CinemaCon: Universal’s Sequel Machine Pays Off With Exhibitors

Pete Hammond

It was Universal Pictures’ turn in the spotlight this morning as Chairman Adam Fogelson served up a look at the studio’s sequel-packed summer slate and a summary of the studio’s 2012 hits and even big miss Battleship. He announced sequels in varying stages of development: Snow White And The Huntsman (for a targeted 2015 date), Ted, Bourne Legacy, and also for 2015 another Pitch Perfect, that sleeper which earned $110 million worldwide and has become the 4th biggest digital download in history. But clearly the studio’s biggest franchise news - thinking audiences can’t get enough of a good thing – was star/producer Vin Diesel’s announcement that the cast will return for a 7th Fast & Furious with a release date already set for July 11, 2014. Marketing honcho Michael Moses told me afterwards that the 7th film will go into production with new director James Wan in August right after the cast finishes up its worldwide promotions for #6. For such a stunt driven movie, 11 months is not much time and sets it up for an imposing ‘fast and furious’ schedule. In fact these things go so down to the wire that #6 director Justin Lin couldn’t be in Vegas to join the cast (including Paul Walker and Michelle Rodriguez) and producer Neal H. Moritz on stage to talk up the new film for the pumped theater owners. Moritz said he’s been darting between London, Vancouver and LA trying to finish post-production and insert shots for the May 24th opener.

As for the heavy emphasis on sequels at the studio, producer/star Diesel said it best when he praised Universal and its execs including Universal Studios COO/President Ron Meyer and distribution head Nikki Rocco among those in the audience. “Universal has led the charge in episodic storytelling in a way I haven’t seen from any other studio. One reason Fast & Furious gets more and more successful is we really think about these pictures – where they are going two or three down the road.” Fogelson added that #6  and #7 are “really a pair. We are excited to get back into it.” Closing the presentation, Fogelson introduced a kick-ass freeway chase sequence from the middle of the film that involves a tank driven by co-star Michelle Rodriguez and lots of car’nage so to speak. The exhibitors ate it up.

Of the five movies Fogelson highlighted for Universal’s summer slate, three have numbers at the end including the animated July 3rd release Despicable Me 2. Creator and Illumination studios head Chris Meladandri was acknowledged in the audience. About 20 minutes of footage was shown and got big laughs, especially for a manic rabid chicken and new villain El Macho voiced by Al Pacino. Steve Carell returns as Gru in an undercover mission that looks like something out of James Bond.

Another follow-up is the August 16th release Kick Ass 2, the sequel to the film Lionsgate released domestically and Uni internationally but now has taken over completely. Fogelson said he was a huge fan of the first film and saw a huge after-market for the film which was not a big box office performer (grossing only about $50 million in the U.S. - normally the litmus test for a sequel). Clearly Fogelson hopes to grow the film into a monster in much the way the Fast & Furious films have morphed into major hits after modest beginnings. In the footage shown, Jim Carrey joins as Colonel Stars And Stripes in the hard-R film. (This after NATO’s John Fithian had just publicly begged Hollywood to make more family-friendly movies.) Returning stars are Aaron Taylor-Johnson and Chloe Grace Moretz as Kick Ass and Hit Girl.

Also featured were the only two non-sequels of the summer (although both look like variations on past hits like Lethal Weapon and Men In Black). If they work, clearly they could also be headed to sequel territory. July 19th’s 3D-converted R.I.P.D. was previewed as a work-in-progress at last year’s CinemaCon: the comedy stars Jeff Bridges and Ryan Reynolds as two hero lawmen who return from the dead to fight some very gruesome creatures who have returned to Earth to wreak havoc. (One wag sitting next to me called it ‘Dead In Black’.) Bridges seemed to be having a blast taking on his first insanely comic character since The Dude in The Big Lebowski. Footage was shown from another mismatched buddy film with Denzel Washington as an undercover DEA agent who reluctantly teams with Mark Wahlberg as an undercover Naval Intelligence Officer to take out a drug cartel. During Oscar season Washington told me he had fun on this film because it gave him a rare chance to do comedy. Wahlberg is the unofficial star of CinemaCon so far – and he’s not even here - with last night’s Pain & Gain debut from Paramount. Besides starring in Universal’s biggest 2012 hit Ted with $550 million globally, Wahlberg is also starring with Battleship‘s and John Carter‘s Taylor Kitsch in Peter Berg’s Lone Survivor for Uni. I am told there could be a late 2013 platform release. (For Oscar?)

