Quentin Tarantino‘s Django Unchained re-opened yesterday in China to disappointing numbers after it was yanked suddenly from the country’s theaters last month. Some “minor changes” were made, according to Shanghai’s UME Cineplex. The re-do reportedly is three minutes shorter, …
UPDATE, 10:49 AM: Sony Pictures just announced that China is going to give Django Unchained another bow in theaters. This time, maybe it’ll even screen all the way through. The studio releasing the Quentin Tarantino actioner about race relations issued this announcement this morning: “We are delighted that audiences throughout China will be able to experience Django Unchained beginning Sunday, May 12th. There is tremendous excitement, anticipation and awareness for the film and we thank the local authorities for quickly resolving this issue.” On April 11, Django was booked into theaters around China only to be pulled within minutes into screenings without an official explanation. It has taken Sony and Chinese officials all this time to complete negotiations.
It stars the real Christoph Waltz and a fake Brad Pitt and lots of blood. Here is the Director’s Cut of Djesus Uncrossed from Saturday Night Live:
Jen Yamato is a Deadline contributor.
Action figures created for Quentin Tarantino’s slave pic Django Unchained are going for $300 apiece and up right now on sites like eBay after distributor The Weinstein Company announced today it was pulling they toys off the shelves. The dolls based on the Best Picture Oscar nominee prompted pundits and civil rights groups including Rev. Al Sharpton’s National Action Network to call for a boycott. The NECA-issued toys had been selling for $39.99 on Amazon and had been created “as a matter of course” for fans 17 years and older, according to the studio, which released a statement today announcing the move. “In light of the reaction to the Django Unchained action figures we are removing them from distribution. We have tremendous respect for the audience and it was never our intent to offend anyone. Action figures have been created for all of Quentin’s films including Inglourious Basterds, and as a matter of course produced them for Django Unchained as well. “They were meant to be collectibles for people 17 years and older, which is the audience for the film.” Right now, a complete set of the toys is bidding up past $1000 and counting on eBay.
Quentin Tarantino Has Heated Exchange With UK Journalist On Film Violence, Says “I’m Not Your Slave”: Video
Promoting Oscar-nominated Django Unchained, which had its premiere in London last night, Quentin Tarantino refused to repeat his position on violence in movies during an interview with Channel 4 Evening News host Krishnan Guru-Murthy. Asked about the link between movie violence and real violence, Tarantino responds …
With a filmography that includes roles in some of the highest-grossing movies of all time including The Avengers, Iron Man and the Star Wars series Samuel L. Jackson clearly knows how to pick ‘em. And that is entirely intentional. …
Quentin Tarantino‘s Django Unchained had been rumored as a surprise addition to November’s Rome Film Festival, but it never materialized on the roster. In October, fest director Marco Mueller told Reuters, “You will see Tarantino soon, here. You will see him here soon for a big surprise… You will see that Django will be stepping on the stage of the auditorium.” Fast-forward a couple of months and the fest now plans to honor Tarantino with a Lifetime Achievement Award on January 4 at a gala Django screening. (Although the 7th Rome Film Festival concluded on November 17, the honor will evidently act as an extension of that edition). Composer Ennio Morricone will present the award to Tarantino. A press release follows:
OPINION: Is anyone surprised that, following a one-week waiting period since 20 children and six others were gunned down in a Newtown, Conn. elementary school, the National Rifle Association would surface to pass the buck and blame the carnage on violent Hollywood movies and video games?
It has only been a few months since the last gun massacre, when 12 were killed and 58 wounded by an assault weapon-wielding madman during a midnight screening of The Dark Knight Rises. In the aftermath, I asked a number of filmmakers — and even studio moguls assembled at our The Contenders panel — if that tragedy caused them to re-evaluate the violence they depict onscreen. It’s a no-win question for studio moguls, and they were circumspect; they said they understood the responsibility of movies that project into the culture differently than other forms of media. But they haven’t dramatically changed the decision-making process on the movies they finance and distribute to the masses because they feel they already exercise responsible restraint. Quentin Tarantino — whom I interviewed before the Connecticut massacre — flat out rejects the notion that movie violence leads to the real thing.
