner Bros.

Next weekend, audiences will see new releases of Warner Bros.’ 300: Rise Of An Empire which will start on 8 PM showings Thursday night and the animated family film from Fox, Mr. Peabody And Sherman. When I went to see Frozen and the trailer for Peabody  ran prior to, the kids around me were already repeating the film’s lines and laughing aloud. The family film has already bowed overseas and has grossed around $38.6M, according to Fox’s most recent numbers today.

Non-Stop (2014) -- Screengrab from exclusive EW.com clip.1). Non-Stop (UNI) 3,090 theaters / 3-day cume: $28.8M / Per screen average: $9,345 / Wk 1

2). Son Of God (FOX) 3,260 theaters / 3-day cume: $25.6M / Per screen: $7,853 / Wk 1

3). The Lego Movie (WB), 3,770 theaters (-120) / 3-day cume: $20.8M (-33%) / Per screen: $5,525 / Total cume: $209.1M / Wk 4

4). 3 Days To Kill (REL), 2,872 theaters (0) / $3-day cume: $4.9M (-60%) / Per screen: $1,724 / Total Cume: $20.7M / Wk 2

5). The Monuments Men (SONY) 3,002 theaters (-62) / 3-day cume: $4.9M (-38%) / Per screen: $1,646 / Total cume: $65.6M / Wk 4

6). RoboCop (SONY/MGM) 2,885 theaters (-487) / 3-day cume: $4.5M (-54%) / Per screen: $1,563 / Total cume: $51.2M / Wk 3

7). Pompeii (SONY) 2,658 theaters (0) / 3-day cume: $4.3M (-58%) / Per screen: $1,630 / Total cume: $17.7M / Wk 2

8). Frozen (DIS), 1,746 theaters (-145) / 3-day cume: $3.6M (-18%) / Per screen: $2,080 / Total cume: $388.7M / Wk 15

9). About Last Night (SONY), 1,804 theaters (-449) / 3-day cume: $3.3M (-55%) / Per screen: $1,875 / Total cume: $43.7M / Wk 3

10). Ride Along (UNI), 1,869  theaters (-321) / 3-day cume: $3M (-34%) / Per screen: $1,625 / Total cume: $127.1M / Wk 7

NOTEWORTHY

The Wind Rises (DIS) 496 theaters / 3-daycume: $1.5M / Per screen $3,059 / Total cume: $1.9M / Wk 2

Stalingrad (SONY) 308 theaters (3D) / 3-day cume: $510K / Per screen average: $1,659 / Wk 1

Anchorman 2: The Legend Continues  (PAR) 1,317 theaters / 3-day cume: $1.3M / Per screen: $1,032 / Total cume: $126.5 / re-release

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BOX OFFICE FINAL: ‘Non-Stop’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ Passes $1 Billion

BOX OFFICE FINAL: ‘Non-Stop’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ Passes $1 Billion

OPENING: Non-Stop (UNI) the Liam Neeson airplane suspense thriller looks to take No. 1 with a new $28.5M to $30M estimate on Sunday and a final of $28.8M; Son Of God (FOX) a blessing from $23.5M to $25M now expected at $25M+ to $29M for No. 2 with a final of $25.6M; NOTEWORTHY: Expanding is The Wind Rises (DIS) to take a nice $1.5M for the three-day. Sony released the Russian hit Stalingrad in 3-D on 308 IMAX screens this weekend. Anchorman 2: The Legend Continues (PAR) in re-release grossed another $1.3M to raise its cume to $126.5M.

Box office3RD UPDATE, MONDAY 1:15 PM: The final numbers are in and Non-Stop ended up with $28.8M for Universal who had it estimated higher this weekend. Son Of God took in $25.6M in its debut for Fox. There were some changes in positions when the dust cleared today, with Relativity’s 3 Days To Kill displacing The Monuments Men for the four spot, but  No. 3 was solidly with The Lego Movie which has grossed $20.8M for a whopping $209M in only four weeks for Warner Bros.

