When Fox confirmed recently that AT&T, which had been one of the main sponsors of the singing competition since Season 2, will not return for the current 13th season, the move appeared to be a sign of the times. …
‘American Idol’ Partners With Google & Facebook For Online Voting, Takes On ‘Rising Star’ With Real-Live Voting Updates
Global Showbiz Briefs: ‘Time In Between’ Finale Sets Records; Fox Int’l Channels Airing Super Bowl Live In Europe; More
‘The Time In Between’ Finale Sets Records In Spain
Deadline readers who follow international closely will know that I’ve been high on Spanish period miniseries The Time In Between. The 11-part mini debuted in Spain in October as the best local drama premiere of the last eight years. It concluded its run on Antena 3 on Tuesday night with an all-time record high of over 5.5M viewers and a 27.8% share. It also hit a peak of 5.88M viewers. The series overall averaged 5M viewers and had a 25.5% average share. Produced by Boomerang TV for Antena 3, it led among over 35s with a 25.2% share, and reached a 37.7% share among audiences aged 55-64. Based on María Dueñas’ novel, The Time In Between is set during the Spanish Civil War and the run-up to World War II. It’s the story of a woman raised by a poor single mother and taught to be a seamstress. When she falls for a handsome young man, she moves with him to Morocco and spends months living the high life. But when the money runs out and she falls pregnant, he leaves. She ultimately builds a new life and becomes the most sought-after couture designer for the socialite wives of German Nazi officers. She also begins working for the British government, passing information to the Secret Service. Interest from abroad has been high: The series already is running in Romania and offers on remake rights and/or the original are in from the U.S., Canada, Italy, France, Portugal, the former Yugoslavia, Russia, Croatia, and several territories in Latin America and Africa.
Fox International Channels Airing Super Bowl Live In Europe
While Europeans eagerly await this summer’s World Cup, they’ll be able to check out the biggest game of the year for the other kind of football in just a few weeks. Fox International Channels is bringing the Super Bowl to the continent. When the Seattle Seahawks face off with the Denver Broncos on February 2 in East Rutherford, N.J., NFL fans in Europe will be able to watch the full Fox coverage beginning at 12:25 AM on February 3. More than 12 million households in Italy, the Netherlands, Turkey, Cyprus, Greece, Bulgaria, Serbia, Croatia and Slovenia will have access to the game. This will be the first time the Super Bowl is broadcast live on the FIC channels in Europe. Bruno Mars and Red Hot Chili Peppers are the halftime act. Separately, Fox International Channels said today that it has appointed Fabrizio Salini to managing director of its Italian operation, effective February 17. Salini was VP Entertainment Channels for FIC Italy from 2003 and 2011, and returns after a two-year stint serving senior management roles at SKY Italia, Discovery Communications Italia and Switchover Media.
Global Showbiz Briefs: BAFTA Assembles Shorts Into Feature-Length Package For Cinemas; ‘Rising’ Star’ Headed To Turkey; More
BAFTA Assembles Feature-Length Package Of Shorts For Cinemas
BAFTA is putting together a feature-length package of films nominated in the British Short Film and British Short Animation categories at this year’s BAFTA Film Awards. The pics will be screened in UK cinemas from February 28 and also tour in 110 countries internationally. Selected screenings will be followed by Q&As with nominated filmmakers. BAFTA is repeating the initiative after an inaugural run in 2013. The org is partnered with specialist distributor the Independent Cinema Office and the British Council. Interviews with the nominated filmmakers and other additional content will be available in March on BAFTA Guru. The BAFTAs will be held February 16 in London. All the nominees can be found here.
Global Showbiz Briefs: Warner Bros UK Preps Inaugural Creative Talent Initiative; Hugh Bonneville Reprising ‘Twenty Twelve’ Role; More
Warner Bros UK Gears Up For Creative Talent Initiative
Warner Bros UK has recruited its first group of scholars, apprentices and trainees for the inaugural season of Warner Bros Creative Talent. The first selection will participate in the program to gain industry insight and work experience across Warner’s UK film, TV, games and theater operations. The initiative is part of Warner Bros’ long-term commitment to the UK’s creative industries. Among the first folks chosen to take part are students Rienkje Attoh, Sam Coleman and Sam Hughes who are receiving the first Prince William Scholarships supported by BAFTA and Warner Bros. Four others will work as camera trainees and sound trainees on Ron Howard’s Heart Of The Sea and Guy Ritchie’s Man From U.N.C.L.E. More information on the program is available here.
