London-based Ingenious Media, the private equity fund which backed Twentieth Century Fox’s Avatar, has struck a deal with Fox Searchlight to make between 2 to 3 movies in the $10M-15M range. Ingenious could inject up to $14 million annually into …
The Santa Barbara International Film Festival will present James Franco with the Outstanding Performance of the Year Award for his performance in 127 Hours. The festival runs January 27-February 6. Carey Mulligan will receive the Breakthrough Performance Award at the Palm Springs International Film Festival, which runs January 6-17. She’s …
The BFI London Film Festival has announced the rest of its galas and sidebars on top of opening film Never Let Me Go and closing film 127 Hours. The festival has added a diverse roster of films ranging from …
TELLURIDE: After its sizzling debut in Venice earlier in the week, Fox Searchlight’s Black Swan continued steamrolling through this early awards season with its “unofficial” North American premiere Sunday afternoon billed by the Telluride Film Festival as a “sneak preview.” At the start of the psychological terror film set in a contemporary ballet company, a festival rep told the audience they were the lucky ones as hundreds still lined up outside were turned away (fortunately there are at least two other screenings coming up). But you could feel the anticipation with curious film fans storming the 600 + seat Palm Theatre, Telluride’s largest venue.
Director Darren Aronofsky, making his first-ever visit to the fest, began his introduction by saying he had spent the earlier part of his day walking up to the waterfall “but it was a terrible hike”. He mentioned he and star Natalie Portman (not here) had talked about doing this project for almost a decade. So was the wait worth it? This crowd seemed to think so although, unlike Venice, it didn’t get a standing ovation (they may have been too stunned to stand). Buzz afterward was strong for Aronofsky’s macabre vision of an artistically possessed ballerina pushing herself beyond the limits, and particularly for Portman’s dazzling tour de force that makes her an instant leading contender in every Best Actress race. During final credits, one shaken woman was overheard saying she was going outside to “smoke about 5 cigarettes”.
At the post-Q&A Aronofsky, joined by his composer Clint Mansell and producer Scott Franklin, said he and Portman first met at the now defunct Times Square Howard Johnson’s to discuss the project about 9 years ago, but it took this long to finally come to fruition. He noted his original idea was to spin off Dostoevsky’s The Double and then after seeing a production of Swan Lake knew he had the beginnings of something grand (guignol). As noted during the Q&A, the movie oozes sexuality with one “fantasy” lesbian encounter between Portman and co-star Mila Kunis really steaming up this rocky mountain arena. This is a hard R, folks. As with The Wrestler, there will be lots of Oscar talk and probably some speculation that it might all be a bit too much for some of the older Academy members, but I have a hunch this will play just fine on Wilshire Blvd. It’s bravura film making, melodramatic and riveting entertainment with great handheld camerawork from Matthew Libatique and an award-caliber cast including Portman, Kunis, an intense Vincent Cassel as the ballet company’s taskmaster director and Barbara Hershey as her domineering mother.
With two other titles–Never Let Me Go and 127 Hours–in addition to Black Swan, Fox Searchlight hosted a late night party Saturday and has a strong presence here. But they but can’t hold a candle to Sony Pictures Classics, which has 5 movies showing (adding yet another 4 for their trek next week to Toronto). Last night, SPC co-Presidents Michael Barker and Tom Bernard threw their annual La Marmotte dinner to celebrate the quintet that includes Mike Leigh’s Another Year, the likely French Oscar entry Of Gods And Men (Grand Prize winner at this year’s Cannes), Charles Ferguson’s devastating financial meltdown doc Inside Job, Stephen Frear’s very well-received English comedy Tamara Drewe, and Sylvain Chomet’s beautifully animated The Illusionist, based on an un-produced screenplay by the late, great Jacques Tati. I saw the latter earlier today and predict it’s certain to put Chomet, previously nominated for The Triplets Of Bellville, right in the heart of this year’s animated race no matter if 3 or 5 nominees qualify. In fact with this Telluride group alone ,the company could easily find itself in the unique position of having a nominee in each of Oscar’s key film categories: Picture, Documentary, Foreign Language Film and Animated Feature. Barker and Bernard are very high on their slate and told me they think they have particularly good Best Picture shots: Another Year, opening at the end of December; Made In Dagenham (Nov 19 but premiering first in Toronto), a stirring true story about the fight waged for equal pay by a group of English female factory workers in the early 70’s, with acting contenders Sally Hawkins, Miranda Richardson and Bob Hoskins; and even Get Low (currently on over 500 screens) where they have high hopes for Robert Duvall, Bill Murray and Sissy Spacek. They will be strongly campaigning several other actors including Another Year’s standout star Lesley Manville, who attended last night’s dinner. SPC could be repped as well in the Golden Globe comedy or musical race with Tamara Drewe. While other studio owned specialty divisions continue to be in meltdown mode, this one somehow seems to keep thriving, largely thanks to smart awards-time strategizing. This year appears to be no different.