Unusually, Fogelson spent a good chunk of time actually reminding the exhibitors that the studio also released the 2012 box office bomb Battleship directed by Berg. Studio heads normally don’t tout their failures but Fogelson told the sad tale of the film complete with graphic. “”We learned alot from that experience. We learned that although misses really hurt we are not the kind of studio that gets paralyzed by uncertainty or even finger-pointing when something doesn’t work… And that includes talent relationships that we have. And we believe in Pete Berg as a filmmaker. We have seen a first cut of his next film Lone Survivor – a true story about a heroic mission that happened during the Afghan war – and it is soulful, gritty, tough, emotional and quite frankly remarkable. And we are proud to have it at our studio and glad that Pete poured himself into so passionately.”

Fogelson also quickly mentioned a number of other films including the micro-budgeted The Purge, a new Riddick film for Vin Diesel, a new Best Men sequel, the holiday release 47 Ronin with Keanu Reeves, and a 2014 comedy with Kevin Hart and Ice Cube. The studio hasn’t been talking up the Oscar race yet but insiders say contenders might be two other films Fogelson mentioned: Ron Howard’s sports drama, Rush, and About Time from Richard Curtis who did Four Weddings And A Funeral and Love Actually. Bill Nighy is said to be great in it.

Of course last year Uni was touting its definite Oscar contender, Les Miserables  which went on to become a big hit with over $430 million worldwide, the second biggest musical of all time (behind their own Mamma Mia), and numerous Oscar winners. Fogelson joked that despite the success there won’t be a Les Miserables 2. “Unfortunately, not many of the characters actually survived to the end of Les Mis. There will not be a sequel forthcoming but we’re working on other options.” Can Vin Diesel sing?

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Universal Pictures To Finish Year With All-Time High Film Global Gross Record

By MIKE FLEMING JR | Thursday December 20, 2012 @ 2:32pm PST
Mike Fleming

BREAKING: Remember the bruising that Universal Pictures brass received over the summer when Battleship failed and when rumors were published that Comcast had courted DreamWorks partner Stacey Snider to return? Now, Universal’s Ron Meyer, Adam Fogelson and Donna Langley have reason to take a bow. The studio, which passed the record for Universal’s domestic grosses back in October, is now on course to blow past its global record, even before Les Miserables gets released on Christmas. Grosses aren’t profits, of course, but hits like Safe House and Ted certainly have created some momentum. Here is the official release:

UNIVERSAL CITY, CA, December 20, 2012—Universal Pictures today announced that 2012 will mark its best year at the worldwide box office in the studio’s 100-year history with global theatrical grosses exceeding $2.927 billion to date. Universal broke its domestic record ($1.127 billion) in October and the studio will surpass its international record ($1.716 billion) Friday, December 21.

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MOGUL MEMES: Ron Meyer Makes First Public Statement About Exit Rumors

Ron Meyer turns 68 on Tuesday. So on the eve of his birthday, he finally made a public statement about the August rumors that he would be involuntarily or voluntarily exiting his job at Universal Studios soon. On a panel at the inaugural symposium of the … Read More »

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James Cameron No-Show For Schwarzenegger

By DOMINIC PATTEN | Monday September 24, 2012 @ 4:39pm PDT

Arnold Schwarzenegger held his inaugural symposium of the USC Schwarzenegger Institute for State and Global Policy this afternoon. James Cameron was scheduled to attend but was a no-show – described as “on a creative roll” working on the script for the Avatar sequel – despite prior billing and decades working with Arnold on movies like The Terminator and True Lies. Universal Studios President/COO Ron Meyer joined the former Governor as well as Lionsgate Motion Picture Group co-chair Rob Friedman, Imagine Entertainment chairman Brian Grazer, and American Idol mentor/Interscope Records boss Jimmy Iovine on “The Power Of People and Innovation — Media/Hollywood Leader’s Perspectives” panel. Read More »

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James Cameron, Ron Meyer, Rob Friedman Part Of Schwarzenegger Think Tank Debut

The former California governor has invited a few friends to the first symposium of his new USC Schwarzenegger Institute for State and Global Policy, which the university announced last month. An invite went out today for a September 24 event announcing that James Cameron, Universal Studios president and COO Ron Meyer, Lionsgate Motion Picture Group co-chair Rob Friedman, Imagine Entertainment chairman Brian Grazer and Interscope Records boss Jimmy Iovine will participate. Cameron, who helmed Schwarzenegger in the two Terminator films he starred in as well as in True Lies, will join Meyer, Friedman, Grazer, and Iovine on an afternoon panel titled “The Power Of People and Innovation — Media/Hollywood Leader’s Perspectives”. Read More »

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Ron Meyer To UCLA Showbiz Grads: “You Don’t Have To Be An Asshole To Succeed”

By THE DEADLINE TEAM | Friday June 15, 2012 @ 6:01pm PDT

Christy Grosz is AwardsLine editor and a contributor to Deadline.