Hugh Bonneville Back As Ian Fletcher In BBC’s ‘W1A’
Downton Abbey’s Hugh Bonneville will reprise his role as Ian Fletcher in a new BBC comedy, W1A. The show is a follow-up to BAFTA-winning comedy series Twenty Twelve, from BBC In-House Comedy. Shooting starts next month on the series that sees Fletcher, the ex-head of the Olympic Deliverance Commission, taking up his next big job – the (fictional) Head of Values at the BBC. His task is to clarify, define, or redefine the core purpose of the BBC across all its functions and to position it confidently for the future. In Twenty Twelve (available on iTunes in the U.S.), the network poked fun at the run-up to the 2012 London Olympics and here looks to be taking a shot at itself after the broadcaster suffered a string of PR scandals in the past year. But John Morton, who wrote the series, says: “It isn’t a demolition job on anybody or anything, and it isn’t one giant in-joke, and this isn’t a game of guessing who is supposed to be who. If it is satirical then it’s satirical about an environment, an ethos, and the absurdities of modern corporate life itself. The key principle is to operate at a level of reality just to the left or the right of fact, to create stories that haven’t actually happened but that could happen or might have happened.“ Says Mark Freeland, head of BBC In-House Comedy: “This is a kind of love letter to the BBC. But a letter that gets mislaid, because the remote computer system is not working.” Twenty Twelve’s Morton also directs the comedy that’s produced by that show’s Paul Schlesinger and executive produced by Jon Plowman. There will be an initial run of four 30-minute episodes to be screened in 2014 on BBC Two.
ITV and Keshet International have made it official as the British network has acquired hot interactive talent competition format Rising Star. I reported earlier this month that a deal was pending and the partners now say a UK version of the show will be co-produced by ITV Studios and Keshet International UK. The deal adds to ITV’s high-profile competition franchises that include Simon Cowell’s The X Factor UK and Britain’s Got Talent. ITV’s Dancing On Ice is bowing out in 2014 and it’s expected that Rising Star will occupy its slot beginning January 2015. ABC recently landed the format for the U.S. with a 10-episode order for air in summer 2014. The UK acquisition follows other local deals in Hungary (TV2), Italy (Toro), France (M6 Group), Russia (Rossiya1), Germany (RTL) and the Nordics (Nordisk).
EXCLUSIVE: In a competitive situation, ABC has landed hot Israeli talent competition reality format Rising Star. The network has given a 10-episode order to the series, which will air next summer. Rising Star is the first hot international singing format to hit the U.S. since The Voice. It also is the first project to come out of the recently launched Keshet DCP, a joint venture between Keshet International (Homeland) and DC Media, the parent company of dick clark prods. (So You Think You Can Dance). Keshet DCP is producing Rising Star, which joins such established talent competition series that also launched in the summer as American Idol, Dancing With The Stars, America’s Got Talent, and SYTYCD.
Global Showbiz Briefs: ‘We Are The Best!’ Sold To Half-Dozen Territories; ‘Rising Star’ Heads To Italy; More
‘We Are The Best!’ Headed To Screens In Six More Territories
Lukas Moodysson’s latest feature We Are The Best! has sealed a number of new distribution deals. TrustNordisk has added France (MK2), Russia (Caravella), Greece (One from the Heart), Mexico (Cannibal Networks), Hungary (Vertigo), Estonia (Estin Film) and Hong Kong (Edko) to the list of territories where the film will be released. The tale of three young outsiders in 1980s Stockholm who form a punk band debuted in Venice. Magnolia Pictures acquired it for the U.S. after it played in Toronto.
Latest Stop For Keshet’s ‘Rising Star’ Is Italy
Keshet International has locked another deal for Rising Star, its hit interactive talent show. Sony Pictures Television Group production company Toro will adapt the format for Italy. This follows recent deals in France, Russia, Germany and the Nordics. Rising Star was one of the hottest properties at the recent Mipcom TV market and incorporates real-time voting by viewers via a free app that is fully integrated into the show.
Global Showbiz Briefs: EFA Reveals Debut-Feature Nominees; ‘Rising Star’ Sold To Nordic Territories; More
EFA Unveils FIPRESCI Nominees For Best First Feature
The European Film Academy has unveiled nominees for the European Discovery 2013 FIPRESCI Prize. The award is presented annually as part of the European Film Awards to a young and upcoming director for a first full-length feature film. This year’s nominees are Sweden’s Eat Sleep Die by Gabriela Pichler, Mikael Marcimai’s Sweden/Norway/Ireland/Finland co-production Call Girl, Italian actress-turned-director Valeria Golino’s Cannes Un Certain Regard title Miele, Germany’s Oh Boy from Jan Ole Gerster, and Spain’s The Plague by Neus Ballús. The nominated films soon will be submitted to the 2,900 EFA Members to select the winner. The prize will be awarded December 7 at the European Film Awards Ceremony in Berlin.
