EXCLUSIVE: Nonso Anozie (The Grey) will play Sergeant Dap in the film version of Orson Scott Card’s best-selling novel Ender’s Game. The film, which begins production this month in New Orleans, is a futuristic adventure about brilliant young strategist Ender Wiggin, who is drafted by the International Fleet to save the human race. Gavin Hood (Academy Award winner Totsi) will direct from a script he adapted. In addition to Anozie, Stevie Ray Dallimore (Joyful Noise) has been cast as Ender’s father John and Andrea Powell (The Twilight Saga: Breaking Dawn Part 2) joins as Ender’s mother Theresa. The three star opposite Harrison Ford, Ben Kingsley, Viola Davis, Hailee Steinfeld, Abigail Breslin, and Asa Butterfield as Ender. Anozie is repped by Meg Mortimer at Principal Entertainment and Megan Willis at the UK’s Garricks. Summit Entertainment is co-financing and will release the film domestically March 15, 2013.
EXCLUSIVE: Based on a 30-minute reel being shown to distributors as we speak, bidding is getting hot and heavy on The Grey, the Joe Carnahan-directed drama about an oil-drilling team struggling to survive in the wilds of Alaska after their plane crashes smack in the middle of a territorial rogue wolf pack. Liam Neeson, Dallas Roberts, James Badge Dale, Dermot Mulroney, Frank Grillo, Nonso Anozie and Joe Anderson star in the film. CAA is shopping the Scott Free-produced pic, and I’ve heard that Warner Bros, Open Road, Summit, Lionsgate, The Weinstein Company and FilmDistrict are all in the mix.
The movie’s had heat on it since CAA showed a three-minute reel right after the Cannes Film Festival. The ask is in the $8 million range minimum guarantee and a release upwards of 3000 screens and the deal will certainly be in the seven-figures based on what I’ve heard about the footage. But the bidding is complicated by one thing: the filmmakers are insisting that The Grey be released later this year. It makes sense for a cold-weather film that has a Neeson performance that could be in the Oscar mix. And the film is ready to build buzz that starts with festivals like Toronto. The complication is, several of the distributors have crowded late-year release schedules. This could give an edge to a distributor like Tom Ortenberg’s Open Road, which is looking for exactly this kind of wide-release film.