TELLURIDE: Danny Boyle says there are still a couple of things to “figure out” before a final print can be struck. But the Oscar-winning director returned today to the Galaxy Theatre at the Telluride Film Festival with the “unofficial” world premiere of 127 Hours – his first film since Slumdog Millionaire took home 8 Oscars just 1 1/2 years ago. It’s a good luck spot for Boyle as he had just finished Slumdog three days before its Telluride premiere, which became the launching pad for what would become an awards season blowout for the popular movie.
It was déjà vu this afternoon for me and others who were there that Saturday two Tellurides ago in the exact same venue. Today, the house was packed for both the 127 Hours screening and the Q&A that followed featuring Boyle, his producer Christian Colson, star James Franco, and the real life inspiration for the film, Aron Ralston, whose memoir Between A Rock And A Hard Place was the basis for Boyle’s and Simon Beaufoy’s adaptation. It’s about the harrowing true story of a young canyoneer who gets trapped in a deep narrow cave for 127 hours before extracting himself from a crushing boulder by cutting off his right arm with a small knife. And it has been expertly brought to the screen by the director who finds a way to put “urgency” in every frame despite the fact that the entire film is basically one man vs. the elements. It’s a tour-de-force for Franco, virtually never off screen in the same way Spencer Tracy triumphed in the similarly spare The Old Man And The Sea (1958). Franco’s performance could put him in contention for a best actor Oscar nod just as Tracy’s did over 50 years ago. It should be noted that Franco’s “farewell to arm” scene is graphic and not for the squeamish.
Using fast cutting, flashbacks and two cinematographers, Boyle makes this thing cook even though he ironically admitted afterwards that he’s really an “urban” filmmaker, hates the countryside, and thinks most “wilderness films are boring”. That initially made the outdoorsman Ralston wonder why Boyle wanted to film the story in the first place. Seeing it nearly finished for the first time today, Ralston says he was in tears through the second half, right from the moment the “sunlight” poked through.
For distributor Fox Searchlight, which plans a November release, 127 Hours is just one of three awards season players they have brought to Telluride. Friday night, Never Let Me Go stars Carey Mulligan and Andrew Garfield, director Mark Romanek, screenwriter Alex Garland and the novelist Kazuo Ishiguro, all turned up to introduce the first-ever public unveiling of this highly unusual sci-fi film dealing with themes of love and death. It’s distinguished by superb work from its promising young cast, led by Mulligan and Garfield, who all drew special praise from its very pleased author Ishiguro who described the film version of his best seller as a tremendous showcase for new British acting talent who are “inventing a style all their own”. Romanek (One Hour Photo) told the nearly sold-out crowd he had two dreams: to make this book into a film, and to come to Telluride. On Sunday, Searchlight’s Black Swan (December 1) and troupe blow into town direct from their Venice triumph for the unofficial North American premiere, billed here as a “sneak preview”.
Earlier Saturday, at the Chuck Jones theatre, a packed house caught the first screening here of The Weinstein Company’s Best Picture contender and Thanksgiving release, The King’s Speech. Afterwards the crowd greeted director Tom Hooper and stars Colin Firth and Geoffrey Rush with a standing ovation. This stylishly entertaining, brilliantly acted period piece about the stuttering problems of England’s King George VI (father of the current Queen Elizabeth) and his relationship with a speech therapist is, to put it simply, catnip for Academy voters. No doubt Harvey’s already got one of the ten Best Picture slots locked up for this. Firth will be the recipient of a special tribute to his career Sunday night.
While Toronto International Film Festival, Sundance, Venice and Cannes sets film schedules well in advance, Telluride always springs its fest lineup at the last moment. Here it is:
37th TELLURIDE FILM FESTIVAL ANNOUNCES 2010 FESTIVAL LINEUP
Telluride, CO – Telluride Film Festival (September 3-6, 2010), presented by the National Film Preserve