Universal President and COO Ron Meyer this afternoon made an expletive-laced commencement speech to the UCLA School of Theater, Film and Television Class of 2012. He told the graduating students that the best way to get ahead in showbiz is to ask questions. “Assumption is the mother of all fuck-ups,” he told the audience. Twice. The longtime studio head also pointed out that despite the cliches “You don’t have to be an asshole to succeed.” He also stressed that finding an agent is the single most important thing a new graduate can do. Ask everyone you meet. “Just don’t ask me,” he warned. The ceremony was dedicated to the school’s founding dean and Oscar ceremony producer Gil Cates. The commencement also honored directors Penelope Spheeris and Shirley Jo Finney with distinguished alumni awards. UPDATE: Here’s the text of Meyer’s speech: Read More »

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EXCLUSIVE: Joel Silver Going Indie And Making 12-Film Distribution Deal With Universal For Post-Warner Bros Producing

EXCLUSIVE: Well, that didn’t take long. Six weeks after I scooped the news that Joel Silver and Warner Bros agreed to sever their 25-year relationship by the end of the year, the producer has plans to set up shop as an indie filmmaker. And just as I toldja, he’s landed at Universal. This is by no means the ful-frills first-look producing deal he’s had. I’m told that Universal was never interested in a first-look production deal with Silver. His close pal and travel buddy Ron Meyer’s daughter is an executive at Silver Pictures and, because of those relationships, Uni President/COO Meyer supposedly took himself out of the decision-making process. Instead, Universal Pictures Chairman Adam Fogelson with Co-Chairman Donna Langley did the deal. Details are still sketchy, But I hear it calls for five years of domestic distribution of product from a new division of Silver Pictures which is going to be called Silver Pictures Entertainment. The 12-film agreement which will be announced soon calls for Universal to distribute 2 to 3 films annually from Silver Pictures Entertainment across multiple genres. Universal will pay for marketing, with a backstop so that Silver is on the hook if the pics don’t earn out. I understand that Silver will have to find financing though Universal may choose to finance certain films but is under no obligation to do so. The first project under the deal will be action thriller Non-Stop which reteams directed Jaume Collet-Serra and Liam Neeson who worked on 2011′s Unknown together for Silver’s Dark Castle where Collet-Serra also helmed Orphan (2009) and House Of Wax (2005). Non-Stop is not yet in production and is slated for a 2013 release.

Related: EXCLUSIVE: Joel Silver And Warner Bros Pictures Severing 25-Year Relationship

Speaking of Dark Castle, I’ve learned that Universal is interested in distributing that product. But Dark Castle’s slate of movies remain at Warner Bros for distribution through 2013. And after that Silver can take that banner with him for distribution elsewhere or dump it. (Silver is currently embroiled in a high-profile lawsuit with Goldman Sachs over financing for Dark Castle.) Thus comes the quiet finish to one of the most long-term, big-time, noisy, up and down, and ultimately dysfunctional relationships between a film producer and a movie studio.  Read More »

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Ron Meyer Set As UCLA Commencement Speaker; Gil Cates To Be Honored

By THE DEADLINE TEAM | Wednesday June 6, 2012 @ 11:29am PDT

Los Angeles, CA – Ron Meyer, Universal Studios President and COO, will be the 2012 Commencement Speaker for this year’s UCLA School of Theater, Film and Television’s (TFT) commencement ceremony. Recipients of TFT’s 2012 Distinguished Alumni Awards are director and screenwriter Penelope Spheeris for Film and Shirley Jo Finney, the award-winning international director/actor, for Theater, both of whom will receive their awards at the ceremony. This year’s Commencement is dedicated to TFT founding dean and industry legend, Gil Cates. TFT Dean Teri Schwartz will preside over the graduation celebration on June 15 from 4:00p.m. to 6:00p.m. at Dickson Court North on the UCLA campus.

