Harvey Weinstein tells the Huffington Post that Hollywood “can’t shirk our responsibility” for depicting violence. During yet another personal publicity push for one of his movies (French import The Intouchables), Weinstein acknowledged, ”It’s a question that I wrestle with all the time. I’ve been involved with violent movies,” said the studio head who has produced all of director Quentin Tarantino’s blood-spattered films, including the upcoming slave-era revenge fantasy Django Unchained, “and then I’ve also said at a certain point, ‘I can’t take it anymore. Please cut it.’ You know, you’ve got to respect the filmmaker, and it’s a really tough issue.” Weinstein also said, “I think, as filmmakers, we should sit down – the Marty Scorseses, the Quentin Tarantinos, and hopefully all of us who deal in violence in movies – and discuss our role in that.” As a successful screenwriter pal of mine emailed about Harvey’s ‘summit’ call: “Wonderful. It’s going to take place at the corner of Hubris St. and Hypocrisy Blvd, in the city of Sanctimony, right near the Self-Righteous Cineplex.”
Luke Y. Thompson is contributing to Deadline’s coverage of Comic-Con.
Django Unchained a Shaft prequel? Really? There’s one more week of shooting on Django, and they just did scenes with Jonah Hill as a member of the Regulators (the pre-Civil War version of the KKK). Quentin Tarantino said it turned into one of the funniest scenes he’s ever done, which he says is up there with the name-colors conversation in Reservoir Dogs. There is one character in the movie that ties into the larger Tarantino-verse which he’s keeping a surprise, but he says Kerry Washington‘s character Brunhilde von Shaft is, in his mind, an ancestor of John Shaft – this prompted QT to start singing the theme song out loud. The panel was moderated by Anthony Breznican from Entertainment Weekly, who said he needed a whole new level of grandiloquent profanity to describe Django, a “twisted, bloody fairy tale,” before introducing Jamie Foxx, Walton Goggins, Don Johnson (with Jeff Bridges-looking facial hair and gray ponytail), Christoph Waltz (long hair and a bushy white beard that almost looks false, like Santa Claus), Washington, and Tarantino (in a leather jacket, dorky felt fedora, and a T-shirt depicting many of his characters as kids playing in a sandbox).
Here’s the latest TV promo for Quentin Tarantino’s Django Unchained, which The Weinstein Company is releasing Christmas Day. This follows news over the weekend that the distributor plans a Comic-Con panel set for the convention’s Saturday schedule where it will show more footage.
Related: Hot International Trailer: …
Luke Y. Thompson is contributing to Deadline’s Comic-Con coverage. This year’s event runs July 12-15.
Ever since 20th Century Fox showed the naked wrestling scene from Borat a few years ago at Comic-Con, the convention has been a lot stricter about R-rated clips, and companies like The Weinstein Co. and Lionsgate have scheduled off-site events for edgier genre fare such as Machete and the later Saw sequels. But when an icon of pop culture asks for a panel at the biggest pop-culture convention, well, you give Quentin Tarantino a Saturday slot in Hall H to show Django Unchained clips. Cast members who’ll attend were not announced in the Saturday lineup posted today. That may mean they probably don’t know if Jamie Foxx’s schedule will allow it for sure (last time I remember him coming down was for Stealth. Remember that one?). Similarly, the special guests for Marvel’s Iron Man 3 panel also remain anonymous so far, though I’ll be amazed if Robert Downey Jr. doesn’t show up, as he tends to make appearances every year. Expect that Marvel panel to also show something for Thor 2, and maybe make a more formal announcement about Edgar Wright’s Ant-Man and the Russo brothers’ Captain America sequel.
The Warner Bros-Legendary panel is shaping up as the must-see of the show, with footage from The Hobbit: An Unexpected Journey and Zack Snyder’s Superman movie Man Of Steel the obvious draws, and Pacific Rim (aka Guillermo del Toro’s “giant fucking monsters against giant fucking robots”) likely to please. Rumors have been circulating that there may be another giant monster in the house, as Legendary has a Godzilla remake in the pipeline.