Next weekend, audiences will see new releases of Warner Bros.’ 300: Rise Of An Empire which will start on 8 PM showings Thursday night and the animated family film from Fox, Mr. Peabody And Sherman. When I went to see Frozen and the trailer for Peabody  ran prior to, the kids around me were already repeating the film’s lines and laughing aloud. The family film has already bowed overseas and has grossed around $38.6M, according to Fox’s most recent numbers today.

Non-Stop (2014) -- Screengrab from exclusive EW.com clip.1). Non-Stop (UNI) 3,090 theaters / 3-day cume: $28.8M / Per screen average: $9,345 / Wk 1

2). Son Of God (FOX) 3,260 theaters / 3-day cume: $25.6M / Per screen: $7,853 / Wk 1

3). The Lego Movie (WB), 3,770 theaters (-120) / 3-day cume: $20.8M (-33%) / Per screen: $5,525 / Total cume: $209.1M / Wk 4

4). 3 Days To Kill (REL), 2,872 theaters (0) / $3-day cume: $4.9M (-60%) / Per screen: $1,724 / Total Cume: $20.7M / Wk 2

5). The Monuments Men (SONY) 3,002 theaters (-62) / 3-day cume: $4.9M (-38%) / Per screen: $1,646 / Total cume: $65.6M / Wk 4

6). RoboCop (SONY/MGM) 2,885 theaters (-487) / 3-day cume: $4.5M (-54%) / Per screen: $1,563 / Total cume: $51.2M / Wk 3

7). Pompeii (SONY) 2,658 theaters (0) / 3-day cume: $4.3M (-58%) / Per screen: $1,630 / Total cume: $17.7M / Wk 2

8). Frozen (DIS), 1,746 theaters (-145) / 3-day cume: $3.6M (-18%) / Per screen: $2,080 / Total cume: $388.7M / Wk 15

9). About Last Night (SONY), 1,804 theaters (-449) / 3-day cume: $3.3M (-55%) / Per screen: $1,875 / Total cume: $43.7M / Wk 3

10).Ride Along (UNI), 1,869  theaters (-321) / 3-day cume: $3M (-34%) / Per screen: $1,625 / Total cume: $127.1M / Wk 7

NOTEWORTHY

The Wind Rises (DIS) 496 theaters / 3-daycume: $1.5M / Per screen $3,059 / Total cume: $1.9M / Wk 2

Stalingrad (SONY) 308 theaters (3D) / 3-day cume: $510K / Per screen average: $1,659 / Wk 1

Anchorman 2: The Legend Continues  (PAR) 1,317 theaters / 3-day cume: $1.3M / Per screen: $1,032 / Total cume: $126.5 / re-release

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Int’l Box Office: Wavering ‘Wolf’ Reports, ‘Lego’ Building Big Numbers, ‘RoboCop’ No. 1 In 15 Markets, ‘Endless Love’ Opens in 25 Markets and ‘Monuments Men’ in 19

Box office7TH UPDATE, WEDNESDAY 5:50 PM: Most numbers for The Wolf Of Wall Street are now in, putting the overseas cume at $225.5M in 48 markets, according to Red Granite. That number was hard-fought this evening and we’ve spent several hours verifying it. Initally this weekend, Deadline was told the overseas cume was $175M, then we heard $225M, with a pit-stop at $212M. When we inquired as to the potential discrepancy of $50M or therabouts we were ultimately told that differences in reporting times were the culprit. In any case, Wolf openings this week included Taiwan with $988K, Ukraine with $346K and Hong Kong with a three-day take of $550K. Individual territories are updated below with local cumes.

6th UPDATE, TUESDAY 5:00 PM: A flurry of new grosses and big territories added below including Germany, Australia, Japan and Korea. Top five film grosses are available now in each market. All numbers updated, but The Wolf of Wall Street total cumes worldwide.