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Universal Extends Imagine Entertainment Deal Through 2016

Mike Fleming

EXCLUSIVE: In a move that continues the longest standing production deal Universal Pictures has ever had in its 100-year history, the studio has extended its deal with Brian Grazer and Ron Howard through 2016. These mega-producer deals have been getting trimmed all over town, though, and the Imagine deal has shifted from an exclusive to a first-look deal. Going forward, Howard will be able to direct more films elsewhere, and Grazer can produce at other studios. He is now producing the upcoming Academy Awards with Don Mischer. The Imagine extension was just finalized by Universal chairman Adam Fogelson and co-chairman Donna Langley.

The last deal Grazer and Howard made with the studio was set to expire in 2013. Imagine has made around 50 films since the partners first were brought into the Universal in 1986 by Ron Meyer, at the time Grazer’s former agent at CAA and had just transitioned to the top job at Universal. Like every producer-studio relationship, the Universal and Imagine arrangement has been tested in the past few years. The studio said no to The Dark Tower, a feature trilogy and two limited-run TV series adapted from the Stephen King novel series that Howard was to direct, with Javier Bardem starring and Grazer producing with Akiva Goldsman and King. The filmmakers continue to develop the project and expect to make it elsewhere. Universal and Imagine also mutually decided to not go forward with Cartel, a drama that Asger Leth was going to direct. Read More »

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Universal Launches Year-Long Centennial Celebration; Announces Major Restoration Of 13 Classics

Pete Hammond

Universal this month is launching a yearlong 2012 centennial celebration with an ambitious and almost unprecedented film-restoration effort, a new logo, a swarm of special-edition Blu-ray movie packages, theme park celebrations emphasizing their film history, special events, premieres, and a major social media campaign. Like Paramount, which is also embarking on a centennial celebration, the emphasis here is making the old seem new again. Key among Universal’s plans is the complete restoration of 13 films that showcase a large part of the history of the studio — from 1930′s All Quiet On The Western Front to 1993′s Schindler’s List.

When I spoke with Universal president and COO Ron Meyer on Monday morning, his excitement about this opportunity to mark the studio’s storied past and take it into the future was evident. “One hundred years is such a great milestone,” he said. “I am a movie lover. It’s such an important part of the American culture, a part of the heritage of this country. I think we have a responsibility  to our employees, to the public to celebrate not just a milestone but celebrate the movie business, and this gives us a reason to do it.” He emphasized the centerpiece of this yearlong effort: the restoration of many Universal classics each uniquely repping their own decades.

Films chosen to get the full restoration treatment — in addition to the aforementioned All’s Quiet and Schindler’s List — are  both 1931 versions of Dracula, Frankenstein (1931),  The Bride of Frankenstein (1935), Abbott and Costello’s Buck Privates (1941), Pillow Talk (1959), To Kill A Mockingbird (1962), The Birds (1963), The Sting (1973), Jaws (1975), and Out of Africa (1985). That’s actually 12 titles altogether, but there are 13 films since the studio is restoring both 1931 versions of Dracula — including Bela Lugosi’s famous English-language picture and the Spanish version that was filmed on the same sets at night. Pillow Talk repping the ’50s was one of Universal’s biggest hits ever to that time, earning an Original Screenplay Oscar and Doris Day’s only Oscar nomination. It seems an interesting and  inspired choice to me, and to Meyer. “What a great movie,” he said. “I have four children who don’t know these movies. They don’t know a Doris Day movie or Rock Hudson movies. And they are going to enjoy them when they see them. Once they see it they can appreciate it. There’s no way for even 30-year olds to know some of those movies unless they are film buffs.” Read More »

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Ron Meyer Memo On Universal Centennial

By THE DEADLINE TEAM | Tuesday November 15, 2011 @ 1:21pm PST

Ron Meyer sent out this memo to Universal staff today. ID-PR is handling the event:

Dear Co-Worker,

As many of you already know, Universal will mark its 100th Anniversary in 2012. This is a proud and exciting moment for our company, which celebrates the studio’s rich history and cultural impact. In January, we’re going to be unveiling an extensive year-long campaign that includes a significant restoration commitment for some of our most beloved films, fan engagement through special events, a home entertainment offering, theme park activities, promotions, and fun social media and web outreaches. All of this is designed to connect a new audience to our extraordinary library of films, as well as bring these memories back to longtime movie lovers. Part of our centennial celebration includes the launch of a new audio visual and print logo which we will unveil early next year.

