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‘A Walk Among The Tombstones’ Resurrected With DJ Caruso At Helm

Mike Fleming

EXCLUSIVE: Cross Creek Pictures has stepped up to finance A Walk Among the Tombstones, an adaptation of the Lawrence Block novel that seemed to have been put to rest more than a decade ago. DJ Caruso is in discussions to direct a script by Scott Frank. It is one of two pictures Caruso is considering for his next film. The other is Preacher, the John August-scripted film for Sony Pictures and producer Neal Moritz.

Double Feature partners Michael Shamberg and Stacey Sher are producing with Danny DeVito and Cross Creek president Brian Oliver. Shamberg, Sher and DeVito first got Frank to write a script while they were partners in Jersey Films. It had been set at Universal and once had Harrison Ford interested in playing Matthew Scudder, an alcoholic former cop who spends his retirement doing favors for friends, the kind that take him deep into the underbelly of New York City. In A Walk Among the Tombstones, a heroin kingpin’s wife is kidnapped and those kidnappers begin to send her back in pieces. The Scudder character was previously seen in 8 Million Ways To Die. Read More »

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A 14-Year ‘Gambit’ Finally Provides a Big Payoff For Producer Mike Lobell

Mike Fleming

Production begins today on Gambit, a caper comedy that stars Colin Firth as a London art curator who plans to con England’s richest man into buying a phony Monet painting. To do it, he enlists a Texas steer roper (Cameron Diaz) to pose as a woman whose grandfather liberated the painting at the end of WWII. Michael Hoffman is directing, Alan Rickman and Tom Courtenay also star, and it’s Firth’s first big job since winning the Best Actor Oscar for The King’s Speech. And the script was written by Oscar winners Joel and Ethan Coen. Isn’t Hollywood great, the way these things just magically come together?

Gambit actually took a remarkable 14 years to get to this point, a case study on how impossible it is for producers to succeed without infinite patience and an inability to comprehend the word “no.” These Don Quixote types are the only ones in the moviemaking equation who don’t cash big paychecks through the development process, collecting serious fees only when their movies get made. They have a harder road than ever, because cost-cutting studios have made first-look producer deals an endangered species. After all, producers are bringing them projects anyway. In the case of Gambit, the driving force has been producer Mike Lobell. A seasoned vet who has gotten 14 pictures made — The Freshman, Honeymoon in Vegas and Striptease among them — Lobell … Read More »

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