The crew of the unscripted series Master Chef that airs on Fox have secured a union contract with health and retirement benefits under terms negotiated by IATSE and the Motion Picture Editors Guild. The contract for the Shine/Reveille show was negotiated without a work stoppage, organizer Rob Callahan said, although it was rumored that shooting was disrupted temporarily today. Local 700 will explain details on retroactivity and other negotiated terms in the contract to crew members in the days to come.
Former ‘Daily Show’ EP Josh Lieb Sells Comedy To NBC With Nick Thune, Another One To Fox Produced By Jack Black’s Co.
EXCLUSIVE: Former Daily Show executive producer Josh Lieb has sold two multi-camera comedy projects — one at NBC with actor-comedian Nick Thune and one at Fox that Jack Black’s company is producing. Both hail from Warner Bros Television.
The Lieb/Thune comedy received multiple offers before landing at NBC with penalty. Lieb and Thune will write the script for the project, which centers on a heartbroken hipster who quits his job and city life and moves to a small Oregon town. Thune is attached to star, while Lieb would showrun behind the Fox project, which is in first position. Lieb will executive produce, Thune will co-executive produce. Thune, repped by WME and 3 Arts, has starred in NBC comedy pilots for the past two seasons, Beach Lane in 2010 and I Hate That I Love You last year.
Lieb’s Fox comedy, which has a script commitment, is co-produced by WBTV, Jack Black’s Electric Dynamite and Reveille, where the company has an exclusive production deal. Written and to be executive produced by Lieb, the untitled project centers on a newly divorced father of two who asks his twentysomething sister to move in with him and help him restart his life. After a four-year stint as Daily Show executive producer, WME-repped Lieb left the hit Comedy Central show at the beginning of the year to …
EXCLUSIVE: Reveille has inked a development deal with Break Media to create original digital series for the digital comedy content creator and distributor that reaches some 140 million people each month. Under the deal, Reveille will develop a slate of original comedic digital pilots for Break. This marks the first major digital deal for Reveille following the company’s recent executive restructuring, which installed a new management team, including SVP David Anderson, the company’s new head of digital. This also is a first major content deal for Break following the hire in March of former Endeavor agent Greg Siegel as SVP Entertainment Development. Reveille’s digital series portfolio includes Who Knew?, Fit to Boom and Real-Life Makeover With Holly Robinson Peete as well as It’s Everybody’s Business With Jack and Suzy Welch, which migrated from from online to air on CNBC.
EXCLUSIVE: NBC’s weight-loss reality series The Biggest Loser will be going into its upcoming 12th season without co-producing company 3 Ball Prods., which has been suspended from the show. J.D. Roth and Todd Nelson’s 3 Ball was brought in by Reveille and 25/7 at the very beginning to run physical production on the series created by Reveille’s Ben Silverman and Mark Koops and 25/7′s Dave Broome. “We can confirm that 3 Ball Prods. are not serving as active producers on The Biggest Loser for the time being,” Reveille said in a statement to Deadline. “Reveille will be assuming all production responsibilities for the long running franchise, with 25/7 Productions also continuing to serve as executive producers.“ (Since they first partnered on Loser, both Reveille and 3 Ball have been acquired, by Shine Group and Eyeworks, respectively.) Neither Reveille or 3 Ball would comment on the reasons for the split, which, at least for now, is temporary. There are 2 theories floated by sources. One is tied to a recent audit of the backend participation on The Biggest Loser, which Roth and Nelson allegedly raised questions about. The other is connected to Reveille’s recent shift in strategy to bulk up its executive ranks with creative and production executives. The company’s new president, Eden Gaha, is a veteran reality series showrunner. Reveille also tapped Linda Giambron as …
EXCLUSIVE: BBC Worldwide Prods. SVP Linda Giambrone has joined Reveille as SVP and head of production. Reveille didn’t have anyone officially in the role, and tapping Giambrone — who has two decades of hands-on producing experience on reality, variety, talk, news and game shows — is part of the company’s new strategy to go for creative/producer-types for its new top management team, starting with the recent hire of Eden Gaha as president. Also joining Reveille is Daryl Berg as executive director, music. He was previously director of music for Fuel TV. Giambrone joined BBC Worldwide Prods. in 2005, when she was tapped to launch the company’s mega reality hit Dancing With the Stars. She was promoted to VP in 2007 and SVP in 2008, when she also got additional responsibilities with the international sales and distribution department and the various BBC Worldwide global production offices, as well as the launch of the company’s U.S. scripted business.
