In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom assess the just-announced lineup for this year’s Cannes Film Festival, which competing films have serious Oscar hopes and which pics Pete can’t wait to see when he hits the Croisette for Deadline next month. Today also was the last day for would-be Emmy voters to make themselves eligible with the TV Academy, and Pete and David take a look at the Emmy campaigns that are heating up, while also grumpily acknowledging the first Oscar campaign of the 2015 season. Finally, Pete gives his take on the weekend’s notable movie debuts, including Wally Pfister’s directorial debut Transcendence, the Woody Allen-John Tuturro collaboration Fading Gigolo and faith-based hit-in-the-making Heaven Is For Real.
Are you kidding?
Did Paramount just officially start the 2014 Oscar campaign even as we are barely getting the Emmys off the ground and the Tonys are two months away? Uh, yes. Looks like it. One top studio exec (not from Paramount) forwarded me an email he got yesterday from the Paramount Awards Office that pronounced free admission starting April 15th - two by two for Academy members and a guest- to screenings of Noah at theaters nationwide – but only Monday thru Thursday since most theater owners usually don’t like to give up seats on the weekends, especially to rich and famous movie types.
Legendary actor Mickey Rooney has died today at the age of 93. Born Joseph Yule Jr in Brooklyn on September 23, 1920, Rooney started in Hollywood young (17 months) and went on to become one of the biggest box office draws of the 1930s. Although he appeared in such classics as 1934′s Blind Date and with Judy Garland in 1939′s Babes In Arms – where he earned his first of four Oscar nominations — it was the more than a dozen Andy Hardy movies from MGM starting in 1938 that made Rooney an international star. With more than 300 credits to his name and two honorary Oscars — one in 1938 and another in 1982 — Rooney was working until the end, most recently on the feature Dr. Jekyll And Mr. Hyde film which is set to be released this year. Rooney had been in ill health for the past several years, but was seen out and about as recently as a month ago on Oscar night and was onscreen for a cameo in Disney’s 2011’s Muppets reboot.
Related: Mickey Rooney: An Appreciation
Once World War II was over, Rooney was no longer the superstar he once was, but the actor worked for decades to come. He appeared in films like 1979’s The Black Stallion; on Broadway, where Rooney earned a Tony nomination in the late 1970s for Sugar Babies; and on TV, where he won an Emmy and a Golden Globe in 1981 for Bill.
Pilot Locations 2014: New York Production Rises, Los Angeles Plummets, Texas Hot
By Nellie Andreeva – While California Gov. Jerry Brown is still “not committed” to expanding the state’s film and TV tax credit, Los Angeles is seeing another drop in broadcast pilot production to what appears to be an all-time low. New York, which also lured The Tonight Show franchise away from Los Angeles, returns this year as the most popular drama location and reinforcing its strong position in comedy.
Dish And Disney Finalize Output Deal That Ends Their Ad-Hopper Dispute
By David Lieberman – The companies have officially announced a “wide-ranging” deal, which “will result in dismissal of all pending litigation between the two companies, including disputes over PrimeTime Anytime and AutoHop.” The agreement calls for Dish to disable AutoHop functionality for ABC content within the C3 ratings window. The pact also for the first time allows Dish customers to access Disney’s authenticated live and VOD products.
White House Backs Broadcasters In Aereo Case
By David Lieberman and Dominic Patten – The Solicitor General’s office put the Obama administration solidly in the anti-Aereo camp with a 40-page amicus brief filed with SCOTUS.
‘The Wire’s David Simon Takes On Oprah-Produced HBO Mini On Martin Luther King
By Mike Fleming Jr. – I’m hearing that David Simon, the architect of the HBO series The Wire, Homicide and most recently Treme, will spearhead the HBO six-hour MLK miniseries adaptation of America: In The King Years, based on the celebrated book trilogy by Pulitzer Prize-winner Taylor Branch.
After months of speculation, maneuvering, campaigning, champagning, Q&Aing and ever so much more, the 2013-14 awards season is done, done, done, and in this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom wrap up the winners and notable moments from this years Academy Awards ceremony. They’ll look at which studios (hint, the initials are W and B) and stars were big winners, why 12 Years a Slave is a lot like The Godfather, and why The Hammond Rule proved so durable throughout the season.
Pete and David also review the Oscar Lite ceremony that was Saturday’s Independent Spirit Awards, with winners in nearly every award exactly tracking the Oscar wins.
In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom wrap up the overseas perspective on the last big awards shows of the 2013-14 season, beginning with Foreign-Language Oscar winner The Great Beauty, which lifted spirits throughout home country Italy even as director Paolo Sorrentino called for more investment in Italian cinema.
At France’s Cesar Awards, the big winner was Les Garcons et Guillaume a Table, though the potential scandale around one nominee proved far more muted than the French press or awards show broadcaster Canal Plus might have hoped. Nancy and David also take a look at the potential global bump in box office for Oscar’s two biggest champs, Best Picture 12 Years a Slave and seven-time winner Gravity.
Related: OSCARS: The Complete Winners List
2nd UPDATE, 5:42 PM: Trust The Simpsons to go for the big picture when they weighed in on Ellen DeGeneres‘ mega-retweeted Oscars selfie – literally. Today, Homer’s official Twitter feed threw up this perspective on the now famous pic (retweeted more than a record-breaking 3.209 million times so far) from the front row of the 86th Academy Awards. “The ugly true story of that Oscar® selfie can finally be told! Let’s break Twitter again. Look for Bart,” said the tweet. All we can say is Bradley Cooper, be kind. BTW – Ellen and fellow selfie star (and Oscar winner) Jared Leto are helping Homer in his goal: Both retweeted the pic.
