Watch the 85th Academy Awards red carpet parade right here on Deadline beginning at 2:30 PM Pacific via AP’s live feed. Later on we’ll post a full fashion report by Deadline contributor Monica Corcoran Harel. To watch click over to the jump. Autoplay is off for the stream, but the commercial plays when your browser refreshes. We’ll try to get that fixed. READ MORE »
Monica Corcoran Harel is contributing to Deadline’s Emmy coverage
Movie stars are not like you and me. But TV actresses? Not so far off. What always makes the red carpet at the Emmys so very appealing is the fact that some of these show ponies are short and maybe even a little stubby — in a good way. Seeing our favorite near mortals is actually enlightening and not just intimidating.
Take the nominated funny ladies. Tina Fey went regal and looked stunning in a deep burgundy strapless Vivienne Westwood column gown with an architectural bodice. Her tastefully teased upswept hairstyle lent a few inches to her frame and rendered her someone you wouldn’t dare disrespect. Amy Poehler — fresh off a break-up from her husband Will Arnett — smartly opted for sexy in a sequined Stella McCartney halter gown that proved she hasn’t been hibernating with vats of Haagen-Dazs. Kristen Wiig, bedecked in a creamy, diaphanous Balenciaga that contrasted with her newly raven hair, paired her dress with sandy suede pumps that made me wonder if she said, “Screw the pedicure” this morning and slept in. Um, who can’t relate to that eleventh-hour decision?
When it came to color trends, red, silver and blue easily won out. Nominee Mayim Bailik in Pamella Roland (looking like your favorite cousin at a wedding), voluptuous Kat Dennings in J. Mendel (looking more like your husband’s favorite cousin) and Gretchen Mol all chose variations on the hue. Lucy Liu, outfitted in a deco-inspired and armor-like metal Versace, claimed that her dress was “heavy.” I suspect her gown also reflected the merciless sun on anyone nearby with the intensity of a hair removal laser. Nominee Connie Britton — wearing a fabulous Andrew Gn gown with a halter trimmed in crystals and a chic belt — shone like a beacon of glamour for fortysomething women. Ditto for Jane Krakowski.
The ladies in blue category swept the farthest and widest though. Among them, the nominated Sofia Vergara, in a deep turquoise sequined Zuhair Murad gown with a back that showed off the dimples above her posterior, came out on top. That woman works a dress like a farmer works an ox! Hayden Panettiere’s sari-like blue tulle and embroidered gold brocade Marchesa gown felt like a bit too much fabric for such a young star, though it still stood out.
UPDATED: The Who’s Who from the small-screen world were all dressed up for television’s biggest night. Here is a look at the movers and shakers from the TV network, studio and agency world who walked the red carpet of the Primetime Emmy Awards. (Photos by Getty Images)
If you were watching the Oscar Red Carpet arrivals on Sunday, you saw Sacha Baron Cohen’s character from The Dictator get handled roughly by two burly security guys after dumping what he said were the ashes of North Korean leader Kim Jong Il over Ryan Seacrest’s tuxedo. It looked like he was going to be carted off in handcuffs, but what happened after?
Baron Cohen wasn’t removed. He was merely hustled away from the ash-covered Seacrest, and while he was relieved of his urn, Baron Cohen continued to parade in character for a quarter mile of Red Carpet soundbites. He didn’t attend the Oscars, but that wasn’t the Academy’s choice. I’m told the Academy bent over backwards to welcome Baron Cohen. Aside from okaying his Dictator garb choice, they set aside a dressing room so that he could change into a tux after and attend the ceremony. Once he completed that lap, Baron Cohen then entered the dressing room and emerged in his tux. But he did not use the Oscar tickets; he ducked out, got in a limo and headed right over to Vanity Fair’s viewing dinner party at the Tower Hotel. He never even sat down in the auditorium.
Monica Corcoran Harel is contributing to Deadline’s Oscar coverage.