The last of Ben Silverman’s three musketeers who launched Reveille with him is leaving parent company Shine Group. Chris Grant, who has served as president of sales and distribution arm Shine International since Shine’s 2008 acquisition of Reveille, will depart later this year, along with his top lieutenant, EVP John Pollak. The move is a result of News Corp-owned Shine Group’s decision to relocate the headquarters of its sales and distribution unit to London, where Shine’s main offices are, from Los Angeles. Grant, who has chosen not to relocate, will work through a six-month transitional period and help in the search for a London-based successor. Shine Group President Alex Mahon will be taking oversight of Shine International in the interim. ”At this stage of the company’s growth, Shine International needs its headquarters alongside our teams that manage and exploit group formats, brands and digital rights, with local sales experts in our global production centres of excellence,” Mahon said.
Shine International will keep a presence in LA with a small office. Pollak will continue in his role as Head of Sales until the end of the year, remaining in the US. SVP Business and Operations Martin Rakusen will relocate to the London office. “I am incredibly proud of the substantial growth that Shine International has achieved since we started the company, and particularly in the last few years since joining the Shine Group,” Grant said. “These changes are absolutely right for the business at this point in its development, however, LA is my home, and rather than relocate, it is also a good time for me to allow my colleagues to build on the success we have, together, created.”
In light of the pending exit of Reveille managing director Howard T. Owens, Eden Gaha, a longtime Mark Burnett collaborator and showrunner of NBC’s Celebrity Apprentice, has been named Reveille president. Reveille’s parent company Shine Group had been looking to tap creative and producer types in the top management positions for the next phase of the company, and Gaha fits the bill. This has become an industry-wide trend over the past year, with several production companies appointing top producers for management posts, especially on the reality side, including Zodiak USA. Gaha is not directly replacing Owens as Owens had been overseeing the entire Reveille slate: unscripted, scripted, digital and brand integration. Gaha will run the reality/digital/brand operations, while Shine Group Americas CEO Emiliano Calemzuk will oversee scripted development and production. Here is the release, which includes several other recent executive appointments at Reveille:
LOS ANGELES, CA (May 6, 2011) – It was announced today that Eden Gaha has been appointed to the position of President, Reveille, LLC. Show runner of the successful Celebrity Apprentice franchise since 2006, Gaha will head Reveille’s unscripted, creative, development, digital and brand integration departments. Starting in June, he joins a series of recent production hires at the Shine Group-owned company, and reports to Shine Group Americas CEO Emiliano Calemzuk, who will continue to oversee the company’s scripted output.
EXCLUSIVE: The era of the Reveille of Ben Silverman is officially over — Howard T. Owens will step down as managing director of the Shine-owned company in June when his contract is up. He plans to spend time with his family while consulting for Reveille through the end of the year. A search for Owens’ replacement is already under way. Owens was Reveille’s first employee when Silverman launched the company in 2002. He was one of a core troika Silverman brought with him from WMA, along with Chris Grant and Mark Koops, who together took over running the company when Silverman left for NBC. Following Shine’s 2008 acquisition of Reveille, Grant became head of Shine International, with Owens and Koops becoming co-managing partners of Reveille. Then last September, a month after Emiliano Calemzuk took oversight of Reveille as CEO of Shine Group Americas, Koops exited and Owens became the sole managing director. (Elisabeth Murdoch’s Shine Group was recently acquired by News Corp.)
Insiders tell me that the decision not to renew Owens contract was a strictly business one and reflects the different management style the company is going for for its next stage as it is moving from the agent and sales skills required early on to build a programming slate to a more producer- and creator-type approach sought for a company that has already established big franchises such as …
This weekend, the 2011 National Association of Latino Independent Producers Conference is meeting in Newport Beach. Now in its 12th year, the confab is attended annually by Latino actors, executives, producers, and those interested in Latino film and television content. This year’s theme is “The New Now: Defining the Future Together”. But the most recent TV report card from the National Latino Media Council accused the four major TV networks of declining Latino diversity both in front of and behind the camera. “This was a terrible year for Latinos at the networks,” summed up NMLC president Alex Nogales. And among broadcast pilots for the 2011-2012 season, there’s only the CBS pilot starring Rob Schneider as a confirmed bachelor who has just married into a tight-knit Mexican-American family, and Fox’s Little In Common which includes a Latin family. The last Latino show on a network was ABC’s telenovela adaptation Ugly Betty which debuted to critical acclaim in 2006 but never enjoyed the network’s full support. When it was cancelled a year ago, Deadline TV contributor Diane Haithman first talked with its 36-year-old showrunner Silvio Horta and then again after the NLMC report card came out:
DEADLINE: What are your thoughts about the National Latino Media Council’s network report card?