Read More »

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Universal President Of Operations Jim Watters Retiring At Year’s End

By MIKE FLEMING JR | Thursday September 29, 2011 @ 8:56am PDT
Mike Fleming

Jim Watters, the longtime President and General Manager of Universal City Studios and Universal Studios Operations, has announced that he will be retiring at year’s end. He has been with the studio for more than 35 years and has reported … Read More »

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Universal Pictures Re-Ups Donna Langley As Co-Chairman

By MIKE FLEMING JR | Tuesday September 27, 2011 @ 12:25pm PDT
Mike Fleming

BREAKING: Universal Pictures Co-Chairman Donna Langley will continue her term through 2014. The studio extended the option on her deal, a move that was widely expected when Universal Pictures Chairman Adam Fogelson re-upped last week and will continue to have full day-to-day operating responsibility for the Motion Picture Group, reporting to Universal Studios President and Chief Operating Officer Ron Meyer (whose contract was recently re-upped through 2015) and NBCUniversal CEO Steve Burke. That was a signal that the studio’s production team would remain intact after NBCUniversal was acquired by Comcast. Langley will continue to serve as a key strategic business partner overseeing the company’s production department, Focus Features and the studio’s worldwide acquisitions efforts. She reports to Fogelson and has been co-chairman since October 2009. Read More »

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Universal Pictures Chairman Adam Fogelson Re-Upped Through 2014

Mike Fleming

BREAKING: NBCUniversal’s new owners at Comcast have given a vote of confidence to the studio’s feature film operation. They’ve exercised an option on Universal Pictures’ Chairman Adam Fogelson and extended his contract through 2014. I’m told that Fogelson is, in turn, in the process of exercising the option of Donna Langley and she will continue as the studio’s co-chairman. They will also keep their executive team intact. Fogelson will continue to have full day-to-day operating responsibility for the Motion Picture Group, reporting to Universal Studios President and Chief Operating Officer Ron Meyer (whose contract was recently re-upped through 2015) and will now also report to NBCUniversal Chief Executive Officer Steve Burke.

While Universal has had its ups and downs, higher-ups are clearly convinced that Fogelson, Langley and their team are making progress. They’ve had recent hits –Bridesmaids, Hop! and Fast Five– but also had some recent misses that include The Dilemma, Change-Up and Cowboys & Aliens. In the latter case, the studio was on the hook for one-third of the film, and shared that third with Relativity Media. It has also been a year in which Fogelson and his team have made some painful decisions and let pricey productions go. That began with the Guillermo Del Toro-directed At the Mountains of Madness, which Universal developed for years and which was ready to go with Tom Cruise, until the studio made a late decision not to go forward because of the possibility the $150M film could carry an R-rating. Universal also dropped two projects that were in advanced  stages of development: The Dark Tower, the Akiva Goldsman-directed adaptation of the Stephen King novel series that was to be made into three feature films and two limited-run TV series, with the first film and TV segment directed by Ron Howard and produced by Brian Grazer and Goldsman; and Oiuja, the Hasbro board game that had McG directing and Michael Bay and his Platinum Dunes partners producing with Hasbro. The moves were surprising because Howard and Grazer are cornerstone filmmakers for Universal; and Del Toro and Hasbro have overall deals there. Ouija is one of several Hasbro properties the studio dropped, the others being the Gore Verbinski-directed Clue, the Ridley Scott-directed Monopoly and Magic, The Gathering. These were part of a groundbreaking deal the studio made with the toymaker several years ago, but the studio and Hasbro have re-focused their attention solely on Battleship, Stretch Armstrong, and Candy Land. Read More »

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Ron Meyer Continues At Universal Thru 2015

By NIKKI FINKE, Editor in Chief | Monday June 27, 2011 @ 10:20am PDT

I don’t know if there’ll be a formal announcement of this, but Ron Meyer has signed a new contract to continue as President and Chief Operating Officer of Universal Studios. He will remain with the company at least 4 1/2 more years through 2015 and he will continue to report to Steve Burke, chief of NBCUniversal. And so concludes the recent saga of whether Meyer would stay atop the studio after the recent sale to Comcast. First came the inaccurate reports last November that the 66-year-old Meyer was about to get fired by the new owners. Then came more inaccurate reports in May that Meyer was in negotiations to get hired again. Actually, the longest-serving Hollywood mogul began bargaining shortly after that since the perks alone made the job worth the headaches, and Comcast wanted him to stick around.