“I think that guy was a nut,” Tarantino told me in Playboy Magazine, referring to the Aurora shooter. “He went in there to kill a bunch of people because he knew there would be a lot of people there and he’d make a tremendous amount of news doing it. That’s no different from a guy going into a McDonald’s and shooting up people at lunchtime because he knows a lot of people will be there.” When I asked him to address criticism that onscreen violence promulgates the real thing, Tarantino pointedly said, “I make violent movies. I like violent movies. I’m on record about how I feel there is no correlation between art and life in that way.”
Some of my favorite films, from The Godfather to Heat and Goodfellas, depict violence. I hate guns, have never owned one, and do worry about gratuitously violent films — particularly in the horror genre — and I won’t watch them. I do find it disconcerting that right after the last two major shootings that studios and TV networks had to alter movies like Gangster Squad and more recently change marketing on films like Jack Reacher because of parallels to tragic events. I don’t play video games, and personally loathe those that make players participants in warfare settings. That’s mainly because I feel it is the height of disrespect to the armed forces risking their lives, only to have their soldiering reduced to a form of mindless entertainment. But for a gun lobby to point the finger at Hollywood for semi-automatic killing sprees is preposterous and it’s too bad that we are only just waking up to that.
The spaghetti western namesake of Quentin Tarantino’s new movie is booked into select theaters, including the New Beverly in Los Angeles and Film Forum in New York, a few days ahead of Django Unchained, which debuts December 25th. Sergio Corbucci’s …
Here’s the latest theatrical trailer for Quentin Tarantino’s Django Unchained. With an all-star cast led by Jamie Fox, Leonardo DiCaprio, Kerry Washington plus Christoph Waltz, Don Johnson and many others, The Weinstein Company release rolls out December 25th:
What can I say, I have always gotten a kick out of Eli Roth. Even though I’ve only really seen him onscreen bashing Nazi brains with a baseball bat in Inglourious Basterds. I don’t have the aversion that my colleague Nikki Finke does for what she calls Roth’s “torture porn” offerings, because I never had the stomach to watch Cabin Fever or the two Hostel films. In the first place I grew up in an era of the original Night Of The Living Dead and Halloween, when it was enough to stalk promiscuous kids without harvesting their organs for profit. Regardless, Roth killed it at Toronto last week; before he even premiered the film he starred in and produced, Aftershock, he made a $2 million deal against gross and a guaranteed wide release for that film and another, Clown, about a dad who subs for a missing clown at his kid’s birthday party, can’t shed the clown white and slowly becomes a homicidal maniac. He’ll make a lot of money, as he always seems to, particularly because Aftershock only cost $2 million to make. But even more interesting is Roth’s grand plan to turn his flair for scare into a real empire.
DEADLINE: You made arguably the biggest deal at Toronto. Why did you sell it before it premiered?
ROTH: Anytime you make a movie the goal is a wide theatrical release, with the right distributor. Now that Lionsgate and Summit merged, there’s an opportunity for Dimension to make a move and become the horror powerhouse they were in the 90s and Bob told me, I want you to do what Robert Rodriguez and Quentin Tarantino did with us. Well, I’d made the Thanksgiving trailer for Grindhouse, and I developed the Stephen King novel Cell but I’d never done a movie with Dimension. On Cabin Fever, I offered it to Bob and then had to rush to sell it to Lionsgate before they found out Bob passed. When I first wrote Hostel, Bob said no, and when Screen Gems freaked and said they wouldn’t release it, I showed Bob the cut again. He said it was too violent, that he wouldn’t feel good putting it out into the world. Then it opened at $20 million and did $80 million on a $3 million negative cost. Those were the days when you could sell a lot of DVDs and we just hit the jackpot. Bob and Harvey apologized.
DEADLINE: Only in horror do you gross 25 times your budget.
ROTH: Even Hostel 2, which is Nikki’s favorite movie, I bought my parents a house with that one. We should all fail so well.
Los Angeles, September 19, 2012 – The British Academy of Film and Television Arts Los Angeles® (BAFTA Los Angeles), which is celebrating its 25th anniversary this year, has announced they will honor Daniel Craig, Quentin Tarantino, Trey Parker and Matt Stone, and Will Wright at the 2012 BAFTA Los Angeles Britannia Awards on Wednesday, November 7, 2012 at the Beverly Hilton Hotel. For the first time ever, the BAFTA Los Angeles Britannia Awards will broadcast on BBC AMERICA, airing in primetime November 11, 2012 at 8pm ET as a two-hour special, preceded by the Britannia Awards Pre-show Special at 7:30pm ET.