Catch up with the top TV stories you missed this week:
NBC To Reboot ‘Murder, She Wrote’ With Octavia Spencer Starring, Alex Cunningham Writing And David Janollari Producing
By Nellie Andreeva – EXCLUSIVE: NBC is looking to revive one of the most successful series in TV history – Murder, She Wrote — with a brand new take from writer Alexandra Cunningham and producer David Janollari that has Oscar winner Octavia Spencer succeeding Angela Lansbury in the lead role of an astute amateur detective.
CBS Eyes Reboot Of The WB’s ‘Charmed’
By Nellie Andreeva – CBS shows have migrated to younger skewing sibling the CW — CBS pilot Ringer became a CW series, and defunct CBS vampire drama Moonlight got a second run on the sister network.
Kurt Sutter On Extending ‘Sons Of Anarchy’ Past Seven Seasons, Playing Prison-Rape Victim And Being Influenced By ‘The Shield’
By The Deadline Team – The outspoken creator and showrunner of FX’s highest-rated program ever was his usual candid self at an ATAS event tonight. READ MORE »
EXCLUSIVE: NBC is looking to revive one of the most successful series in TV history – Murder, She Wrote — with a brand new take from writer Alexandra Cunningham and producer David Janollari that has Oscar winner Octavia Spencer succeeding Angela Lansbury in the lead role of an astute amateur detective. The new hourlong project, which has received a put pilot commitment, is a re-imagining of the long-running CBS series. Described as a light, contemporary procedural in the vein of Bones or Fargo, it follows a hospital administrator and amateur sleuth (Spencer) who self-publishes her first mystery novel. Set in a day where sensational headlines inundate the news, this woman’s avid fascination with true crime leads her to become an active participant in the investigations. Former Desperate Housewives executive producer Cunningham is writing and will executive produce with Janollari. I hear Lansbury has been approached to be a part of the reboot. Universal TV, whose namesake predecessor produced the original series, is producing with studio-based David Janollari Entertainment.
This would mark the first series regular role for Spencer, who won an Oscar for The Help. She previously worked with NBC chairman Bob Greenblatt and Janollari on the 2001 Sci Fi Channel series The Chronicle, which the two exec produced and she recurred on. Spencer’s involvement in Murder, She Wrote stems from an exploratory meeting she took with Greenblatt. “I’ve always considered myself an armchair detective and in a recent meeting with Bob Greenblatt, he asked me what type of character would be able to lure me to TV. Naturally, I said ” J.B. Fletcher” meets “Colombo”… And here we are,” she said. “I’m ecstatic to have the opportunity to work with Dave Janollari again, and Alex Cunningham a brilliant writer who shares my love for all things mysterious and Angela Lansbury.” Cunningham also spoke of her and Spencer’s shared passions. “Octavia and I are both huge true crime buffs, amateur criminologists, and fans of Angela Lansbury,” she said. “To get the chance to reimagine Murder, She Wrote for a dynamic and multi-faceted actress like Octavia is a thrill and a pleasure.” Read More »
EXCLUSIVE: Tate Taylor has set Viola Davis and Octavia Spencer to star with Chadwick Boseman in Get On Up, the James Brown biopic that Imagine’s Brian Grazer is producing with Jagged Films’ Mick Jagger. Davis will… Read More »
EXCLUSIVE: Octavia Spencer, who won the Best Supporting Actress Oscar for The Help, will join the cast of Baggage Claim, the David E. Talbert-directed comedy for Fox Searchlight. Paula Patton stars as a flight attendant who is … Read More »
Monica Corcoran Harel is contributing to Deadline’s Oscar coverage.
Unlike monotonous years past when a color or style prevailed, tonight’s Academy Awards Red Carpet teemed with extremes. Actresses either went strapless and exposed chiseled clavicles or opted for demure long sleeves. Some coerced their hair into crazy Cinnabon updos, while others played it loose with windswept, just-got-lucky-in-the-limo waves. All in all, it was a good night for fashion. Meryl Streep channeled a female Oscar in gold lame Lanvin, Rooney Mara didn’t wear black and Sacha Baron Cohen claimed to be wearing “Galliano with socks from K-Mart.”
