Four days after Summit released the first four minutes of its ensemble heist thriller Now You See Me, another trailer has hit the web. The newest look at Louis Leterrier’s first helming effort since Clash Of The Titans shows a group of Vegas illusionists pulling off a trick that leaves their audience in the money. Jesse Eisenberg, Woody Harrelson, Morgan Freeman, Isla Fisher and Mark Ruffalo star in the pic that Lionsgate unleashes May 31:
Fandango is exclusively premiering the first 4 minutes of Summit Entertainment’s upcoming summer heist movie Now You See Me here with Jesse Eisenberg, Woody Harrelson, Dave Franco, and Isla Fisher plus Michael Caine, Morgan Freeman, Melanie Laurent and Mark Ruffalo. The movie about FBI vs illusionists opens May 31st:
Lionsgate/Summit conjured this trailer for the heist movie in which a team of illusionists rob banks during their performances and share the booty with their audiences. Louis Leterrier directs from a script by Boaz Yakin and Edward Ricourt. Jesse Eisenberg, Isla Fisher, Morgan Freeman, Woody Harrelson, Mark Ruffalo, Michael …
The current wave of French directors making Hollywood films seems to have taken Jean-Luc Godard’s advice (“All you need for a movie is a gun and a girl”), amped it up with a healthy dash of special effects or 3D and taken it to the bank.
Louis Leterrier, director of The Incredible Hulk and Clash of the Titans, will in January be making Summit’s movie about magicians who rob banks during performances Now You See Me, with Star Trek writers Alex Kurtzman and Roberto Orci producing. Fred Cavayé, director of the original French version of the Russell Crowe-thriller The Next Three Days, is in talks with studios to remake his latest, Point Blank.
“I grew up watching American movies, so my lexicon is American directors like Steven Spielberg and George Lucas,” Leterrier said. “These movies seeped into my artistic DNA. At the same time, because Paris is the capital of world cinema, I was also watching French films, German cinema or kung fu movies from Hong Kong. What makes me and other French directors different from Americans is that we were feeding ourselves from other cultures.”
The communication revolution and modern travel realities are making it easier for French helmers to cross over to Hollywood. Today an agent in Beverly Hills can watch something online and make contact pretty within hours. “There’s a fluid traffic in information,” says Ron Halpern, executive vice-president of international production at Studio Canal. “The world has gotten smaller. The speed of communication means that foreign directors are on people’s radars much quicker. And when a studio is looking for something fresh and interesting, a foreign eye can often bring something.”