EXCLUSIVE: Ridley Scott has optioned screen rights to Fae, the young adult fantasy bestseller written by sibling authors Colet and Jasmine Abedi. The title was published last summer by Diversion Books and is the first in a trilogy. Protagonist Caroline Ellis reaches 16, a birthday that triggers the battle fated for centuries between the Dark and Light Fae, forcing her to confront who she is and discover whether her tumultuous relationship with Devilyn Reilly, who’s battling the power of the Dark within him, will destroy them both along with humanity. Scott and Giannina Facio will produce. The book has been a big bestseller in digital, and become a Twitter, Facebook and Pinterest phenomenon. The authors have completed the first sequel, The Dark King. They are repped by lit agent Lisa Gallagher from Sanford J. Greenburger Associates.
EXCLUSIVE: While Ridley Scott is taking on the massive Moses movie Exodus with Christian Bale and Joel Edgerton, he and producing partner Giannina Facio have been meeting with A-list writers for what he hopes will be the next film he directs. Scott wants to create a drama focusing on the debilitating effects that concussions are having on our sports heroes, and the role that league owners play in allowing it to happen. His plan is to create a morality tale on that issue, much the way that Michael Mann’s The Insider took on the tobacco industry’s complicity in covering up the addictive and cancer-causing effects of cigarette smoking.
It sounds like a most worthy project to me. Scott is a big fan of sports including rugby and football, but he is going to focus on pro football. He has been moved reading all that has been written on athletes including former NFL stars Junior Seau and Dave Duerson, both of whom committed suicide after suffering chronic traumatic encephalopathy, with each making sure to leave his brain intact so it could be studied in the hope the results would help their gridiron brethren who also are suffering.
EXCLUSIVE: Discovery Channel has ordered its second original scripted miniseries, about Scotland’s fight for independence from English rule in the 13th century. Scott Free Productions — the production house behind Discovery’s first original scripted mini, Klondike — is developing the new series chronicling William Wallace and Robert the Bruce’s bloody campaign for Scotland’s independence. The untitled project will be based on historical books by Nigel Tranter, including The Wallace and The Bruce Trilogy. Wallace, you’ll recall, was the title character played by Mel Gibson in the 1995 flick Braveheart. History wonks who did not look so favorably on some of the liberties taken with that Oscar-winning film, will like Discovery Channel’s rendition better, as it’s expected to stick more to the facts.
The original series executive produced by Ridley Scott‘s Scott Free Prods. will focus on a single major news event considered shocking at the time. It will debut Sunday, June 23 at 9 PM ET as a lead-in to …
LOS ANGELES, CA, MAY 31, 2013, 3:30 pm, EST—Writer Michael Green is in negotiations to do a rewrite of Alcon Entertainment’s “Blade Runner” sequel penned by Hampton Fancher (“Blade Runner,” “The Minus Man,” “The Mighty Quinn”) and to be directed by Ridley Scott. Fancher’s original story/screenplay is set some years after the first film concluded.
Alcon co-founders and co-Chief Executive Officers Broderick Johnson and Andrew Kosove will produce with Bud Yorkin and Cynthia Sikes Yorkin, along with Ridley Scott. Frank Giustra and Tim Gamble, CEO’s of Thunderbird Films, will serve as executive producers.
Green recently completed rewrites on “Robopocalypse” and Warners Bros “Gods and Kings.”
Alcon and Yorkin previously announced that they are partnering to produce “Blade Runner” theatrical sequels and prequels, in addition to all television and interactive productions.
RSA has hired Arrow Kruse to be an executive producer at Ridley Scott’s commercials production company, running the Branded Content, Digital and Entertainment division. He is currently overseeing the RSA/Machinima partnership for RSA president Jules Daly and Ridley Scott. Said Daly, “I am thrilled to have Arrow onboard at RSA as we continue the company’s legacy of innovative work — creating new definitions and platforms to deliver branded content that pushes the boundaries of expectations. Arrow’s extensive experience with reinventing and expanding global campaigns, and establishing new brands makes him the perfect fit for us here”.
