EXCLUSIVE: Craig Zadan and Neil Meron, who are behind NBC‘s upcoming live staging of The Sound Of Music, are developing another ambitious event program for the network. The duo has teamed with NBC for Nemesis, an eight-hour miniseries about famous Prohibition agent Eliot Ness, who was portrayed by Kevin Costner in Brian Fe Palma’s Oscar-winning The Untouchables. The project, from Sony Pictures TV — where Zadan and Meron’s Storyline Entertainment has a long-form deal — is based on the book Nemesis: The Final Case Of Eliot Ness by William Bernhardt. It tells the true story of Ness in 1935, post-Untouchables, as Cleveland’s newly appointed Director of Public Safety. Bodies have started turning up — each one decapitated and dissected with a doctor’s skill and a madman’s bent. The police are baffled and the population is terrorized over America’s first serial killer, the so-called “Torso Killer.” Though it’s not his turf, Ness is forced to take over the case, but the more energy he pours into the investigation, the more it takes over and threatens to destroy his life. READ MORE »
Looks like the high-octane sibling team of Joe and Matthew Michael Carnahan have nailed the script for the screen adaptation of Nemesis, the beloved work by Wanted and Kick-Ass creator Mark Millar. The project is set at Fox, and this guy isn’t easy to please. Here’s Millar’s evaluation of what the Carnahans have accomplished after they gave Millar the script.
Nemesis is one of the most relentless and powerful screenplays I’ve ever read. I was actually SHELL-SHOCKED after reading it, thinking about it for hours afterwards and discussing it with the family. As a movie, the Carnahans have crafted something we’ve never actually seen before and I feel like someone in Julia Phillips’ office must have felt when Schrader’s TAXI DRIVER script first landed on their desk. This is going to be one of the best movies of the decade. The fact that it’s a SUPERHERO movie is incredibly exciting to me. This is the next step for where a comic-book adaptation can go and, simply as a viewer, I’m now counting down the days until I can sit in a screening room and see the first cut.
This is going to be MASSIVE.