Kathryn Bigelow’s Zero Dark Thirty opened Wednesday with the highest-ever midweek per-theater debut at $24,969 and 5-theater opening-day total of $124,848 and it’s having a great pre-Christmas weekend. Sony’s decision to delay the movie’s release until after the presidential election and to go with a limited debut appears to have paid off. The controversial but critically praised heavyweight grossed a whopping $410K at only five locations and handily won the highest per screen average of any film in theatrical release with $82,000. That is just shy of Lincoln’s $85,846 average when it opened in 11 theaters in early November and it is well ahead of Bigelow’s Oscar winner The Hurt Locker‘s $36,338 average when it opened in 4 theaters in June of 2009. Named Best Picture by a slew of critics groups including The New York Film Critics Circle, Zero Dark Thirty will head to wide release January 11th, the day after Oscar nominations are announced.
Sony Pictures Classics’ Palme d’Or and LA Film Critics winner Amour bowed solidly this weekend — the only new title among specialty films to fare so well. Amour averaged $23,554 in three theaters in its platform debut. Smaller audiences went along for the ride with IFC Films’ On The Road despite its star power. Road averaged $10,800 in 4 locations. Lionsgate-Summit’s The Impossible averaged a middling $9,250 from 15 theaters, while Paramount Vantage’s Not Fade Away took an average of $6,333 in three runs.
Amour’s arrival had momentum with its Cannes Film Festival win and other accolades, but its tough subject matter – a husband and wife confronting mortality – nevertheless made it a challenge. Its weekend average topped director Michael Haneke’s previous Palme d’Or winner The White Ribbon, which opened with a $19,949 average in three theaters in 2009 and far outpaced his $11,402 opening average for Cache in 2005. SPC co-president Michael Barker Read More »
Two Cannes titles finally make it to theaters this holiday weekend in the specialty arena. Palme d’Or winner Amour has picked up critical accolades although its tough subject matter may prove a challenge for audiences. IFC Films’ On The Road has some star wattage from Kristen Stewart, Kirsten Dunst, Amy Adams and Garrett Hedlund in the screen version of the 20th century American classic. Also taking on some tough subject matter is Toronto’s The Impossible starring Naomi Watts and Ewan McGregor based on a true story of survival during the 2004 tsunami. And Not Fade Away will roll out under the Paramount Vantage label after an extensive run at festivals and word-of-mouth screenings.
On The Road
Director: Walter Salles
Writers: Jose Rivera (screenplay), Jack Kerouac (novel)
Cast: Sam Riley, Garrett Hedlund, Kristen Stewart, Kirsten Dunst, Tom Sturridge, Amy Adams
Distributor: IFC Films
This one has been a long time coming. Francis Ford Coppola first picked up rights to the On The Road novel in 1979 and served as executive producer on the film after asking Brazilian filmmaker Walter Salles to take on the project. Salles spent a good deal of time researching the period known popularly as the Beat Generation and even filmed a documentary about On The Road before undertaking the feature. Kirsten Dunst was the first to come on board a number of years ago and Kristen Stewart actually first joined before undertaking her first Twilight Saga installment. Into The Wild director Sean Penn suggested her. The feature screened this year at the Cannes Film Festival, but IFC Films picked up the title prior to its debut there. Read More »
The Sopranos creator David Chase’s feature directing debut is a coming-of-age tale about a group of friends who form a rock band in 1960s New Jersey. With a soundtrack produced by Steven Van Zandt, Not Fade Away stars John Magaro, Jack Huston, Will Brill, Bella Heathcote, James Gandolfini, Brad Garrett and Christopher McDonald. Paramount Vantage is set to open the film December 21st:
BREAKING: After landing Ang Lee’s Life Of Pi to open the New York Film Festival and the Robert Zemeckis-directed Flight to close it, New York Film Festival organizers have securedNot Fade Away, the previously untitled music-themed film that is David Chase’s first effort since ending his HBO series The Sopranos. This is proving to be quite a dance card for the Gotham festival. Here is the festival’s announcement:
NEW YORK, August 15, 2012 —The Film Society of Lincoln Center announced today that David Chase’s NOT FADE AWAY will make its World Premiere on Saturday, October 6 as the Centerpiece Gala selection for the 50th New York Film Festival (September 28-October 14).
Making his feature directing debut, David Chase’s (The Sopranos) coming-of-age movie is set in New Jersey in 1964 where a group of friends are inspired to form their own rock band fronted by a gifted singer-songwriter (terrific newcomer John Magaro). The film masterfully captures the era’s conflicting attitudes and ideologies, all set to a dynamic soundtrack produced by the legendary Steven Van Zandt. The film also stars Jack Huston, Will Brill, Bella Heathcote, James Gandolfini, Brad Garrett and Christopher McDonald. To be released by Paramount Vantage, the film’s roll-out will begin on December 21, 2012. [The movie previously was scheduled to open October 19.]
Rose Kuo, Executive Director, The Film Society of Lincoln Center, said, “It’s a privilege to welcome David Chase to the New York