Cannes Briefs: Epic’s ‘Thale’ Sequel; Osiris’ ‘The Kill Hole’; Darclight’s ‘Contracted’; Simon Cowell’s ‘Pudsey’; Ridley Scott’s ‘Get Santa’; More
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Epic Sets English-Language ‘Thale’ Sequel
Epic Pictures is partnering with Norway’s Yesbox Productions to finance and produce an English-language sequel to Norwegian thriller Thale. The sequel will be written and directed by Thale‘s Aleksander Nordaas. Patrick Ewald and Shaked Berenson are producing alongside Bendik Heggen Strønstad of Yesbox. Thale appeared in Toronto and SXSW last year and told the story of two crime-scene cleaners who discover a tailed female creature in a concealed cellar who has been held captive for decades. Thale was based on a mythical character in Nordic folklore called the “huldra,” a beautiful creature with female attributes that is said to seduce men by humming a beautiful song, but the men never return to their villages. Epic’s Patrick Ewald says the budget will be upped for the sequel “so that Aleksander and Bendik’s vision can be accomplished on a grand scale.”
Hoping to piggyback on the success of National Geographic Channel‘s take on Bill O’Reilly’s best-seller Killing Lincoln, the network is again partnering with Ridley Scott and O’Reilly on Killing Jesus: A History, O’Reilly’s recently announced book that he co-authored with Martin Dugard. The book will be published by Henry Holt and Company on September 24. Today’s announcement comes as the network is in pre-production on O’Reilly’s Killing Kennedy: The End Of Camelot expected to air worldwide on Nat Geo Channels later this year. “I am thrilled to once again be partnering with National Geographic Channels and Scott Free Productions on my next book,” said O’Reilly. “Jesus is the most famous person that has ever lived — and is worshipped today by more than 2.2 billion people”. Killing Jesus tells the story of Jesus of Nazareth as a beloved and controversial young revolutionary brutally killed by Roman soldiers and recounting the seismic political and historical events that made his death inevitable and the changes that his life brought upon the world for the centuries to follow. “O’Reilly has proven with Killing Lincoln and Killing Kennedy that the public is fascinated with the tragic tales of these renowned historical figures, and this is one of the most dramatic stories ever told. We are privileged to once again work with National Geographic Channel to bring Bill’s vision to the screen,” said Scott. Production is set to begin this fall. Click over to read today’s release.
EXCLUSIVE: Don’t consider this etched in stone yet, but it looks like Fox is putting a rush on the Moses movie it has been developing with Ridley Scott. I’m hearing that the director and studio are courting Christian Bale to star. The project is called Exodus, which was originally scripted by Adam Cooper and Bill Collage. Peter Chernin and his Chernin Entertainment bought the film as a pitch and they are producing with Scott and his Scott Free, which joined later. Now it has become a big priority after Steve Zaillian signed on to do a rewrite. Zaillian teamed with Scott on American Gangster. Scott is looking to mobilize this as soon as he completes The Counselor. The talks with Bale are early stage.
This comes as Warner Bros deals with Steven Spielberg dropping out of its mega-Moses project, Gods And Kings, the epic-sized film about life of Moses based on the script by Michael Green and Stuart Hazeldine. The studio’s Hail Mary pass is trying to secure the services of Ang Lee, fresh from his Oscar win for Life Of Pi.
EXCLUSIVE: Deadline scooped the news today that Safety Not Guaranteed helmer Colin Trevorrow landed the plum gig of Jurassic Park 4, a move which could catapult him to the director A-list. There is a lot of movement going on among directors that will reverberate depending on who takes what job.
First up, Steven Spielberg has ended his long flirtation with directing Gods And Kings, the epic-sized Warner Bros film about life of Moses based on the script by Michael Green and Stuart Hazeldine. That puts Warner Bros in a bind because of the rival Moses project, the Adam Cooper/Bill Collage-scripted Exodus, which is gathering steam at Fox, with Ridley Scott looking to mobilize that as soon as he completes The Counselor. But Warner Bros is now out to Ang Lee, who just won the Best Director Oscar for Life Of Pi. I’m told he’s intrigued with the project but hasn’t had a formal meeting on the script. Imagine what either director can do with that subject matter, and with the ratings on History Channel’s The Bible miniseries, the audience is certainly there. Spielberg hasn’t dropped the project for another; while he postponed his next film Robopocalypse, he hasn’t replaced it with anything as he continues to develop that robot pic. Spielberg also recently told French TV he’s developing a Napoleon miniseries for TV based on Stanley Kubrick’s screenplay and research. for