‘Gone With The Bullets’ Sets China Release Date
Jiang Wen’s Gone With The Bullets has secured a December 18 release date in China. The film is the follow-up to Jiang’s blockbuster Let The Bullets Fly, which made $140M worldwide in 2010. Based on a true story, 3D comedy Gone With The Bullets is set in 1920s Shanghai. Ma Zouri (Jiang Wen) and Xiang Feitian (Ge You) establish a notorious beauty pageant called the Flowers Competition. All of the city’s elite attend the gala event, but when an unexpected winner is crowned, it sets into motion a series of tragic events that change their destinies. Per FilmBizAsia, Jiang’s Buyilehu Film told local media that it hopes the title will represent China at the Oscars next year. The film will be handled internationally by Sony Pictures Releasing International. December is a hot time locally for Chinese films with U.S. movies often out of the frame. FBA says other films believed to be eyeing a December release include Tsui Hark’s The Taking Of Tiger Mountain, Jean-Jacques Annaud’s Wolf Totem and Chen Kaige’s Taoist Mountain.
Global Showbiz Briefs: ‘Gone With The Bullets’ Gets China Release Date; ‘Samba’ Hitting French Theaters In October; More
‘Gone With The Bullets’ Sets China Release Date
Global Showbiz Briefs: EFA Announces European Documentary Noms; Pathé Lays Off 9, Will Cut Distribution Slate
European Film Academy Unveils European Documentary Nominees
The Act Of Killing, Stop-Over and The Missing Picture are the European Film Academy‘s nominees for Best European Documentary. The Act of Killing is a Denmark-Norway co-production from director Joshua Oppenheimer about Indonesian death squad veterans re-enacting their deeds musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Stop-Over (L’Escale) is a Switzerland-France co-prod from Kaveh Bakhtiari that centers on Amir, an Iranian immigrant in Athens whose modest becomes a place of transit for migrants who, like him, have chosen to leave their country. In the France-Cambodia pic The Missing Picture (L’Image Manquante), which won the Un Certain Regard Prize at Cannes, writer-director Rithy Panh addresses his family’s horrifying experiences during the Pol Pot regime’s reign over Cambodia from 1975-79. The winner will be announced during the European Film Awards on December 7 in Berlin.
The Royal Film Performance is the major annual fundraising event for the Cinema and Television Benevolent Fund, the UK charity that cares for industry employees and their families who are suffering hardship. Last year, Peter Jackson’s The …
As craftily built co-productions become increasingly attractive, Studiocanal executive Léonard Glowinski is moving on to launch Paris-based production structuring and financing group 22h22. Glowinski, who started out as a banker for BNP Media in the 90s, spent 10 years at Pathé before joining Studiocanal in 2009 as head of French and European productions. He tells me the new company will bring European backing to international producers on films with substantial budgets in order to best optimize financing and reduce risk. He intends to work with a small number of films from the outset, creating co-production packages that take advantage of the various mechanisms available throughout Europe including subsidies, local incentives and private equity. Films that Glowinski had a hand in structuring at Pathé include Oliver Stone’s Alexander, box office hit Asterix And Obelix At The Olympic Games and Julian Schnabel’s The Diving Bell And The Butterfly which he executive produced. At Studiocanal, he was involved in putting together Liam Neeson-starrer Unknown and Oscar nominee Tinker Tailor Soldier Spy.
What’s in a name? Well if the name is Adolph – and it’s what you plan to call your new baby – you can be sure there’s a hornet’s nest. That’s just the tip of the iceberg in Alexandre de la Patellière and Matthieu Delaporte’s hit Parisien play Le Prénom (The Name) which Pathé is bringing to the bigscreen. I’ve learned that the French major is co-producing and will begin international sales on the feature next week at the Rendez-Vous With French Cinema in Paris. The film stars Patrick Bruel, Valérie Benguigui, Charles Berling, Guillaume de Tonquédec and Judith El Zein. The premise is this: Expectant father Bruel is interrogated as to the baby’s name during a dinner at his sister and brother-in-law’s home. When he announces he’s chosen “Adolph,” the family is plunged into chaos. He defends the name on an intellectual basis – it is after all the title of a famous piece of 19th century literature by Benjamin Constant – but the family is having none of it. The bourgeois-bohemian living room satire extends to other discoveries about the family and was a hit at Paris’ Théâtre Edouard VII last year, drawing comparison to Harold Pinter.
EXCLUSIVE: Guillermo del Toro, The Jim Henson Company and Pathe are ready to go on Pinocchio, a 3D stop motion animated adaptation of the Carlo Collodi fairy tale that will be edgier than the 1940 animated Disney classic. Gris Grimly will co-direct with Mark Gustafson, and production will begin later …