The Library of Congress has unveiled its annual list of 25 films that will join the National Film Registry. The movies are culled from the period 1919-2002 and include classics like Rita Hayworth-starrer Gilda; sci-fi pic Forbidden Planet; western The Magnificent Seven; war drama Judgment At Nuremberg; Mary Poppins (fitting in a year where Saving Mr Banks, the story of that film’s genesis, is playing in movie theaters); astronaut epic The Right Stuff; Michael Moore’s Roger & Me; and Quentin Tarantino’s Pulp Fiction. Each of the 25 films will be preserved as cinematic treasures for generations to come. “The National Film Registry stands among the finest summations of more than a century of extraordinary American cinema,” said Librarian of Congress, James H Billington. “This key component of American cultural history, however, is endangered, so we must protect the nation’s matchless film heritage and cinematic creativity.” There are also some silent films on the list including Daughter Of Dawn, featuring an all-Native-American cast; 1919′s A Virtuous Vamp, starring Constance Talmadge; and 1926′s Ella Cinders. Earlier this month, the Library of Congress released a survey that found that 70% of American silent movies have been lost. In all, this year’s additions bring the number of films in the registry to 625. The complete 2013 list is below:
Bless Their Little Hearts (1984)
Part of the vibrant New Wave of independent African-American filmmakers to emerge in the 1970s and 1980s, Billy Woodberry became a key figure in the movement known as the L.A. Renaissance. Woodberry crafted his UCLA thesis film, “Bless Their Little Hearts,” which was theatrically released in 1984. The film features a script and cinematography by Charles Burnett. This spare, emotionally resonant portrait of family life during times of struggle blends grinding, daily-life sadness with scenes of deft humor. Jim Ridley of the “Village Voice” aptly summed up the film’s understated-but- real virtues: “Its poetry lies in the exaltation of ordinary detail.”
Brandy in the Wilderness (1969)
This introspective “contrived diary” film by Stanton Kaye features vignettes from the relationship of a real-life couple, in this case the director and his girlfriend. An evocative 1960s time capsule—reminiscent of Jim McBride’s “David Holzman’s Diary”—this simulated autobiography, as in many experimental films, often blurs the lines between reality and illusion, moving in non-linear arcs through the ever-evolving and unpredictable interactions of relationships, time and place. As Paul Schrader notes, “it is probably quite impossible (and useless) to make a distinction between the point at which the film reflects their lives, and the point at which their lives reflect the film.” “Brandy in the Wilderness” remains a little-known yet key work of American indie filmmaking.