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Academy Narrows Field For Nicholl Screenwriting Fellowships

Mike Fleming

Academy Announces Nicholl Screenwriting Fellowship Finalists for 2010

Beverly Hills, CA – Ten writers have been selected as finalists for the 25th annual Don and Gee Nicholl Fellowships in Screenwriting, presented by the Academy of Motion Picture Arts and Sciences. Their scripts will now be read and judged by the Academy’s Nicholl Committee, which may award as many as five of the prestigious $30,000 fellowships.

This year’s finalists are (listed alphabetically by author):

Art Corriveau, Santa Fe, New Mexico, “Nicky Flynn Finally Gets a Life”
Destin Daniel Cretton, San Diego, Calif., “Short Term 12”
Sebastian Davis, Los Angeles, Calif., “Drunk-Dialing”
Marvin Krueger, North Hollywood, Calif., “And Handled with a Chain”
Andrew Lanham, Austin, Texas, “The Jumper of Maine”
Tim Macy, Kansas City, Mo., “The Last Queen”
Micah Ranum, Beverly Hills, Calif., “A Good Hunter”
Cinthea Stahl, North Hollywood, Calif., “Identifying Marks”
Logan Steiner, Redondo Beach, Calif., “The Promise of Spring”
Sage Vanden Heuvel, Ann Arbor, Mich., “Inner Earth”

The finalists were selected from 6,304 scripts submitted for this year’s competition. The competition is open to any individual who has not sold or optioned a screenplay or teleplay for more than $5,000, or received a fellowship or prize that includes a “first look” clause, an option, or any other quid pro quo involving the writer’s work.

The Nicholl Committee, chaired by producer Gale Anne Hurd, is composed of writers Naomi Foner, Daniel Petrie, Jr., Tom Rickman and Dana Stevens; actor Eva Marie Saint; cinematographers John Bailey and Steven B. Poster; executive Bill Mechanic; producers Peter Samuelson and Robert W. Shapiro; and agent Ronald R.

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Mike Sitrick, Shame On You…

By | Thursday July 12, 2007 @ 5:31pm PDT

sitrick.jpgI’ve known Mike Sitrick for a long time. He’s a PR maven who prides himself on being a family man. Which is why he should be filled with self-loathing for allowing his firm to promote a torture porn pic like Captivity, much less an even more disgusting premiere party whose selling point was its political incorrectness. (Let me make it perfectly clear: I support talent’s right to make the movie, just not business people profiting from it.) Sure, I received all those inane emails announcing the bash, and I did the right thing: I trashed them. Other journalists fell all over themselves covering the event so as to diss it: really, they’re lemmings hurling themselves off the cliff. There is only one way to stop the business of these torture porn movies: by shaming the people who receive money for releasing them, publicizing them, having anything to do with them. So, Mike, how could you? (And how could you, After Dark’s  Courtney Solomon and Allan Zeman?) Take that Captivity money and donate it to charity and pledge publicly right now you’ll never get involved with torture porn pics again. Until Mike does, I urge Hollywood and other companies to shun Sitrick and Company because there is such a thing as guilt by association.

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