5th UPDATE, MONDAY, 2:25 PM: Updated grosses on The Lego Movie show that the Warner Bro. film, which is in playing in 42 markets, is higher than previously thought, raising the weekend take to $28.4M for a international cume of $52.3M in only two weeks of release. That means that the animated film is poised to pass the $200M mark worldwide in just a couple of days as the domestic cume is expected to rise to $143.7M after the U.S. Presidents Day holiday weekend. The Hobbit: The Desolation of Smaug has a total international cume of $604.2M. Adding in the domestic take of $256.2M and worldwide the second Hobbit picture has grossed $860.4M. The first in the trilogy, The Hobbit: An Unexpected Journey, grossed $714M in its international run, which amounted to 70% of its total worldwide cume of $1B. Smaug is on the same track, with 70% of its box office coming from international markets. It has yet to debut in two major territories: China and Japan. It will hit theaters in China on Feb. 21 and Japan on Feb. 28.

New grosses are added below and will be continually updated in the copy below as they come in throughout the afternoon and evening and into tomorrow.

Related: Domestic Box Office: ‘Lego’ Blocks ’80s Remakes In Valentine’s Day/President’s Day Weekend Read More »

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Deadline Awards Watch 62: The Talking To Cate And Julia Podcast

Deadline Awards Watch ep 62In this week’s podcast, Deadline Awards Columnist Pete Hammond talks with host David Bloom about which films and performers got an Oscar bump out of the WGA, Annie and Cinematographers awards shows this past Saturday; check in on the Santa Barbara film festival’s celebration of Cate Blanchett and whether the controversy over her Blue Jasmine director in will spill over into the Oscar race; dissect the Academy’s defense of its de-nomination of “Alone Yet Not Alone” in the face of complaints by, particularly, religious and conservative critics; and discuss the highlights of Pete’s sit-down with Julia Roberts this week to discuss her supporting actress Oscar nomination for “August: Osage County.”

We’ll also get Pete’s take on the week’s notable movie debuts, including the true and likable WWII story The Monuments Men, directed by and starring George Clooney with a big-name cast, and The Lego Movie, a fast-moving and smart animated film that Pete suggests could be in the Oscar hunt a year from now.

You can listen to the podcast in your choice of formats here:
Deadline Awards Watch podcast 62 (.MP3 version)
Deadline Awards Watch podcast 62 (.M4A version)
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BOX OFFICE: ‘Vampire Academy’ Out of Valentine’s Day; Now Its Sony’s ‘RoboCop’ v Sony’s Kevin Hart Pic ‘About Last Night’

Vampire_AcademyMV5BMjE3NzcwMzA3N15BMl5BanBnXkFtZTgwODMwNzIzMDE@._V1_SX640_SY720_Vampire Academy is moving up and out of Valentine’s Day weekend and will now bow on Feb. 7, giving the horror pic a couple of more weeks to play before RoboCop (MGM) and the next Kevin Hart pic About Last Night coming smashing through theater doors. Okay, now that Ride Along is busting up all Martin Luther King, Jr. holiday records at the box office with an estimated $42.2M take for the three day and $48M-plus for the four-day gross, Valentine’s Day weekend looks interesting given that Sony is releasing both pictures (Robocop on the Wednesday before). About Last Night, which also stars Regina Hall and Joy Bryant, will be released through its Screen Gems moniker. Of course, one is a violent actioner and the other is a romantic comedy so much different pics, but Sony’s gotta be thrilled after seeing these grosses. Read More »

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UPDATE: ‘Monuments Men’ Gets February 7 Release Date After George Clooney Sets Record Straight

By | Thursday October 24, 2013 @ 10:36am PDT
Mike Fleming

UPDATE, 10:36 AM: Sony and 20th Century Fox have found their February date: Monuments Men will be released February 7, 2014, we’ve learned. That date jibes what with George Clooney told us exclusively yesterday. It also means MGM and Sony’s RoboCop will move five days to open on Wednesday, February 12, ahead of the four-day President’s Day weekend that this year includes Valentine’s Day on that Friday. As part of the release plan rethink, Sony also is moving Sony and Annapurna Pictures’ American Hustle up a week — the film will now open wide December 18 after opening in limited release December 13.