When it came to color, a majority went white — a hue the costume designer Edith Head once said “can be gay or somber.” In the case of 20-year-old Shailene Woodley in a mod Valentino Couture gown, the look was a bit matronly and Babe Paley circa 1960 for such a dewy star. Gwyneth Paltrow, whose bright white Tom Ford column gown with an architectural duster stood out like spilled milk, looked bright and awake. Rooney Mara, however, seemed more like a Tim Burton Goth bride in her Givenchy dress with a bondage-style back and transparent train.
Red, too, made a strong showing thanks to Natalie Portman, Emma Stone and Michelle Williams. Portman’s vintage polka-dotted Christian Dior gown was charming, though the hem was slightly wrinkled. (Shouldn’t limos come equipped with steamers?) Stone’s scarlet Giambattista Valli — embellished with a toaster-sized bow on the left shoulder — had critics hissing that it was too redolent of the Balenciaga dress Nicole Kidman wore to the 2007 Oscars. Oh, stop. Doesn’t Hollywood make the same movies every year? Williams, ever the gamine, looked great in that coral Louis Vuitton with a sweet peplum waist that gave her some curves. Read More »
Once a year it seems a performance comes across as more than the sum of good writing, strong direction and lucky timing. The performance appears to be rooted in the reality of the actor’s history; in essence they have lived much of what they are being asked to portray. Such is Octavia Spencer‘s portrait of Minny Jackson in The Help. She plays a maid who suffers through emotional and physical beatings like a native but not a naive veteran of the 1960s civil rights movement — Spencer grew up in Montgomery, Ala., and graduated with a BS in Liberal Arts from Auburn. Perhaps it’s the combination of her education, Southern comfort and humor that have helped Spencer emerge as a Supporting Actress frontrunner for the Oscars even with such equally impressive co-stars as Jessica Chastain, Bryce Dallas Howard, Allison Janney and Oscar-winner Sissy Spacek. She spoke with AwardsLine contributor Craig Modderno about her experience with The Help, which is up for four Oscars including Best Picture.
AWARDSLINE: Many actors say they’re perfect for the role especially when they’re auditioning. Was your part in The Help a natural fit for you?
SPENCER: I don’t know. Basically it was physically, because I suspect Kathryn Stockett, author of The Help, who I knew while she was writing the book, might have modeled the character after me. But there are a lot of other short and round black women in the South who also seem to not hesitate in speaking their minds. Even though I was friends with the author and other influential members of the production team, I still had to audition for the role. When I did, in the back of my mind, I thought I was hearing someone ask if Jennifer Hudson was available yet! Read More »
The Help accumulated more accolades tonight with the NAACP Image Awards naming it Best Motion Picture, and Viola Davis and Octavia Spencer were chosen Best Actress and Supporting Actress. Ceremonies at the Shrine Auditorium were hosted by Sanaa Latham and Anthony Mackie. In addition, the Founding Members of the Black Stuntmen’s Association received the NAACP President’s Award. A list of winners in motion picture and TV categories follows:
Outstanding Motion Picture
“The Help” (DreamWorks Pictures/
Outstanding Actor in a Motion Picture
Laz Alonso – “Jumping the Broom”
Outstanding Actress in a Motion Picture
Viola Davis – “The Help” (DreamWorks Pictures/
Outstanding Supporting Actor in a Motion Picture
Mike Epps – “Jumping the Broom” (TriStar Pictures)
Outstanding Supporting Actress in a Motion Picture
Octavia Spencer – “The Help” (DreamWorks Pictures/
Outstanding Independent Motion Picture
“Pariah” (Focus Features)
Outstanding Foreign Motion Picture
“In the Land of Blood and Honey” (FilmDistrict)
Read More »
If there was any question before today’s British Academy Film Awards that The Artist was the film to beat for the Oscars, the results in London just cemented it, and in an impressive sweep that portends big things. It wasn’t just the … Read More »
The Help’s Viola Davis certainly got a leg up in her fierce Best Actress race against The Weinstein Company’s duo Meryl Streep and Michelle Williams, and Help’s Octavia Spencer continued on her supporting actress … Read More »
Could one movie dominate this year’s best supporting actress Oscar lineup? Certainly an argument could be made for any number of actresses in the ensemble hit, The Help and in fact two of them were nominated for Critics Choice … Read More »