Among the more interesting new paid YouTube channels of the 30 unveiled today are the ones belonging to indie film distributors leading the charge into untested digital and outside-the-box models. Cinedigm relaunched their Docurama brand in April with a library of 1,250 documentary features, also plotting a streaming app for launch this spring which would make more than 150 Docurama titles available for free on multiple devices. Their new curated Docurama YouTube channel could similarly boost digital niche moviewatching and carve a path for other distributors and filmmakers exploring alternative distribution online. For $2.99 a month, users will get access to Docurama’s playlist of docu features and bonus materials refreshed each week, with 25% of those feature offerings being new or recent releases. (All of YouTube’s new premium channels will first launch with a 14-day free trial.) The ambitious growth plan set in motion last year under Cinedigm CEO Chris McGurk so far has also included a plan to help outfit drive-in theaters with digital projectors and last month’s Arthur Newman BitTorrent experiment.
The documentary about the exploits of Roger Corman screened at Sundance and in Cannes. A lot of people got their start in the industry by working on his movies learning cheap-and-dirty techniques. The fast-pace trailer mashes together snippets of his films with images and comments from people who’ve worked …
UPDATE EXCLUSIVE: Imagine Entertainment’s Brian Grazer and Ron Howard have reached a milestone unusual in Hollywood: partners for 25 years. When they first got together, Grazer was a TV producer. Howard, after growing up on the small screen in The Andy Griffith Show and Happy Days, had only directed a couple of TV movies and the low budget Roger Corman-produced Grand Theft Auto. Grazer and Howard have been at it together ever since, building a company that over 25 years has been one of the most consistent generators of content. Their TV series output includes 24, Parenthood, Arrested Development and Friday Night Lights; their movies have grossed $13.5 billion worldwide. That includes A Beautiful Mind, which won Howard the Academy Award for Best Director. Grazer and Howard shared Best Picture Oscars that night as well. Not everything they’ve done has succeeded, of course. They they took their company public and repurchased the shares; they helped launched and fold the online venture Pop.com; their most recent film together, the adult comedy The Dilemma, was a misfire that created controversy over the inclusion of the word “gay” in a trailer. They’ve had way more hits than misses.
In honor of Imagine’s Silver Anniversary, Deadline invited Howard and Grazer to look back over their quarter century together, and into a future that includes something never tried before by anyone in Hollywood. They’re adapting Stephen King’s 7-novel series The Dark Tower into a film trilogy, and a limited run TV series in between. It has pushed the envelope enough that their longtime home studio, Universal Pictures, postponed a planned late summer start until next year and asked the filmmakers to cut the budget. Some question the studio’s resolve on such a massive undertaking. The studio has to green light the film by next month or the rights revert to Imagine, Akiva Goldsman and King, who are determined to make it regardless.
DEADLINE: Not many marriages of any kind last 25 years in Hollywood. What is most important about the anniversary?
HOWARD: It’s such a challenging time to get movies made. And yet, look at all we have coming out. Tower Heist, the Gus Van Sant movie Restless, J Edgar with Clint Eastwood and Leo DiCaprio, Cowboys & Aliens, this big broad appeal four quadrant fantasy adventure story with Harrison Ford and Daniel Craig. With The Playboy Club getting on the air, and Parenthood getting picked up, I’m proud we’re doing what we’ve always done. A wide variety of projects that got made because we care and put in the energy to get them done in light of how difficult it is these days.
DEADLINE: Simple as that?
HOWARD: Because I’m in New York, we’re not forced to stare at each other’s faces 24/7. But I think that’s not really it. We love what we’re doing, we have fun doing it and our sensibilities are in sync. In a business that can create so many feelings of anxiety and self-doubt, I learned to trust in that. Brian is smart and cares about me doing well and feeling good about what I’m doing. It’s a partnership built on support. It has been that way since the beginning.
GRAZER: It works because we have similar tastes and not only gravitate toward the same material but also what lives inside the core of the movie it becomes. We’ve done, and Ron has directed, all kinds of genres. We have a common interest in the humanity aspect of a movie, regardless if it’s a comedy or a drama. We also share a similar work ethic.
DEADLINE: When you cover all genres, does Imagine have a wheelhouse? For a company looking to last, is it advisable to have one?
HOWARD: The process is what gets Brian and me excited, whatever the genre. Not specializing has given our company a sense of flexibility and adaptability to whatever the market or the zeitgeist is suggesting. We’ve always respected each other as creative people. If Brian loves something and I don’t quite get it, I’ll tell him that but I’ll never try to impede the progress. He’s the same with me. With Apollo 13, I wasn’t sure the genre would work, because space films hadn’t done that well. Brian was instantly so excited about it, and made me realize we were onto something. 8 Mile, I don’t know anything about rap. This was something he understood. I didn’t know how to make that movie, but I recognized a great idea. Whenever the two of us get excited, on films like Splash, Night Shift and Parenthood, those have resulted in the building blocks of the company. I’ve always liked TV but I phased it out for awhile and it was Brian’s perseverance that has made us strong in both TV and films. Independent companies are rarely strong in both.
GRAZER: What we’ve do is agree on the moral center of a project, but nobody’s better at finding the language of a particular movie than Ron. He’s got a grasp of understanding new vocabularies, whether it’s the The Da Vinci Code, fantasy like Cocoon or Splash, or Backdraft and The Grinch. He is great at inhabiting a world and completely understanding and expressing its language. In A Beautiful Mind, he entered that world and understood the medical science of mental illness. So there have been times where he led the charge, and I was drawn in by his excitement.
DEADLINE: What was the last hard conversation or professional disagreement you can remember?
HOWARD: I can’t think of one offhand, but even when we have disagreements, I can’t think of a case where one of us ever said, ‘Oh, please don’t do this.’ If there’s a lot of passion from one or the other, then the support of the company is going to be there.
UPDATE, 8:25 AM: As I tipped you yesterday, Paramount’s Adam Goodman and acquisitions exec Matt Brodie and Indian Paintbrush’s Peter McPartlin closed the deal with the UTA team today around 6 AM for the Super …
Luke Y Thompson is covering the Con for Deadline:
SUNDAY AM UPDATE: I think the biggest news of the Marvel Studios panel tonight is that The Punisher is now owned by Marvel Studios again, and will probably figure into a future film. I’ve learned The Punisher rights reverted to Marvel in 2009 following the release of Punisher 2. The studio has no immediate plans to develop a movie based on the franchise. Marvel Studios President Kevin Feige last night did not say when the Punisher rights reverted, or how: just that they have.
So who is The Punisher? In the comics, Frank Castle is a Vietnam veteran whose family is killed in a Mafia crossfire. Donning a black spandex costume with a skull logo, he declares war on crime and becomes a vigilante. Introduced as a Spider-Man foe in the 1970s, his popularity took off in the late 1980s, when grim and “realistic” superheroes became the norm. The Punisher is different from many superheroes in that he uses guns and has no secret identity. (He is known to be Frank Castle.) On film, he has been portrayed three times.
FRIDAY, JULY 23
STAR WARS DAY (This is a meaningless appellation unless and until George Lucas sees fit to say or do anything regarding the proposed live-action TV series.)
Luke Y Thompson covers Hollywood events at the …
This is that Roger Corman and Syfy Channel’s schlockfest — a Navy-engineered killing machine that’s a shark in a dress made of tentacles – I told you about earlier this year. It capitalizes on the straight-to-video pic Mega Shark vs Giant Octopus on Yahoo’s Top 10 most viewed trailers of 2009. So Karen O’Hara, …