UPDATE, SUNDAY PM: In less than an hour, Oscar host Ellen DeGeneres beat President Obama‘s Twitter record for Twitter retweets. Ellen’s on-the-fly pic with Bradley Cooper, Jennifer Lawrence, Brad Pitt, Julia Roberts, Meryl Streep, Kevin Spacey, and more is racking up the Twitter love with over 1M RTs and over 720K favorites and counting.
UPDATE, 4:33 PM: The Tonight Show Starring Jimmy Fallon has done its part to contribute to the wild viral video run of Frozen‘s Best Song Oscar winner “Let It Go”. YouTube is hosting countless versions that are getting millions and millions of hits, and now there’s this one from last night that has Idina Menzel contributing to Fallon’s take featuring kids instruments like the kazoo and toy blocks courtesy of house band The Roots. Check it out:
Oscars: Ellen DeGeneres And Samsung Make More Selfie Headlines; Lupita Nyong’o Talks Lip Gloss; Pizza Guy Gets Tip: Video
After partying until 3 AM-ish today, Ellen DeGeneres continued making Oscar headlines today when she announced on a live post-Oscar edition of her syndicated talk show that Samsung would donate $3 million to charity in celebration of her celebrity-hug selfie during the Academy Awards and its record-setting 3 million retweets. She also played host to Oscar winners Lupita Nyong’o, Cate Blanchett, Jared Leto — and Edgar the Pizza Guy.
Related: Oscars Viewership Hits 10-Year High
Watch Nyong’o explain the lip gloss here:
Awards ceremony broadcasts may have been changed forever at last night’s Oscars when Ellen DeGeneres took a selfie of herself and a dozen A-listers in the theater. She broke the record for most retweets – 3 million-plus and counting — causing a brief service issue with Twitter. “We just broke Twitter,” DeGeneres announced during ABC’s broadcast of the Oscars after word got out.
Related: Ellen Gets Mixed Reviews For Oscars
“The envelope please … to @TheEllenShow — this is now the most retweeted tweet with over 1 million RTs. Congrats!” chimed in Twitter when DeGeneres’ selfie hit that retweeting threshold. (According to Poptip, a platform that analyzes and synthesizes social conversation in real time, among last night’s Oscar highlights, four of the top 15 phrases about the Oscars were about the Samsung selfie.)
OSCARS: A Selfie-Important Academy Awards Honors Our Past And Our Future And Hits Just The Right Notes
In the end the Academy Awards fell right into place with every other awards show this season. Gravity got LOTS of love but it ended with 12 Years A Slave‘s Steve McQueen making the big acceptance speech of the night for Best Picture — just like it went at the Golden Globes, Critics Choice Movie Awards, BAFTA, PGA and others. It’s a weird year when a blockbuster picture like Gravity can win seven Oscars including Best Director yet lose the big one. But science fiction is not a category the Oscars have ever embraced in that way, and this year was no exception. In 1977 Star Wars also won seven Oscars yet lost in the end to Best Pic winner Annie Hall, which only picked up four awards overall much like Slave’s haul of three nods this year. The record still stands though with 1972′s Cabaret winning eight Oscars but losing ultimately to The Godfather which won only three including Best Picture.
How do you explain it? It’s called spreading the wealth but wanting to save your most important award for a movie that has real gravitas, one that breaks barriers over what the Academy has ever done before. A movie directed by a black person has never before won nor has a film that so harrowingly details one aspect of the black experience. 12 Years A Slave may have depicted the dark side of this country in a way Oscar had never before recognized, but the Academy wanted to spotlight that and reward it with its highest prize in a year of great films about the black experience. In fact the whole show was full of diversity including numerous black presenters and the Best Director award to Mexican filmmaker Alfonso Cuaron.
For the third time in her career, Ellen DeGeneres was asked to host a Hollywood awards ceremony after a tragedy — this time the tragedy being Seth MacFarlane’s Hollywood-savaging Oscars hosting of a year ago. Ellen hosted the twice-delayed Emmy Awards after the September 2001 terrorist attacks and, four years later, after Hurricane Katrina. Tonight she hosted the first Academy Awards since MacFarlane opened the Oscars with “We Saw Your Boobs” and followed it up with a crack about John Wilkes Booth (rather than nominee Daniel Day-Lewis) being the actor who best got into President Lincoln’s head.
“For those of you watching us around the world, it’s been a tough couple of days for us. It has been raining. We’re fine – thank you for your prayers,” DeGeneres joked as she opened tonight’s ABC broadcast — a nod to her deft hosting of the aforementioned Emmy broadcasts, including that twice-postponed ’01 Emmys, which she’d opened with the observation: “What would bother the Taliban more than seeing a gay woman in a suit surrounded by Jews” to gales of laughter.
Related: OSCARS: Deadline’s Live Blog
When tonight’s disjointed show finally ended, a minute or two into Monday morning for about a third of the country’s TV viewers who live on the East Coast, DeGeneres had reminded us she’s likeable as all get out, but her improvised bits did not work so well – Amy Poehler and Tina Fey did it much better at the Golden Globes. She’d called Liza Minnelli “sir”, complimented “him” on his great Liza Minnelli impersonation; shamed Harvey Weinstein into putting $200 bucks into Pharrell’s hat, which she was passing around to collect money to pay for the product-placement pizza she ordered for the A-listers in the front rows; pocketed and used best supporting actress winner Lupita Nyong’o’s pizza-collection contribution (a lip gloss); and maybe crashed Twitter shortly after piling about a dozen celebrities into one selfie during the broadcast in an attempt to break the record for most re-tweets (it was pushing 2 million by the time the trophy show was over, causing the Motion Picture Academy to apologize for contributing to the Twitter traffic jam).