Global Showbiz Briefs: French Charter For Film Biz Gender Equality; Keshet’s ‘Rising Star’ To Germany; Marvel Anime In UK; More
French Culture Minister Aurélie Filippetti and Womens’ Rights Minister Najat Vallaud-Belkacem signed a charter on Thursday in pursuit of equality for women and men in the local film business. Included in the text are pledges to apply equal pay and fight against stereotypes, and a bid to encourage projects that subvert traditional representations of women and men. The text was written up by gender equality lobby, Le Deuxième Regard. Bérénice Vincent, president of the group said the next step is to get other players from all aspects of the industry to sign on, AFP reported. Filippetti for her part stressed that the charter was part of a desire to “enhance the role of women in culture” without impeding freedom of programming. “I’m against establishing arbitrary quotas, like how many films by women should be selected for the next Cannes Film Festival!” In 2012 there was a brouhaha when French Feminist organization La Barbe strongly lamented the lack of women in the main competition. Festival chief Thierry Frémaux maintained at the time that the festival will never choose a film “that doesn’t deserve it just because it’s directed by a woman.” This year there was one film by a woman in the Competition.
Mipcom Briefs: Keshet’s ‘Rising Star’ In Russian Redo; ‘Dining With The Enemy’ In Canada; UK TV Exports Reach £1.2B; More
Keshet International‘s hot format Rising Star is headed to Russia. Broadcaster Rossiya 1, part of media group VGTRK, will air a local version of the interactive primetime show which France’s M6 acquired earlier this week. Keshet DCP, a joint venture with DC Media, is also shopping a U.S. version to American broadcasters. Keshet debuted a live screening of Rising Star from Israel last night in Cannes. The singing competition integrates home viewers who vote in real-time via an app that also posts their photos to the TV screen. The app has now been downloaded more than 1.2M times. The show is a big hit at home where it’s produced by Tedy Productions for Keshet Broadcasting.
Canada’s TV5 is prepping war-zone/foodie hybrid A Table Avec L’Ennemi, an adaptation of Norwegian format, Dining With The Enemy. The six-part series will be hosted by journalist and author Frédérick Lavoie and chef Charles-Antoine Crête. It will travel to conflict areas around the world including Mexico, Rwanda and Afghanistan, and see two representatives from opposing factions share a meal and discuss their views and vision of ongoing strife. “We forget that, in war zones or risk areas, life goes on. People try to live a normal life and their main concerns are much like ours… We hope the dinner table will serve as a meeting place, a place for dialogue and hope between two cultures”, says TV5 Programming Director Pierre Gang. Media Ranch president Sophie Ferron will produce with the series to air in fall 2014. Canadian production and distribtion outfit Media Ranch has an option to produce local adaptations of Dining With The Enemy in English-speaking Canada and the UK, and is in discussions on a Canada-U.S. co-production.
Global Showbiz Briefs: ‘Still Life’ Scores Sales Ahead Of Venice Premiere; ‘Rising Star’ Ready To Hit Stage At Mipcom; More
‘Still Life’ Scores Early Sales Ahead Of Venice Bow
Still Life, the Uberto Pasolini film that’s premiering in Venice’s Horizons section, has closed some early sales for Beta Cinema. Eddie Marsan (Ray Donovan) and Joanne Froggatt (Downton Abbey) star in the movie about a UK council worker whose job is to notify the next of kin when someone dies. After his department is downsized, his final case takes him on a liberating journey. Produced by Red Wave/Embargo Films in association with Cinecittà Studios, Exponential Media, Beta Cinema and Rai Cinema, the movie is being released in Italy by Bim. It has also sold to Wild Bunch for Benelux, and Palace Films for Australia/New Zealand. It debuts September 3 in Venice.
Keshet International To Kick Off ‘Rising Star’ Sales At Mipcom
Keshet International is set to unleash format sales of Rising Star at October’s Mipcom. The live singing competition sets out to find the music world’s next big star. The season is broadcast live in its entirety, beginning with the first audition. Alongside four celebrity judges, home viewers serve as the fifth judge, voting in real time via the show’s second-screen app. Keshet Broadcasting and Tedy Productions created the format, which will launch in Israel as Hacochav Haba this fall on Keshet Channel 2.