Keanu Reeves makes his directorial debut with this drama set in modern Beijing. Man Of Tai Chi follows a young martial artist (Tiger Chen) who must compete in an underground fight club to protect his way of life. Reeves also stars along with Karen Mok in the Michael …
Once an addendum to the overlapping music event, the SXSW Film Festival solidified itself in the top tier of U.S. film events in the mid-2000s after specialty distributors made it an annual mainstay. And they have been coming back.
SXSW’s not-so-secret trump card may be its overlapping music and tech-centric Interactive events. The throngs of people who attend all three big events certainly exacerbate the annual challenge of finding hotel rooms, making flight reservations and even getting a place to eat in downtown Austin, but the energy of thousands who come to the city has not only been a boon to the festival’s bottom line (it is a for-profit enterprise), but it has developed a creative dynamic that is rarely matched. And clearly so-called Indiewood and beyond have embraced the festival.
“(SXSW) almost always has the most recent innovation and all of a sudden, in the post-Twitter blow up, there were huge groups of people who had never been there going to these three siblings, Music, Film and Interactive,” said Tom Quinn, co-president of new Weinstein Company label Radius. “On any given night it’s hard to tell what is the lifeblood, but from a distributor POV it’s fascinating to see.” Quinn first attended SXSW eight years ago as an exec at Magnolia Pictures, picking up sci-fi feature Monsters at the festival in 2010, one of a number of watershed moments that has kept the event on the map.
This is the second deal for Tom Quinn and Jason Janego’s Radius after they acquired the Sundance comedy Bachelorette. Here they will release the remake of Pusher, the 1996 debut film by Drive helmer Nicolas Winding Refn. The film’s about a London drug pusher grows increasingly desperate over the course of a week after a botched deal leaves him with a large debt to a ruthless drug lord.
New York, NY, February 9, 2012 – The Weinstein Company (TWC) announced today that its new label, Radius-TWC, has acquired from Gaumont the U.S. and Caribbean basin distribution rights to PUSHER, an English-language remake of the 1996 cult hit directed by Nicolas Winding Refn (DRIVE) and written by Refn and Jens Dahl. Refn was closely involved in the production of the remake, which is directed by award-winning young filmmaker Luis Prieto (BAMBOLEHO) and written by Matthew Read. PUSHER is produced by Rupert Preston for Vertigo Films, and by Christopher Simon and Felix Vossen for Embargo Films. Nicolas Winding Refn is the executive producer. The announcement was made by Radius-TWC Co-Presidents Tom Quinn and Jason Janego.