Sunday night saw three season finales as The Amazing Race (2.3/6), The Mentalist (1.7/5) and Red Widow (0.9/2) wrapped up their runs. The long-running CBS reality series ended its 22nd season with a two-hour finale that was the highest-rated regularly scheduled show of the night. Still, Race dipped 4% from its April 28 show and was down 15% from the 2.7/7 of its Season 21 finale on May 6, 2012. The Mentalist followed and concluded its fifth season with the true identity of serial killer Red John narrowed to seven names. The second-most-watched show of the night, the police procedural bopped up 6% from last week. However, compared to its Season 4 finale on May 17, 2012, Mentalist was down 32%. Earlier in the night, 7 PM’s 60 Minutes (1.2/4) was the most-watched show of the night with 10.50 million viewers, though it fell 20% to a season low. With 9.393 million watching, CBS won Sunday in total viewers, while Fox was tops in adults 18-49. READ MORE »
Dancing With The Stars just returned this week for its 16th cycle, and today ABC announced that the reality competition series will head off the dance floor this season May 20 with a performance show and on May 21 with a live two-hour results show. Additionally, new reality series Splash will end its freshman season May 7, Revenge will wrap its second season May 12 and fellow drama Red Widow will end its first season May 5. The network announced other shows’ season enders: Check out the full list so far from ABC here:
ABC‘s Red Widow arguably had the biggest marketing campaign of any midseason series, including plum spots during the network’s Oscar broadcast last Sunday. For all that promotional blitz, the two-hour premiere of the mob drama fell short, extending the underwhelming track record of this year’s crop of broadcast midseason replacements. Red Widow drew a 1.4/4 among adults 18-49 from 9-11 PM and 6.9 million viewers. That was down 36% from last midseason’s debut of GCB and this fall’s opener for 666 Park Avenue. Both Sunday 10 PM ABC dramas had hourlong premieres and both have been cancelled. On the bright side, Red Widow saw very little audience erosion throughout its two-hour debut, indicating a possible future cult following. Leading into Red Widow was Once Upon a Time (2.1/6), which didn’t benefit from the Oscar exposure either, down 13% from its last original two weeks ago to a series low.
Diane Haithman is contributing to Deadline’s TCA coverage.
The ongoing winter TCA in Pasadena has introduced a number of new shows with serialized, mystery and/or whodunit plot lines: Sundance’s Ripper Street and DirecTV’s Rogue, to name a couple. At several TCA panels, a big question has been whether the episodes ordered for the show will lead the audience to a satisfying story conclusion — or leave audiences tweeting in post-traumatic frustration as they did when The Killing failed to solve its whodunit at the end of its first season.
ABC’s new drama Red Widow tells the story of Marta Walraven (Radha Mitchell), a housewife forced to continue the work of her organized crime husband Franklin after he is assassinated in a drug-related incident. The series is based on the 2010 Dutch drama series Penoza. Following today’s TCA panel on the show, executive producer Melissa Rosenberg promised that the 8 episodes ordered would wrap up key plot points.
EXCLUSIVE: Twilight writer Melissa Rosenberg is formalizing her relationship with ABC Studios with an overall deal. The rich pact for Rosenberg and her Tall Girls Prods, which is being finalized, stems from her partnership with the studio on the upcoming midseason ABC series Red Widow. Rosenberg wrote the drama, an adaptation of the Dutch series Penoza, and is executive producing/showrunning for ABC Studios and Endemol. The series stars Rahda Mitchell as a widow of an assassinated criminal who is suddenly forced to adopt her late husband’s role in order to protect her family.
ABC’s The Neighbors - Comedy
Produced by ABC Studios. From writer/executive producer Dan Fogelman and executive producers Aaron Kaplan, Jeff Morton and Chris Koch. Directed by Chris Koch (pilot):
ABC’s 666 Park Avenue – Drama
Produced by Bonanza Productions in association with Alloy Entertainment and Warner Bros Television. From writer/executive producer David Wilcox and executive producers Matthew Miller, Leslie Morgenstein, Gina Girolamo. Directed by Alex Graves (pilot):