Meyer’s current contract continues through December 2012 and he’s been running Universal Studios for 16 years in charge of motion pictures, parks and resorts, and studio operations. Since he arrived in 1995, he’s made it through four changes of ownership (Seagram’s, Vivendi, General Electric, and now Comcast) and nine different bosses (Edgar Bronfman Jr, Frank Biondi, Jean-Marie Messier, Pierre Lescure, Barry Diller, Jean-Rene Fourtou, Bob Wright, Jeff Zucker, and now Steve Burke). And each and every time, Hollywood collectively would turn to him with the same worried expression and say, “How are you?” And each and every time, Meyer would reply, “I’m still here.” Once, entertainment super-lawyer Bruce Ramer asked Ron to speak to an industry luncheon: of course, on the topic of surviving. It’s not only a miracle — a word Meyer himself uses from time to time — it’s certainly a footnote in the history books of showbiz. “Fear of failure has taken me a long way,” Meyer once told me on the record. Read More »

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Q&A: Brian Grazer And Ron Howard On 25 Years Together As Imagine Partners

Mike Fleming

UPDATE EXCLUSIVE: Imagine Entertainment’s Brian Grazer and Ron Howard have reached a milestone unusual in Hollywood: partners for 25 years. When they first got together, Grazer was a TV producer. Howard, after growing up on the small screen in The Andy Griffith Show and Happy Days, had only directed a couple of TV movies and the low budget Roger Corman-produced Grand Theft Auto. Grazer and Howard have been at it together ever since, building a company that over 25 years has been one of the most consistent generators of content. Their TV series output includes 24, Parenthood, Arrested Development and Friday Night Lights; their movies have grossed $13.5 billion worldwide. That includes A Beautiful Mind, which won Howard the Academy Award for Best Director. Grazer and Howard shared Best Picture Oscars that night as well. Not everything they’ve done has succeeded, of course. They they took their company public and repurchased the shares; they helped launched and fold the online venture Pop.com; their most recent film together, the adult comedy The Dilemma, was a misfire that created controversy over the inclusion of the word “gay” in a trailer. They’ve had way more hits than misses.

In honor of Imagine’s Silver Anniversary, Deadline invited Howard and Grazer to look back over their quarter century together, and into a future that includes something never tried before by anyone in Hollywood. They’re adapting Stephen King’s 7-novel series The Dark Tower into a film trilogy, and a limited run TV series in between. It has pushed the envelope enough that their longtime home studio, Universal  Pictures, postponed a planned late summer start until next year and asked the filmmakers to cut the budget. Some question the studio’s resolve on such a massive undertaking. The studio has to green light the film by next month or the rights revert to Imagine, Akiva Goldsman and King, who are determined to make it regardless.

DEADLINE: Not many marriages of any kind last 25 years in Hollywood. What is most important about the anniversary?
HOWARD: It’s such a challenging time to get movies made. And yet, look at all we have coming out. Tower Heist, the Gus Van Sant movie Restless, J Edgar with Clint Eastwood and Leo DiCaprio, Cowboys & Aliens, this big broad appeal four quadrant fantasy adventure story with Harrison Ford and Daniel Craig. With The Playboy Club getting on the air, and Parenthood getting picked up, I’m proud we’re doing what we’ve always done. A wide variety of projects that got made because we care and put in the energy to get them done in light of how difficult it is these days.

DEADLINE: I’ve watched filmmaker partnerships fail because of jealousy, ego, greed, or lack of sustained success. Why have you avoided those pitfalls?
HOWARD: The bi-coastal relationship!

DEADLINE: Simple as that?
HOWARD: Because I’m in New York, we’re not forced to stare at each other’s faces 24/7. But I think that’s not really it. We love what we’re doing, we have fun doing it and our sensibilities are in sync. In a business that can create so many feelings of anxiety and self-doubt, I learned to trust in that. Brian is smart and cares about me doing well and feeling good about what I’m doing. It’s a partnership built on support. It has been that way since the beginning.
GRAZER: It works because we have similar tastes and not only gravitate toward the same material but also what lives inside the core of the movie it becomes. We’ve done, and Ron has directed, all kinds of genres. We have a common interest in the humanity aspect of a movie, regardless if it’s a comedy or a drama. We also share a similar work ethic.