Here’s the first look from The Weinstein Company at Django Unchained, Quentin Tarantino’s drama about a slave who’s freed by a bounty hunter and tries to get back to his wife. In his way are some bad, bad people, …
EXCLUSIVE: Rex Linn is best known for his role as “Det. Frank Tripp” on CSI: Miami. Now he’s taking time out of the TV shooting schedule to join Quentin Tarantino’s star studded cast of Django Unchained. Linn will play the role of “Tennessee Harry”.
BAFTA Guru has kicked off with the aim of offering entertainment industry expertise via a library of interviews, lectures, master classes and debates culled from the UK academy’s access to “some of the best minds in film, TV and video games.” Its target is 18- to 30-year-olds looking for advice …
EXCLUSIVE: Anthony LaPaglia has joined Quentin Tarantino’s Django Unchained cast. LaPaglia will play the leader of a group of greedy Australians who encounter slave-turned-bounty hunter Django (Jamie Foxx) as they are escorting a group of slaves recently purchased as fighters. LaPaglia said he and Joseph Gordon-Levitt will play mean brothers, and LaPaglia said he was bowled over by the script. “It’s wildly ambitious and imaginative, deals with that subject matter in a way it hasn’t been dealt with before,” LaPaglia told me. “The way the cast has shaped up, it’s exciting to be involved.” It will be the second film in a row where LaPaglia can readopt the Australian accent he grew up with but dropped for many of his Hollywood roles and the series Without A Trace. He wrapped the PJ Hogan-directed Mental with Toni Collette and Liev Schreiber, a film that LaPaglia said is partly based on the filmmaker’s own experiences. “I play the father, who in real life had committed his mother to a mental institution, who had five kids, picked up a hitchhiker [Collette] on the way back and said, you’re taking care of the kids now.” LaPaglia said Hogan got rights to tunes from The Sound Of Music, and uses them in unexpected ways. “I absolutely assassinate “Edelweiss,” just tear it to shreds so badly that I’m sure Christopher Plummer would have a fit. It was meant to be terrible, and it is.”
Across town, as President Barack Obama was drawing every celebrity not in contention for awards this season, the 15th annual Hollywood Awards Gala was taking place at the Beverly Hilton. All of the Oscar hopefuls who agreed to show up to accept an award were there in their Monday finest as this was a place to be seen if you want an ego boost at this early point in the season.
With 19 above- and below-the-line categories to plow through, this was a surprisingly fun show that, if it didn’t already exist, Hollywood would have to find some way to invent. Billed as the ”official” kickoff to awards season (if you don’t count all those film festivals we’ve just been through), The Hollywood Awards were created — and basically chosen — by executive director Carlos de Abreu, who, with Janice Pennington, founded the gala and accompanying film festival. They are the result of a months-long negotiation between him and the studios and distributors, who are using this early opportunity to get key positioning for the players they hope to advance during the long awards season leading ultimately to Oscar. The only caveat is that to get the award, you have to agree to show up.
This year, de Abreu has his pulse on some real contenders and handed out acting awards to — among many others — Michelle Williams, George Clooney and Christopher Plummer, who all could realistically be considered close to frontrunners in their respective categories.
A real highlight of the show was when Marilyn Monroe’s Oscar-nominated Bus Stop co-star Don Murray showed up to present Hollywood Actress of the Year to Williams, who plays the iconic star in The Weinstein Company’s My Week With Marilyn. “I’m the last of the the on-screen lovers of Marilyn Monroe, and I still just happen to have a body that actually works, ” the 82-year-old actor said to much laughter. “Michelle re-created moments I was so intimately familiar with as I spent 14 months working with Marilyn. There’s not one thing in this film that’s not truthful. It was a revelation. Michelle’s performance made me appreciate Marilyn Monroe so much more.”
Williams, noticeably nervous, said her friends always wanted to see her win a award so she could basically sweat through the experience. She did well though, closing with a touching perception about Monroe. “It seems to me that all Marilyn Monroe wanted was to be taken seriously as an actress, and she studied so hard and never really got there,” she said, adding that it was ironic Williams herself could get this kind of recognition that so eluded the star she played.