PREVIOUS EXCLUSIVE, WEDNESDAY AM: Last night, Sony Pictures and 20th Century Fox moved the George Clooney-directed Monuments Men from December 18 to early next year. It took less than an hour for Internet wonks to look for signs of trouble, even though Clooney said he simply couldn’t complete the visual effects and music in time to make the date. Rather than watch a repeat of what his pal Brad Pitt went through when people were inscribing World War Z headstones before anybody saw that film, Clooney asked for the opportunity to explain on Deadline. Who says no to George Clooney?

Related: George Clooney’s ‘Monuments Men’ Delayed To 2014

He was troubled enough to call from the Abbey Road Studios in London after reading a ridiculous “exclusive” Sharon Waxman splash on TheWrap that claimed Clooney had confided that his struggles were over tone. “I was talking awhile ago about Gravity, she says, ‘How’s it going on Monuments Men‘ and I say, ‘It’s a tricky tone,’ and she writes this piece that the movie is in trouble over tone. She doesn’t call me, and it’s absolutely ridiculous and false.”

What it sounds like to me is the same situation that Martin Scorsese went through with Paramount when they could not get Shutter Island ready before year end and moved the film to a February 19, 2010, berth. It too moved out of the Oscar corridor, but like Monuments Men, it wasn’t viewed by the studio as an Oscar entry as much as for being a crowd-pleasing potential blockbuster. All alone in the marketplace, Shutter Island grossed $128 million domestic and $295 million worldwide.

“The straight-up facts are these,” Clooney told me. “We had a really good test last week, scoring in the mid 80s, in Arizona. And when we were on the plane coming back with Jeff Blake, Amy Pascal and Michael Lynton, they said look, let’s be honest. There are lots better times to bring this movie out than December 18. How about November 22? Can you do it? Now, today is our first day at the scoring stages at Abbey Road. Then they call and ask, how about the 15th of November? We like to pull stuff off, and we said, let’s see what we can do. That was two days ago.”

Clooney then consulted the guys who are providing the effects, and got a dose of reality. “We had a meeting with all the effects guys for our CGI stuff, and, we’re just not going to get there in time,” he said. “Then we looked at the date we had, December 18. I don’t know how many movies are opening, but it’s got to be the toughest December in recent memory for box office. We said, where’s another good place to land? And we looked at February and the Shutter Island slot.”

Related: Hot Trailer: ‘The Monuments Men’ Read More »

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OSCARS: Do Recent 2013 Dropouts Make Any Difference In Best Picture Race? Definitely Not

By | Wednesday October 23, 2013 @ 4:47pm PDT
Pete Hammond

It seems highly unlikely that films once thought since Cannes to be potential Best Picture Oscar contenders — The Weinstein Co’s Grace Of Monaco and The Immigrant, both highly touted in May — would have made the Academy’s final list, even if it goes for the full 10 nominees this year. And no one is missing them now that they’ve moved on.

The real “SHOCKER” as some breathless headlines stated yesterday, was the decision by George Clooney and Grant Heslov, who won the Best Picture Oscar just last year for Argo, to move their planned December release of the World War II thriller, Monuments Men to February. (That decision follows a similar path Martin Scorsese’s Shutter Island took a few years ago, a move that resulted in the film becoming Scorsese’s most successful ever at the box office.) As Clooney told my colleague Mike Fleming Jr. earlier today, he wasn’t in this for the Oscars and December was a good luck date where his Ocean’s Eleven and Ocean’s Twelve films had played. I had always heard from the beginning that Clooney wasn’t ever really looking at Men as an Academy Award play but rather a commercial picture — his Guns Of Navarone as he reiterated in the Fleming interview. In fact a top Sony source told me in the summer that Clooney had told them he wasn’t looking to campaign it (but the exec insisted they would cross that bridge when they came to it). Of course sometimes you can have both box office success and Oscar recognition.

Related: ‘Monuments Men’ Gets Feburary 7 Release Date Read More »

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