DEADLINE: When you cover all genres, does Imagine have a wheelhouse? For a company looking to last, is it advisable to have one?
HOWARD: The process is what gets Brian and me excited, whatever the genre. Not specializing has given our company a sense of flexibility and adaptability to whatever the market or the zeitgeist is suggesting. We’ve always respected each other as creative people. If Brian loves something and I don’t quite get it, I’ll tell him that but I’ll never try to impede the progress. He’s the same with me. With Apollo 13, I  wasn’t sure the genre would work, because space films hadn’t done that well. Brian was instantly so excited about it, and made me realize we were onto something. 8 Mile, I don’t know anything about rap. This was something he understood. I didn’t know how to make that movie, but I recognized a great idea. Whenever the two of us get excited, on films like Splash, Night Shift and Parenthood, those have resulted in the building blocks of the company. I’ve always liked TV  but I phased it out for awhile and it was Brian’s perseverance that has made us strong in both TV and films. Independent companies are rarely strong in both.
GRAZER: What we’ve do is agree on the moral center of a project, but nobody’s better at finding the language of a particular movie than Ron. He’s got a grasp of understanding  new vocabularies, whether it’s the The Da Vinci Code, fantasy like Cocoon or Splash, or Backdraft and The Grinch. He is great at inhabiting a world and completely understanding and expressing its language. In A Beautiful Mind, he entered that world and understood the medical science of mental illness. So there have been times where he led the charge, and I was drawn in by his excitement.

DEADLINE: What was the last hard conversation or professional disagreement you can remember?
HOWARD: I can’t think of one offhand, but even when we have disagreements, I can’t think of a case where one of us ever said, ‘Oh, please don’t do this.’ If there’s a lot of passion from one or the other, then the support of the company is going to be there. Read More »

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Emanuel Nunez, Key Architect Of Reliance DreamWorks Deal, Has Left CAA

Mike Fleming

Emanuel Nunez has exited CAA. Nunez is the financing wiz who helped put bring offshore companies into Hollywood, particularly at a time in 2008 when those companies decided to bet on specific talent. He was a key point person on … Read More »

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Ron Meyer Not In Negotiations To Re-Up At Universal Studios — Yet

By NIKKI FINKE, Editor in Chief | Monday May 16, 2011 @ 3:07pm PDT

First, Vulture.com’s Claude Brodesser-Akner inaccurately reported last November that 66-year-old Ron Meyer was about to get fired by the new Comcast owners. Now the Los Angeles Times‘ Ben Fritz inaccurately reported today that Ron Meyer is in negotiations to get hired again. Jeez, can’t you people get this right? Here’s what’s true: there is no bargaining underway, no contract extension on the table, no sticking points, no nothing. Just an “indication” from the Comcast overlords to Ron Meyer that they’d like him to stay. Does he want to stick around? Of course. (The perks alone make the job of mogul worth the headaches…) Will he stick around? Without doubt. But Fritz’s story isn’t correct as to where things stand today. ”It’s too early. The LA Times is honestly getting ahead of themselves. Everyone’s afraid to get beat by you,” an insider tells me. (Yikes, so now their mistake is my fault? On what planet?)

Meyer’s current contract continues through December 2012 and he’s been running Universal Studios for 16 years in charge of motion pictures, parks and resorts, and studio operations. Since he arrived in 1995, he’s made it through 4 changes of ownership (Seagram’s, Vivendi, General Electric, and now Comcast) and 9 different bosses (Edgar Bronfman Jr, Frank Biondi, Jean-Marie Messier, Pierre Lescure, Barry Diller, Jean-Rene Fourtou, Bob Wright, Jeff Zucker, and now Steve Burke). And each and every time, Hollywood collectively would turn to him with the same worried expression and say “How are you?” And each and every time, Meyer would reply, “I’m still here.” Once, entertainment super-lawyer Bruce Ramer asked Ron to speak to an industry luncheon: of course, on the topic of surviving. It’s not only a miracle — a word Meyer himself uses from time to time — it’s certainly a footnote in the history books of showbiz. “Fear of failure has taken me a long way,” Meyer once told me on the record. Read More »

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‘Despicable Me’ Becoming 2nd Biggest Toon Home Entertainment Release

EXCLUSIVE: This is the reason that Universal Studios president/COO Ron Meyer and his team trekked to Arkansas last week for a personal visit to the Wal-Mart headquarters. I’ve just learned that Universal’s first family film/toon unit from Chris Meledandri’s … Read More »

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