SILVIO HORTA: Look, I think there are 50 million Latinos in the U.S. To have more Latino faces and more Latinos working in the industry would seem not just good for diversity, it seems like good business. Personally, I’d rather see accurate and well-done portrayals, and a …
Part of a series that takes an analytical look at the current broadcast pilot season and some of its trends and heroes.
It has been a big year for non-writing producers this pilot season, the biggest since the so-called “invasion of the pod people” in 2003 when the broadcast pilot season and May series pickups for the first time were dominated by shows developed via pods, i.e. companies run by non-writing producers based at major studios.
There are a lot of familiar faces – some of the overachievers of the 2003 season are back in full force: Eric and Kim Tannenbaum, Brillstein Entertainment and Reveille as well as Imagine TV and Marty Adelstein. But Bruckheimer TV, a pilot season staple for the past decade and a top performer in 2003 with 3 pilots, all picked up to series, is without a pilot for the first time in years. (However, the company’s Fox project, a dramedy based on the life of music supervisor Kathy Nelson, has been pushed and remains in contention.)
But the big news this pilot season are the upstarts, companies formed in the past year-and-a-half, which have done very well. Leading the pack is the 20th TV-based Chernin Entertainment, which has had a dominating performance with 5 pilots this season: the Kiefer Suthaland starrer Touch, which is expected to get an episodic order at Fox, Stephen Gaghan’s cop drama S.I.L.A at NBC, Fox’s untitled Liz Meriwether comedy starring Zooey Deschanel, Fox comedy Outnumbered and NBC comedy Lovelives. The company already has 3 upcoming series, Fox’s Terra Nova - which it is co-producing with 2 of the other top performers this pilot season, DreamWorks TV and Kapital Entertainment – Fox’ animated comedy Allen Gregory and A&E’s Breakout Kings, which also started on broadcast.
Other recently formed TV companies that landed pilots this season include Aaron Kaplan’s indie Kapital Entertainment (ABC’s comedy Bad Mother, ABC dramedy Good Christian Bitches, NBC Western The Crossing), Alex Kurtzman and Roberto Orci’s 20th TV-based K/O Paper Products (Fox’s Ethan Hawke starrer Exit Strategy directed by Antoine Fuqua and another Fox drama, graphic novel adaptation Locke & Key), Josh Schwartz and Stephanie Savage’s Warner Bros.-based Fake Empire (ABC soap Georgetown starring Jimmy Wolk, the CW drama Hart of Dixie starring Rachel Bilson), Shawn Levy and Marty Adelstein’s 20th TV-based 21 Laps/Adelstein (ABC’s untitled Jack Burditt comedy starring Tim Allen), Wyck Godfrey and Marty Bowen’s ABC Studios-based Temple Hill (ABC’s drama Revenge directed by Phillip Noyce) and Scot Armstrong and Ravi Nandan’s UMS-based American Work (NBC’s untitled Lennon Parham/Jessica St. Clair comedy)
In another twist this year, three independent production companies that operate outside of the studio system are having a great year. DreamWorks TV, a strong performer in 2003 with 5 pilots, 2 of which, Las Vegas and Line of Fire, went to series, has 3 pilots this year, second only to Chernin Entertainment, and tied with two another indies, Reveille and Kapital, as well as the ABC Studios-based Brillstein Entertainment and CBS TV Studios-based Tannenbaum Co. DreamWorks has NBC’s Broadway-themed Smash starring Debra Messing, ABC’s horror thriller The River directed by Jaume Collet-Sera and Fox’s Locke & Key. Reveille, which in 2003 had its Coupling remake picked up to series, has NBC comedy pilot My Life As an Experiment, Fox comedy Tagged and CW drama Awakening.