Unlike monotonous years past when a color or style prevailed, tonight’s Academy Awards Red Carpet teemed with extremes. Actresses either went strapless and exposed chiseled clavicles or opted for demure long sleeves. Some coerced their hair into crazy Cinnabon updos, while others played it loose with windswept, just-got-lucky-in-the-limo waves. All in all, it was a good night for fashion. Meryl Streep channeled a female Oscar in gold lame Lanvin, Rooney Mara didn’t wear black and Sacha Baron Cohen claimed to be wearing “Galliano with socks from K-Mart.”
When it came to color, a majority went white — a hue the costume designer Edith Head once said “can be gay or somber.” In the case of 20-year-old Shailene Woodley in a mod Valentino Couture gown, the look was a bit matronly and Babe Paley circa 1960 for such a dewy star. Gwyneth Paltrow, whose bright white Tom Ford column gown with an architectural duster stood out like spilled milk, looked bright and awake. Rooney Mara, however, seemed more like a Tim Burton Goth bride in her Givenchy dress with a bondage-style back and transparent train.
Red, too, made a strong showing thanks to Natalie Portman, Emma Stone and Michelle Williams. Portman’s vintage polka-dotted Christian Dior gown was charming, though the hem was slightly wrinkled. (Shouldn’t limos come equipped with steamers?) Stone’s scarlet Giambattista Valli — embellished with a toaster-sized bow on the left shoulder — had critics hissing that it was too redolent of the Balenciaga dress Nicole Kidman wore to the 2007 Oscars. Oh, stop. Doesn’t Hollywood make the same movies every year? Williams, ever the gamine, looked great in that coral Louis Vuitton with a sweet peplum waist that gave her some curves.
Monica Corcoran is contributing to Deadline’s Golden Globe coverage.
It wasn’t the best of dresses or the worst of dresses. Rather, this year’s red carpet at the Golden Globes felt more like a Baltimore debutante ball than a ribald Hollywood awards show. Updos didn’t crest like tsunamis, diamonds seemed to be hibernating, and the only cleavage worth ogling came compliments of Sofia Vergara and Salma Hayek.
If nothing else, a nude dress contrasts well with the red carpet. But a bevy of blush gowns hardly induces fashion envy. Charlize Theron, Angelina Jolie, Kristen Wiig and Kate Beckinsale all chose the tame epidermis hue, though Jolie’s slash of crimson at the neckline of her Atelier Versace gown — like a gash to her clavicle — certainly added Shakespearean drama. Purple, too, made a popular showing among nominees like Octavia Spencer, Shailene Woodley, Julianna Margulies and Emma Stone. (The royal color has been heralded as the “it” shade for spring.) Metallics, an awards-show favorite and a shortcut to glamour, turned up on Diane Lane (pictured right), Madonna, Lea Michele and Nicole Richie. Lane’s gilded Reem Acra aced best dress; Michele’s risque molten silver Marchesa didn’t work because the young actress tried to outshine it. Shades of blue — from navy to cerulean — also proved a popular choice. Jodie Foster, bedecked in a beaded teal Giorgio Armani gown with a strapless corset and a cinched waist, looked feminine and unflappable.
As for skin, there were few plunging necklines. Sigh. Jolie, Jessica Biel and Viola Davis relied on center or side-slits to bare a bit of gam, and it was much appreciated. Rooney Mara’s tough-girl-next-door black Nina Ricci offered glimpses of her skim milk torso, with its bondage-like chiffon cut outs. Glee’s Dianna Agron and Michele competed for squint-worthy exhibitionism with their laser-cut gowns, but neither quickened my pulse. When it came to jewels, oversized earrings stole the show. FYI: If the unemployment rate hovers at 8.5%, stars tend to wisely eschew the quail egg-sized diamonds and blinding ruby chokers. Then, there’s Madonna. The best original song in a motion picture winner wore $2.5 million worth of Neil Lane gems, including half a dozen diamond and platinum cuff bracelets. Material girl, indeed.
In the end, I say, “all hail Tilda Swinton.” The statuesque fashion-forward icon — with the arm span of a yeti — didn’t disappoint in an ice blue Haider Ackerman skirt suit with strong, sharp shoulders. The red carpet always seems to part for Swinton and she deserves it.
Here’s the list of who wore who: